Arranged by Justin Sandercoe. Guitar Book. Pop, Rock. Softcover. 304 pages. Published by Hal Leonard

By Meghan Trainor. By Caitlyn Elizabeth Smith, Justin Weaver, and Meghan Trainor. Arranged by Mac Huff. For Choral (SAB). Pop Choral Series. Octavo. Published by Hal Leonard

By Meghan Trainor. By Caitlyn Elizabeth Smith, Justin Weaver, and Meghan Trainor. Arranged by Mac Huff. For Choral (ShowTrax CD). Pop Choral Series. CD only. Published by Hal Leonard

By Meghan Trainor. By Caitlyn Elizabeth Smith, Justin Weaver, and Meghan Trainor. Arranged by Mac Huff. Pop Choral Series. Octavo. 12 pages. Published by Hal Leonard (HL.155294).

By Meghan Trainor. By Caitlyn Elizabeth Smith, Justin Weaver, and Meghan Trainor. Arranged by Mac Huff. Pop Choral Series. Pop, RandB, Soul. Octavo. 12 pages. Published by Hal Leonard

Music from the Motion Picture Soundtrack. By Anna Kendrick, Justin Timberlake, and Various. Piano/Vocal/Guitar Songbook. Softcover. 72 pages. Published by Hal Leonard (HL.216513).

Marching Band - Grade 3

SKU: AP.47490

As Recorded by Bebe Rexha. Composed by Bleta Rexha, Jussi Karvinen, Justin Tranter, Meredith Brooks, and Shelly Peiken. Arranged by Nick Baratta. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Pop. Score and Part(s). 110 pages. Alfred Music #00-47490. Published by Alfred Music (AP.47490).

UPC: 038081549972. English.

Up-and-com ing singer/songwriter Bebe Rexha's 2018 pop/R&B single gets the cool Nick Baratta treatment with this new chart. The unique style and groove of this arrangement make it a great choice for the stands or for dance groups!

Marching Band - Grade 3

SKU: AP.47490S

As Recorded by Bebe Rexha. Composed by Bleta Rexha, Jussi Karvinen, Justin Tranter, Meredith Brooks, and Shelly Peiken. Arranged by Nick Baratta. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Pop. Score. 8 pages. Alfred Music #00-47490S. Published by Alfred Music (AP.47490S).

UPC: 038081549989. English.

Up-and-com ing singer/songwriter Bebe Rexha's 2018 pop/R&B single gets the cool Nick Baratta treatment with this new chart. The unique style and groove of this arrangement make it a great choice for the stands or for dance groups!

By Joseph M. Martin. For SATB Choir. Choral, Obligato Instrument-Cello, Obligato Instrument-Oboe or C, Funeral, Memorials, Lite Trax and Sacred. Sheet Music. Published by Shawnee Press.

For Violin. Classical (duets). Contains printed music score and a compact disc featuring all the works in split-channel stereo, with the first violin on the right channel, the second violin on the left. By adjusting the balance, the soloist can remove either violin and play the other. Published by Music Minus One.

Big Note Piano. Arranged by Albert Mendoza. This edition: Big Note Piano; Deluxe Annual. Book; Piano - Big Note Collection; Piano Supplemental. Greatest Pop and Movie Hits. Movie; Pop. 108 pages. Published by Alfred Music

Easy Piano. Arranged by Dan Coates. This edition: Easy Piano; Deluxe Annual. Book; Piano - Easy Piano Collection; Piano Supplemental. Greatest Pop and Movie Hits. Movie; Pop. 108 pages. Published by Alfred Music

Edited by Zoby Perez. Arranged by Richard Bradley. Piano arrangement mixed folio (Big Note Piano: large, simple, easy-to-read melodies). Published by Alfred Publishing.

Soprano voice solo/3 tenor voice solos/3 baritone voice solos/orchestra (Soprano Voice Solo, 3 Tenor Voice Solo, 3 Baritone Voice Solo, Orchestra)

SKU: BA.BA08812-01

Comedy in one act in verses, with ariettes and vaudevilles. Composed by Adolphe Benoît Blaise and Marie-Justine-Benoîte Favart. Edited by Andreas Münzmay and Janine Droese. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 2. Edition of selected works, Score, Critical commentary, USB flash drive. Baerenreiter Verlag #BA08812_01. Published by Baerenreiter Verlag (BA.BA08812-01).

ISBN 9790006543182. 33.1 x 26.5 cm inches. Text Language: French. Preface: Münzmay, Andreas. Text: nach Jean-Francois Marmontel.

Annette et Lubin

Justine Favart and Adolphe Blaise'sAnnette et Lubinwas premiered on 15 February 1762 at the Paris Opera-Comique - the first new production at that theater following its merger with the Comedie-Italien. It was a resounding success: by the time the season came to an end, on 3 April, it had been almost continuously on the program with no decline in interest from the public, and it remained in the repertoire for more than thirty years. Countless new editions, translations, and parodies of the play bear witness to its impact far beyond the borders of Paris. Like all of Favart's works, it deals with the subject of natural love, unencumbered by considerations of money or social status endangering it from the outside through powerful aristocratic or wealthy rivals. The plot is based on a literary model, the like-named tale by Jean-Francois Marmontel, which is in turn based on a contemporary occurrence.

Annette and her cousin Lubin are sharply reprimanded for their love by an estate administrator (Le Bailli) who himself has designs on Annette. He takes advantage of Annette's illegitimate pregnancy to extort her: only by marrying him can she escape condemnation by society and the church. But Annette and her lover are able to gain the protection of the local squire (Le Seigneur), and the story ends happily with a conciliatory gesture from the lord of the manor.

The second volume in our series OPERA, Annette et Lubin, consists of a cloth-bound book and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited.
Further information on the work and the OPERA series can be found at http://www. opera-edition.com/en/anne tteetlubin_en.htm.


OPERA: Spectrum of European Music Theatre in Separate Editions is dedicated to critical editions of outstanding works of European music theatre from the 17th to the 20th centuries.

Compositions of French, Italian, German, English, Scandinavian and Slavic origin are being edited. These include specific genres which have seldom been given attention in editorial undertakings until now and which present their own editorial problems, such as ballet, theatre music, melodrama or operetta.

A new feature is the form of the presentation in so-called hybrid editions. While the scores appear in traditional cloth-bound volumes, the musical and textual sources, the editions of the dramatic texts, as well as the critical commentaries are prepared and presented on an electronic platform (Edirom).
Thanks to this ability to access the underlying sources, the editorial decisions are completely transparent to the user.

This special editorial access being implemented by OPERA's editions uses the software Edirom, which was developed in a project of the Deutsche Forschungsgemeinschaft (German Research Foundation) based at the University of Paderborn. All components of the electronic part are encoded according to the modern standard of XML. The text components follow the standard of the Text Encoding Initiative (TEI).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding