Excerpts: I. Introitus: Requiem aeternam, II. Kyrie eleison, III. Sequenz: 1. Dies irae, 3. Rex tremendae majestatis, 5. Confutatis maledictis, 6, Lacrimosa dies illa - SATB choir ad libitum. By Wolfgang Amadeus Mozart. Arranged by Marco Somadossi. Concert band. Classical, Transcription. Level: Grade 4.5. Score and set of parts. Duration 15:00. Published by Scomegna Edizioni Musicali (Italian import).

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Cameron LaBarr. Amanda Quist Choral Series. Music Education. Octavo. 8 pages. Published by Walton Music (GI.WW1613).

SATB Choir - Grade 4

SKU: HL.14030962

Composed by Bent Sorensen. Music Sales America. Hymns & Chorals. Vocal Score. Composed 2002. 12 pages. Edition Wilhelm Hansen #WH29967. Published by Edition Wilhelm Hansen (HL.14030962).

ISBN 9788759856789.

Work for SATB Choir A Cappella dating from 1985.

From Da Vinci Requiem. Composed by Cecilia McDowall. Sacred choral - mixed voices. Vocal score. Duration 4.5'. Oxford University Press #9780193529052. Published by Oxford University Press

SATB Chorus & Organ

SKU: SU.90810195

For SATB Chorus & Organ. Composed by Nancy Galbraith. Vocal/Choral, Sacred Choral. Accompanied by organ. Choral. Choral Octavo. Composed 2004. Subito Music Corporation #90810195. Published by Subito Music Corporation (SU.90810195).

Galbraith's Requiem is a masterpiece that had the audience members on their feet at the end, cheering with tears in their eyes. --Pittsburgh Tribune-Review ...a piece with universal appeal. Its seven sections included the powerful chords of the Tuba Mirum and a tender Lacrimosa, indicating the scope and breadth of Galbraith's vision in a work that built, movement by movement, a contemporary spiritual connection. --Pittsburgh Post-Gazette. Study Score: available for sale (#90810190).

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

By Various. German title: Klassik. Postcard. 100 pages. Published by Carus Verlag . postcard.

Six Mozart Classics for Piano and six Jazz Piano Interpretations, including CD. By Mozart, Uwe Korn. Piano. For piano and CD. Music and CD. 24 pages. Published by Doblinger (Austrian import).

New Completion. Composed by Wolfgang Amadeus Mozart (1756- 1791). Edited by Michael Ostrzyga. This edition: Urtext. Paperback Binding. Baerenreiter Urtext. Classical Period. Score. Baerenreiter Verlag #BA11310. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Armin Kircher. German title: Mozart, Geistliche Musik. Postcard. 2 pages. Published by Carus Verlag

By Giovanni Legrenzi (1626-1690). Arranged by Brian Clark. For SATTB choir, continuo. Octavo. Published by Alliance Music Publications

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Loreta Fin. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Classical; Masterwork Arrangement. Score. 8 pages. Duration 3:15. Alfred Music #76-44507S. Published by Alfred Music (AP.76-44507S).

By Wolfgang Amadeus Mozart. Arranged by Russell L. Robinson. (3 Part Mixed). Walton Choral. 8 pages. Published by Walton Music.

2 Violins, Cello and Organ [or Harpsichord]

SKU: BT.ALHE31816

Composed by Giovanni Legrenzi. Le Pupitre - Heugel. Classical. Set (Score & Parts). Heugel & Cie #ALHE31816. Published by Heugel & Cie (BT.ALHE31816).

French.

for 2 violins, cello and organ (or harpsichord)

Lacrymosa by Wolfgang Amadeus Mozart (1756-1791). Arranged by Michael Cleveland. For SSAA choir, with piano. Concert. Medium. Octavo. Published by Santa Barbara Music Publishing

By Wolfgang Amadeus Mozart. Arranged by Russell L. Robinson. (2PT TREBLE). Walton Choral. Size 6.75x10.5 inches. 8 pages. Published by Walton Music.

Baritone voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0053

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 3 minutes, 3 seconds. MorningStar Music Publishers #56-0053. Published by MorningStar Music Publishers (MN.56-0053).

UPC: 688670220562. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. A baritone solo on the English text begins the movement (Do not stand at my grave and weep…) and soon the choir enters to accompany the soloist chordally on the Lacrymosa, dies illa text. That’s the extent of the Latin used in this movement, and the baritone over choir setup continues until the end. Somber and reflective, the choir never sings above mezzo piano. Duration 3:03.

By Giovanni Legrenzi (1626-1690). Edited by Alessandro Bares. For 1 or 2 violins, cello (violone or bassoon) and basso continuo. This edition: Paperback. Concerto de' varii stromenti. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

(from the Requiem KV 626). By Wolfgang Amadeus Mozart (1756-1791). Edited by Valdo Preema. For Soprano, Oboe, Organ, Strings (Score and Set of parts). Score. Composed 1756-1791. Duration 5'00. Published by Edition 49

By Wolfgang Amadeus Mozart. Arranged by Patrick M. Liebergen. For Choir. (SSA). Choral Octavo. Choral Designs. Masterwork. Choral Octavo. 8 pages. Published by Alfred Publishing.
Level: Level 3 (grade L3).

(0.0.2.2/0.2.3.0,timp,2 basset horns,str,mixed chorus)

SKU: TM.14140SET

Composed by Wolfgang Amadeus Mozart. Set Type: A. Set of parts. Lucks Music Library #A8017. Published by Lucks Music Library (TM.14140SET).

Transposed: Tpt 1-2, Tbn I. Cl, Hn, and Tbn II already in modern keys. Cl in Bb-alternate for basset, org, horn. Optional Tpt 3 doubles Tbn 1.

For Contralto and Bass Soli, SATB chorus and Orchestra. By Igor Stravinsky. (SATB). Boosey and Hawkes Large Choral. Size 7x10.5 inches. 8 pages. Published by Boosey & Hawkes.

Violoncello/double bass part (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165214

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165214. Published by Carus Verlag (CA.5165214).

ISBN 9790007313876. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� ��™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman� ��s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

By Wolfgang Amadeus Mozart. Arranged by Patrick M. Liebergen. For Choir. Choral Octavo. Choral Designs. Masterwork. Accompaniment and performance CD. Published by Alfred Publishing.

SATB. By Wolfgang Amadeus Mozart. (SATB). Choral Large Works. Size 7x10.75 inches. 41 pages. Published by G. Schirmer, Inc.