SKU: CA.4042330

Composed by Johann Sebastian Bach. German title: Kyrie Ii (H-Moll-Messe) (2). Sacred vocal music, Mass sections, Praise and thanks. Full score. Carus Verlag #CV 40.423/30. Published by Carus Verlag (CA.4042330).

ISBN 9790007067359.

SKU: CA.3123350

Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Kyrie Christe, Du Lamm Gottes. Sacred vocal music, Mass sections. Full score. 28 pages. Carus Verlag #CV 31.233/50. Published by Carus Verlag (CA.3123350).

ISBN 9790007048921.

Scor e available separately - see item CA.3123300.

Choral (SSAA Choir)

SKU: HL.48024232

Composed by Frode Fjellheim. Boosey & Hawkes Sacred Choral. Concert, Festival, Sacred, World Music. Octavo. 16 pages. Boosey & Hawkes #M060134036. Published by Boosey & Hawkes (HL.48024232).

ISBN 9781540012296. UPC: 888680715922. 6.75x10.5 inches.

Drawing from the Sami culture, a Nordic society dating from the 2nd century, here is a truly multicultural anthem. With a strong influence from the Sami “Yoik” tradition along with Norse elements and contemporary Western musical norms, this beautiful setting of the Latin text “Kyrie” is an amazing new setting of this traditional text. There is a lovely section for a soloist or small group with a clear line but with space for improvisation as well.

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For SSATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello/contrabass. Stuttgart Urtext Edition. German title: Kyrie in d. Mass Sections. Level 3. Complete orchestral parts. Language: Latin. Composed 1825. A 3. Duration 11 minutes. Published by Carus Verlag

1. Kyrie. Composed by Anthony Bernarducci. Evoking Sound. Music Education. Octavo. 8 pages. GIA Publications #9262. Published by GIA Publications

Choral expansions for SATB voices with G-3162.

Choral expansions for SATB voices with G-3162

Concert Band and Mixed Choir - Grade 3

SKU: BT.DHP-1145564-050

Composed by Jacob De Haan. Musica Sacra. Set of Parts. Composed 2014. De Haske Publications #DHP 1145564-050. Published by De Haske Publications (BT.DHP-1145564-050).

English-German-French- Dutch.

The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

Th e Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132312

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Violin 2. Composed 1790 (terminus post quem). KV 323. 4 pages. Duration 3 minutes. Carus Verlag #CV 51.323/12. Published by Carus Verlag (CA.5132312).

ISBN 9790007224899. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132314

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. Composed 1790 (terminus post quem). KV 323. 2 pages. Duration 3 minutes. Carus Verlag #CV 51.323/14. Published by Carus Verlag (CA.5132314).

ISBN 9790007224912. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132300

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Full score. Composed 1790 (terminus post quem). KV 323. 24 pages. Duration 3 minutes. Carus Verlag #CV 51.323/00. Published by Carus Verlag (CA.5132300).

ISBN 9790007092160. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter.

SATB Choir (Mixed choir (SATB)) - Level 3

SKU: BA.BA01044

Composed by Hugo Distler. Stapled. 3 Sätze aus Liturgische Sätze über altevangelische Kyrie- und Gloriaweisen op. 13 (1933/35). Choral score. Opus 13. Baerenreiter Verlag #BA01044_00. Published by Baerenreiter Verlag (BA.BA01044).

ISBN 9790006407750.

3 Satze Liturgische Satze uber altevangelische Kyrie- und Gloriaweisen op. 13 (1933/35).

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132309

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. 1x 51.323/21 oboe 1, 1x 51.323/22 oboe 2, 2x 51.323/23 2 bassoons, 2x 51.323/31 2 clarinets, 1x 51.323/41 timpani. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1790 (terminus post quem). KV 323. 14 pages. Duration 3 minutes. Carus Verlag #CV 51.323/09. Published by Carus Verlag (CA.5132309).

ISBN 9790007224875. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and parts available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132303

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Vocal score. Composed 1790 (terminus post quem). KV 323. 8 pages. Duration 3 minutes. Carus Verlag #CV 51.323/03. Published by Carus Verlag (CA.5132303).

ISBN 9790007092177. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarinets/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132319

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1790 (terminus post quem). KV 323. Duration 3 minutes. Carus Verlag #CV 51.323/19. Published by Carus Verlag (CA.5132319).

ISBN 9790007145729. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and parts available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132349

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Organ. Composed 1790 (terminus post quem). KV 323. 4 pages. Duration 3 minutes. Carus Verlag #CV 51.323/49. Published by Carus Verlag (CA.5132349).

ISBN 9790007224929. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132313

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Viola. Composed 1790 (terminus post quem). KV 323. 2 pages. Duration 3 minutes. Carus Verlag #CV 51.323/13. Published by Carus Verlag (CA.5132313).

ISBN 9790007224905. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132305

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Choral Score. Composed 1790 (terminus post quem). KV 323. 4 pages. Duration 3 minutes. Carus Verlag #CV 51.323/05. Published by Carus Verlag (CA.5132305).

ISBN 9790007128760. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132311

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Violin 1. Composed 1790 (terminus post quem). KV 323. 4 pages. Duration 3 minutes. Carus Verlag #CV 51.323/11. Published by Carus Verlag (CA.5132311).

ISBN 9790007224882. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, cantors, congregation or 2-part mixed voices, organ, brass quartet - Beginning to Intermediate

SKU: MN.80-776

Composed by Lynn Trapp. 21st Century, Gathering/Processional. Choral score. MorningStar Music Publishers #80-776. Published by MorningStar Music Publishers (MN.80-776).

UPC: 688670807763.

Accla matory majestic processional with Brass accompaniment which alternates between refrainKyrie eleison, Christe eleison sung by choir and congregation. Verses extracted from various psalms sung by two cantors or Two-Part choir.

Unison with descant, assembly, organ accompaniment - Early intermediate

SKU: GI.G-7275

Music for Celebration. Composed by David Hurd. Ritual Prayer. Sacred. Octavo. 4 pages. GIA Publications #7275. Published by GIA Publications (GI.G-7275).

UPC: 785147727507. Greek. Text source: Mass Ordinary.

This setting of the Kyrie is an excerpt from Music for Celebration. The organ introduces the Kyrie theme, sung by unison choir the first time, then repeated with the assembly. The Christe section is given to unison choir and organ alone. The final Kyrie section, for assembly, unison choir, and organ, is embellished by a vocal descant.

SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5132219

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In Es (Erganzung Stadler). Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1778/79. KV 322. Duration 4 minutes. Carus Verlag #CV 51.322/19. Published by Carus Verlag (CA.5132219).

ISBN 9790007145736. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. Score and parts available separately - see item CA.5132200.

SATB Choir (Mixed choir) - Level 3

SKU: BA.BA01047

Composed by Hugo Distler. Stapled. 2 Sätze aus Liturgische Sätze über altevangelische Kyrie- und Gloriaweisen op. 13 (1933/35). Choral score. Opus 13. Baerenreiter Verlag #BA01047_00. Published by Baerenreiter Verlag (BA.BA01047).

ISBN 9790006407781. 27 x 19 cm inches.

2 Satze aus Liturgische Satze uber altevangelische Kyrie- und Gloriaweisen op. 13 (1933/35).

SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5132205

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Kyrie In Es (Erganzung Stadler). Sacred vocal music, Mass sections. Choral Score. Composed 1778/79. KV 322. 2 pages. Duration 4 minutes. Carus Verlag #CV 51.322/05. Published by Carus Verlag (CA.5132205).

ISBN 9790007128647. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. Score available separately - see item CA.5132200.

SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5132200

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Kyrie In Es (Erganzung Stadler). Sacred vocal music, Mass sections. Full score. Composed 1778/79. KV 322. 24 pages. Duration 4 minutes. Carus Verlag #CV 51.322/00. Published by Carus Verlag (CA.5132200).

ISBN 9790007092146. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings.