For Upper Voices Children's Choir; Choral; Women's Choir (Highlights)

SKU: HL.50606502

For Upper Voices From 27 Two- and Three- Part Choruses. Composed by Bela Bartok. Edited by Mikló and s Szabó. EMB. Children'S Choir, Classical, Female Voices, Hungarian. Octavo. 4 pages. Editio Musica Budapest #Z20074. Published by Editio Musica Budapest (HL.50606502).

ISBN 9781705190654. UPC: 196288126782.

This publication is based on volume 9 of the Béla Bartók Complete Critical Edition, published jointly by G. Henle Verlag, Munich, and Editio Musica Budapest Zenemukiadó.

Chorus a cappella

SKU: BR.CHB-5386

Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. Breitkopf and Haertel #CHB 5386. Published by Breitkopf and Haertel (BR.CHB-5386).

ISBN 9790004413876. 7.5 x 10.5 inches. German.

It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.

For three, four and six female voices a cappella.

Chorus a cappella

SKU: BR.CHB-5386-02

Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. 12 pages. Breitkopf and Haertel #ChB 5386-02. Published by Breitkopf and Haertel (BR.CHB-5386-02).

ISBN 9790004413876. 7.5 x 10.5 inches. German.

It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.

For three, four and six female voices a cappella.