By Felix Bartholdy Mendelssohn (1809-1847). For SSA Choir. Classical. Intermediate. Octavo. Text language: English. 4 pages

From Elijah. By Felix Mendelssohn. (3 Part Mixed A Cappella). Discovery Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

From Elijah. By Felix Mendelssohn. (VoiceTrax CD). Discovery Choral. CD only. Published by Hal Leonard.

From Elijah. By Felix Mendelssohn. (SSAB A Cappella). Discovery Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

By Felix Mendelssohn; Linda Spevacek. For 3-part mixed choir. (3-part Mixed). Octavo. Published by Heritage Music Press. (15/1282H)

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Becki Slagle Mayo. For 3-part treble Choir and Piano. Select Voices Series. Sacred Anthem: General, Lent. Octavo. Published by Chorister's Guild

By Felix Bartholdy Mendelssohn. Teaching Singer: Beth Canterbury. For Soprano voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:37:08. Published by Rehearsal Arts, LLC.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

Choral SSAA choir

SKU: CF.CM9717

Composed by Mark Burrows. 8 pages. Duration 3 minutes, 7 seconds. Carl Fischer Music #CM9717. Published by Carl Fischer Music (CF.CM9717).

ISBN 9781491160961. UPC: 680160919567. Psalm 91:4-5.

The Lord will overshadow you with his pinions, and you will find refuge under his wings. His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart. What a blessing it is, especially during times of distress or uncertainty, to know that we aren't alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, It's okay. I've got you. It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong. The first word - scapulis - is translated as pinions. On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section - mm. 1-20 - encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort. In mm. 21-30 we have a new section where uncertainty grows. At this point the text - and you will find refuge under his wings - is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs: Alto I - Measure 22 the Ab in pennis, m. 26 the Bb in sperabis Soprano II - Measure 23 the A natural in pennis, m. 29 the C in sperabis Soprano I - Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress. The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase. The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance - Felix Mendelssohn's Lift Thine Eyes.
The Lord will overshadow you with his pinions,and you will find refuge under his wings.His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart.What a blessing it is, especially during times of distress or uncertainty, to know that we aren’t alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, “It’s okay. I’ve got you.” It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong.The first word – scapulis – is translated as “pinions.” On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section – mm. 1-20 – encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort.In mm. 21-30 we have a new section where uncertainty grows. At this point the text – and you will find refuge under his wings – is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs:Alto I – Measure 22 the Ab in pennis, m. 26 the Bb in sperabisSoprano II – Measure 23 the A natural in pennis, m. 29 the C in sperabisSoprano I – Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress.The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase.The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance – Felix Mendelssohn’s Lift Thine Eyes.

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Felix Bartholdy Mendelssohn. Arranged by August Ferdinand Hermann Kretzschmar. For 2 Soprano voices, 2 Alto voices, Tenor voice, and 2 Bass voices (Soli), SATB Choir / Piano (Chorus and piano). Romantic; Sacred/Hymns. Vocal Score. Text Language: German, English. Composed 1846. 200 pages. Duration 131 minutes

By Felix Bartholdy Mendelssohn. Teaching Singer: Catherine Hedberg. For Alto voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:35:50. Published by Rehearsal Arts, LLC.

Composed by Felix Mendelssohn. For SATB and double SATB quartet solos, SATB choir and piano. Format: vocal score. With choral notation and piano reduction. Romantic period. Text language English. 198 pages. 7x10.5 inches. Published by Schirmer.

Arranged by Siegmeister; Ehret. For SSA Choir. Choral Music. Octavo. Published by Bourne Music

By Felix Mendelssohn. Edited by Forrest Buchtel. For Bb clarinet. Solos/Ensembles. Level: Grade 2. Music Book. Published by Neil A. Kjos Music Company.

By Geoffrey R. Lorenz. For organ. Level: 2-staff. Sacred Organ. Published by Lorenz Publishing Company.

Edited by Judith Blezzard. Choir Sacred. Women's Choir. Book; Choral (Sacred); Choral Worship Collection; Worship Resources. Faber Edition. Masterwork; Sacred. Published by Faber Music

By Various. Arranged by Tom Wade-West. Brass Ensemble - Trio; Trio. Renaissance. Duration 00:05:30

By Barry Rose (Editor). For SSA, Organ. Classical. Sheet Music. 164 pages. Published by Novello and Co Ltd.

(From the Renaissance to the Romantic Periods) Compiled and arranged by William Ryden (1939-). Collection for cello/bass. With bowings. Series: Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

By Eugene Mccluskey. Organ. Level: 2-staff. Sacred Organ. Published by Lorenz Publishing Company.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Piano/Conductor, Oboe. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

(From the Oratorio Elijah). By Felix Bartholdy Mendelssohn (1809-1847). For SSA Voices with Optional Keyboard. 8 pages. Duration 3 minutes, 20 seconds. Published by Carl Fischer

By Felix Mendelssohn. Edited by Forrest Buchtel. For mixed woodwinds. Solos/Ensembles. Level: Grade 2. Music Book. Published by Neil A. Kjos Music Company.

Level 3 Treble, Part-Learning CD. By Glenda Casey, Brad White, Jan Juneau, Bobbie Douglass. (Treble Part-Learning CDs (2)). Essential Elements Choir. CD only. Published by Hal Leonard.

Level 3 Treble, Student 10-Pak. By Glenda Casey, Brad White, Jan Juneau, Bobbie Douglass. (Treble/Student 10-Pak). Essential Elements Choir. Published by Hal Leonard.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Alto Saxophone (E-Flat Saxes & E-Flat Clarinets). Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

By Mendelssohn; Ehret. For SSA choir and piano. Choral Music. Sacred. Octavo. Published by Bourne Music . Octavo. Sacred.

By Brad White, Glenda Casey, Jan Juneau, Bobbie Douglass. (Treble/Student). Essential Elements Choir. Size 8.5x11 inches. 152 pages. Published by Hal Leonard.