The fourth book in the Piano Gefällt Mir! series brings you 50 more chart and film hits, all arranged for Easy Piano by renowned composer Hans-Günter Heumann.This series has long been a favourite for Pianists looking to learn popular tracks from an authoritative source, and Hans-Günter Heumann has proven himself as a name you can rely on for Easy Piano arrangements of great modern pop classics. Everything from Coldplay to Harry Potter is included here, so you'll never be short of contemporary songs to learn and perform.From George Ezra's massive hit Budapest to Sam Smith's Money On My Mind, this book collects the finest hits from the past few years and arranges them for you to start playing straight away. A great selection of film songs and themes are also represented, such as Ed Sheeran's atmospheric I See Fire from 'The Hobbit' film, and Pharrell Williams's unbelievably catchy Happy from 'Despicable Me 2'.Not only this, but a few of Heumann's own compositions are sprinkled throughout, allowing you to take inspiration from this indisputable giant of composition's own creations. This edition is perfect-bound. Click here to purchase the spiral-bound version. / Piano

Par LILLINGTON KENNETH. Ever since its premiere just over a century ago, The Mikado has consistently held the stages as one of the world's best-loved comic operas. The story, retold by Kenneth Lillington, tells how Nanki-Poo, son of the Mikado, overcomes all opposition to marry his sweetheart Yum-Yum. On the way he encounters such unforgettable characters as Ko-Ko, the timid tailor unexpectedly promoted to the rank of Lord High Executioner, and Pooh-Bah, Lord High Everything Else, who is so proud that he refuses to lift a finger - except on payment of a small fee... This exquisitely illustrated Easy Piano Picture Book incorporates easy-to-play versions of the most famous songs from the show including Three Little Maids from School, The Moon and I and Tit-Willow. It will delight Gilbert and Sullivan fans of all ages. / Niveau : Facile / Recueil / Piano

Veteran church music composer/arranger and congregational worship specialist Benjamin Harlan has crafted solid arrangements of 40 favorite praise and worship songs in Sanctuary Praise and Worship. This outstanding reproducible collection is designed to be a flexible and practical resource for blended worship. A CD-ROM included in the book contains reproducible instrumental parts, lead sheets, and PowerPoint files for projection. / Choeur

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

Learn to play banjo and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginners of all ages can start their journey to a lifetime of musical enjoyment. Alfred's Teach Yourself to Play Banjo teaches you to play 5-string banjo even if you've never held the instrument before. The book starts with the fundamentals such as the history of the banjo, its components, how to hold and tune it, caring for your very own instrument, and how to read standard musical notation. You will then move right along to playing different chords, strums, and songs, lesson by lesson, all while continuing to increase your knowledge of reading banjo music. You will learn important banjo techniques such as the hammer-on, pull-off, and more. There are also fingering charts and a dictionary of chords in G and C tunings. This best-selling book is now available with DVD and CD. The DVD includes video lessons and performances for everything in the book, and also includes the TNT 2 audio player that lets you adjust the tempo and pitch, and isolate parts. The CD includes audio performances of every exercise and song. It plays in your CD player or you can download the tracks to your PC. Upon completion of the book, you will be able to play your favorite songs on the banjo, read music, play more than a dozen different strums and perform with a musical group.Be your own teacher, and let Alfred Music be your resource every step of the way. / Banjo

Que vous soyez un chanteur de karaoké ou se préparer pour une audition, la série pro vocale est pour vous. Le livre contient des paroles, des symboles mélodie et corde pour huit stade hits. Le CD contient des démos pour l'écoute et les choeurs des pistes séparées si on peut chanter le long. Le CD est jouable sur tout lecteur de CD, et elle est également améliorée pour les utilisateurs d'ordinateurs PC et Mac donc vous pouvez ajuster l'enregistrement tout terrain sans changer le tempo ! Parfait pour la maison répétition, les partis, les auditions, événements corporatifs et concerts sans une interdiction de soutien / Voix

Un pont couvert rouge enjambe le ruisseau Big Bureau juste au nord de Princeton, Illinois. Cette attraction locale a servi de source d'inspiration pour cette composition lyrique. Le cadre serein évoque les nombreuses personnes qui ont traversé ce pont en des temps plus simples, et les histoires de leurs vies. Cette pièce espère capturer ces moments de réflexion, de joie, les enfants qui jouent, et des moments forts de la volonté. (05:00) / Concert Band

This volume, by Barbara Malipiero, provides two studies edited by Riccardo Malipiero in 1948 on Bach and Debussy.These are both significant works, as they take us back to the 'real' music and lives of these two composers, misunderstood so far.Riccardo Malipiero (Milan, 24th July 1914 - 27th November 2003) was a versatile man: a composer and intellectual with an interest in all areas of culture, not just music, he was a journalist and essayist, and one of the first promoters of dodecaphonic music. He produced a large body of works for chamber and symphonic orchestra. He played a leading role in theatre and vocal music. He was one of the most active organisers of cultural events in the immediate post-war period, including the First International Congress of Dodecaphonic Music, held in Milan in 1949.Italian text. / Piano

Un ouvrage de référence et un choix considérable : 69 polyphonies pour trois voix mixtes - 2 voix de femmes et 1 voix d'hommes - sériées par genres : canons, oeuvres avec accompagnement instrumental, oeuvres du XVe au XXe siècles, noëls, chansons populaires françaises et étrangères, chansons d'aujourd'hui... / Choeur Mixte / 160 pages / Partition

Une nouvelle édition de la populaire série, pour tous les fans de Télé bigarrée. Enregistré avec la ligne mélodique, les paroles et accords de guitare et avec reliure spirale pratique dans un format A5 très pratique! / Ukulélé