| The Gospel Mass - Intermédiaire De Haske Publications
Concert Band and Mixed Choir - Grade 3 SKU: BT.DHP-1145564-050 Composed b...(+)
Concert Band and Mixed
Choir - Grade 3 SKU:
BT.DHP-1145564-050
Composed by Jacob De
Haan. Musica Sacra. Set
of Parts. Composed 2014.
De Haske Publications
#DHP 1145564-050.
Published by De Haske
Publications
(BT.DHP-1145564-050).
English-German-French-
Dutch. The
Gospel Mass—a
mass for mixed choir,
combo and concert
band—is based on
the gospel music that has
spread throughout the
world since its creation
in America. After
Missa Brevis
and Missa
Katharina this is the
third mass fromthe pen of
Jacob de Haan. The
movements of the mass
ordinary as we know it
have now been composed in
various pop styles that
have their origin in the
gospel music. We hear,
then, not only the
classic American gospel
style (including
thecharacteristic
clapping and swing
rhythms), but also freer
gospel styles that have
developed over the course
of time. The
Credo, for
example, is a ballad with
rock and funk influences.
The Agnus Dei is
heard as a slow
blues—a
genreclosely linked to
gospel music. The unique
feature of this work, of
course, is in the
combination of all these
pop and gospel elements
with the Latin liturgy of
the Kyrie, Gloria,
Sanctus, Benedictus
and Agnus Dei,
which results in
abeautiful, cohesive
whole. As far as we know,
The Gospel Mass is
the only true gospel
mass.
The
Gospel Mass –
een mis voor gemengd
koor, combo en
blaasorkest – is
gebaseerd op de
gospelmuziek zoals die
zich sinds haar ontstaan
in Amerika overal in de
wereld heeft verspreid en
ontwikkeld. Het werk is
na Missa Brevisen
Missa Katharina de
derde mis van componist
Jacob de Haan. De
ordinariumdelenzoals we
die kennen van een mis,
zijn hier gecomponeerd in
diverse popstijlen die
hun oorsprong vinden in
de gospelmuziek. Zo horen
we niet alleen
deklassiekeAmerikaanse
gospelstijl (inclusief
hand-clapping en swing),
maar ook de vrijere
gospelstijlen die zich in
de loop der tijd hebben
ontwikkeld. Het Credo is
bijvoorbeeld gecomponeerd
als een ballad, terwijl
in andere delen rock- en
funkinvloeden
zijnverwerkt. Het Agnus
Dei klinkt in een slow
blues, een genre dat nauw
verbonden is met de
gospelmuziek. De unieke
factor is de combinatie
van al deze pop- en
gospelelementen met de
Latijnse misteksten van
het Kyrie, Gloria, Credo,
Sanctus, Benedictusen
Agnus Dei – daarmee
ontstaat een fraai,
samenhangend geheel. Voor
zover bekend is The
Gospel Mass de enige
echte
gospelmis.
The
Gospel Mass eine
Messe für gemischten
Chor, Combo und
Blasorchester basiert auf
der Gospelmusik, wie sie
sich seit ihrer
Entstehung in Amerika
überall auf der Welt
verbreitet hat. Das Werk
ist nach Missa
Brevis und
MissaKatharina die
dritte Messe aus der
Feder von Jacob de Haan.
Die Ordinariumsteile,
wie man sie aus einer
Messe kennt, sind hier in
diversen Popstilen
komponiert, die ihren
Ursprung in der
Gospelmusik haben. So
hören wir nicht nur
den klassischen
amerikanischen Gospelstil
(inklusive
Händeklatschen und
Swing),sondern auch
freiere Gospelstile, die
sich im Laufe der Zeit
entwickelt haben. Das
Credo ist
beispielsweise eine
Ballade, in der Rock- und
Funk-Einflüsse
verarbeitet wurden. Das
Agnus Dei erklingt
als langsamer Blues ein
Genre, daseng mit der
Gospelmusik verknüpft
ist. Der einzigartige
Faktor dieses Werkes
besteht natürlich in
der Kombination all
dieser Pop- und
Gospelelemente mit den
lateinischen Messetexten
der Ordinariumsteile
Kyrie, Gloria,
Sanctus,
Benedictusund
Agnus Dei, die ein
schönes,
zusammenhängendes
Ganzes ergibt. Soweit
bekannt, ist The
Gospel Mass die
einzige echte
Gospelmesse.
Th
e Gospel Mass messe
pour chœur mixte,
combo et orchestre
d’harmonie, fut
composée partir du
style gospel, qui, depuis
ses origines en
Amérique, s’est
peu peu étendu dans le
monde entier. Après
Missa Brevis et
MissaKatharina, voici
la troisième messe
signée par le
compositeur Jacob de
Haan. Les
différents mouvements
de la composition de
Jacob de Haan
s’articulent selon
le déroulement
d’une
célébration
liturgique ordinaire. La
Gospel Mass
comporte divers styles
pop qui trouvent leur
origine dans la musique
gospel. Nous
entendonsalors, non
seulement le style
classique américain
des gospels songs (y
compris les
applaudissements
caractéristiques et
rythmes swinguant), mais
aussi une plus grande
liberté d’usage
des styles de gospel qui
se sont développés
au fil du temps.
LeCredo, par
exemple, est une ballade
aux influences rock et
funk. LAgnus Dei
résonne comme un slow
blues - un genre lent
étroitement lié la
musique gospel. La
particularité de cette
œuvre réside dans
une belle et cohérente
combinaisonde tous ces
éléments pop et
gospel avec le Kyrie,
Gloria, Sanctus,
Benedictus et
Agnus Dei de la
liturgie latine. Pour
autant que nous sachions,
The Gospel Mass
est la seule véritable
messe
gospel.
The
Gospel Mass-a mass
for mixed choir, combo
and concert band-is based
on the gospel music that
has spread throughout the
world since its creation
in America. After
Missa Brevis
and Missa
Katharina this is the
third mass fromthe pen of
Jacob de Haan. The
movements of the mass
ordinary as we know it
have now been composed in
various pop styles that
have their origin in the
gospel music. We hear,
then, not only the
classic American gospel
style (including
thecharacteristic
clapping and swing
rhythms), but also freer
gospel styles that have
developed over the course
of time. The
Credo, for
example, is a ballad with
rock and funk influences.
The Agnus Dei is
heard as a slow blues-a
genreclosely linked to
gospel music. The unique
feature of this work, of
course, is in the
combination of all these
pop and gospel elements
with the Latin liturgy of
the Kyrie, Gloria,
Sanctus, Benedictus
and Agnus Dei,
which results in
abeautiful, cohesive
whole. As far as we know,
The Gospel Mass is
the only true gospel
mass. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Kyrie Chorale SATB [Octavo] Carl Fischer
(from Missa brevis). Composed by David Perry, Jean Perry. For SATB choir, Keyboa...(+)
(from Missa brevis).
Composed by David Perry,
Jean Perry. For SATB
choir, Keyboard, Optional
Strings and Harp. Octavo.
Duration 2 minutes, 43
seconds. Published by
Carl Fischer
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Kyrie from "Missa Brevis" Chorale SATB Hope Publishing Company
Choral SATB choir SKU: HP.K322 Composed by Alwes. Arranged by Chester Alw...(+)
Choral SATB choir SKU:
HP.K322 Composed by
Alwes. Arranged by
Chester Alwes. Piano
Accompaniment. Classics,
Latin Text, General
Worship, Latin, Sacred.
Octavo. Composed 1994. 8
pages. Hope Publishing
Company #K322. Published
by Hope Publishing
Company (HP.K322).
UPC: 763628140953. By
Giovanni P. da
Palestrina. Kyrie
fromMissa Brevis by
Giovanni P. da
Palestrina For SATB
voices, unaccompaniedFor
SATB voices,
unaccompanie. $2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Missa Brevis - Facile De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and
Opt. Choir - Grade 2
SKU:
BT.DHP-1033337-015
Composed by Jacob De
Haan. Musica Sacra. Hymns
& Chorals. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033337-015. Published by
De Haske Publications
(BT.DHP-1033337-015).
9x12
inches. Missa
Brevis, written for
choir and wind band, was
commissioned by the
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(France), in celebration
of the millennium of Pope
Leon IX’sbirth in
Éguisheim (France).
The composer conducted
the first performance on
June 23, 2002. It was
performed live for the
French television channel
France 2. The mass
movements Kyrie,
Gloria, Credo, Sanctus,
Benedictus, and
Agnus Deiare very
suitable for the Catholic
as well as the Protestant
liturgy. For this mass,
various ways for
performing in diverse
variable strengths are
possible. An instrumental
performance is possible
if the brass represents
the choir parts. In
thisoption, it is
desirable for the brass
to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is approached. In
a performance with a
large choir, the brass
can work very well as a
support. Inthat case, the
dynamics of the brass
should be adapted
somewhat, since these are
actually intended for an
instrumental performance.
You can also leave out
the brass entirely for
the benefit of the choir.
For the accompaniment of
smaller choirs, youcan
opt for a small ensemble
from the band. This can
also be a quartet, put
together as desired. For
the performance of this
mass, the obvious choice
is one of the above
options. However, as an
alternative, a
performance with a
combination of
theseoptions
(vocally/instrumentally)
is also possible not just
from an artistic point of
view (variation), but
also from a practical
starting point for
example in the case that
the choir has rehearsed
only two movements. With
a full strength,
theconductor can vary the
instrumentation to his or
her liking. Then the
brass can also play a
role in the accompaniment
(instead of supporting
the choir). The following
combinations are
possible: 1. clarinet
choir (from Eb Clarinet
to BassClarinet) 2.
clarinet choir +
saxophones 3. brass
(flugelhorns, horns,
euphoniums, bass
section) 4. brass (2
trumpets / 2
trombones) 5. double
reeds (optional + flute,
optional + string
bass) 6. tutti 7.
all winds 8.
allbrass In a
performance by brass band
and choir, it is usually
advisable to leave out
option 1 (choir + brass +
band). The choir sings
self-reliantly,
accompanied by a full
brass band. In an
instrumental performance,
you can consider a
combinedquartet (two
cornets and two
trombones) + brass
band. Choral parts
available
separately.
Mis
sa Brevis, geschreven
voor koor en blaasorkest,
werd gecomponeerd in
opdracht van de Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (dir.
Philippe Pfisterer) in
Guebwiller (Frankrijk),
ter gelegenheid van het
duizendstegeboortejaar
van paus Leo IX. In zijn
geboorteplaats,
Éguisheim (Elzas,
Frankrijk), vond op 23
juni 2002 de première
van deze mis plaats onder
leiding van de componist.
Het betrof een
live-registratie voor de
Franse televisiezender
France 2. Demisdelen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
en Agnus Dei
lenen zich uitstekend
voor zowel de katholieke
als de protestantse
liturgie. Er zijn voor
deze mis diverse
uitvoeringsmogelijkheden
mogelijk, aangezien er
sprake is van
eenvariabele bezetting.
Een instrumentale
uitvoering behoort
uitdrukkelijk tot de
mogelijkheden, indien het
scherp koper de
koorpartijen
vertegenwoordigt. In deze
optie is het wenselijk
dat het scherp koper zich
separaat opstelt van de
rest van hetorkest
(bijvoorbeeld op een
galerij), zodat het idee
van dubbelkorigheid wordt
benaderd. Bij een
uitvoering voor groot
koor werkt het scherp
koper zeer goed als
ondersteuning. In dat
geval kan de dynamiek van
het koper iets worden
aangepast,aangezien deze
in eerste instantie
bedoeld is voor een
instrumentale versie. Ook
kan men ervoor kiezen het
scherp koper helemaal weg
te laten ten gunste van
het koor. Bij begeleiding
van kleinere koren kan
men kiezen voor een klein
ensemble uit hetorkest.
Dit kan ook een naar wens
samengesteld kwartet
zijn. Voor de uitvoering
van deze mis ligt het
voor de hand een van deze
opties te kiezen. Als
alternatief is echter ook
een uitvoering mogelijk
met een combinatie van
deze opties
(vocaal/instrumentaal)
niet slechts vanuit een
artistiek motief
(afwisseling), maar ook
vanuit een praktisch
motief, voor het geval
dat het koor bijvoorbeeld
slechts twee delen heeft
ingestudeerd. Bij een
volledige bezetting kan
de dirigent
deinstrumentatie naar
believen afwisselen.
Hierbij kan ook het
scherp koper in de
begeleiding een rol
krijgen (in plaats van
ondersteuning van het
koor). Zo zijn de
volgende combinaties
mogelijk: 1.
clarinet choir (van
Es-klarinet tot
basklarinet) 2.
clarinet choir +
saxofoons 3. zacht
koper (bugels, hoorns,
euphoniums, bassen)
4. scherp koper (2
trompetten / 2
trombones) 5.
dubbelrieten (eventueel +
fluit, eventueel +
contrabas) 6.
tutti 7. alle
hout 8. alle
koper In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones) +
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis,
geschrieben für Chor
und Blasorchester
entstand im Auftrag des
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(Frankreich),
anlässlich des
tausendjährigen
Jubiläumsder Geburt
von Papst Leo IX in
Éguisheim. Der
Komponist dirigierte die
Uraufführung am 23.
Juni 2002. Sie wurde live
vom französischen
Fernsehen France 2
übertragen. Die
Messesätze Kyrie,
Gloria, Credo, Sanctus,
Benedictus und
Agnus Deieignen
sich ausgezeichnet sowohl
für die katholische
als auch die
protestantische Liturgie.
Diese Messe kann in
diversen variablen
Spielstärken
aufgeführt werden.
Eine
Instrumentalaufführung
ist möglich, wenn das
Blech die Chorstimme
übernimmt.Um der Idee
von zwei Chören in
dieser Variante
möglichst gerecht zu
werden, empfiehlt es
sich, das Blechregister
getrennt vom Rest des
Blasorchesters
aufzustellen
(beispielsweise auf einer
Galerie). In einer
Aufführung mit einem
großen Chor kann
dasBlechregister sehr gut
als Unterstützung
dienen. In diesem Fall
sollten die
Dynamikangaben der
Blechbläser etwas
angepasst werden, da sie
ja eigentlich für eine
Instrumentalaufführung
gedacht sind. Man kann
zugunsten des Chors auch
völlig auf dasBlech
verzichten. Zur
Begleitung kleinerer
Chöre können Sie
ein kleines Ensemble aus
dem Blasorchester
wählen. Dies könnte
auch ein Quartett in
beliebiger
Zusammensetzung sein.
Für die Aufführung
dieser Messe bietet sich
eine der oben
genanntenVarianten an.
Eine Kombination dieser
Wahlmöglichkeiten
(vokal/instrumental) ist
jedoch auch möglich
und das nicht nur vom
künstlerischen
Standpunkt aus betrachtet
(zur Abwechslung),
sondern auch aus
praktischen Erwägungen
beispielsweise, wennder
Chor nur zwei Sätze
einstudiert hat. In
voller Besetzung kann der
Dirigent die
Instrumentierung nach
Belieben variieren. Dann
können die
Blechbläser auch eine
Rolle in der Begleitung
übernehmen (anstatt
den Chor zu
unterstützen). Die
folgendenKombinationen
sind möglich:
1. Klarinettenchor
(von Klarinette in Es bis
Bassklarinette) 2.
Klarinettenchor +
Saxophone 3. Blech
(Flügelhorn, Horn,
Euphonium,
Bassregister) 4.
Blech (2 Trompeten / 2
Posaunen) 5.
Doppelrohrblattinstrument
e (wahlweise + Flöte,
wahlweise +
Kontrabass) 6.
Tutti 7. Alle
Holzbläser 8.
Alle Blechbläser
In einer Aufführung
mit Brass Band und Chor
ist es gewöhnlich
ratsam, nicht die erste
Option (Chor + Blech +
Blasorchester) zu
wählen. Der Chor singt
unabhängig, begleitet
von einer
vollständigen Brass
Band. In einer
Instrumentalaufführung
könnenSie sich für
ein kombiniertes Quartett
(zwei Kornette und zwei
Posaunen) + Brass Band
entscheiden. Chorstimmen
separat
erhältlich.
Missa Brevis est une
messe pour Orchestre
d’Harmonie et
Choeur composée la
demande du Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (Dir. :
Philippe Pfisterer) de
Guebwiller en France,
l’occasion des
célébrations
dumillénaire de la
naissance du Pape Léon
IX Éguisheim. La
création mondiale a eu
lieu le 23 juin 2002 sous
la direction du
compositeur, et a
été diffusée en
direct sur la chaîne
de télévision
nationale France 2. Les
différentes parties de
cettemesse (Kyrie,
Gloria, Credo,
Sanctus,
Benedictus et
Agnus Dei)
conviennent autant la
liturgie catholique
qu’ la liturgie
protestante. Missa
Brevis peut être
interprétée dans
différentes
combinaisons
instrumentales. Ellepeut
être jouée dans une
version purement
instrumentale, où les
cuivres prennent en
charge la partie vocale.
En tel cas, il est
conseillé de placer
les cuivres
l’écart de la
formation (sur une
estrade, par exemple) de
façon reproduire
l’idée dedeux
groupes indépendants.
Dans le cadre
d’une
interprétation avec un
grand Choeur, les cuivres
jouent un rôle de
soutien. Leurs nuances
doivent alors être
adaptées dans la
mesure où elles ont
été écrites,
l’origine, pour
une version
instrumentale.Il est
également possible de
ne pas faire intervenir
les cuivres et de
privilégier le Choeur.
Pour accompagner de
petits ensembles vocaux,
il faut opter pour une
formation instrumentale
réduite voire même
un Quatuor
(instrumentation au
choix).
Pourl’interprét
ation de cette messe
l’un des choix
proposés ci-dessus
s’impose. Il
existe néanmoins une
alternative qui consiste
interpréter cette
oeuvre en combinant ces
options (vocales /
instrumentales). Cela
peut être
bénéfique tant
d’un point devue
artistique (variante) que
pratique dans le cas
où le Choeur
n’a travaillé
que deux mouvements de la
messe. Si le chef dispose
de deux formations
complètes (Choeur et
Orchestre
d’Harmonie), il
peut varier
l’instrumentation
selon ses
préférences. ce
moment-l , il peut
confier un rôle
d’accompagnement
et non de soutien aux
cuivres de sa formation.
Les combinaisons
suivantes peuvent être
formées : 1.
Choeur de Clarinettes (de
la Clarinette Mib la
Clarinette
Basse) 2. Choeur de
Clarinettes +
Saxophones 3.
Cuivres (Bugles, Cors,
Barytons / Euphoniums,
Basses) 4. Cuivres
(2 Trompettes / 2
Trombones) 5.
Instruments anches
doubles (Fl te et
Contrebasse cordes
optionnelles) 6.
Tutti 7. Tous les
Bois 8. Tous les
Cuivres Dans le
cadre d’une
interprétation par un
Brass Band accompagné
d’un Choeur, il
est préférable de
supprimer l’option
1 (Choeur + Cuivres +
Orchestre
d’Harmonie) car le
Choeur étant autonome.
Dans une version
instrumentale pour
Cuivres, il estpossible
de former la combinaison
suivante : Quatuor (2
Cornets / 2 Trombones) et
Brass Band.Partitions
pour chœur
disponibles
séparément.
Parti per coro
disponibili a parte. $327.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Brevis San Francesco d'Assisi - Kyrie Chorale SATB SATB, Piano - Intermédiaire GIA Publications
1. Kyrie. Composed by Anthony Bernarducci. Evoking Sound. Music Education. Oct...(+)
1. Kyrie. Composed by
Anthony
Bernarducci. Evoking
Sound.
Music Education. Octavo.
8
pages. GIA Publications
#9262. Published by GIA
Publications
$2.40 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa Brevis - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: B...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band and opt.
Choir - Grade 2 SKU:
BT.DHP-1033337-170
Composed by Jacob De
Haan. Musica Sacra. Hymns
& Chorals. Score Only.
Composed 2003. 28 pages.
De Haske Publications
#DHP 1033337-170.
Published by De Haske
Publications
(BT.DHP-1033337-170).
A4 (210X297)
inches. Missa
Brevis is a major
work for choir and brass
band for performance in
church or in the concert
hall. For this mass,
there are many
performance possibilities
depending on the
musicians available. In
addition to the standard
orchestration ofchoir and
band a brass quartet can
also play the choral
parts. For this it is
desirable for the brass
quartet to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is heard. It is
alsopossible to perform
the work with brass band
and organ. A truly
flexible religious
masterpiece. Choral parts
available
separately.
Mis
sa Brevis, geschreven
voor koor en blaasorkest,
werd gecomponeerd in
opdracht van de Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (dir.
Philippe Pfisterer) in
Guebwiller (Frankrijk),
ter gelegenheid van het
duizendstegeboortejaar
van paus Leo IX. In zijn
geboorteplaats,
Éguisheim (Elzas,
Frankrijk), vond op 23
juni 2002 de première
van deze mis plaats onder
leiding van de componist.
Het betrof een
live-registratie voor de
Franse televisiezender
France 2. Demisdelen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
en Agnus Dei
lenen zich uitstekend
voor zowel de katholieke
als de protestantse
liturgie. Er zijn voor
deze mis diverse
uitvoeringsmogelijkheden
mogelijk, aangezien er
sprake is van
eenvariabele bezetting.
Een instrumentale
uitvoering behoort
uitdrukkelijk tot de
mogelijkheden, indien het
scherp koper de
koorpartijen
vertegenwoordigt. In deze
optie is het wenselijk
dat het scherp koper zich
separaat opstelt van de
rest van hetorkest
(bijvoorbeeld op een
galerij), zodat het idee
van dubbelkorigheid wordt
benaderd. Bij een
uitvoering voor groot
koor werkt het scherp
koper zeer goed als
ondersteuning. In dat
geval kan de dynamiek van
het koper iets worden
aangepast,aangezien deze
in eerste instantie
bedoeld is voor een
instrumentale versie. Ook
kan men ervoor kiezen het
scherp koper helemaal weg
te laten ten gunste van
het koor. Bij begeleiding
van kleinere koren kan
men kiezen voor een klein
ensemble uit hetorkest.
Dit kan ook een naar wens
samengesteld kwartet
zijn. Voor de uitvoering
van deze mis ligt het
voor de hand een van deze
opties te kiezen. Als
alternatief is echter ook
een uitvoering mogelijk
met een combinatie van
deze opties
(vocaal/instrumentaal) -
niet slechts vanuit een
artistiek motief
(afwisseling), maar ook
vanuit een praktisch
motief, voor het geval
dat het koor bijvoorbeeld
slechts twee delen heeft
ingestudeerd. Bij een
volledige bezetting kan
de dirigent
deinstrumentatie naar
believen afwisselen.
Hierbij kan ook het
scherp koper in de
begeleiding een rol
krijgen (in plaats van
ondersteuning van het
koor). Zo zijn de
volgende combinaties
mogelijk: 1.
clarinet choir (van
Es-klarinet tot
basklarinet) 2.
clarinet choir +
saxofoons 3. zacht
koper (bugels, hoorns,
euphoniums, bassen)
4. scherp koper (2
trompetten / 2
trombones) 5.
dubbelrieten (eventueel +
fluit, eventueel +
contrabas) 6.
tutti 7. alle
hout 8. alle
koper In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones) +
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis, eine
Messe für Brass Band
und Chor ad libitum, kann
in diversen variablen
Spielstärken
aufgeführt werden.
Zahlreiche mögliche
Instrumentenkombinationen
diverse mögliche
Kombinationen mit
großen oder kleineren
Chören, lassen
eineVielzahl von
verschiedenen
Aufführungen dieser
Messe zu. So kann z. B.
ein
Blechbläserquartett,
von der Kirchenempore
herab spielend, die
Chorpartien
übernehmen. Darüber
hinaus ergeben sich durch
die Orgelbegleitung
weitere
Aufführungsvarianten.
EineAufstellung der
Wahlmöglichkeiten wird
vom Komponisten
mitgeliefert. Die
wunderschöne Musik aus
der Feder von Jacob de
Haan garantiert in jedem
Fall einen gelungenen
Auftritt!Chorstimmen
separat erhältlich.
Missa Brevis
est une messe pour
Orchestre
d’Harmonie et
Choeur composée la
demande du Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (Dir. :
Philippe Pfisterer) de
Guebwiller en France,
l’occasion des
célébrations
dumillénaire de la
naissance du Pape Léon
IX Éguisheim. La
création mondiale a eu
lieu le 23 juin 2002 sous
la direction du
compositeur, et a
été diffusée en
direct sur la chaîne
de télévision
nationale France 2. Les
différentes parties de
cettemesse (Kyrie,
Gloria, Credo,
Sanctus,
Benedictus et
Agnus Dei)
conviennent autant la
liturgie catholique
qu’ la liturgie
protestante. Missa
Brevis peut être
interprétée dans
différentes
combinaisons
instrumentales. Ellepeut
être jouée dans une
version purement
instrumentale, où les
cuivres prennent en
charge la partie vocale.
En tel cas, il est
conseillé de placer
les cuivres
l’écart de la
formation (sur une
estrade, par exemple) de
façon reproduire
l’idée dedeux
groupes indépendants.
Dans le cadre
d’une
interprétation avec un
grand Choeur, les cuivres
jouent un rôle de
soutien. Leurs nuances
doivent alors être
adaptées dans la
mesure où elles ont
été écrites,
l’origine, pour
une version
instrumentale.Il est
également possible de
ne pas faire intervenir
les cuivres et de
privilégier le Choeur.
Pour accompagner de
petits ensembles vocaux,
il faut opter pour une
formation instrumentale
réduite voire même
un Quatuor
(instrumentation au
choix).
Pourl’interprét
ation de cette messe
l’un des choix
proposés ci-dessus
s’impose. Il
existe néanmoins une
alternative qui consiste
interpréter cette
oeuvre en combinant ces
options (vocales /
instrumentales). Cela
peut être
bénéfique tant
d’un point devue
artistique (variante) que
pratique dans le cas
où le Choeur
n’a travaillé
que deux mouvements de la
messe. Si le chef dispose
de deux formations
complètes (Choeur et
Orchestre
d’Harmonie), il
peut varier
l’instrumentation
selon ses
préférences. ce
moment-l , il peut
confier un rôle
d’accompagnement
et non de soutien aux
cuivres de sa formation.
Les combinaisons
suivantes peuvent être
formées : 1.
Choeur de Clarinettes (de
la Clarinette Mib la
Clarinette
Basse) 2. Choeur de
Clarinettes +
Saxophones 3.
Cuivres (Bugles, Cors,
Barytons / Euphoniums,
Basses) 4. Cuivres
(2 Trompettes / 2
Trombones) 5.
Instruments anches
doubles (Fl te et
Contrebasse cordes
optionnelles) 6.
Tutti 7. Tous les
Bois 8. Tous les
Cuivres Dans le
cadre d’une
interprétation par un
Brass Band accompagné
d’un Choeur, il
est préférable de
supprimer l’option
1 (Choeur + Cuivres +
Orchestre
d’Harmonie) car le
Choeur étant autonome.
Dans une version
instrumentale pour
Cuivres, il estpossible
de former la combinaison
suivante : Quatuor (2
Cornets / 2 Trombones) et
Brass Band.Partitions
pour chœur
disponibles
séparément.
Parti per coro
disponibili a parte. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevis Chorale SATB Carus Verlag
SSATB choir, basso continuo SKU: CA.3602005 Composed by Dietrich Buxtehud...(+)
SSATB choir, basso
continuo SKU:
CA.3602005 Composed
by Dietrich Buxtehude.
Missa Alla Brevis 114.
Sacred vocal music, Missa
brevis in Latin. Choral
Score. BuxWV 114. 16
pages. Duration 8
minutes. Carus Verlag #CV
36.020/05. Published by
Carus Verlag
(CA.3602005). ISBN
9790007112615. Language:
Latin. In the
tradition of Protestant
missa brevis
compositions, the music
of this Mass was written
in the so-called stile
antico following
16th-century models and
known as Palestrina
style. The surviving
copy, in the Duben
Collection, dates from
1675. Buxtehude adopted
the strict form of the
stile antico,
contrapuntal polyphony
without instrumental
accompaniment for various
compositions of the same
period, including Mit
Fried und Freud ich fahr
dahin BuxWV 76, written
on the death of his
father. The Missa brevis
consists of the Kyrie and
Gloria of the Ordinarium,
so it is a Lutheran Mass;
in 17th-century
Protestant services these
sections of the Mass were
sung in Latin. Score
available separately -
see item CA.3602000. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevis in C major Chorale SATB SATB, Orgue - Intermédiaire Carus Verlag
SATB Choir, organ - Level 3 SKU: CA.4064205 Composed by Leopold Mozart. S...(+)
SATB Choir, organ - Level
3 SKU: CA.4064205
Composed by Leopold
Mozart. Sacred Music from
Salzburg. German title:
Missa brevis in C KV 115.
Sacred vocal music, Missa
brevis in Latin. Choral
Score. Composed 1815. KV
115. 24 pages. Carus
Verlag #CV 40.642/05.
Published by Carus Verlag
(CA.4064205). ISBN
9790007075187. Key: C
major. Language:
Latin. The Missa
brevis in C Major, for 4
vocal parts and organ,
was long considered one
of young Mozart's
excercises in The Italian
style of church music.
Karl Pfannhauser, after
his studies of Leopold
Mozart's masses, was the
first to discover that
the C-major fragment had
been incorporated into
the latter's Missa
solemnis in C Major. As
Mozart was only 8 years
old at the time his
father wrote this mass,
he cannot be deemed the
composer of the
fragmentary C-major mass
that is listed as KV 115.
The mass contains only
the Kyrie, Gloria, Credo
and Sanctus, the last of
which breaks off in bar
9. For the present
edition our aim was to
draw upon Leopold's own
works for the missing
parts. Score available
separately - see item
CA.4064200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevis Orgue Carus Verlag
SB vocal soli, SATB choir, 2 trumpets, horn, trombone, trombone, organ SKU: C...(+)
SB vocal soli, SATB
choir, 2 trumpets, horn,
trombone, trombone, organ
SKU: CA.1080403
Composed by Cyrill
Schurch. Choir and Brass.
Masses, Latin. Vocal
score. 24 pages. Duration
13 minutes. Carus Verlag
#CV 10.804/03. Published
by Carus Verlag
(CA.1080403). ISBN
9790007191375. Text
language:
Latin. Its musical
variety is key to the
appeal of the Missa
brevis. From a fughetta
in the Kyrie to the
quartal harmonies of the
Gloria with its dialog
between soloists and
chorus to the
rhythmically striking
passages in the Sanctus
there is everything an
experienced choir could
wish for. The final Agnus
Dei gloriously presents
both soloists and the
choir with a compelling
and dramatic call for
peace. Festivly supported
by the brass and the
organ, the Missa brevis
is an exciting and
rewarding piece for the
choral repertoire. Score
available separately -
see item CA.1080400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevis Chorale SATB Carus Verlag
SB vocal soli, SATB choir, 2 trumpets, horn, trombone, trombone, organ SKU: C...(+)
SB vocal soli, SATB
choir, 2 trumpets, horn,
trombone, trombone, organ
SKU: CA.1080409
Composed by Cyrill
Schurch. 2x 10.804/31 2
trumpets, 2x 10.804/31 2
trumpets, 2x 10.804/31 2
trumpets, 2x 10.804/31 2
trumpets, 2x 10.804/32 2
trumpets, 2x 10.804/32 2
trumpets, 2x 10.804/32 2
trumpets, 2x 10.804/32 2
trumpets, 1x 10.804/33
horn, 1x 10.804/34
trombone, 1x 10.804/35 .
Choir and Brass. Harmony
parts. Masses, Latin. Set
of Orchestra Parts.
Duration 13 minutes.
Carus Verlag #CV
10.804/09. Published by
Carus Verlag
(CA.1080409). ISBN
9790007191382. Text
language:
Latin. Its musical
variety is key to the
appeal of the Missa
brevis. From a fughetta
in the Kyrie to the
quartal harmonies of the
Gloria with its dialog
between soloists and
chorus to the
rhythmically striking
passages in the Sanctus
there is everything an
experienced choir could
wish for. The final Agnus
Dei gloriously presents
both soloists and the
choir with a compelling
and dramatic call for
peace. Festivly supported
by the brass and the
organ, the Missa brevis
is an exciting and
rewarding piece for the
choral repertoire. Score
and parts available
separately - see item
CA.1080400. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa Brevis Chorale SATB SATB A Cappella - Intermédiaire Galaxy Music Corporation
Composed by Leonard Enns. 21st Century. Galaxy Music Corporation #1.3508. Pub...(+)
Composed by Leonard Enns.
21st Century. Galaxy
Music
Corporation #1.3508.
Published by Galaxy Music
Corporation
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa brevis Orgue Carus Verlag
SB vocal soli, SATB choir, 2 trumpets, horn, trombone, trombone, organ SKU: C...(+)
SB vocal soli, SATB
choir, 2 trumpets, horn,
trombone, trombone, organ
SKU: CA.1080400
Composed by Cyrill
Schurch. Choir and Brass.
Masses, Latin. Full
score. 36 pages. Duration
13 minutes. Carus Verlag
#CV 10.804/00. Published
by Carus Verlag
(CA.1080400). ISBN
9790007165055. Text
language:
Latin. Its musical
variety is key to the
appeal of the Missa
brevis. From a fughetta
in the Kyrie to the
quartal harmonies of the
Gloria with its dialog
between soloists and
chorus to the
rhythmically striking
passages in the Sanctus
there is everything an
experienced choir could
wish for. The final Agnus
Dei gloriously presents
both soloists and the
choir with a compelling
and dramatic call for
peace. Festivly supported
by the brass and the
organ, the Missa brevis
is an exciting and
rewarding piece for the
choral repertoire. $46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jazz Missa Brevis For Satb Choir And Piano Chorale SATB SATB, Piano Hal Leonard
BH Large Choral. Octavo. 32 pages. Hal Leonard #M060131110. Published by Hal ...(+)
BH Large Choral. Octavo.
32
pages. Hal Leonard
#M060131110. Published by
Hal Leonard
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180103 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180103
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Vocal score. KV.
28 pages. Duration 15
minutes. Carus Verlag #CV
51.801/03. Published by
Carus Verlag
(CA.5180103). ISBN
9790007186180. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score available
separately - see item
CA.5180100. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Carus Verlag
Soli e Coro SATB, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180124 After fra...(+)
Soli e Coro SATB, 2 Ob, 2
Tr, Timp, 2 Vl, Bc
SKU: CA.5180124
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Sacred
vocal music, Masses,
Latin; use during church
year: Whole church year /
Omni tempore; Stuttgart
Editions (Urtext):
Stuttgart Mozart Edition.
Stuttgart Urtext Edition:
Mozart. Clarinet 2.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Single Part,
Klarinette 2. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/24. Published by
Carus Verlag
(CA.5180124). ISBN
9790007243159. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180113 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180113
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Basso continuo. Sacred
vocal music, Masses,
Latin, Whole church year
/ Omni tempore. Single
Part, basso continuo. KV.
8 pages. Duration 15
minutes. Carus Verlag #CV
51.801/13. Published by
Carus Verlag
(CA.5180113). ISBN
9790007225360. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180112 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180112
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Violin 2. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 2. KV. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/12. Published by
Carus Verlag
(CA.5180112). ISBN
9790007225353. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Carus Verlag
Soli e Coro SATB, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180123 After fra...(+)
Soli e Coro SATB, 2 Ob, 2
Tr, Timp, 2 Vl, Bc
SKU: CA.5180123
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Sacred
vocal music, Masses,
Latin; use during church
year: Whole church year /
Omni tempore; Stuttgart
Editions (Urtext):
Stuttgart Mozart Edition.
Stuttgart Urtext Edition:
Mozart. Clarinet 1.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Single Part,
Klarinette 1. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/23. Published by
Carus Verlag
(CA.5180123). ISBN
9790007243166. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180149 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180149
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Organ. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Organ. KV. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/49. Published by
Carus Verlag
(CA.5180149). ISBN
9790007225384. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180111 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180111
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Violin 1. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 1. KV. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
51.801/11. Published by
Carus Verlag
(CA.5180111). ISBN
9790007225346. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and part available
separately - see item
CA.5180100. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180109 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180109
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. 1x
51.801/21 oboe 1, 1x
51.801/22 oboe 2, 2x
51.801/31 trumpets 1 and
2, 1x 51.801/41 timpani.
Stuttgart Urtext Edition:
Mozart. Harmony parts.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Set of Orchestra
Parts. KV. Duration 15
minutes. Carus Verlag #CV
51.801/09. Published by
Carus Verlag
(CA.5180109). ISBN
9790007225339. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and parts available
separately - see item
CA.5180100. $32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa brevissima Chorale SATB Carus Verlag
Soli e SATB Choir, 2 Ob, 2 Tr, Timp, 2 Vl, Bc SKU: CA.5180119 After fr...(+)
Soli e SATB Choir, 2 Ob,
2 Tr, Timp, 2 Vl, Bc
SKU: CA.5180119
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Complete orchestral
parts. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Set of Orchestra
Parts. KV. Duration 15
minutes. Carus Verlag #CV
51.801/19. Published by
Carus Verlag
(CA.5180119). ISBN
9790007225377. Language:
Latin. When
Wolfgang Amadeus Mozart
returned to Salzburg in
January 1779 from his
journey to Paris, his
luggage contained a
single church music work
- an unfinished Kyrie in
E flat major (KV 296a)
together with sketches
for the Sanctus and
Benedictus (KV 296c). In
2015, at the suggestion
of the late Armin
Kircher, Johann Simon
Kreuzpointner set about
compiling a five-movement
setting of the mass from
this material, also
drawing on an unfinished
cantata in E flat major
(KV 429). For the
orchestration and text
underlay, Kreuzpointner
took his cue from
Mozart's church music
works. With this edition
Kreuzpointner, an
experienced church
musician and composer,
created a convincing and
stylistically assured
work, which he tried out
in several performances.
The result is a concise
setting of the mass, good
to sing, which does not
present any great
difficulties for
soloists, chorus, or
orchestra. The title
Missa brevissima does not
come from Mozart, but was
chosen because of the
brevity of the mass
setting with its missing
Credo. It also underlines
the special status of
this setting of the mass.
Score and parts available
separately - see item
CA.5180100. $146.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Gospel Mass - Intermédiaire De Haske Publications
Fanfare Band, Mixed Choir and Combo - Grade 3 SKU: BT.DHP-1145564-020 Com...(+)
Fanfare Band, Mixed Choir
and Combo - Grade 3
SKU:
BT.DHP-1145564-020
Composed by Jacob De
Haan. Musica Sacra. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145564-020. Published by
De Haske Publications
(BT.DHP-1145564-020).
The Gospel
Mass-a mass for mixed
choir, combo and concert
band-is based on the
gospel music that has
spread throughout the
world since its creation
in America. After
Missa Brevis
and Missa
Katharina this is the
third mass fromthe pen of
Jacob de Haan. The
movements of the mass
ordinary as we know it
have now been composed in
various pop styles that
have their origin in the
gospel music. We hear,
then, not only the
classic American gospel
style (including
thecharacteristic
clapping and swing
rhythms), but also freer
gospel styles that have
developed over the course
of time. The
Credo, for
example, is a ballad with
rock and funk influences.
The Agnus Dei is
heard as a slow blues-a
genreclosely linked to
gospel music. The unique
feature of this work, of
course, is in the
combination of all these
pop and gospel elements
with the Latin liturgy of
the Kyrie, Gloria,
Sanctus, Benedictus
and Agnus Dei,
which results in
abeautiful, cohesive
whole. As far as we know,
The Gospel Mass is
the only true gospel
mass.
The
Gospel Mass –
een mis voor gemengd
koor, combo en
blaasorkest – is
gebaseerd op de
gospelmuziek zoals die
zich sinds haar ontstaan
in Amerika overal in de
wereld heeft verspreid en
ontwikkeld. Het werk is
na Missa Brevisen
Missa Katharina de
derde mis van componist
Jacob de Haan. De
ordinariumdelenzoals we
die kennen van een mis,
zijn hier gecomponeerd in
diverse popstijlen die
hun oorsprong vinden in
de gospelmuziek. Zo horen
we niet alleen
deklassiekeAmerikaanse
gospelstijl (inclusief
hand-clapping en swing),
maar ook de vrijere
gospelstijlen die zich in
de loop der tijd hebben
ontwikkeld. Het Credo is
bijvoorbeeld gecomponeerd
als een ballad, terwijl
in andere delen rock- en
funkinvloeden
zijnverwerkt. Het Agnus
Dei klinkt in een slow
blues, een genre dat nauw
verbonden is met de
gospelmuziek. De unieke
factor is de combinatie
van al deze pop- en
gospelelementen met de
Latijnse misteksten van
het Kyrie, Gloria, Credo,
Sanctus, Benedictusen
Agnus Dei – daarmee
ontstaat een fraai,
samenhangend geheel. Voor
zover bekend is The
Gospel Mass de enige
echte
gospelmis.
The
Gospel Mass eine
Messe für gemischten
Chor, Combo und
Blasorchester basiert auf
der Gospelmusik, wie sie
sich seit ihrer
Entstehung in Amerika
überall auf der Welt
verbreitet hat. Das Werk
ist nach Missa
Brevis und
MissaKatharina die
dritte Messe aus der
Feder von Jacob de Haan.
Die Ordinariumsteile,
wie man sie aus einer
Messe kennt, sind hier in
diversen Popstilen
komponiert, die ihren
Ursprung in der
Gospelmusik haben. So
hören wir nicht nur
den klassischen
amerikanischen Gospelstil
(inklusive
Händeklatschen und
Swing),sondern auch
freiere Gospelstile, die
sich im Laufe der Zeit
entwickelt haben. Das
Credo ist
beispielsweise eine
Ballade, in der Rock- und
Funk-Einflüsse
verarbeitet wurden. Das
Agnus Dei erklingt
als langsamer Blues ein
Genre, daseng mit der
Gospelmusik verknüpft
ist. Der einzigartige
Faktor dieses Werkes
besteht natürlich in
der Kombination all
dieser Pop- und
Gospelelemente mit den
lateinischen Messetexten
der Ordinariumsteile
Kyrie, Gloria,
Sanctus,
Benedictusund
Agnus Dei, die ein
schönes,
zusammenhängendes
Ganzes ergibt. Soweit
bekannt, ist The
Gospel Mass die
einzige echte
Gospelmesse.
Th
e Gospel Mass messe
pour chœur mixte,
combo et orchestre
d’harmonie, fut
composée partir du
style gospel, qui, depuis
ses origines en
Amérique, s’est
peu peu étendu dans le
monde entier. Après
Missa Brevis et
MissaKatharina, voici
la troisième messe
signée par le
compositeur Jacob de
Haan. Les
différents mouvements
de la composition de
Jacob de Haan
s’articulent selon
le déroulement
d’une
célébration
liturgique ordinaire. La
Gospel Mass
comporte divers styles
pop qui trouvent leur
origine dans la musique
gospel. Nous
entendonsalors, non
seulement le style
classique américain
des gospels songs (y
compris les
applaudissements
caractéristiques et
rythmes swinguant), mais
aussi une plus grande
liberté d’usage
des styles de gospel qui
se sont développés
au fil du temps.
LeCredo, par
exemple, est une ballade
aux influences rock et
funk. LAgnus Dei
résonne comme un slow
blues - un genre lent
étroitement lié la
musique gospel. La
particularité de cette
œuvre réside dans
une belle et cohérente
combinaisonde tous ces
éléments pop et
gospel avec le Kyrie,
Gloria, Sanctus,
Benedictus et
Agnus Dei de la
liturgie latine. Pour
autant que nous sachions,
The Gospel Mass
est la seule véritable
messe gospel. $387.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Kyrie/Gloria from Missa Brevis Chorale SSAA SSAA, Piano [Octavo] - Intermédiaire Santa Barbara Music Publishing
By Kristina Vasiliauskaite. For SSAA choir, with piano. Baltic Series edited by ...(+)
By Kristina
Vasiliauskaite. For SSAA
choir, with piano. Baltic
Series edited by Vance
Wolverton. Christmas.
Medium. Octavo. Published
by Santa Barbara Music
Publishing
$2.40 $2.28 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music Group 6**pop** Schott
SKU: HL.49014463 Composed by John Horton. Edited by John Horton. This edi...(+)
SKU: HL.49014463
Composed by John Horton.
Edited by John Horton.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Teacher's edition. 94
pages. Schott Music #ED
11133. Published by
Schott Music
(HL.49014463). ISBN
9790220129704.
English. $7.99 - Voir plus => Acheter | | |
| Music Group 6**pop** Schott
SKU: HL.49014464 Composed by John Horton. Edited by John Horton. This edi...(+)
SKU: HL.49014464
Composed by John Horton.
Edited by John Horton.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Student book. 92 pages.
Schott Music #ED
11133-01. Published by
Schott Music
(HL.49014464). ISBN
9790220130045.
English. $5.95 - Voir plus => Acheter | | |
| Kyrie (from Missa Brevis Sancti Joannis de Deo) Chorale SATB Shawnee Press
By Franz Joseph Haydn (1732-1809). Arranged by Earlene Rentz. For Choral (SATB)....(+)
By Franz Joseph Haydn
(1732-1809). Arranged by
Earlene Rentz. For Choral
(SATB). Shawnee Press.
Choral. 8 pages. Shawnee
Press #A2279. Published
by Shawnee Press .
Choral.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Kyrie from Missa Brevis Chorale SATB SATB A Cappella [Octavo] Alliance Music Publications
By Andrea Gabrieli (1533-1585). Arranged by Rod Walker. For SATB choir, a cappel...(+)
By Andrea Gabrieli
(1533-1585). Arranged by
Rod Walker. For SATB
choir, a cappella.
Octavo. Published by
Alliance Music
Publications . Octavo.
$1.40 $1.33 (- 5%) Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Kyrie from Missa Brevis Chorale SATB SATB A Cappella Theodore Presser Co.
(S.A.T.B., A Cappella (with Latin and English Text)). By Andrea Gabrieli (1533-1...(+)
(S.A.T.B., A Cappella
(with Latin and English
Text)). By Andrea
Gabrieli (1533-1585).
Edited by Walter Ehret.
SATB chorus. For SATB,
Piano Rehearsal. Choir
Loft Choral Series.
Choral. Piano/Vocal
Score. Standard notation.
5 pages. Duration 1:30
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
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