| Enter Sandman Orchestre d'harmonie [Conducteur] - Facile Boosey and Hawkes
Score Only Concert Band (Score) - Grade 2 SKU: HL.4005419 By Metallica. B...(+)
Score Only Concert Band
(Score) - Grade 2 SKU:
HL.4005419 By
Metallica. By James
Hetfield, Lars Ulrich and
Kirk Hammett. Arranged by
Paul Murtha. Discovery
Plus Concert Band. Heavy
Metal, Rock. Softcover.
Published by Boosey &
Hawkes (HL.4005419).
UPC: 888680724146.
9.0x12.0x0.029
inches. From heavy
metal masters Metallica,
this 1991 hit has become
a rock standard. Paul's
powerful arrangement for
band effectively captures
the hard-driving feel of
the original. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Metallica : Master of Puppets Fanfare [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Metallica. By Cliff Burton, James Hetfield, Kirk Hammett, and Lars Ulrich. Ar...(+)
By Metallica. By Cliff
Burton, James Hetfield,
Kirk Hammett, and Lars
Ulrich. Arranged by Jay
Bocook and Omar
Carmenates. For Marching
Band (Score & Parts).
Contemporary Marching
Band. Grade 3-4.
Published by Hal Leonard
$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fests Chret Zum 70 Geburtstag Schott
SKU: HL.49015221 Composed by Erich Doflein. Edited by Lars Ulrich Abraham...(+)
SKU: HL.49015221
Composed by Erich
Doflein. Edited by Lars
Ulrich Abraham. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Classical. 131
pages. Schott Music
#ED6400. Published by
Schott Music
(HL.49015221).
$30.00 - Voir plus => Acheter | | |
| Enter Sandman Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Cherry Lane
By Metallica. By James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Paul...(+)
By Metallica. By James
Hetfield, Kirk Hammett,
and Lars Ulrich. Arranged
by Paul Murtha. For Jazz
Ensemble (Score and
Parts). Discovery Jazz.
Grade 1.5. Published by
Cherry Lane Music
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Turn It Up and Lay It Down: Double Pedal Metal Batterie [Partition + CD] Hudson Music
By Steve Kilgallon. This edition: HDBK14. Percussion. BOOK W/CD. Published by Hu...(+)
By Steve Kilgallon. This
edition: HDBK14.
Percussion. BOOK W/CD.
Published by Hudson
Music.
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nothing Else Matters Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Molenaar Edition
Composed by James Hetfield/Lars Ulrich. Arranged by Lorenzo Bocci. For concer...(+)
Composed by James
Hetfield/Lars Ulrich.
Arranged by Lorenzo
Bocci.
For concert band. Pop
Music/Catalogue New Band
Music Vol. 13. Hit
Series.
Recorded on Dance of the
Selkies (ML.311123720).
Grade 3. Full set.
Duration
7 minutes, 36 seconds.
Published by Molenaar
Edition
$123.95 $117.7525 (- 5%) Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Enter Sandman Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
By Metallica. By James Hetfield, Lars Ulrich and Kirk Hammett. Arranged by Pa...(+)
By Metallica. By James
Hetfield, Lars Ulrich and
Kirk Hammett. Arranged by
Paul Murtha. Discovery
Plus
Concert Band. Heavy
Metal.
Softcover. Published by
Hal
Leonard
$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Off the Record Batterie [DVD-ROM|DVD|Collection / Songbook] Modern Drummer Publications
Inside the Playing of Today's Top Drummers. By Ed Breckenfeld. Percussion. Softc...(+)
Inside the Playing of
Today's Top Drummers. By
Ed Breckenfeld.
Percussion. Softcover
with DVD-ROM. 120 pages.
Published by Modern
Drummer Publications.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On the Beaten Path Metal Batterie [Partition + CD] Alfred Publishing
(The Drummerâ??s Guide to the Genre and the Legends Who Defined It). By Rich La...(+)
(The Drummerâ??s Guide
to the Genre and the
Legends Who Defined It).
By Rich Lackowski. For
Drumset.
Artist/Personality;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Metal;
Rock. Book and CD. 104
pages. Published by
Alfred Music Publishing
$20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Guitar World Magazine Back Issue - March 2011 Guitare [Magazines] Hal Leonard
| | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Bass solo, Mi...(+)
Solo voices, SATB chorus,
orchestra (Soprano solo
(2), Tenor solo, Bass
solo, Mixed choirs (SATB)
(2), Orchestra) SKU:
BA.BA09188 Composed
by Wolfgang Amadeus
Mozart. Edited by Ulrich
Leisinger. Arranged by
Ulrich Leisinger. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Classical. Score.
KV 427. Baerenreiter
Verlag #BA09188_00.
Published by Baerenreiter
Verlag (BA.BA09188).
ISBN 9790006565092. 31
x 24.3 cm inches. Key: C
minor. Text Language:
Latin. Preface: Ulrich
Leisinger. Mozartâ
€™s magnificent
unfinished “Great
Mass in C minor K.
427†is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: - The
“Kyrie†and
“Gloriaâ€,
both of which survive
complete in
Mozart’s hand, are
edited in accordance with
scholarly standards. -
The first two sections of
the “Credoâ€
have been meticulously
completed by the editor
Ulrich Leisinger, drawing
on original Mozart
compositions e.g. the
aria “Deh vieni non
tardar†from
“The Marriage of
Figaro†and paying
attention to a
stylistically appropriate
and transparent
sound. - The
“Sanctus†and
“Benedictusâ€
(with the
“Hosannaâ€),
which are either
incomplete or survive
only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger’s
new edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$123.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wo...(+)
2MixedCh-SATB (Mixed
choirs (SATB) (2))
SKU: BA.BA09188-91
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Choral score.
KV 427. 44 pages.
Baerenreiter Verlag
#BA09188_91. Published by
Baerenreiter Verlag
(BA.BA09188-91). ISBN
9790006565139. 27 x 19 cm
inches. Key: C minor.
Text Language:
Latin. Mozart's
magnificent
unfinishedGreat Mass in C
minor K. 427is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: -
TheKyrieandGloria, both
of which survive complete
in Mozart's hand, are
edited in accordance with
scholarly standards. -
The first two sections of
theCredohave been
meticulously completed by
the editor Ulrich
Leisinger, drawing on
original Mozart
compositions e.g. the
ariaDeh vieni non
tardarfromThe Marriage of
Figaroand paying
attention to a
stylistically appropriate
and transparent
sound. -
TheSanctusandBenedictus(w
ith theHosanna), which
are either incomplete or
survive only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger's new
edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Chorale SATB Barenreiter
2mixedCh-SATB (2Sg-S-solo,Sg-T-solo,Sg- B-solo,2MixedCh-SATB,Orch ) SKU: BA.B...(+)
2mixedCh-SATB
(2Sg-S-solo,Sg-T-solo,Sg-
B-solo,2MixedCh-SATB,Orch
) SKU:
BA.BA09188-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Hans
Schellevis. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Classical. Vocal
Score. KV 427.
Baerenreiter Verlag
#BA09188_90. Published by
Baerenreiter Verlag
(BA.BA09188-90). ISBN
9790006565108. 27 x 19 cm
inches. Key: C minor.
Text Language: Latin.
Preface: Ulrich
Leisinger. Mozart's
magnificent
unfinishedGreat Mass in C
minor K. 427is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: -
TheKyrieandGloria, both
of which survive complete
in Mozart's hand, are
edited in accordance with
scholarly standards. -
The first two sections of
theCredohave been
meticulously completed by
the editor Ulrich
Leisinger, drawing on
original Mozart
compositions e.g. the
ariaDeh vieni non
tardarfromThe Marriage of
Figaroand paying
attention to a
stylistically appropriate
and transparent
sound. -
TheSanctusandBenedictus(w
ith theHosanna), which
are either incomplete or
survive only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger's new
edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
$23.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Music with Robert Schumann Orchestre Breitkopf & Härtel
Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str) SKU: BR.PB-4862-07 ...(+)
Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str) SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library). World
premiere: Hannover, March
13, 1972 Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07). ISBN
9790004206591. 7 x 9.5
inches. Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46. $79.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| F. Mendelssohn Bartholdy - Kongress-Bericht Berlin 1994 Breitkopf & Härtel
SKU: BR.BV-304 Composed by Christian Martin (Hrsg.) Schmidt. Edited by Ch...(+)
SKU: BR.BV-304
Composed by Christian
Martin (Hrsg.) Schmidt.
Edited by Christian
Martin Schmidt.
Softbound. Buchverlag
Breitkopf & Hartel (Music
Books). The 1994 Berlin
Congress was devoted to
the new orientation of
international Mendelssohn
scholarship. Book. 352
pages. Breitkopf and
Haertel #BV 304.
Published by Breitkopf
and Haertel (BR.BV-304).
ISBN 9783765103049.
6.5 x 9.5
inches. Containing
contributions by Peter
Andraschke, Rainer
Cadenbach, Wolfgang
Dinglinger, Rudolf
Elvers, Christoph
Hellmundt, Peter Ward
Jones, Friedhelm
Krummacher. Douglass
Seaton. Wolfram
Steinbeck, Rudolf
Stephan, James Webster,
Ralf Wehner and Ulrich
WusterThe 1994 Berlin
Congress was devoted to
the new orientation of
international Mendelssohn
scholarship. A number of
contributions focused on
editorial matters such as
source studies and the
problems of differing
versions. The essays also
reflect the new start of
the "Mendelssohn
Complete Edition",
which was realized in the
Mendelssohn commemorative
year 1997. $40.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
1 |