20 of the Best Songs. Arranged by Dan Coates. This edition: Easy Piano. Book; Piano - Easy Piano Collection; Piano Supplemental; Sing-Along. A Decade of Pop Hits. Pop. 64 pages. Published by Alfred Music

Composed by Simon Lesley. Arranged by Simon Lesley. For Organ. General collections. Sacred. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

Orchestra (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; Softcover. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Full score. 60 pages. Duration 17'. Breitkopf and Haertel #EOS 20828. Published by Breitkopf and Haertel (BR.EOS-20828).

ISBN 9790004784693. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Violin 2 (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828-16

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Part. 8 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-16. Published by Breitkopf and Haertel (BR.EOS-20828-16).

ISBN 9790004785454. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Violoncello (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828-23

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Part. 8 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-23. Published by Breitkopf and Haertel (BR.EOS-20828-23).

ISBN 9790004785478. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Violin 1 (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828-15

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Part. 8 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-15. Published by Breitkopf and Haertel (BR.EOS-20828-15).

ISBN 9790004785447. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Viola (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828-19

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Part. 12 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-19. Published by Breitkopf and Haertel (BR.EOS-20828-19).

ISBN 9790004785461. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Woodwinds (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828-30

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; Folder. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Set of parts. 98 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-30. Published by Breitkopf and Haertel (BR.EOS-20828-30).

ISBN 9790004785492. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Double bass (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828-27

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Part. 4 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-27. Published by Breitkopf and Haertel (BR.EOS-20828-27).

ISBN 9790004785485. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Violoncello (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829-23

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Part. 8 pages. Duration 18'. Breitkopf and Haertel #EOS 20829-23. Published by Breitkopf and Haertel (BR.EOS-20829-23).

ISBN 9790004785539. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Violin 2 (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829-16

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Part. 8 pages. Duration 18'. Breitkopf and Haertel #EOS 20829-16. Published by Breitkopf and Haertel (BR.EOS-20829-16).

ISBN 9790004785515. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Books and Journals

SKU: UT.APS-1

Edited by Fulvia Morabito and Michela Niccolai. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 1. Published by Ut Orpheus (UT.APS-1).

ISBN 9788881094530. 6.5 x 9.5 inches.

Introduz ione di Julian Rushton. Saggi di Diana Bickley, Claudio Bolzan, Guillaume Bordry, Laura Cosso, Katharine Ellis, Roberto Illiano, Michela Niccolai, Mark A. Pottinger, Alban Ramaut, Cécile Reynaud, Julian Rushton, Lesley A. Wright


Thi s volume inaugurates the series of Studies of the twice-yearly journal Ad Parnassum. A Journal of 18th and 19th-Century Instrumental Music. These publications are devoted to individual composers who have made a significant impact in the field of instrumental music. In this way they remain securely within the journal’s area of interest, though without actually imposing strict limits on the specific themes treated, given that the entire output of the composers concerned may be taken into account, not just the instrumental music. As in the case of Hector Berlioz (Côte-St. André, 1803 - Paris, 1869), the composer chosen for the present volume. This collection of miscellaneous studies ranges widely, therefore, from his instrumental production to the operas, also taking in his contributions to music criticism and the theoretical literature.

Viola (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829-19

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Part. 8 pages. Duration 18'. Breitkopf and Haertel #EOS 20829-19. Published by Breitkopf and Haertel (BR.EOS-20829-19).

ISBN 9790004785522. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Woodwinds (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829-30

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; Folder. Eulenburg Orchestral Series. Suite; Romantic. Set of parts. 148 pages. Duration 18'. Breitkopf and Haertel #EOS 20829-30. Published by Breitkopf and Haertel (BR.EOS-20829-30).

ISBN 9790004785553. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Double bass (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829-27

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Part. 8 pages. Duration 18'. Breitkopf and Haertel #EOS 20829-27. Published by Breitkopf and Haertel (BR.EOS-20829-27).

ISBN 9790004785546. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Violin 1 (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829-15

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Part. 8 pages. Duration 18'. Breitkopf and Haertel #EOS 20829-15. Published by Breitkopf and Haertel (BR.EOS-20829-15).

ISBN 9790004785508. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

Orchestra (2(picc).2(cor ang).2.A-sax.2. - 4.2.2CaP.3.0. - timp.perc - hp/pno - str)

SKU: BR.EOS-20829

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series. Suite; Romantic. Full score. 68 pages. Duration 18'. Breitkopf and Haertel #EOS 20829. Published by Breitkopf and Haertel (BR.EOS-20829).

ISBN 9790004780275. 10 x 12.5 inches.

From Stage Flop to Concert Favorite

The story of Alphonse Daudet's drama L'Arlesienne to which Georges Bizet composed several pieces in 1872 focuses on the story of love and suicide and was inspired by true events. The musical drama had flopped at its premiere, but the suite that Bizet arranged shortly afterwards from its stage music enjoys great popularity to this very day. After Bizet's death, his friend Ernest Guiraud put together four more movements of themes and motives by Bizet for a second suite establishing a musical connection to Provence und Arles especially in the outer movements, the Pastorale and the effective Fandarole. With this edition, Breitkopf & Hartel continues its successful collaboration with Eulenburg.

By Various. Arranged by Simon Lesley. Woodwind. Ballad, Pop. Softcover with CD. Duration 240 seconds. Music Sales #AM978879. Published by Music Sales

Choir and various instruments - Early Intermediate

SKU: MN.50-6519A

Composed by David Schwoebel. Instrumental part. MorningStar Music Publishers #50-6519A. Published by MorningStar Music Publishers (MN.50-6519A).

The familiar Frederick Faber hymn text is combined with Luke 1:78-79 to create an anthem that speaks of the tenderness and mercy of God. It incorporates the hymn tune Wellesley as well as original material. The optional oboe adds a pleasing color to the mood of the piece. Reproducible page for congregation included.

By David Schwoebel. For SATB choir and Keyboard, with opt. Congregation and Oboe. General. Choral. Level: Moderately Easy. Published by MorningStar Music Publishers.

by Robert Burns; researched and arranged by Serge Hovey. For Vocal. songbook. Scottish. Level: Intermediate. Book. Size 8.75x11.75. 240 pages. Published by Mel Bay Publications, Inc.

By Frederic Hand. For Guitar (Classical). Solos. Classic. Level: Intermediate. Book/CD Set. Size 8.5x11. 48 pages. Published by Mel Bay Publications, Inc.

By Lesley Gore. Composed by Herb Wiener, Wally Gold, John Gluck Jr. Arranged by Mark A. Brymer. (showtrax cassette). Choral. Cassette only. 8 pages. Published by Hal Leonard.

Choral (SAB Choir)

SKU: HL.158555

Composed by Lesley Gore and Michael Gore. Arranged by Mac Huff. Pop Choral Series. Ballad, Concert, Light Concert, Movies, Pop, Show Choir. Octavo. Duration 210 seconds. Published by Hal Leonard (HL.158555).

UPC: 888680613037. 6.75x10.5x0.018 inches.

This ballad from the 1980 musical film Fame remains a powerful statement for young artists to follow their dreams and pursue their passion! This setting is an ideal closer for pop, show and concert choirs.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342S

For Orchestra. Composed by Clint Needham. Study Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342S. Published by Theodore Presser Company (PR.11640342S).

UPC: 680160687749.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342L

For Orchestra. Composed by Clint Needham. Large Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342L. Published by Theodore Presser Company (PR.11640342L).

UPC: 680160687756.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

by William Bay. For trumpet. Sacred, duets. Level: Intermediate. Book. Descants. Size 8.75x11.75. 64 pages. Published by Mel Bay Pub., Inc.