Book and accompaniment CD for singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet harmonica. Celebrate the music of great innovaters who started in all with these Dixieland favorites. Level: Intermediate/Advanced. Series: Jamey Aebersold Standards Play-A-Long. Published by Jamey Aebersold Jazz.

(A Revolutionary Method for Beginning Musicians (B-Flat Bass Clarinet)). By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips. Concert Band. For B-Flat Bass Clarinet. Band Method; Book; CD; DVD; Method/Instruction. Sound Innovations. Beginner. 48 pages

Book/Online Audio. Vocal Collection. Vocal Standards, Classical and Play Along. Softcover Audio Online. With vocal melody, lyrics, piano accompaniment and introductory text. 128 pages. Published by G. Schirmer

(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). Composed by John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book. Accent on Performance. Form: March. 24 pages. Published by Alfred Music

Voice and Piano. By Various. Arranged by Joan Frey Boytim. (Book). Vocal Collection. Book only. Size 9x12 inches. 128 pages. Published by G. Schirmer.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Euphonium, Euphonium T.C., Flute 1, Flute 2, Hand Drum, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3

SKU: CF.CPS272

Composed by Steve Dunn. Set of Score and Parts. Carl Fischer Music #CPS272. Published by Carl Fischer Music (CF.CPS272).

ISBN 9781491163719. UPC: 680160922505.

Pelic an Dance was composed in 2022 as part of my annual commitment to create a piece to be premiered by our University of Mobile High School Honor Band. I had a beginning concept for a “dance” piece and was leaning toward something which was a little quirky, fun and not too serious. One day, during my regular commute across Mobile Bay, I noticed the pelicans, elegant birds in the air and water but awkward on land. I tried to imagine a pelican dancing and decided I had my mascot and theme.The opening motif, played in octaves by the whole ensemble in the first measure, is fundamental for the entire work. It is stated in some form at the beginning of each section, is the basis for the first theme and is even used as the bass line later in the piece. It should be clearly stated each time it appears.Performance considerations: Although there are contrasting moments in the work, the tempo should never waiver. It should remain brisk and consistent from section to section.Dynamic contrast is an important aspect of the compositional design and stylistic makeup of the piece. The subito dynamics, fp, etc., need to be almost startling.Percussion drives the energy of this composition to a strong degree, and it is probably the most fun section in the band for this piece. Covering those parts effectively is critically important.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Euphonium, Euphonium T.C., Flute 1, Flute 2, Hand Drum, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more.

SKU: CF.CPS272F

Composed by Steve Dunn. Full score. 24 pages. Carl Fischer Music #CPS272F. Published by Carl Fischer Music (CF.CPS272F).

ISBN 9781491164112. UPC: 680160922901.

Pelic an Dance was composed in 2022 as part of my annual commitment to create a piece to be premiered by our University of Mobile High School Honor Band. I had a beginning concept for a “dance” piece and was leaning toward something which was a little quirky, fun and not too serious. One day, during my regular commute across Mobile Bay, I noticed the pelicans, elegant birds in the air and water but awkward on land. I tried to imagine a pelican dancing and decided I had my mascot and theme.The opening motif, played in octaves by the whole ensemble in the first measure, is fundamental for the entire work. It is stated in some form at the beginning of each section, is the basis for the first theme and is even used as the bass line later in the piece. It should be clearly stated each time it appears.Performance considerations: Although there are contrasting moments in the work, the tempo should never waiver. It should remain brisk and consistent from section to section.Dynamic contrast is an important aspect of the compositional design and stylistic makeup of the piece. The subito dynamics, fp, etc., need to be almost startling.Percussion drives the energy of this composition to a strong degree, and it is probably the most fun section in the band for this piece. Covering those parts effectively is critically important.

(Essential Elements for Band Correlated Collections Bass Clarinet). By The Beatles. Arranged by John Moss, Johnnie Vinson, and Robert Longfield. For Bass Clarinet (BASS CLARINET). Essential Elements Band Folios. Grade 1.5. Softcover. 24 pages. Published b

Grade 3

SKU: CL.032-4963-01

Composed by Stanton. Jazz Ensemble. Extra full score. C.L. Barnhouse #032-4963-01. Published by C.L. Barnhouse (CL.032-4963-01).

Strut your stuff with the excitement of a New Orleans style second line street march. Everybody gets to play the melody! Backgrounds for the solo sections are strong on their own, so the chart can be performed without soloists if needed, or open it up for more fun! There’s space for the drummer and bass player to shine, too. Playable with reduced instrumentation, and includes optional parts for clarinet soloist and tuba bass line. Both the band and audience will love it, and go out whistling the tune!

Grade 3

SKU: CL.032-4963-00

Composed by Stanton. Jazz Ensemble. Score and set of parts. C.L. Barnhouse #032-4963-00. Published by C.L. Barnhouse (CL.032-4963-00).

Strut your stuff with the excitement of a New Orleans style second line street march. Everybody gets to play the melody! Backgrounds for the solo sections are strong on their own, so the chart can be performed without soloists if needed, or open it up for more fun! There’s space for the drummer and bass player to shine, too. Playable with reduced instrumentation, and includes optional parts for clarinet soloist and tuba bass line. Both the band and audience will love it, and go out whistling the tune!

By Various. Arranged by Gale, Nagle And Thomas. Clarinet Quartet. For Part 4: Bass Clarinet. Individual part. Published by Music Express.

Compiled by Joan Frey Boytim. 2 accompaniment CDs for baritone voice solo and bass voice solo. Text language English, German, Italian, Spanish, French. Published by G. Schirmer, Inc.

By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. For Piano/Violin/Violoncello (Solo Piano/Solo Violin/Solo Violoncello/Flute/2 Oboes/2 Clarinets/2 Bassoons/2 Horns/2 Clarions/Timpani/2 Violins/Viola/Violoncello /Contrabass). This edition: Paperback, Urtext edition. Piano reduction, Set of parts. Opus 56. 91/44/19/19 pages. Duration 35'. Published by Baerenreiter Verlag

Anitra's Dance by Edvard Grieg (1843-1907). Arranged by Sammy Nestico. For jazz ensemble plus 2 flutes, oboe, 2 clarinets, bass clarinet, bassoon, F horn, tuba, and triangle/bells/xylophone. Standard jazz ensemble plus 2 flutes, oboe, 2 clarinets, bass clarinet, bassoon, F horn, tuba, and triangle/bells/xylophone. Kendor Jazz Archive Series. Swing. Medium. Score and Set of Parts. Published by Kendor Music Inc

(For Various Instruments). By PDQ Bach (1935-). Edited by Peter Schickele. For Oboe I, Oboe II, Bassoon I, Bassoon II, Flute I, Flute II, Clarinet, Trumpet, Tenor. Score and parts. Standard notation. S under 18. 16 pages

By Mack Wilberg (1955-). For SATB choir and piano 4-hands/chamber orchestra (3 flutes ( piccolo), 2 oboes, 2 clarinets, 2 bassoon, 4 horn, percussion, harp, strings). Mixed Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 2'

SATB choir, assembly, organ accompaniment, C instrument, flute, oboe, clarinet in B-flat, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone, bass trombone, violin 1, violin 2, viola, cello, bass, timpani, harp - Early intermediate

SKU: GI.G-9573

Revised Order of Mass 2010. Composed by Jan Michael Joncas. Mass. Sacred. Octavo. 40 pages. GIA Publications #9573. Published by GIA Publications (GI.G-9573).

UPC: 785147957300. English, French, Latin, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

In honor of the 200th anniversary of St. Rose Philippine Duschene’s arrival in New Orleans, Michael Joncas was commissioned to write a new mass setting by the Religious of the Sacred Heart. This edition is scored for SATB voices and features instrumental parts for complete symphony orchestra. Parts may be used according to the players available in your circumstance.  The mass includes optional phrases in French and Potawatomi honoring the American saint’s heritage and ministry. The mass may be sung in unison, reserving the choral and instrumental parts for holy days. While some contemporary musical settings of the “Glory to God” seem burdensome and even awkward, Joncas’s melody is absolutely delightful. The singable through-composed Gloria boasts a magnificent and manageable modulation that contributes to the triumphant nature of the piece. John Kyler Pray Tell: Worship, Wit, & Wisdom Read the full review here.

2 Trumpets, Trombone/Baritone/Horn in F, Trombone/Baritone/Bass

SKU: AP.1-ADV20405

For Brass Quartet. Composed by Valentin Hude. Brass Ensemble - Quartet; Quartet; Solo Small Ensembles. Advance Music. Jazz. Score and Part(s). Advance Music #01-ADV20405. Published by Advance Music (AP.1-ADV20405).

UPC: 805095204056. English.

Frequently , one is in search of a suitable ensemble piece where each member can present himself with a playable solo part. Welcome to New Orleans offers you and your musicians this possibility. Using a fast swing rhythm, the author describes in this composition the modern and the old New Orleans and its colorful history. Due to its compatibility---available are editions for saxophone, clarinet, and brass quartet---this piece enables you to put together your own small New Orleans band consisting of a clarinet, trumpet, tenor saxophone, and trombone. That's almost like playing music in the good old times!

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3 and more.

SKU: PR.UE035865

Full score. Composed by Leos Janacek. Large Score. With Standard notation. Universal Edition #UE035865. Published by Universal Edition (PR.UE035865).

ISBN 9783702475390. UPC: 803452072508.

A stark white hardcover with black binding surrounds a new critical edition full score of Janacek's Sinfonietta for Orchestra. A clean and clear print includes an extensive preface about the composer and the work in this handsome production. Oversize score at 10 x 13.5, 120pp.

7 melody instruments, percussion, mallet percussion - intermediate to advanced

SKU: M7.NOR-6610244-91

Rag. Arranged by Bjoern Morten Kjaernes. Sheet music. Score and parts, Flex 7. Duration 2'. Handelsware #NOR 6610244-91. Published by Handelsware (M7.NOR-6610244-91).

This arrangement is inspired by the performance of 'The All Star Marching Band' where you also can hear a variation of Alphonse Picou's famous clarinet solo (from 1940). 1st Clarinet is grade 4. The solo, on the repetition, from measure 41, can be played by all the clarinets or as a solo.The Creoles spoke Spanish and French and lived in 'the high society' of the French district in New Orleans. In 1894, the segregation laws were in effect in New Orleans, which forced the upper class Creoles to live on the West Side with the poor, uneducated American blacks. The mixture of the two styles of music and cultures clashed, and created the start of Jazz.

1. Stimme: Klarinette in B oder Es
2. Stimme: Klarinette, Flügelhorn
3. Stimme: Trompete, Flöte
4. Stimme: Trompete, Horn, Altsaxophon
5. Stimme: Posaune, Horn, Saxophon
6. Stimme: Euphonium, Posaune, Tenorsaxophon
7. Stimme: Tuba, Baritonsaxophon, Bass-Klarinette
Rhythmusgruppe: Kontrabass (mit Akkordsymbolen), Schlagzeug, Perkussion und Stabspiele

Zusätzlich sind sogenannte Superparts (Stimmen für Anfänger in C, B, Es, F und Bassschlüssel) im Set enthalten.

SATB choir and orchestra (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, harp, violin 1&2, viola, cello/bassoon, string bass) - Moderate

SKU: LP.765762202108

A Christmas Celebration for Every Choir. Composed by Thomas Fettke. Arranged by Tom Fettke & Russell Mauldin. Musical. Excel Series. Traditional, Christmas and Sacred. Orchestration on CD-ROM. Duration 38 minutes. Published by Lillenas Publishing Company (LP.765762202108).

UPC: 765762202108. Orchestrated by Russell Mauldin.

Noel & Alleluia! Jesus Is Born, created by Tom Fettke and orchestrated by Russell Mauldin, is the ideal Christmas offering for church choirs of all sizes. With music by some of the Christian music world's most popular artists; such as Michael W. Smith, Keith & Kristyn Getty, Lowell Alexander, and Tom Fettke; this narrated music will resonate with congregations that lean toward a more traditional style of worship, as well as those with a more contemporary bent.

Highlights include a new version of Carol of the Bells by Tom Fettke, Michael W. Smith's Christmas Angels, the beautiful and moving Jesus, Joy of Highest Heaven from contemporary hymn writers Keith and Kristyn Getty, and the fun Hallelujah Jesus Is Born! All of these songs are intertwined and held together by the masterful narrative writings of Claire Cloninger.

For SATB choirs of any size, with minimal solo opportunities, your choir and congregation will be singing Noel & Alleluia! Jesus Is Born all year long.

Arranged by Wynton Marsalis. Swing, Jazz. Score and parts. Published by Jazz Lines Publications (JL.JLP-7205).

By Michael W Smith. Arranged by Thomas Fettke. For SATB choir, piano. Sacred Anthem. Octavo. Published by Crystal Sea Music Publishing

By Tyrolean Carol. Arranged by Bud Wayne Bisbee. For Voices: SATB or 2 mixed voices or duet; solo. Instruments: Oboe, bassoon (or B clarinet or viola); 2 violins, cello may substitute for keyboard (instruments required). Keyboard accompaniment. Christmas Sacred. Level: easy. 9 pages. Published by GIA Publications.

Flute, Oboe, Clarinet, Horn in F/Clarinet, Bassoon/Bass Clarinet

SKU: AP.1-ADV8425

For Woodwind Quintet. Arranged by Edgar Herzog. 5 or More; Solo Small Ensembles; Woodwind Ensemble - Quintet. Advance Music: Holiday Celebration Series. Christmas; Holiday Pops; Secular; Traditional; Winter. Score and Part(s). Advance Music #01-ADV8425. Published by Advance Music (AP.1-ADV8425).

UPC: 805095084252. English. Traditional.

O Tannenbaum (Maryland, My Maryland) has been arranged by Edgar Herzog for woodwind quintet (flute, oboe, clarinet, horn in F / clarinet, bassoon / bass clarinet). After initially introducing the theme in a mere cloud of sound, the piece, then, starts off in a Cajun / New Orleans groove. All of the voices of the woodwind quintet have their solo spots. More and more independent voices join in falling into the groove, and thus, intensifying the tune. Shortly after the climax---Is it the turkey or the presents?---the festivities are concluded in a short and classical manner. But, wait! It is a little musical joke that finally rounds the evening off.

Opera Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute, Harp, Horn, Oboe, Percussion, Trombone, Trumpet, Viola, Violin 1, Violin 2, Violoncello

SKU: CF.CY4017F

A one-act opera. Composed by Ulysses Kay. Spiral. Full score. With Standard notation. 218 pages. Pembroke Music Co. #CY4017F. Published by Pembroke Music Co. (CF.CY4017F).

ISBN 9781491149287. UPC: 680160906789. 9 x 12 inches.

Kay's second one-act opera was based on the book of the same title by Robert O. Blechman. His retelling of the famous medieval legend moved Kay to spend the best part of six months in creative output to produce a 50-minute opera. The Juggler of Our Lady was premiered in New Orleans by Xavier University Opera Workshop in 1962. The scoring calls for 15 voices with mixed chorus and orchestra.