| On the Beaten Path -- Beginning Drumset Course, Complete Batterie [DVD] Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
DVD; Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. 136 pages.
Published by Alfred Music
Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
instrument. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 864
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| On the Beaten Path -- Beginning Drumset Course, Level 1 Batterie [Partition + CD + DVD] - Débutant Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
CD; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path -- Beginning Drumset Course, Level 1 Batterie [DVD] - Débutant Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music Publishing
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path -- Beginning Drumset Course, Level 1 Batterie [CD + DVD] Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; Book;
CD; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path: Beginning Drumset Course, Level 1 Batterie [Partition + CD] Alfred Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Book; CD;
Method/Instruction;
Percussion - Drum Set
Method or Collection.
Beginner. 48 pages
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Like the Beat of a Drum Chorale 2 parties 2 parties [Octavo] Alfred Publishing
By Jay Althouse. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. Cho...(+)
By Jay Althouse. Choir
Secular. 2-Part Choir.
Choral Octavo. Choral
Designs. Choral Octavo.
16 pages
$2.20 $2.09 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Like the Beat of a Drum Chorale SATB [Octavo] Alfred Publishing
By Jay Althouse. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Chora...(+)
By Jay Althouse. Choir
Secular. SATB choir.
Choral Octavo. Choral
Designs. Choral Octavo.
16 pages
$2.20 $2.09 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On the Beaten Path Batterie [Partition + CD] Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
(1)$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| How to Play Rock Drums Batterie [Partition + Accès audio] Hal Leonard
| | |
| Drum Atlas Jamaica Batterie [Partition + CD] Alfred Publishing
(Your passport to a new world of music). By Pete Sweeney. For World Percussion. ...(+)
(Your passport to a new
world of music). By Pete
Sweeney. For World
Percussion.
Method/Instruction;
Percussion -
Miscellaneous Educational
Books and Manuals. Drum
Atlas. Multicultural;
World. Book and CD. 48
pages
$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Complete Drumset Method: Beginning Drumset Batterie [Partition + CD] Alfred Publishing
By Pete Sweeney. For Drum Set. Percussion - Drum Set Method or Collection. Book ...(+)
By Pete Sweeney. For Drum
Set. Percussion - Drum
Set Method or Collection.
Book and CD. 96 pages.
Published by Alfred
Publishing.
$20.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Sonorities Calabrese Brothers Music, LLC
Clarinet & Drumset SKU: SU.21000213 For Clarinet & Drumset. Compos...(+)
Clarinet & Drumset
SKU: SU.21000213
For Clarinet &
Drumset. Composed by
Patrick Hardish.
Woodwinds, Clarinet,
Percussion, Percussion.
Accompanied by
percussion, Drum Set.
Performance Score.
Calabrese Brothers Music,
LLC #21000213. Published
by Calabrese Brothers
Music, LLC (SU.21000213).
UPC:
820821003284. Jazz
Sonorities (2002) was
composed for Esther
Lamneck at her request
and premiered by her and
Barbara Allen on drums at
the Loewe Theater of New
York University on May
30, 2002. Ms. Lamneck
asked me to compose a
piece for either solo
clarinet or clarinet and
piano. I decided on the
former to continue my
Sonorities series of
works for solo
instruments which
eventually resulted in
Sonorities VII for solo
b-flat clarinet
(2003-04). However,
shortly after getting
started with my
Sonorities VII I kept
hearing the swinging
sounds of a jazz clarinet
backed up by a jazz drum
set. Part of the reason I
kept hearing these sounds
is that I grew up
listening to the big
swing bands of such
clarinet leaders as Benny
Goodman, Artie Shaw,
Woody Herman, and Jimmy
Dorsey. These musicians
were my first exposure to
the clarinet. So I
decided to first compose
a piece for clarinet with
a jazz quality and a
swinging partly ad lib
part for the drums and to
put my solo clarinet
piece for Esther on hold
for a year. There was
also a personal reason to
use the drums in the
piece. My first ambition
in music was to be a jazz
drummer and indeed I
studied drums with a jazz
drummer and played drums
professionally in dance
bands for several years.
Ms. Lamneck's part in
this piece is almost
entiirely written out
except for a few measures
of improvisation around
the middle of the piece.
The jazz quality of her
part comes mostly in the
prasing and using bluesy
like pitch bends, slides,
and microtones. The jazz
quality of the drum set
part is in the swinging
beat that is used
throughout most of the
piece. The influence of
the famous recording of
Sing Sing Sing, with a
swing by Benny Goodman &
his orchestra in 1937
featuring Gene Krupa on
drums is heard in the
middle section when the
drummer switches to a
beat on the floor tom and
high tom for several
measures. Also, the Afro
Cuban section toward the
end of the piece was
influenced by the many
recordings of Stan Kenton
& his orchestra
particularly the 1950
Pete Rugolo arrangement
of Cole Porter's Love for
Sale. In the drum solo of
the Afro Cuban section
which is near the end can
use optional claves
and/or maracas (1-2
additional players). At
the premiere the composer
joined in this section on
maracas. The drum set
calls for a bass drum,
floor tom, snare drum,
high tom, ride cymbal,
sizzle cymbal, and
hi-hat. --Patrick
Hardish. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Complete Blues/Rock Drummer Batterie [Partition + Accès audio] - Avancé Mel Bay
Drum set - Advanced SKU: MB.22157 Instrumentals, Beats and Fills for B...(+)
Drum set - Advanced
SKU: MB.22157
Instrumentals, Beats
and Fills for Blues/Rock
Drumming. Composed by
James E. Ryan. Style,
Percussion: Drum Set,
Contemporary, Pop,
Perfect binding, Blues,
Method. Bill's Music
Shelf. Rock. Book and
online audio. 56 pages.
Mel Bay Publications, Inc
#22157. Published by Mel
Bay Publications, Inc
(MB.22157). ISBN
9780786683123. UPC:
796279112130. 8.5 X 11
inches. The
Complete Blues/Rock
Drummer is an advanced
instruction book
specializing in blues and
blues/rock beats. This
book includes fills and
instrumentals, both with
and without drums for
play-along. About half of
the book features
advanced beats with fills
and the other half
consists of
instrumentals. Drummers
interested in studying
blues will learn much
from this book.There is
challenging material for
you to practice. The
Complete Blues/Rock
Drummer is a unique
source for those
interested in this genre.
Like most musical styles,
the breadth of blues
music is vast, taking on
many forms throughout
different parts of the
United States. Our aim is
to focus on a few styles
and demonstrate the
drumming that is
associated with each
style. After that, its
your turn to play-along
and come up with your own
parts or play the
transcription of each
song. Remember there isnt
a single all-inclusive
book that will cover
everything there is to
know about blues or any
style for that matter.
This book provides
practical ideas for blues
and blues/rock. $17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Drummer's Fake Book Batterie [Fake Book] Hal Leonard
Easy-to-Use Drum Charts with Kit Legends and Lyric Cues. Composed by Various. ...(+)
Easy-to-Use Drum Charts
with
Kit Legends and Lyric
Cues.
Composed by Various. Drum
Book. Pop. Softcover. 336
pages. Published by Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Intermediate Drumset (Book and Cd) Batterie [Partition + CD] - Intermédiaire Alfred Publishing
For drumset. Published by Alfred Publishing. (22677) ISBN 0739034758. Students...(+)
For drumset. Published by
Alfred Publishing.
(22677)
ISBN 0739034758.
Students, teachers and
self-learners alike will
enjoy this thorough,
easy-to-use method.
Following a set of
warm-ups for the hands
and feet, triplets, swing
eighths and shuffle beats
are introduced along with
new time signatures like
6/8 and 12/8. Techniques
such as the flam and drag
are covered, plus more
advanced rudiments and
practical tips for
building endurance.
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Resource Guide for Drummers Batterie Alfred Publishing
Quick Fixes, Hacks, and Tips of the Trade. Composed by Peter Erskine and Dave ...(+)
Quick Fixes, Hacks, and
Tips
of the Trade. Composed by
Peter Erskine and Dave
Black.
Artist/Personality;
Book; Percussion -
Miscellaneous Educational
Books and Manuals;
Reference
Textbooks. 128 pages.
Published by Alfred Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Refining The March Style Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2 SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105). ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major. Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 100 Legendary Hip Hop Beats Batterie [Partition + CD] - Intermédiaire Mel Bay
Composed by Jason Prushko. For drum set. Saddle- stitched. 100 Legendary. I...(+)
Composed by Jason
Prushko.
For drum set. Saddle-
stitched. 100 Legendary.
Intermediate. Book/CD
Set.
24 pages. Published by
Mel
Bay Publications, Inc
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 7th Street Beat [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, Voice - Grade 3.5 SKU...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2, Voice -
Grade 3.5 SKU:
CF.CAS123F Composed
by Lauren Bernofsky. Sws.
Carl Fischer Concert
String Orchestra Series.
Full score. 16 pages.
Duration 3:30. Carl
Fischer Music #CAS123F.
Published by Carl Fischer
Music (CF.CAS123F).
ISBN 9781491154762.
UPC: 680160913312. 9 x 12
inches. Key: D
minor. It was at a
flute convention, of all
places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn't believe
how easy, and effective,
it was! She figured, if a
random bunch of adult
flute players can do
this, it should be a
piece of cake for
students. Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set. The beatbox vocal
lines are optional - they
are reinforcements for
the beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49. Don't
tell the students any
rules about what notes to
play or not play - simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!. It was
at a flute convention, of
all places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn’t
believe how easy, and
effective, it was! She
figured, if a random
bunch of adult flute
players can do this, it
should be a piece of cake
for students.Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set.The beatbox vocal
lines are optional
– they are
reinforcements for the
beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49.
Don’t tell the
students any rules about
what notes to play or not
play – simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Iron Horse, The Caisse Claire - Avancé Tapspace Publications
For solo snare drum. Composed by John Mark Reilly. Solos: Snare Drum. Printed ...(+)
For solo snare drum.
Composed
by John Mark Reilly.
Solos:
Snare Drum. Printed
Folio.
Tapspace Publications
#TSPCS20-015. Published
by
Tapspace Publications
$12.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Book of Funk Beats Batterie [Partition + CD] Cherry Lane
(Grooves for Snare, Bass, and Hi-hat). For Drums. Percussion. Softcover with CD....(+)
(Grooves for Snare, Bass,
and Hi-hat). For Drums.
Percussion. Softcover
with CD. 80 pages.
Published by Cherry Lane
Music . Sheet music
CD.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Like the Beat of a Drum CD Chorale [CD d'accompagnement] Alfred Publishing
By Jay Althouse. Choir Secular. This edition: SoundTrax CD. Choral Octavo. Chora...(+)
By Jay Althouse. Choir
Secular. This edition:
SoundTrax CD. Choral
Octavo. Choral Designs.
Accompaniment and
performance CD
$27.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Like the Beat of a Drum Chorale 3 parties SAB [Octavo] Alfred Publishing
By Jay Althouse. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral ...(+)
By Jay Althouse. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Choral Designs.
Choral Octavo. 16 pages
$2.20 $2.09 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
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