(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Rehm. For Piano Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 15/8. Klassik (Classical). Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag

(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Marius Flothuis. For Piano Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 15/1. Klassik (Classical). Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag

Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Franz Giegling. For Horn Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 14/5. Musikwissenschaft, Musikhandschriften, Klassik (Music Theory, Classical). Collection; Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA4602 01)

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981286-010

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981286-010. Published by De Haske Publications (BT.DHP-0981286-010).

The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997.

De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek!

In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert!

Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.
< br>Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981286-140

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Score Only. Composed 1998. De Haske Publications #DHP 0981286-140. Published by De Haske Publications (BT.DHP-0981286-140).

The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997.

De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek!

In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert!

Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.
< br>Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.

SKU: HL.49006248

Leben und Werk. Composed by Egmont Michels. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 164 pages. Schott Music #ED 6375. Published by Schott Music (HL.49006248).

ISBN 9783795713133. German.

Zurecht darf Heinrich Anton Hoffmann neben Peter Cornelius als der bedeutendste in Mainz geborene Komponist bezeichnet werden. Seine ersten Kompositionen zeigen Anklange an Fruhwerke der Wiener Klassik: Hatte er sich doch bei der Kaiserkronung Leopolds II. in Frankfurt (1790) mit Wolfgang Amadeus Mozart angefreundet, der sogar mit ihm musizierte. Rasch entwickelte Hoffmann eine sehr individuelle Schaffensweise. Seine musikalische Laufbahn begann in der Kurmainzischen Hofkapelle. In Frankfurt ubernahm er spater das Amt des Musikdirektors als Nachfolger von Louis Spohr, dem damals wohl grossten deutschen Geiger. Neben mehreren Kammermusikwerken, einem Doppelkonzert und zwei Violinkonzerten verdienen es besonders die 6 Streichquartette und 15 Streichduos, auch heute noch wegen ihrer Originalitat und Klangfulle gespielt zu werden. Von den Streichduos wurden 6 fur zwei Violinen und 9 fur Violine und Violoncello komponiert.

By Wolfgang Amadeus Mozart. (Study Score). Schott. 129 pages. Published by Eulenburg Germany (Schott).

Flute and chamber orchestra

SKU: M2.MOS-41244

Nach dem Rondo C-Dur. Composed by Wolfgang Amadeus Mozart. Hausmusik. Vocal/piano score. 14 pages. Möseler Verlag #MOS 41244. Published by Möseler Verlag (M2.MOS-41244).

ISBN 9790203732440.

Moza rt schrieb das Rondo C-dur, KV 373 fur Violine und Orchester 1781 fur Antonio Brunetti, dem Konzertmeister der Salzburger Kapelle. Bereits im selben Jahr wurde das Werk von Brunetti aufgefuhrt; gedruckt wurde es aber erst 1800, neun Jahre nach Mozarts Tod. Ein Jahr spater erschien eine nach D-dur transponierte Fassung fur Querflote und Orchester. Zur Zeit der Klassik war das Uminstrumentieren eigener oder fremder Werke nicht mehr so ublich wie im Barock. Aber es gibt noch genugend Beispiele; gerade Mozart liefert den besten Beweis (KV 413). Im Gegensatz zu der Ausgabe von 1801 ist die vorliegende Fassung enger am Originaltext orientiert, behalt aber die Transposition nach D-dur bei; die Praxis hat gezeigt, dass die Querflote in der D-dur-Fassung besser klingt.

Orchestra (2.0.0.0/2.0.0.0,str,clar inet solo)

SKU: TM.13302SC

Composed by Carl Stamitz. Edited by Bosse. Score. Lucks Music Library #A7769. Published by Lucks Music Library (TM.13302SC).

Solo in set. Ed. by Bosse/Gutte. Allegro molto, Adagio, Rondo. See #00865 for Clarinet Concerto in Eb, No. 11.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Amadeus Webersinke. For Piano, Orchestra. This edition: 2 Pianos. Paperback. Edition Breitkopf. Piano reduction. 24 pages

Orchestra (2.0.0.0/2.0.0.0,str,clar inet solo)

SKU: TM.13302SET

Composed by Carl Stamitz. Edited by Bosse. Set Type: D. Set of parts. Lucks Music Library #A7769. Published by Lucks Music Library (TM.13302SET).

Solo in set. Ed. by Bosse/Gutte. Allegro molto, Adagio, Rondo. See #00865 for Clarinet Concerto in Eb, No. 11.

By Wolfgang Amadeus Mozart. For horn in F & piano. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 2093)

Orchestra and Piano

SKU: BT.PMC3621

Klavier und Orchester. Composed by Artur Schnabel. Score Only. 48 pages. Peermusic Classical #PMC3621. Published by Peermusic Classical (BT.PMC3621).

Intermezzo und Rondo.

(Transkription fur Orgel). Composed by Wolfgang Amadeus Mozart (1756-1791). For organ. Classical. Grade 3 (Medium). Score. 18 pages. Published by Verlag Dohr

By Wolfgang Amadeus Mozart (1756-1791). For Piano, Orchestra. Breitkopf Full Scores. Score. 16 pages

Wind set. Composed by Wolfgang Amadeus Mozart (1756-1791). Orchester-Bibliothek (Orchestral Library). Classical period. Wind set. 8 pages. Published by Breitkopf and Haertel (BR.OB-4487-30).

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by W. Spiess. Partitur-Bibliothek (Score Library). Classical period. Score. 12 pages. Published by Breitkopf and Haertel (BR.PB-4487).

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Peter Damm. For horn, orchestra (horn and piano). This edition: paperback. Edition Breitkopf. Piano reduction. 16 pages. Published by Breitkopf and Haertel

4 trumpets

SKU: M7.KECF-13

Composed by Peter Bernard Smith. This edition: Saddle stitching. Sheet music. Score and parts. 28 pages. MDS (Music Distribution Services) #KECF 13. Published by MDS (Music Distribution Services) (M7.KECF-13).

ISBN 9790502360139. German English.

Eine Suite im barocken Stil mit vier Sätzen - Sarabande, Menuett, Gavotte, Rondo -, die jungen Spielern erste Ensemble-Erfahrungen ermöglicht und sich ideal für ein Klassenmusizieren bei einem Schülerkonzert eignet. Stimmen in B und C.

(zu Mozart, Adagio E-Dur, KV 261, Rondo C-Dur, KV 373 u. Rondo concertante B-Dur, KV 269). By Wolfgang Schneiderhan. Violin. For violin. 4. 3 pages

Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo

SKU: CA.3840403

Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. This edition: Paperbound. Stuttgart Urtext Edition: Bach vocal. With one part. Piano reduction. Composed 1768. Warb C 79. Duration 20 minutes. Carus Verlag #CV 38.404/03. Published by Carus Verlag (CA.3840403).

ISBN 9790007096472. Key: D major. Language: all languages.

Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score available separately - see item CA.3840400.

Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo

SKU: CA.3840412

Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 2. Single Part, Violin 2. Composed 1768. Warb C 79. 12 pages. Duration 20 minutes. Carus Verlag #CV 38.404/12. Published by Carus Verlag (CA.3840412).

ISBN 9790007215200. Key: D major. Language: all languages.

Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400.

2 Violins, Basso continuo, Organ

SKU: CA.3850119

Rondo. Composed by Johann Christian Bach. Edited by Wilhelm Krumbach. Arranged by Wilhelm Krumbach. Stuttgart Urtext edition. German title: Orgelkonzert in F. Free organ music. Set of Orchestra Parts. Warb 13,3/2. Carus Verlag #CV 38.501/19. Published by Carus Verlag (CA.3850119).

ISBN 9790007139223. Language: all languages.

Score and parts available separately - see item CA.3850100.

Solo flute, 2 horn, 2 violin, viola, cello/bass, basso continuo

SKU: CA.3840413

Flotenkonzert in D. Composed by Johann Christian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Viola. Single Part, Viola. Composed 1768. Warb C 79. 8 pages. Duration 20 minutes. Carus Verlag #CV 38.404/13. Published by Carus Verlag (CA.3840413).

ISBN 9790007215217. Key: D major. Language: all languages.

Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400.