Arr. Lorenzo Bocci. La source exacte de cet hymne chrétien anglais est incertaine, cependant, il apparaît dans une anthologie publiée par William Sandy en 1833, Christmas Carols Ancient and Modern (Chants de Noël anciens et modernes). Incontestablement, lasérénité et la douceur de God Rest Ye Merry Gentlemen ont largement dépassé les frontiéres anglaises. Litalien Lorenzo Bocci sest laissé gagner par la magie de cet ancien cantique et nous en propose un chaleureux arrangement pour orchestredharmonie. / Niveau : 2 / Répertoire / Concert Band ou Harmonie

The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.German can seem like an awkward language to sing in - there are just too many consonants! How do you get your tongue around them? And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? These issues and more are covered in this book, which contains settings from some of the masters of song-writing in the German language. / Voix Moyenne Et Piano

The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano

L'édition fait partie du syllabus Trinity 2007 (8e année) / Voix Elevée(s) Et Piano

L'édition fait partie du syllabus Trinity 2007 (8e année) / Voix Basse Et Piano