| Keep The Faith Guitar Recorded Version Music Sales
| | |
| Weiser G Rock+pop Git.-schule Bd2 - Facile Schott
Guitar (NOTEN+CD) - easy SKU: HL.49041964 Fur Einsteiger. Composed...(+)
Guitar (NOTEN+CD) - easy
SKU: HL.49041964
Fur Einsteiger.
Composed by J. Weiser.
This edition:
Paperback/Soft Cover.
Sheet music with CD.
Schott Pro Line. Edition
with CD. 110 pages.
Schott Music #SPL 1017.
Published by Schott Music
(HL.49041964). ISBN
9783795751081.
German. Diese
zweibandige Schule
richtet sich an Schuler
und Lehrer, die eine
aktuelle Rock- und
Pop-Gitarrenschule im
Anfangerbereich suchen.
Der Autor hat eine Schule
entwickelt, die nicht nur
mit einer E-Gitarre,
sondern ebenso mit einer
Konzert- oder
Westerngitarre spielbar
ist. Jedem Band liegt
eine CD bei, die neben
E-Gitarren auch mit
Konzert- und
Westerngitarren
eingespielt worden ist.
Die CD ist fur die
Schuler besonders
interessant, weil sie die
Lieder, Notenwerte,
Rhythmen etc. auch zu
Hause anhoren konnen -
und dadurch den
Spielstoff besser
nachvollziehen. Die Titel
sind vor allem zu Beginn
sehr langsam eingespielt
worden, um dem Spieler
ein Mitspielen zur CD zu
gewahrleisten. Die
nachfolgenden Lieder
steigern sich im Tempo
allmahlich. Die Rock &
Pop Gitarrenschule lehnt
sich im methodischen
Aufbau an bewahrte
klassische Schulen an.
Die Schuler lernen in
diesem Band verschiedene
Rock- und Popstile und
Spieltechniken kennen
anhand von legendaren
Songs wie: House Of The
Rising Sun, Rock Around
The Clock, Hope Of
Deliverance, Keep The
Faith, Another Brick In
The Wall, Riders In The
Sky, We Will Rock You,
Wind Of Change, Nothing
Else Matters, Smoke On
The Water. $34.00 - Voir plus => Acheter | | |
| Bon Jovi / Cross Road (Authentic Guitar Tab) Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
Performed by Bon Jovi. Guitar Recorded Versions (Authentic note-for-note transcr...(+)
Performed by Bon Jovi.
Guitar Recorded Versions
(Authentic note-for-note
transcriptions). With
notes and tablature. Size
9x12 inches. 96 pages.
Published by Hal Leonard.
(3)$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the joy
of earand eye, For the
heart and mind’s
delight, For the mystic
harmony, Linking sense to
sound and sight,”giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said “something
that’s basically
slow,” butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon weren’t
just supporters of the
arts; theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony — sometimes
leading to polytonal
harmonizations of what
are normallysimple
four-chord hymns.The work
begins and ends with a
repeated chime on the
note C: a reminder of
steeples, white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty” than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?” takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it causes me
to tremble.”Trumpets in
counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,”constantly
growing in orchestration
and volume. A mysterious
second tune, unrelated to
this one, interrupts it
inall three verses,
sending the melody into
unknown regions.The final
melody is “For the
Beauty of the Earth.”
This tune by Conrad
Kocher (1786-1872) is
commonly sung
atThanksgiving — the
perfect choice to end
this work celebrating two
people known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key” of the hymn
seems to shift — until
the “Lord of all,
toThee we praise”
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the “mystery
tune”heard earlier in
the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For the
Beauty” with long
spaces between them, but
it soonchanges to a
series of “Amen”
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For the
Beauty of the Earth”
contains this
quatrain:“For the joy
of ear and eye, –For
the heart and mind’s
delightFor the mystic
harmonyLinking sense to
sound and sight”and it
was from this poetry that
I drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the joy
of earand eye, For the
heart and mind’s
delight, For the mystic
harmony, Linking sense to
sound and sight,”giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said “something
that’s basically
slow,” butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon weren’t
just supporters of the
arts; theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony — sometimes
leading to polytonal
harmonizations of what
are normallysimple
four-chord hymns.The work
begins and ends with a
repeated chime on the
note C: a reminder of
steeples, white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty” than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?” takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it causes me
to tremble.”Trumpets in
counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,”constantly
growing in orchestration
and volume. A mysterious
second tune, unrelated to
this one, interrupts it
inall three verses,
sending the melody into
unknown regions.The final
melody is “For the
Beauty of the Earth.”
This tune by Conrad
Kocher (1786-1872) is
commonly sung
atThanksgiving — the
perfect choice to end
this work celebrating two
people known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key” of the hymn
seems to shift — until
the “Lord of all,
toThee we praise”
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the “mystery
tune”heard earlier in
the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For the
Beauty” with long
spaces between them, but
it soonchanges to a
series of “Amen”
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For the
Beauty of the Earth”
contains this
quatrain:“For the joy
of ear and eye, –For
the heart and mind’s
delightFor the mystic
harmonyLinking sense to
sound and sight”and it
was from this poetry that
I drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hit the Keys! Cocktail Lounge
Piano, Voix et Guitare Alfred Publishing
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Hit
the Keys!. Jazz. 256
pages. Published by
Alfred Music Publishing
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Little Black Book Of 5-chord Songs Music Sales
| | |
| Bon Jovi Greatest Hits
Piano, Voix et Guitare [Partition] Hal Leonard
(The Ultimate Collection). By Bon Jovi. Piano/Vocal/Guitar Artist Songbook. Sof...(+)
(The Ultimate
Collection). By Bon Jovi.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 208
pages. Published by Hal
Leonard
(2)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Little Black Songbook: Rock Hits Music Sales
| | |
| Keepers of the Faith Chorale SATB SATB, Piano Shawnee Press
By Joseph M. Martin. Arranged by Stahn Pethel. For SATB choir, congregation and ...(+)
By Joseph M. Martin.
Arranged by Stahn Pethel.
For SATB choir,
congregation and piano
accomapniment (optional
orchestration). Choral.
Octavo. Published by
Shawnee Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Of Bon Jovi Music Sales
| | |
| Bon Jovi Guitare notes et tablatures [Partition + CD] Hal Leonard
(A Step-by-Step Breakdown of the Guitar Styles and Techniques of Richie Samb...(+)
(A Step-by-Step Breakdown
of
the Guitar Styles and
Techniques of Richie
Sambora).
By Bon Jovi. Signature
Licks
Guitar. Softcover with
CD.
Guitar tablature. 80
pages.
Published by Hal Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| E-Z Play Today #155 - The Best of Billy Joel Piano, Voix et Guitare [Partition] - Facile Hal Leonard
Music by Billy Joel. For voice and keyboard. Format: keyboard/vocal/chords songb...(+)
Music by Billy Joel. For
voice and keyboard.
Format:
keyboard/vocal/chords
songbook. With lyrics,
chord names, big note
notation and registration
guide. Soft Rock and Pop
Rock. Series: Hal Leonard
E-Z Play Today. 112
pages. 9x12 inches.
Published by Hal Leonard.
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| Billy Joel: The Best Of Billy Joel - Easy Piano Piano, Voix [Partition] - Facile Hal Leonard
By Billy Joel, arranged by Bill Boyd. Songbook for voice and easy piano. 120 pag...(+)
By Billy Joel, arranged
by Bill Boyd. Songbook
for voice and easy piano.
120 pages. Published by
Hal Leonard.
(2)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In the Wonder of His Grace Shawnee Press
Choral, Flute, Violin (SAB choirW/ FLUTE) SKU: HL.35032178 Composed by Ed...(+)
Choral, Flute, Violin
(SAB choirW/ FLUTE)
SKU: HL.35032178
Composed by Ed Rush.
Arranged by James Michael
Stevens. Shawnee Sacred.
Communion, Sacred.
Octavo. 12 pages.
Published by Shawnee
Press (HL.35032178).
UPC: 888680739669.
6.75x10.5
inches. The
familiar nature of this
reverent anthem is
perfect for inviting the
faithful to the table of
the Lord's Supper. A
stylish piano part
supports an expressive
melody and timeless
message. Careful
part-writing eliminates
any stumbling blocks to
learning and the
worshipful atmosphere of
the music keeps the focus
on the sacredness of this
important moment of
remembrance. On
point! $2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymns For The Family Of God (Looseleaf/Black) Chorale [Partition] Brentwood-Benson
Modern Christian. Sacred. Hymnal (Looseleaf). Published by Brentwood-Benson Musi...(+)
Modern Christian. Sacred.
Hymnal (Looseleaf).
Published by
Brentwood-Benson Music
Publishing.
(1)$64.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns For The Family Of God (Midnight Blue) Chorale SATB SATB [Partition] Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...(+)
For SATB. Modern
Christian. Sacred.
Hymnal. Published by
Brentwood-Benson Music
Publishing.
(4)$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Great Hymns Of The Faith (Red) Chorale SATB SATB A Cappella [Partition] Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...(+)
For SATB. Modern
Christian. Sacred.
Hymnal. Published by
Brentwood-Benson Music
Publishing.
(1)$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Great Hymns Of The Faith (Blue) - SATB
Chorale SATB SATB [Partition] Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...(+)
For SATB. Modern
Christian. Sacred.
Hymnal. Published by
Brentwood-Benson Music
Publishing.
(8)$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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