| Baumann E Ein Ave Maria Im Wilden Westen Schott
(BR) SKU: HL.49041729 Karl May als Komponist. Composed by Baumann....(+)
(BR) SKU:
HL.49041729 Karl
May als Komponist.
Composed by Baumann. This
edition: Paperback/Soft
Cover. Paperback. Serie
Musik. Edition with CD.
99 pages. Schott Music
#SEM 8383. Published by
Schott Music
(HL.49041729). ISBN
9783254083838.
German. Ohne
Ubertreibung darf man
Karl May den
erfolgreichsten deutschen
Schriftsteller nennen.
Uber seine Person weiss
man gleichwohl wenig,
ebenso fristen sein
mystisches Spatwerk und
seine Gedichte ein
Schattendasein. Fast
ganzlich unerschlossen
sind jedoch seine
Kompositionen, zumal es
uberhaupt weitgehend
unbekannt ist, dass Karl
May komponiert und eine
fundierte musikalische
Ausbildung genossen hat
sowie einige Zeit als
ausubender Musiker tatig
gewesen ist. Dem 1897
entstandenen 'Ave Maria'
fur 4-stimmigen
gemischten Chor, dessen
Strophen durch die
(fragmentarische)
Einbindung in den dritten
Winnetou-Band
einigermassen bekannt
geworden sind, kommt
unter Mays nachgelassenen
Kompositionen eine
besondere Stellung zu.
Dieses Werk steht
exemplarisch fur seinen
musikalischen Stil im
Mittelpunkt dieses
Buches, das der
lebenslangen starken
Affinitat Karl Mays zur
Musik nachgeht. $19.95 - Voir plus => Acheter | | |
| Karl Jenkins: Chatterbox! Violon et Piano Boosey and Hawkes
Violin and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Musi...(+)
Violin and Piano.
Composed
by Karl Jenkins. Boosey
&
Hawkes Chamber Music.
Softcover. 20 pages.
Boosey
& Hawkes #M060132988.
Published by Boosey &
Hawkes
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ave Maria Chorale SATB - Facile Schott
Mixed choir (SATB) - easy SKU: HL.49001641 Es will das Licht des Tages...(+)
Mixed choir (SATB) - easy
SKU: HL.49001641
Es will das Licht des
Tages scheiden.
Composed by Karl May.
This edition: Folding.
Sheet music. Schott
Chorblattreihe (Choral
Music). Classical. Choral
Score. 4 pages. Duration
6'. Schott Music #CHBL
437. Published by Schott
Music (HL.49001641).
ISBN 9790001020152.
German. $3.50 - Voir plus => Acheter | | |
| Vergiss Mich Nicht Chorale SATB - Facile Schott
Mixed choir (SATB) - easy SKU: HL.49001640 Composed by Karl May. This edi...(+)
Mixed choir (SATB) - easy
SKU: HL.49001640
Composed by Karl May.
This edition: Folding.
Sheet music. Schott
Chorblattreihe (Choral
Music). Classical. Choral
Score. 3 pages. Duration
4'. Schott Music #CHBL
436. Published by Schott
Music (HL.49001640).
ISBN
9790001020145. $3.50 - Voir plus => Acheter | | |
| Adiemus (from Symphonic Adiemus) Chorale SATB SATB divisi Boosey and Hawkes
Boosey and Hawkes Contemporary Choral Series SATB divisi with Piano. Composed ...(+)
Boosey and Hawkes
Contemporary
Choral Series SATB divisi
with
Piano. Composed by Karl
Jenkins. BH Secular
Choral.
Classical. Octavo. 16
pages.
Duration 240 seconds.
Boosey and
Hawkes #M060134357.
Published
by Boosey and Hawkes
$5.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 6. Klaviersonate. Sonata romina Piano seul Doblinger
| | |
| Sonate fur Viola und Klavier, No. 1 Alto, Piano [Performance Score|Score and Parts|Set of Parts] Barenreiter
By Karl Haidmayer. For viola/piano. Stapled. Performance score and parts. Compos...(+)
By Karl Haidmayer. For
viola/piano. Stapled.
Performance score and
parts. Composed 1964. No.
1. Published by
Baerenreiter Verlag
$26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Choral Calls to Worship, Volume 3: Fall Seasons and Festivals Chorale SATB SATB A Cappella MorningStar Music Publishers
By Karle Erickson. For SATB choir a cappella with optional Instruments . Pentec...(+)
By Karle Erickson. For
SATB choir a cappella
with optional Instruments
. Pentecost, Reformation,
Thanksgiving, Christ the
King, General . Choral.
Level: Moderately Easy.
Published by MorningStar
Music Publishers.
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Karlheinz Stockhausen (1928-2007) Voice And Piano Or Solo Piano - English Piano, Voix Schott
Voice and piano or solo piano (Voice and Piano) SKU: HL.49044933 For v...(+)
Voice and piano or solo
piano (Voice and Piano)
SKU: HL.49044933
For voice and
piano. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Vocal Solo. Softcover.
Composed 2008. 6 pages.
Duration 2'. Schott Music
#ED13745. Published by
Schott Music
(HL.49044933). ISBN
9790220135361. UPC:
841886027756.
9.0x12.0x0.063 inches.
English. This song
is a poignant tribute to
Barry's teacher,
Stockhausen. It was
written for the 2008
Aldeburgh Festival
programme book and is a
setting of an enigmatic
letter about friendship,
written by Beethoven in
1821. The song may also
be performed as a solo
piano piece. $8.99 - Voir plus => Acheter | | |
| Karla Theodore Presser Co.
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns...(+)
Orchestra 2 Clarinets (2
dbl. bass Clarinet), 2
Flutes (2 dbl. Piccolo),
2 Horns, 2 Oboes (2 dbl.
English Horn), 2
Trombones, 2 Trumpets, 2
bassoons, 3 Timpani +
tenor Drum (or Tom Tom),
High Hat, S, Tuba
(Trombone 2 and Tuba may
be played by one player),
bass Drum SKU:
PR.416414360
One-Act Opera.
Composed by Leonard
Lehrman. Based on Bernard
Malamud's Notes From A
Lady At A Dinner Party.
Tales of Malamud. Opera.
Full score. With Standard
notation. Composed 1974.
109 pages. Theodore
Presser Company
#416-41436. Published by
Theodore Presser Company
(PR.416414360). UPC:
680160606245. 8.5 x 11
inches. Based on Bernard
Malamud's Notes From A
Lady At A Dinner Party.
Based on Bernard
Malamud's Notes From A
Lady At A Dinner
Party. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ave Maria / Peace Be upon You Chorale Unison - Facile GIA Publications
By Giulio Caccini. Arranged by Karle Erickson. For Voices: Unison (or solo?). In...(+)
By Giulio Caccini.
Arranged by Karle
Erickson. For Voices:
Unison (or solo?).
Instruments: Violin,
flute (instruments
optional). Piano. Not for
Children Only Sacred.
Level: easy. 4 pages.
Published by GIA
Publications.
(2)$2.20 $2.09 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Karla Theodore Presser Co.
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns...(+)
Orchestra 2 Clarinets (2
dbl. bass Clarinet), 2
Flutes (2 dbl. Piccolo),
2 Horns, 2 Oboes (2 dbl.
English Horn), 2
Trombones, 2 Trumpets, 2
bassoons, 3 Timpani +
tenor Drum (or Tom Tom),
High Hat, S, Tuba
(Trombone 2 and Tuba may
be played by one player),
bass Drum SKU:
PR.41641436L
One-Act Opera.
Composed by Leonard
Lehrman. Based on Bernard
Malamud's Notes From A
Lady At A Dinner Party.
Tales of Malamud. Opera.
Large Score. With
Standard notation.
Composed 1974. 109 pages.
Theodore Presser Company
#416-41436L. Published by
Theodore Presser Company
(PR.41641436L). UPC:
680160606252. 11 x 14
inches. Based on Bernard
Malamud's Notes From A
Lady At A Dinner Party.
Based on Bernard
Malamud's Notes From A
Lady At A Dinner
Party. $140.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Twin Dream Partitur, Kopi Music Sales
Flute, Clarinet, Percussion, Piano Chamber, Violin, Cello SKU: HL.14034406(+)
Flute, Clarinet,
Percussion, Piano
Chamber, Violin, Cello
SKU: HL.14034406
Composed by Karl Aage
Rasmussen. Music Sales
America. Classical.
Score. Music Sales
#KP00535. Published by
Music Sales
(HL.14034406). ISBN
9788759866962.
Danish. Karl Aage
Rasmussen TWIN DREAMMost
people know a specific
kind of dreams which may
turn up again and again,
partly unchanged. TWIN
DREAM was composed for
the Ensemble 2000 in 1997
and is, as the title
suggests a sister of the
ensemble piece WEBS IN A
STOLEN DREAM from
1996.Karl Aage
Rasmussen. $46.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ruzicka P Musik Fuer Die Insel Schott
(BR) SKU: HL.49041713 Was Prominente mit in die Abgeschiedenheit nehme...(+)
(BR) SKU:
HL.49041713 Was
Prominente mit in die
Abgeschiedenheit
nehmen. Composed by
Peter Ruzicka. Edited by
Peter Ruzicka. This
edition: Paperback/Soft
Cover. Paperback. Serie
Musik. 112 pages. Schott
Music #SEM 8364.
Published by Schott Music
(HL.49041713). ISBN
9783254083647.
German. Wem ist sie
noch nie gestellt worden,
jene beruhmte Frage nach
der Musik, die man mit in
die - fiktive - Gegend
fern aller Zivilisation
nehmen wurde? Die Wahl
ist schwierig: Nach
welchem Kriterium soll
man seine Musik
aussuchen? Nach ihrer
Tiefe, ihrem emotionalen,
moralischen,
philosophischen Anspruch
oder gar schlicht nach
ihrer Dauer - hie ein
Choralvorspiel von Bach,
da die Matthauspassion?
Soll die Musik aufheitern
oder die innere Einkehr
verstarken? Welche
Interpretation
transportiert die eigene
Vorstellung am besten?
Lesen Sie die Antworten
prominenter Zeitgenossen,
darunter Helmut Schmidt
und Walter Jens, Marcel
Reich-Ranicki und Gyorgy
Ligeti, und stellen Sie
den interessanten
Vergleich mit Ihrer
eigenen Entscheidung
an. $7.95 - Voir plus => Acheter | | |
| Trouping Days - Intermédiaire LudwigMasters Publications
Concert Band - Grade 3 SKU: AP.36-50105344 Composed by Karl L. King. Arra...(+)
Concert Band - Grade 3
SKU:
AP.36-50105344
Composed by Karl L. King.
Arranged by Gene Milford.
Concert Band; Performance
Music Ensemble. Concert
Band - LudwigMasters.
Score. Duration 2:00.
LudwigMasters
Publications
#36-50105344. Published
by LudwigMasters
Publications
(AP.36-50105344). ISBN
9798892703109. UPC:
659359647932.
English. Trouping
Days is a popular band
wagon march, played fast
and loud as the band rode
through towns to attract
customers. This
arrangement by Gene
Milford exhibits Karl
King's wonderful gift for
melody and is scored for
the current concert band
from his original
edition. (2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $8.00 - Voir plus => Acheter | | |
| Trio In B Flat For Flute,viola And Basso Continuo EMB (Editio Musica Budapest)
Mixed Chamber Trio SKU: HL.50486659 Composed by Heinrich Karl Graun. Baro...(+)
Mixed Chamber Trio
SKU: HL.50486659
Composed by Heinrich Karl
Graun. Baroque. EMB.
Score and parts. 50
pages. Editio Musica
Budapest #Z13910.
Published by Editio
Musica Budapest
(HL.50486659). ISBN
9790080139103. 12.0x0.165
inches. Heinrich Karl
Graun; Matyas
Kovacs. Territorial
restrictions may apply.
Please ask before
ordering. $11.95 - Voir plus => Acheter | | |
| Trouping Days - Intermédiaire LudwigMasters Publications
Concert Band - Grade 3 SKU: AP.36-50100344 Composed by Karl L. King. Arra...(+)
Concert Band - Grade 3
SKU:
AP.36-50100344
Composed by Karl L. King.
Arranged by Gene Milford.
Concert Band; Performance
Music Ensemble. Concert
Band - LudwigMasters.
Score and Part(s).
Duration 2:00.
LudwigMasters
Publications
#36-50100344. Published
by LudwigMasters
Publications
(AP.36-50100344). UPC:
659359767838.
English. Trouping
Days is a popular band
wagon march, played fast
and loud as the band rode
through towns to attract
customers. This
arrangement by Gene
Milford exhibits Karl
King's wonderful gift for
melody and is scored for
the current concert band
from his original
edition. (2:00).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $75.00 - Voir plus => Acheter | | |
| This present moment used to be the unimaginable future... Breitkopf & Härtel
SKU: BR.EB-9387 Composed by Christian Mason. Edition Breitkopf. New music...(+)
SKU: BR.EB-9387
Composed by Christian
Mason. Edition Breitkopf.
New music (post-2000);
Music post-1945. Set of
parts. Composed 2019.
Duration 20'. Breitkopf
and Haertel #EB 9387.
Published by Breitkopf
and Haertel (BR.EB-9387).
ISBN 9790004188576. 0
x 0
inches. Commissione
d by the Kolner
Philharmonie (KolnMusik)
for the non bthvn projekt
2020 and the Cite de la
musique / Philharmonie de
Paris Dedicated to
Arditti Quartet Each
movement of this quartet
explores a single state,
its lights and its
shadows. Each movement,
you could say, is a
moment . And these
moments could last for
more or less time without
compromising their
essential nature. The
processes could be
extended or compressed,
repeated or reversed, but
the core ideas - if they
are ideas, but maybe they
are simply experiences? -
are what they are.
Despite this, the precise
sequence of movements
matters a great deal.
Heard together they do
articulate some kind of
linear narrative, maybe
even a metaphorical
journey (albeit a
circular one where the
arrival might, who knows,
prove to be a new
departure). One situation
gives way to another and
instrumental
relationships within the
quartet vary, but
ultimately the
imaginative impulse
behind the piece
preferences states of
unity. Whether or not
this unity is expressed
texturally - sometimes
literal unisons pervade,
but not always - there is
generally a sense that
even seemingly diverse
aspects relate to a
fundamental condition of
concord: a conscious
limitation in the pitch
structure to spectral
emanations of the root
notes E-flat and C. At
the opening this is
unambiguously audible in
the perpetual alternation
of these two notes in the
low cello register. Later
the two spectra are woven
into a micro-tonal
'double-spectral-mode'
(derived from the first
24 partials of the C and
E-flat fundamentals),
which defines the subtle
melodic inflection of the
second movement, and the
never-quite-chromatic
ascending scales of the
third. For now this feels
like a rich source of
melodic possibility, so
far only just glimpsed...
And why the insistence on
E-flat? Probably by way
of historical anecdote.
Apparently Karl Holz (a
member of the
Schuppanzigh Quartet)
said to Beethoven: We
performed your Quartet in
E-flat Op. 127 in his
[Weber's] honour; he
found the Adagio too
long; but I told him:
Beethoven also has a
longer feeling and a
longer imagination than
anyone standing or not
standing today. - Since
then, even Linke (another
member of the quartet)
can no longer stand him:
we cannot forgive him for
this. Listening again to
Op. 127, in light of
these comments, I was
struck by the opening
moment: the unfolding of
an E-flat 7th chord over
the course of a few bars.
Every time I hear it I
find myself wishing that
Beethoven would have
lingered longer there,
without resolution or
progression, just
enjoying that sonority.
And maybe - why not? -
tune the 7th naturally.
And what would it be to
stretch that moment into
an entire piece? What
would Weber think of
that?! In the end I was
not so extreme in my
self-limitation, and
other concerns took over,
but it was from these
thoughts that the
composition process
began... Lastly, about
the title: it comes from
a book called 'The Clock
of the Long Now' by
Stewart Brand, published
at the turn of the
millennium. It's about
the creation of a
thousand-year clock to
embody the aspiration to
thinking in terms of
longer time-spans than
are presently habitual.
If the music of Beethoven
embodied a 'longer'
feeling and imagination
than some of his
contemporaries were able
to appreciate, what is
our relation to time now?
Longer or shorter? Maybe
it depends who you ask...
It's probably more
extreme in both
directions: attention
spans might be
diminishing in the
digital world, but
conversely there is an
awareness of distant
pasts and potential
futures which would have
been inconceivable at the
time of Beethoven. In any
case, the interesting
thing is to ponder how
societal conditions,
assumptions and
expectations might -
whether consciously or
unconsciously - influence
the time of art, for
listeners and creators
alike. And what if time
is running out?
(Christian
Mason)
World
premiere: Paris, Cite de
la musique, January 14,
2020. $53.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| This present moment used to be the unimaginable future... Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
Composed by Christian Mason. World premiere: Paris, Cite de la musique, Januar...(+)
Composed by Christian
Mason.
World premiere: Paris,
Cite
de la musique, January
14,
2020. Breitkopf and
Haertel
#EB 9377. Published by
Breitkopf and Haertel
$46.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Zephyrus Theodore Presser Co.
Chamber Music SKU: PR.164002120 Composed by Dan Welcher. Set of Score and...(+)
Chamber Music SKU:
PR.164002120 Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
32+16+12+12+12 pages.
Duration 16 minutes.
Theodore Presser Company
#164-00212. Published by
Theodore Presser Company
(PR.164002120). UPC:
680160037582. Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zephyrus Theodore Presser Co.
SKU: PR.16400212S Composed by Dan Welcher. With Standard notation. Durati...(+)
SKU: PR.16400212S
Composed by Dan Welcher.
With Standard notation.
Duration 16 minutes.
Theodore Presser Company
#164-00212S. Published by
Theodore Presser Company
(PR.16400212S). UPC:
680160037605. Works
of chamber music
including flute and
strings are not nearly as
numerous as those for
clarinet, or even the
oboe. Probably the reason
for this is the less
assertive, more pure tone
the flute possesses - it
can't compete for volume
or range with the
clarinet, except in its
top octave, and the
oboe's tone is more
penetrating and easily
discerned from within a
string texture.
Consequently, composers
who have written for
flute and strings have
done so in lightweight
divertimento works:
compare, for instance,
the delicate flute
quartets of Mozart with
his monumental quintet
for clarinet and strings.
When Karl and Joan
Karber approached me with
the ideas of writing a
work for flute and string
trio, I originally
thought it would be best
to write a humorous,
rather offhand piece -
but a look at their
repertoire (mostly
comprised of smaller
works of the Rococo
period) convinced me that
it was the last thing
they needed. In spite of
the challenge (or maybe
because of it?), I
determined to write a
large work, and a serious
work. Zephyrus (named for
the God of the West Wind,
in deference to the
flute) is a
three-movement work, with
each movement cast in a
very different form, but
all three being built of
the same twelve-note
series. There is also a
rhythmic motive and a
pair of themes that
appear in all three
movements. The
first movement plays with
the idea of contrast and
persuasion. The flute, at
the outset, is the
hell-for-leather
protagonist, charging and
swooping around the
strings - who seem oddly
unconcerned by his
passion. Indeed, they
have a more somber song
to sing - and as the
movement unfolds, the
flute becomes less and
less active, while the
strings become
increasingly enlivened.
By the midpoint, when all
four instruments are
finally in the same meter
and the same tempo, the
flute's energy has
finally infected the
other three players, and
this energy does not let
up until the movement's
abrupt final cadence.
The second
movement begins with a
tag from the first - as
if the energy left over
was too great to simply
stop. At length, though,
a very poignant flute
melody appears over an
almost bluesy harmony in
the strings. After this
has been fully exposed, a
slight increase in
motion, marked gently
rocking in triplets,
features a theme-fragment
from Leonard Bernstein's
Symphony No. 2 (Kaddish).
Bernstein died as I was
writing this work, and it
seemed quite natural to
encourage what was
already implicit in the
music, and create an
Elegy for L.B. The music
rises and peaks, then in
the recapitulation of the
opening the Kaddish theme
reappears, as the
ensemble suggests a
gentle song of sleep.
The final movement
is a Rondo-Variations
form, with the slight
alteration of adding the
main theme of the second
movement in what would be
the trio of the form. The
ritornello theme is a
kind of ethnic dance
music, almost an allusion
to the Klezmer ensembles
of Eastern Europe. The
successive episodes
between the ritornelli
are loosely organized
variations on the basic
theme, but always
beginning with a metric
modulation, a rhythmic
changing of gears. The
movement reaches and apex
of speed and furious
pulsing, then abruptly
pirouttes, and finishes.
Zephyrus was
written between April and
November of 1990 in
Austin, Aspen, and
Honolulu, and is
dedicated to Karl Kraber
and The Chamber Soloists
of Austin. --Dan
Welcher. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lithuanian Rhapsody Op. 11: Symphonic Poem for Orchestra Orchestre PWM (Polskie Wydawnictwo Muzyczne)
Orchestra (Full Score) SKU: HL.215243 The Works of Mieczyslaw Karlowic...(+)
Orchestra (Full Score)
SKU: HL.215243
The Works of
Mieczyslaw Karlowicz -
Volume VIII. Composed
by Mieczystaw Karlowicz.
PWM. Classical.
Hardcover. 59 pages.
Polskie Wydawnictwo
Muzyczne #11596010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.215243).
9.5x12.25x0.493
inches. Hardcover
full score. Introductory
texts presented in
English, German, and
Polish. The Lithuanian
Rhapsody (Rapsodia
litewska), Op. 11 is the
third - after Returning
Waves and Eternal Songs -
of the six symphonic
poems by Mieczyslaw
Karlowicz. Composition
was probably taking shape
during the summer months
of 1906 in Warsaw.
Lithuanian Rhapsody
differs significantly
from the other parts of
'programme cycle' which
Mieczyslaw Karlowicz's
symphonic poems may be
regarded as forming. This
is a work based primarily
on thematic material
derived from folk output
(something that would
never again occur in the
composer's brief
biography), compared with
the earlier score of
Eternal Songs or the
later Stanislaw and Anna
Oswiecim it displays much
greater stylistic
independence of the
German music embodied
around the turn of the
twentieth century. $88.00 - Voir plus => Acheter | | |
| The Beautiful Blue Danube Op. 314 Breitkopf & Härtel
Woodwinds (2(picc).2.2.2 - 4.2.1.1 - timp.perc - hp - str) SKU: BR.OB-3281-30...(+)
Woodwinds (2(picc).2.2.2
- 4.2.1.1 - timp.perc -
hp - str) SKU:
BR.OB-3281-30
Waltz. Composed by
Johann Strauss Jr.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches; Romantic.
Set of parts. 76 pages.
Duration 10'. Breitkopf
and Haertel #OB 3281-30.
Published by Breitkopf
and Haertel
(BR.OB-3281-30). ISBN
9790004301371. 10 x 12.5
inches. The Blue
Danube is said to be
Austria's secret anthem,
and alongside the
Radetzky March it is the
traditional encore piece
at the annual New Year's
Concert of the Vienna
Philharmonic Orchestra.
Already at its world
premiere in 1867, this
orchestral work triggered
overwhelming enthusiasm,
and the premiere of the
choral version prompted a
journalist to use the
term Schlager (hit) for
the first time in music
history. The official
title By the Beautiful
Blue Danube is based on
poems by Karl Isidor
Becks; having his birth
town Baja in mind, he
contrasted the blue
Danube with another
river, the blonde Theiss.
How utterly astonishing
that this famous waltz is
not really linked to
Vienna. Be that as it
may, its sensational
popularity remains
unimpaired. $88.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sinfonietta, ILJ 22 LudwigMasters Publications
Concert Band; Orchestra 4(4th dPicc).2(2nd dEH).2+ECl+BCl.2: 4.12+2BsTpt.4+2Euph...(+)
Concert Band; Orchestra
4(4th dPicc).2(2nd
dEH).2+ECl+BCl.2:
4.12+2BsTpt.4+2Euph.1:
Timp.Perc(2): Hp: Str
(9-8-7-6-5 in set)
SKU: AP.36-A933801
Arranged by Leo
Janácek and ed./arr.
Karl Heinz Fussl. Full
Orchestra. Kalmus
Orchestra Library.
Masterwork. Score.
LudwigMasters
Publications #36-A933801.
Published by
LudwigMasters
Publications
(AP.36-A933801). ISBN
9781638879947. UPC:
676737584795.
English. Leo
Janácek (1854-1928)
wrote a large portion of
his most distinctive
music late in life,
following the success of
a revised version of his
opera Jenufa in 1916. His
extensive research of the
national folklore had a
great impact on his work
as a composer. Inspired
by a military band
performance in a park,
the Sinfonietta opens
with a military-style
fanfare for brass and
percussion. It received
its commission from a
Czech gymnastics
association to celebrate
the Eighth National Sokol
Rally which took place in
Prague in the summer of
1926. The Czech
Philharmonic gave the
first performance on June
26th of that year under
the direction of Vaclav
Talich. The inner
movements provide
contrasting melodic and
rhythmic material,
characterized by rhythmic
shifts, abrupt mood
changes, and fragments of
folk dance. The final
movement climbs through a
long, intensifying
sequence to reprise the
opening music, now taken
up by the full orchestra.
Instrumentation:
4(4dPicc).2+EH.2+PiccCl+B
Cl.2:
4.12+2BsTpt.4+2Euph.1:
Timp.Perc(Cym, Chimes):
Hp: Str (9-8-7-6-5 in
set). Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $35.00 - Voir plus => Acheter | | |
| Short Symphony in G, Op. 1 No. 6 (Hoeckner) Orchestre Lucks Music Library
Orchestra (0.2.0.0/2.0.0.0,(cem),st r=4.4(1).3.2.2) SKU: TM.01005SET Comp...(+)
Orchestra
(0.2.0.0/2.0.0.0,(cem),st
r=4.4(1).3.2.2) SKU:
TM.01005SET Composed
by Karl F. Abel. Set
Type: M. Set of parts.
Lucks Music Library
#A5881. Published by
Lucks Music Library
(TM.01005SET).
Violin III=alt.
Viola; flute & clarinet
may be substituted for
oboe & horn. Cem in
sc. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Beautiful Blue Danube Op. 314 Breitkopf & Härtel
Violoncello (2(picc).2.2.2 - 4.2.1.1 - timp.perc - hp - str) SKU: BR.OB-3281-...(+)
Violoncello
(2(picc).2.2.2 - 4.2.1.1
- timp.perc - hp - str)
SKU: BR.OB-3281-23
Waltz. Composed by
Johann Strauss Jr.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches; Romantic.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 3281-23.
Published by Breitkopf
and Haertel
(BR.OB-3281-23). ISBN
9790004301357. 10 x 12.5
inches. The Blue
Danube is said to be
Austria's secret anthem,
and alongside the
Radetzky March it is the
traditional encore piece
at the annual New Year's
Concert of the Vienna
Philharmonic Orchestra.
Already at its world
premiere in 1867, this
orchestral work triggered
overwhelming enthusiasm,
and the premiere of the
choral version prompted a
journalist to use the
term Schlager (hit) for
the first time in music
history. The official
title By the Beautiful
Blue Danube is based on
poems by Karl Isidor
Becks; having his birth
town Baja in mind, he
contrasted the blue
Danube with another
river, the blonde Theiss.
How utterly astonishing
that this famous waltz is
not really linked to
Vienna. Be that as it
may, its sensational
popularity remains
unimpaired. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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