| I Used to Play Horn Cor Carl Fischer
(An Innovative Method for Adults Returning to Play). Arranged by Larry Clark. Fo...(+)
(An Innovative Method for
Adults Returning to
Play). Arranged by Larry
Clark. For french horn.
Method book. Published by
Carl Fischer
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio Instruments Sib, Mib, Do et Bass clef [Partition + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jazz Play-A-Long For All
Musicians. Book with CD.
Published by Jamey
Aebersold Jazz.
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stylistic Etudes for Trombone Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231). ISBN
9781491153314. UPC:
680160910816. Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tony Trischka Teaches 20 Easy Banjo Solos Banjo [Partition + Accès audio] - Facile Hal Leonard
Play Along with a Master Picker Listen and Learn Series. Banjo. Instruction, Fol...(+)
Play Along with a Master
Picker Listen and Learn
Series. Banjo.
Instruction, Folk.
Softcover Audio Online.
32 pages. Published by
Homespun
(2)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tony Trischka - Banjo Bundle Pack Banjo [Partition + CD] Homespun
(Tony Trischka Teaches 20 Easy Banjo Solos (Book/CD Pack) with Classic Bluegrass...(+)
(Tony Trischka Teaches 20
Easy Banjo Solos (Book/CD
Pack) with Classic
Bluegrass Banjo Solos
(DVD)). Homespun Tapes.
Book and CD and DVD
Package. 29 pages.
Published by Homespun
$44.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rusty Cooley's Fretboard Autopsy Guitare notes et tablatures [DVD] Hal Leonard
(Scales, Modes and Melodic Patterns). For Guitar. Rock House. Softcover with DVD...(+)
(Scales, Modes and
Melodic Patterns). For
Guitar. Rock House.
Softcover with DVD. 92
pages. Published by Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Working Zone Tuba Fennica Gehrman
Tuba SKU: FG.55011-534-7 Composed by Indermuhle Huotarinen. Fennica Gehrm...(+)
Tuba SKU:
FG.55011-534-7
Composed by Indermuhle
Huotarinen. Fennica
Gehrman #55011-534-7.
Published by Fennica
Gehrman (FG.55011-534-7).
ISBN
9790550115347. Work
ing Zone is the area
where you make personal
progress. In Working Zone
the things you practice
are not too difficult or
too easy, but they are
challenging enough.
Regular, dedicated and
focused practicing in the
Working Zone will improve
your playing skills. Find
your Working Zone daily.
Work there slowly and
systematically. Be
patient. Focus on
practicing the things you
really need to. Try
always to be aware why
you are doing what you
are doing. In this
publication, the authors
wanted to gather, combine
and clearly explain, what
in their opinion are the
most important things to
practice. The book is
written with tuba in
mind, but the exercises
are universal: any low
brass instrument, any
bass clef instrument is
applicable. $40.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| My First Progressive Duets 2 Violoncelles (duo) Carl Fischer
(For Strings - Cello Book). By Larry Clark. Arranged by Doris Gazda Larry Clark....(+)
(For Strings - Cello
Book). By Larry Clark.
Arranged by Doris Gazda
Larry Clark. For 2 Cello,
Compatible with Bf50,
Bf51, Bf53. 32 pages.
Published by Carl Fischer
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All the Lords and Ladies Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.50933 Composed by Roland Barrett. Concert ...(+)
Concert Band - Grade 1
SKU: AP.50933
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band -
PerformancePlus+.
Programmatic. Score and
Part(s). Belwin Music
#00-50933. Published by
Belwin Music (AP.50933).
ISBN 9781470668884.
UPC: 038081587769.
English. Depicting
a medieval summer fair,
All the Lords and Ladies
by veteran band composer
Roland Barrett evokes
imagery of the villagers'
stately processional as
they slowly gather in the
meadow for the annual
celebration. An
introduction with regal
percussion and low winds,
tuneful melodies, and
solid scoring throughout
make this an outstanding
teaching piece for your
students. (2:10)
The
PerformancePlus+ series
is an innovative addition
to the ever-expanding
MakeMusic Cloud
interactive library.
These engaging selections
are presented with
educational resources
designed to enrich the
rehearsal process and
create outstanding
performances.
Including: - Assignm
ent, recording, and
assessment tools within
MakeMusic
Cloud
- Piece-speci
fic exercises focused on
skills and
techniques
- Printa
ble sheet music (with a
standard MakeMusic Cloud
subscription)
- Edu
cational tips and
suggestions to support
learning
Avai
lable in print and
digital formats. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All the Lords and Ladies Orchestre d'harmonie [Conducteur] - Débutant Belwin
Concert Band - Grade 1 SKU: AP.50933S Composed by Roland Barrett. Concert...(+)
Concert Band - Grade 1
SKU: AP.50933S
Composed by Roland
Barrett. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band -
PerformancePlus+.
Programmatic. Score.
Belwin Music #00-50933S.
Published by Belwin Music
(AP.50933S). ISBN
9781470668891. UPC:
038081587776.
English. Depicting
a medieval summer fair,
All the Lords and Ladies
by veteran band composer
Roland Barrett evokes
imagery of the villagers'
stately processional as
they slowly gather in the
meadow for the annual
celebration. An
introduction with regal
percussion and low winds,
tuneful melodies, and
solid scoring throughout
make this an outstanding
teaching piece for your
students. (2:10)
The
PerformancePlus+ series
is an innovative addition
to the ever-expanding
MakeMusic Cloud
interactive library.
These engaging selections
are presented with
educational resources
designed to enrich the
rehearsal process and
create outstanding
performances.
Including: - Assignm
ent, recording, and
assessment tools within
MakeMusic
Cloud
- Piece-speci
fic exercises focused on
skills and
techniques
- Printa
ble sheet music (with a
standard MakeMusic Cloud
subscription)
- Edu
cational tips and
suggestions to support
learning
Avai
lable in print and
digital formats. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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