L'Album Vocal de Karl Jenkins vous apporte des chansons de mystère et d'enchantement du compositeur de Adiemus. Les numéros préférés de Best-sellers titres l'homme armé: une messe pour la paix et Requiem des épaules de frotter avec une sélection de mélodies radiants comme jouées par Kiri te Kanawa avec Karl Jenkins et l'Orchestre symphonique de Londres sur EMI Classics Kiri chante Karl. / Voix Et Piano (Ou Guitare)

Par CHILLA KARL-PETER. Der dritte Band der erfolgreichen Reihe „Enjoy the Organ“ bietet konzertante Orgelmusik des 17. bis 20. Jahrhunderts, die auch auf kleineren Instrumenten darstellbar ist und bei begrenzten zeitlichen Übemöglichkeiten wirkungsvolle Klangergebnisseerzielt. Der vorliegende Band 3 enthält unter anderem: Juan Cabanilles, „Batalla Imperial I“; Johann Baptist Vanhal, „Sonatine F-Dur“; Robert Schumann, „Adagio“ aus op. 70; Gabriel Fauré, „Cantique de Jean Racine“ op. 11; Pietro Yon, „Humoresque“. Für hauptamtliche Kirchenmusiker ist die Sammlung als Anregung zu Improvisation und als Prima-Vista-Literatur verwendbar. - Für nebenamtliche Kirchenmusiker und Organisten - Sammlung leicht spielbarer konzertanter Orgelstücke - Auch auf kleineren Instrumenten wirkungsvoll darstellbarKarl-Peter Chilla war bis zum Jahre 2014 Probsteikantor in der Evangelischen Kirche in Hessen und Nassau. Er lehrt die Fächer Kinderchorleitung, Schulchorleitung, Liturgisches Singen sowie Hymnologie an der Hochschule für Musik und Darstellende KunstFrankfurt am Main./ Répertoire / Orgue

Composer : Ditters von Dittersdorf, KarlInstrumentation : Ob,KlavEdition : Piano and soloEditor : Rhau, Günter

The 'organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, both original works and arrangements.Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.Among the pieces in this edition are John Alcock, 'Fuga? - ChristliebSiegmund Binder, 'Prelude in F major? - Jacques-Nicolas Lemmens, 'Fanfare? - Max Philipp Zeyhold, 'Concerto in A major? - Johann Sebastian Bach, 'Was Gott tut, das ist wohlgetan? - Karl Hoyer, 'Liebster Jesu, wir sind hier? - Carl Piutti, 'Lobe den Herren, den mächtigen König? - and Carsten Klomp, 'Grosser Gott, wir loben dich?. / Orgue

Versuch eines Requiems. Par HARTMANN KARL AMADEUS. Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. / Date parution : 1965-11-20/ Répertoire / Voix d'Alto et Orchestre

Par LEIMER KARL / GIESEKING WALTER. Walter Gieseking and Karl Leimer. A radical approach towards developing finger and expression technique, emphasising listening to one's self and proper understanding as the basis of technique for the piano./ Répertoire / Piano

Music From The Armed Man, Adiemus And More. Intimate And Spiritually Uplifiting Classics Reimagined For Solo Piano. Par JENKINS KARL. Réinventés pour piano solo, ces classiques intimes et spirituellement vivifiants incluent Adiemus, Cantilena, Benedictus, Palladio, Ave verum, And the Mother did Weep et In paradisum. Figurent également les solos originaux pour piano de Quirky Blue et Canción plateada - et White Water, spécialement composé pour cet album. Recréez pour vous-même le mystère, l'émotion et l'enchantement de ces sonorités iconiques. / Niveau : Moyen / Date parution : 2019-10-24/ Répertoire / Piano

Par MARX KARL / SCHWEPPE JOACHIM. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit -/ Répertoire / Choeur Mixte

Es Dröhne Donner. Par SCHISKE KARL. SSAA / Niveau : Elémentaire / Répertoire / Choeur

A travers cette méthode d'apprentissage Piano vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Czerny 160 Eight Mesure Exercices For Piano Op.821 a été écrit par Czerny Karl et éditée par les éditions Hal Leonard sous la référence HL50253060. / Piano / 76 pages / niveau : Débutant / Partition