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Chopin - Liszt - Hiller Band 5
15.90
Chopin - Liszt - Hiller Band 5
Piano seul
Wiener Urtext
This volume presents easy pieces for piano by great virtuosos. It unites the two...
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This volume presents easy pieces for piano by great virtuosos. It unites the two greatest, and perhaps best-known, pianists of the 19th century, Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin, Hiller's works are frequently reminiscent of folk music. His Irländisches Lied and Fandango, included in the collection, are fine examples of 19th-century 'world music'. / Piano
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Chopin - Liszt - Hiller
15.40
Chopin - Liszt - Hiller
Piano seul
Wiener Urtext
This volume presents easy pieces for piano by great virtuosos. It unites the two...
(+)
This volume presents easy pieces for piano by great virtuosos. It unites the two greatest, and perhaps best-known, pianists of the 19th century, Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin, Hiller's works are frequently reminiscent of folk music. His Irländisches Lied and Fandango, included in the collection, are fine examples of 19th-century 'world music'. / Piano
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Ave Maria, Gratia Plena. 19Th And 20Th Century Ave-Maria Settings For Solo Voice And Organ
43.50
Ave Maria, Gratia Plena. 19Th And 20Th Century Ave-Maria Settings For Solo Voice And Organ
Voix, Orgue
Barenreiter
This collection contains settings from the late Romantic period through to the E...
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This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition
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Danza And Other Great Pf Transcr (LISZT FRANZ)
22.90
Danza And Other Great Pf Transcr (LISZT FRANZ)
Piano seul
[Partition]
Dover Publications
Par LISZT FRANZ. Franz Liszt was not only a brilliant and innovative composer an...
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Par LISZT FRANZ. Franz Liszt was not only a brilliant and innovative composer and the greatest piano virtuoso of the 19th century; he was also a generous populariser of other composers’ music. One of his primary methods was through his superb piano transcriptions of great orchestral, operatic and other pieces. These transcriptions made it possible for people to enjoy music to which they otherwise had no access to. This collection offers a memorable feast of pianistic virtuosity sure to delight pianists, and admirers of Liszt. Franz Liszt was not only a brilliant and innovative composer and the greatest piano virtuoso of the 19th century; he was also a generous populariser of other composers’ music. One of his primary methods was through his superb piano transcriptions of great orchestral, operatic and other pieces. These transcriptions made it possible for people to enjoy music to which they otherwise had no access to. This collection offers a memorable feast of pianistic virtuosity sure to delight pianists, and admirers of Liszt./ Répertoire / Piano
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Beethoven Sinfonie N.1-5 (LISZT FRANZ)
33.60
Beethoven Sinfonie N.1-5 (LISZT FRANZ)
Piano seul
[Partition]
Dover Publications
Par LISZT FRANZ. Despite having already assumed the costs for a monument to Beet...
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Par LISZT FRANZ. Despite having already assumed the costs for a monument to Beethoven in Bonn, Liszt's spiritual affinity for Beethoven also moved this greatest piano virtuoso of the nineteenth century to pay an even finer tribute: a superlative set of piano transcriptions of the master's nine symphonies. Liszt's brilliant and sensitive transcriptions enabled 19th century audiences and amateur pianists to become acquainted with Beethoven's works even when no orchestras were available. Indeed, the great pianist's capacity for translating orchestral effects into pianistic terms was nothing short of astonishing. This volume contains the first five of the nine works, reproduced from the originalplates authorised by Liszt himself. A memorable tribute from one musical genius to another, these compositions will delight pianists and music lovers alike./ Répertoire / Piano
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Masterpieces For Solo Piano (LISZT FRANZ)
22.90
Masterpieces For Solo Piano (LISZT FRANZ)
Piano seul
[Partition]
Dover Publications
13 Works. Par LISZT FRANZ. One of the most influential musical forces of 19th-ce...
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13 Works. Par LISZT FRANZ. One of the most influential musical forces of 19th-century Europe, Franz Liszt was the reigning piano virtuoso of his time. This volume contains a rich selection of his finest compositions for solo piano. Reprinted from authoritative early editions. One of the most influential musical forces of 19th-century Europe, Franz Liszt was the reigning piano virtuoso of his time. This volume contains a rich selection of his finest compositions for solo piano. Reprinted from authoritative early editions./ Répertoire / Piano
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The Library Of Romantic Music
36.90
The Library Of Romantic Music
Piano seul
[Partition]
-
Intermédiaire/avancé
Amsco Wise Publications
The Library Of Romantic Music is a comprehensive collection of the greatest work...
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The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano
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Liszt F. - Les Preludes And Other Symphonic Poems - Conducteur
16.00
Liszt F. - Les Preludes And Other Symphonic Poems - Conducteur
Orchestre
[Conducteur d'étude / Miniature]
Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt?s...
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This authoritative edition presents full-score reproductions of three of Liszt?s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer?s unpublished choral setting of Joseph Autran?s poem ?The Four Elements?, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo?s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: ?He runs, he flies, he falls, and he stands up king!? Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement ?transformation of themes,? an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt?s expanding chromaticism would be no less influential, anticipating the twentieth century?s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
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Liszt F. - Beethoven Symphonies N°1-5 - Piano
24.50
Liszt F. - Beethoven Symphonies N°1-5 - Piano
Piano seul
Dover Publications
Memorable tribute from one musical genius to another, reproduced from authoritat...
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Memorable tribute from one musical genius to another, reproduced from authoritative editions, reveals Liszt's remarkable capacity for translating orchestral effects into pianistic terms. An astonishing, brilliant, and sensitive tribute to the master by the 19th-century's greatest piano virtuoso. Content :
Preface: Liszt's handwritten note
Preface: English translation
Introduction
Glossary
Symphony No. 1 in C Major, Op. 21
I. Adagio molto-Allegro con brio
II. Andante cantabile con moto
III. Menuetto: Allegro molto e vivace
IV. Adagio-Allegro molto vivace
Symphony No. 2 in D Major, Op. 36
I. Adagio molto-Allegro con brio
II. Larghetto
III. Scherzo: Allegro
IV. Allegro molto
Symphony No. 3 in E-flat Major ( Eroica ), Op. 55
I. Allego con brio
II. Marche funèbre: Adagio assai
III. Scherzo: Allegro vivace
IV. Finale: Allegro molto
Symphony No. 4 in B-flat Major, Op. 60
I. Adagio-Allegro vivace
II. Adagio
III. Allegro vivace
IV. Allegro, ma non troppo
Symphony No. 5 in C Minor, Op. 67
I. Allegro con brio
II. Andante con moto
III. Scherzo: Allegro
IV. Allegro
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Franz Liszt Sonata In B Minor And Other Works - Piano Solo
28.10
Franz Liszt Sonata In B Minor And Other Works - Piano Solo
Piano seul
[Partition]
-
Avancé
Dover Publications
Description Franz Liszt: Sonata In B Minor And Other Works For Piano Among Fr...
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Description Franz Liszt: Sonata In B Minor And Other Works For Piano Among Franz Liszt's many brilliant compositions for piano, few have been so admired and performed as the Sonata in B minor, long considered one of the greatest piano compositions of the 19th century. Songlist [Unknown] Andante Lagrimoso Ave Maria Ballade No.1 In D Flat Major Ballade No.2 In B Minor Benediction De Dieu Dans La Solitude Cantique D'amour Consolations Funerailles Harmonies Poetiques Et Religieuses: Hymne De L'enfant A Son Revil Invocation Legendes: Miserere D'apres Plaestrina Pater Noster Pensee Des Morts Sonata In B Minor St Francois D'assise. La Predication Aux Oiseaux St Francois De Paule Marchant Sur Les Flots
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Années de pèlerinage: Troisième Année (Italie) (LISZT FRANZ)
25.50
Années de pèlerinage: Troisième Année (Italie) (LISZT FRANZ)
Piano seul
[Partition]
Peters
Par LISZT FRANZ. This final volume in Liszt?s Années de pèlerinage in the Urte...
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Par LISZT FRANZ. This final volume in Liszt?s Années de pèlerinage in the Urtext edition by renowned Liszt scholar, Leslie Howard, contains the Troisième Année ? Italie S163, together with Trois Odes funèbres S516, S516a and S517. Although the Odes funèbres are not originally part of the Années they have been included in this volume because they form a musical and spiritual bridge between Années II and III. Together, these works demonstrate a character not met elsewhere in the great music literature of the nineteenth century. The thinning out of the style, almost to the point of deliberate barrenness, and the simultaneous impression of avant-garde pioneering and the reflection in solitude, even loneliness, that comes with age are particular to Liszt. Final volume of the Années de pèlerinage series by acknowledged Liszt specialist Leslie Howard Informative Preface and Critical Notes With original illustrations and historical texts Other volumes of Liszt piano music from Edition Peters edited by Leslie Howard: Consolations / Liebesträume (Notturnos) EP7820, ISMN 979-0-57708-610-1 (published 2006) Two Episodes from Lenau?s ?Faust? EP7987, ISMN 979-0-57708-642-2 (published 2008) Sonata B minor EP71900, ISMN 979-057708-723-8 (published 2011) Trois Études de concert (S144) EP72780, ISMN 979-0-57701-106-6 (published 2016) Années de pèlerinage: Première Année ? Suisse (S160) and Trois Morceaux suisses (S156b) EP72782, ISMN 979-0-57701-108-0 (published 2019) Années de pèlerinage: Deuxième Année ? Italie (S161) and Venezia e Napoli (S162) EP72783, ISMN 979-0-57701-109-7 (published 2019) / Date parution : 2022-07-20/ Recueil / Piano
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Chamber Music For Cellos Vol.15 (Sc/Pts)
18.00
Chamber Music For Cellos Vol.15 (Sc/Pts)
4 Violoncelles
EMB (Editio Musica Budapest)
The latest volume of Chamber Music for Violoncellos contains four sacral works, ...
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The latest volume of Chamber Music for Violoncellos contains four sacral works, two of which were arranged for cello quartet by the editor of the series, Árpád Pejtsik. Both Angelus!, Liszt's piano piece of ethereal beauty, and the Kyrie of Mozart's Requiem, an irresistibly surging four-part fugue, are magnificent when played with the immensely rich sound of the four cellos. The second part of the volume contains a pair of inspired works by two prominent cellists and composers of the 19th century: Karl Friedrich Wilhelm Fitzenhagen's Consecration Hymn and Friedrich Grützmacher's Ave Maria. While an instrumental skill of at least intermediate level is required for playing the upper parts due to the use of higher positions, the lower parts can be performed by beginner cellists. The editor has assisted the appropriate interpretation of the works by providing the fingering and bowing. / 4 Violoncelles
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Scetches, Ruins, Pinions Of An Eagle Op. 61
35.70
Scetches, Ruins, Pinions Of An Eagle Op. 61
Piano seul
Schott
The title has been taken from a review of Robert Schumann of the then newly publ...
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The title has been taken from a review of Robert Schumann of the then newly published Préludes Op. 28. According to this reference, Stefan Heucke's Préludes are tributes to the three great piano composers of the 19th century: Chopin, Liszt and Schumann. By tradition, each of Heucke's 12 Préludes starts from a different keynote while attempting, however, to use major and minor modes at the same time in constantly new combinations. / Piano
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Roman Sketches, Op. 7 (GRIFFES CHARLES)
18.10
Roman Sketches, Op. 7 (GRIFFES CHARLES)
Piano seul
Alfred Publishing
Arrangeur: Albert Mendoza. Par GRIFFES CHARLES. Roman Sketches, Op. 7, is one of...
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Arrangeur: Albert Mendoza. Par GRIFFES CHARLES. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. / Niveau : Débutant à Avancé / Etudes et exercices / Répertoire / Piano
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Schumann Clara Piano Music (SCHUMANN CLARA)
13.40
Schumann Clara Piano Music (SCHUMANN CLARA)
Piano seul
[Partition]
Dover Publications
Selected and with an Introduction by Nancy B. Reichs. Par SCHUMANN CLARA. Among ...
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Selected and with an Introduction by Nancy B. Reichs. Par SCHUMANN CLARA. Among the leading pianists of the 19th century, Clara Schumann was a respected published composer in her lifetime, regarded by her contemporaries as a member of the avant-garde 'new romantic' school. Praised by such greats as Chopin, Brahms, Mendelssohn, and Liszt, her music is being heard again today in recitals and new recordings. This rare collection, reproduced mainly from the classic Breitkopf and Hartel edition of 1879 is introduced by Dr. Nancy B. Reich. Among the leading pianists of the 19th century, Clara Schumann was a respected published composer in her lifetime, regarded by her contemporaries as a member of the avant-garde 'new romantic' school. Praised by such greats as Chopin, Brahms, Mendelssohn, and Liszt, her music is being heard again today in recitals and new recordings. This rare collection, reproduced mainly from the classic Breitkopf and Hartel edition of 1879 is introduced by Dr. Nancy B. Reich./ Répertoire / Piano
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Complete Etudes I (HENSELT ADOLPH) (HENSELT ADOLPH)
22.00
Complete Etudes I (HENSELT ADOLPH) (HENSELT ADOLPH)
Piano seul
[Partition]
Peters
Par HENSELT ADOLPH. The composer and pedagogue Adolph von Henselt (1814?1889) ca...
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Par HENSELT ADOLPH. The composer and pedagogue Adolph von Henselt (1814?1889) can truly be considered one of the founding fathers of the Russian School of piano playing. He counted among his pupils Nicolai Sergeyvich Zverev, the teacher of Rachmaninoff and Scriabin. Rachmaninoff considered Henselt?s Etudes the equal of those by Liszt and Chopin for their great beauty. Henselt?s music was well-known in his time, and in the repertoire of the greatest virtuosos of the 19th century, including Clara Schumann (who premiered his F minor Concerto with Mendelssohn conducting), Franz Liszt, Hans von Bülow, Vladimir de Pachmann and Alexander Scriabin. The two sets of Etudes Opp. 2 and 5 were composed just before Henselt moved permanently to Russia and each set was originally published as two books of six études. This new Edition Peters Urtext edition collects each set in its own volume, together with, in volume 1, a selection of Henselt?s Exercices préparatoires and, in volume 2, two additional etudes. It is edited by Daniel Grimwood, one of the composer?s most highly regarded interpreters, whose recording of the complete Etudes is available from Edition Peters Sounds. This is the only available modern Urtext edition of these important piano works. / Date parution : 2023-06-01/ Etude / Piano
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Fascinations - Piano
12.70
Fascinations - Piano
Piano seul
-
Intermédiaire
Boosey and Hawkes
35 pieces on the quirky sideInstrument : pianoNombre de Pages : 56Fascinations i...
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35 pieces on the quirky sideInstrument : pianoNombre de Pages : 56Fascinations is a volume of quirky juxtapositions and intriguing pieces of music. L?illet is cheek-by-jowl with Liszt, Schumann with Scarlatti and Sjögren. There are some fine newly-written miniatures, but also some extraordinary pieces by well-known composers, such as Mozart?s bizarre Funeral march of Signor Maestro Contrapunto or the unsophisticated music-making faithfully represented in Gounod?s Bagpipers and Tchaikovsky?s The peasant plays the mouth-organ. Dance movements by Telemann, Schubert, Rameau, Ji?ovec and Zilcher all have something unexpected or piquant about them, although they are technically straightforward and a joy to play.For intermediate-level pianists.Piano Moods is an exciting new piano series from Boosey and Hawkes. Each volume is devoted to a particular mood. The pieces chosen draw on Boosey and Hawkes' extensive collection of wonderful music as well as lesser-known gems from the past - some of them from surprising sources - and newly composed works.Content : Bartók: Melody with interruptions (from Mikrokosmos III) - Benda: Presto (from Sonata IX) - Prokofieff: Rain and the rainbow (from Musiques d'enfants op. 65 no. 8) - Heller: Vivace op. 47 no. 7 - Anonymus (early 17th century): Dance and Afterdance (from Klavierbuch der Jungfrau Regina Clara im Hoff) - Grieg: Siri Dale song op. 66 no. 4 - Binkerd: Country Dance - Liszt: Resignazione - Bartók: Scherzo (from Mikrokosmos III) - Telemann: Presto (from TWV 30:25) - Gurlitt: Impromptu op. 224 no. 5 - Mozart: Funeral March for Signor Maestro Contrapunto - Tchaikovsky: The peasant plays the mouth-organ (from Album pour enfants op. 39 no. 13) - Benjamin: Silent and soft and slow descends the snow -Davies: Piano piece no. 23 - D. Scarlatti: Sonata K 431 - Gounod: Bagpipers - Bartók: Bagatelle op. 6 no. 4 - Tomás de Sancta Maria: Fantasia - Andriessen: Base - Schumann: Theme and variations op. 118 no. 1 - Zilcher: Good humour op. 93 no. 5 - Jean-Babtiste Loeillet (of London) - Hornpipe - Davies: Piano Piece no. 16 - Cui: À la Schumann op. 20 no.. 4 - Birtwistle: Dance of the metro-gnome - Rameau: Les tricotets (from Pièces de clavecin 3) - Jirovec: Waltzes 1 and 6 - Sjögren: Andante tranquillo - Clementi: Allegro (from op. 36 no. 2) - Kenins: Sad clown - Fibich: Poco allegretto - Binkerd: Something serious - Zilcher: Scherzo op. 44 no. 2 - Schubert: Two écossaises D 299 Nr. 7 und 8
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Easy Organ Classics (ROLLIN S)
20.20
Easy Organ Classics (ROLLIN S)
Orgue
[Partition]
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Facile
Dover Publications
Par ROLLIN S.. Beginning and intermediate organists can sample a wide variety of...
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Par ROLLIN S.. Beginning and intermediate organists can sample a wide variety of composers and styles with this excellent collection. Ranging from Palestrina's 16th-century Ricercare to latter-day works such as Sigfrid Karg-Elert's Improvisation on 'Nearer, My God, to Thee, ' it spans more than four centuries of music. Selected from authoritative sources by musicologist and organist Rollin Smith, this compilation features such famous works as J. S. Bach's Pastorale, BWV 590; Couperin's Chaconne in F; and Handel's Concerto No. 13, 'The Cuckoo and the Nightingale. ' Other well-known selections include compositions by Brahms, Gounod, Haydn, Liszt, Mendelssohn, Vierne, andWidor. Dover Original. / Niveau : Facile / Recueil / Orgue
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Romanian Folk Dances (Piano Solo)
15.30
Romanian Folk Dances (Piano Solo)
Piano seul
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Intermédiaire
Chester
This is a new edition of Béla Bartók's popular Romanian Folk Dances in its ori...
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This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named Lidi Dósa, he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work.Romanian Folk Dances remains one of Bartók's most popular and enduring works, evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on a traditional melody which Bartók penned during his travels. Including newly engraved masterpieces Stick Dance, Waistband Dance, In One Spot, Dance From Butschum, Romanian Polka and Fast Dance, this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidance throughout.Romanian Folk Dances also features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguing backstory of this work. One of the most important 20th century composers and, along with Liszt, one of Hungary's finest musical minds, Bartók held a strong fascination for folk music. Through his studies, recordings and arrangements, he composed some incredible music like these Romanian Folk Dances, while simultaneously initiating the field of ethnomusicology. / Piano
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6 Piano Pieces Op. 32
21.70
6 Piano Pieces Op. 32
Piano seul
Wiener Urtext
Christian Sinding's six Piano Pieces Op. 32 have become world famous due to thir...
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Christian Sinding's six Piano Pieces Op. 32 have become world famous due to third piece Rustle of Spring. Sinding's music combines late-Romantic tonal charm with mysterious Nordic cadences, also typical of Edvard Grieg or Niels W. Gade. The sometimes virtuosic character does not rival the complexity of Franz Liszt, meaning some pieces remain within the grasp of the advanced pupil. The whole opus, available in the original version for the first time, is based on a critical comparison of the first edition with the composer's autograph. The six pieces are each of a different character and level of difficulty. For both music lessons and concert performances, they are a welcome addition to the late 19th century piano repertoire. / Piano
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Barcarola (PHILIPS JULIAN)
40.60
Barcarola (PHILIPS JULIAN)
Piano seul
[Partition]
Peters
for Solo Piano. Par PHILIPS JULIAN. Barcarola by Julian Philips is a 15-minute w...
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for Solo Piano. Par PHILIPS JULIAN. Barcarola by Julian Philips is a 15-minute work for solo piano. It seeks to reinhabit the world of the 19th century Barcarolle as typified by Chopin, Liszt or Fauré, exploring the genre\'s distinctive motion, figurative patterns, and its formal tropes and poetic associations. On the surface, an imagined boat song underneath a morbid, dark undertow. Barcarola is dedicated to pianist Dominic Degavino. Completed in September 2019, Barcarola was premiered on 25 November 2019 by Dominic Degavino as part of a 50th birthday concert for Julian Philips, held at the Milton Court Concert Hall in London. This edition is the revised version of the score (EP 73673). / Date parution : 2022-09-07/ Répertoire / Piano
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Espana: Op. 165 By Albeniz (ALBENIZ ISAAC)
12.40
Espana: Op. 165 By Albeniz (ALBENIZ ISAAC)
Guitare Classique et Fingerpick
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Intermédiaire/avancé
Mel Bay
Par ALBENIZ ISAAC. As one of the leaders in the renaissance of Spanish music at ...
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Par ALBENIZ ISAAC. As one of the leaders in the renaissance of Spanish music at the turn of the twentieth century, Isaac Albéniz was regarded as the founder of the Spanish 'national school.' Always fascinated with the music of Andalucia, Albeniz composed numerous small but beautifully performed portraits of his native Spain. These brightly colored piano pictures of his native land are sufficient reason for him to be called 'the Liszt of Spanish music.' Six pieces or 'pages from an album' from his opus 165 'España' appear in this volume for solo guitar, as they have been transcribed and arranged by John Griggs in notation only. / Niveau : Intermédiaire à Avancé / Classic - Solos / Répertoire / Guitare Classique et Fingerpick
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Samson Et Dalila (SAINT-SAENS CAMILLE)
1011.80
Samson Et Dalila (SAINT-SAENS CAMILLE)
Opéra
[Partition]
Barenreiter
Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undou...
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Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undoubtedly one of the best-known of Camille Saint-Saëns's thirteen operas, being more present in the repertoire of international stages than most other French 19th century compositions. During Saint-Saëns's lifetime, the opera was already regarded as the pinnacle of his dramatic stage works. The fact that the work's genesis and first performances nonetheless posed substantial difficulties is shown in this edition by Andreas Jacob and Fabien Guilloux (libretto edition). A detailed recount of this complex history, based on meticulous comparisons of all libretti and other musical sources, is the great merit of this critical edition. The edition contains the full score, edited versions of both original libretti, a historical Foreword (Fr/En/Ger), a Critical Commentary (Eng), facsimile pages of 'Livret de mise-en-scène? from the first Paris production, and a musical appendix containing the 'Air de Ballet? (which was inserted before the Bacchanale in act 3 for performances at the Paris Opéra). The underlaid text in the score is presented in two languages and contains the libretto text by Ferdinand Lemaire as well as the text of the Weimar premiere by Richard Pohl (1877), a performance that was initiated by Franz Liszt./ Répertoire / Chant et Orchestre
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Heller S.- 25 Melodic Studies Op.45- Piano
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Heller S.- 25 Melodic Studies Op.45- Piano
Schott
Rooted in European music history due to his acquaintance with Chopin, Liszt, Ber...
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Rooted in European music history due to his acquaintance with Chopin, Liszt, Berlioz and Schumann, Stephen Heller (1813-1888) is one of the most important representatives of the Romantic character piece. The Budapest-born pianist and piano teacher composed almost exclusively for his instrument. His overall oeuvre comprises more than 150 works, including sonatas, preludes, dances, variations, collections of studies, arrangements, numerous cycles and individual pieces. His rather simple, yet inventive and varied piano setting is typical of 19th-century moderately difficult, virtuoso salon music.In Melodic Studies Op. 45 Heller addresses various technical tasks in a melodious piano setting that is typical of him. Varied, charming idiomatic figurations appear in a harmonically simple and pleasing Romantic tonal language. The rather easy to moderately difficult studies are ideal for lessons and also suitable as performance pieces. Apart from character pieces, this collection also contains effective bravura studies.Contenu - Allegretto - Allegro vivace - Allegretto - Allegretto - Allegretto comodo - Allegretto con moto - Allegretto con moto - Allegretto - Andante quasi Allegretto - Moderato - Allegro - Con moto - Allegro scherzando - Poco maestoso - Poco maestoso - Andantino con tenerezza - Allegro vivace - Allegro - Allegretto grazioso - Allegro - Allegro vivace - Allegretto con moto - Allegro di molto - Allegro veloce - Allegro con brio
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Petite Messe Solennelle
11.30
Petite Messe Solennelle
Chorale SATB
Barenreiter
The 'Petite Messe solennelle? is the finest work of Rossini's late years. He com...
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The 'Petite Messe solennelle? is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet -Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the 'Stabat mater?, the mass is one of the composer's mostimportant sacred works.The unusual instrumentation with two pianos and harmonium is entirely in keeping with the Neapolitan keyboard tradition of the 18th century which was cultivated in France in Rossini's day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example, Liszt and Bruckner. Rossini explained that he wrote the later orchestral version of the work dating from 1867 out of concern that if he did not do this, other composers might orchestrate the mass too heavily in later arrangements.- Choral score based on the Urtext of the series 'Works of Gioachino Rossini?- Supplements the already existing material available to this work / Choeur Mixte (SATB)
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Petite Messe Solennelle (ROSSINI GIOACHINO)
70.60
Petite Messe Solennelle (ROSSINI GIOACHINO)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
[Partition]
Barenreiter
Par ROSSINI GIOACHINO. The “ Petite Messe Solennelle ” is the finest work of...
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Par ROSSINI GIOACHINO. The “ Petite Messe Solennelle ” is the finest work of Rossini ’s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the “Stabat mater”, the mass is one of the composer’s most important sacred works. The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini ’s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by, for example, Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this, other composers might orchestrate the mass too heavily in later arrangements. The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation. - Based on the Urtext of the series “Works of Gioachino Rossini”. - Foreword in two languages (Eng/Ger). - With a separate Harmonium part and one part for Pianos I and II. / Messe / Répertoire / Choeur Mixte et Orchestre
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24 Etudes Caprices, Op. 64 (SAURET EMILE)
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24 Etudes Caprices, Op. 64 (SAURET EMILE)
Violon
[Partition]
Peters
Par SAURET EMILE. Émile Sauret, violin virtuoso, teacher and composer, was admi...
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Par SAURET EMILE. Émile Sauret, violin virtuoso, teacher and composer, was admired by some of the greatest composers of his time, including Brahms, Tchaikovsky, Bruch, Wagner, Grieg and Mahler. He gave numerous concerts with Liszt, Rubinstein, and Moszkowski, and often played duets with Sarasate. He is predominantly remembered for the fiendishly difficult cadenza he composed to Paganini?s first violin concerto. Sauret?s 24 Etudes Caprices for solo violin are a substantial virtuoso journey through every major and minor key. Written while he was a professor of violin at the Royal Academy of Music in London, they are notable for the exceptional variety of filigree detail and variation in nuance, dynamic, fingering, bowing and phrasing, creating etudes far more substantial than is typical in this genre. Unavailable since their first publication early in the 20th century, the Etudes Caprices are edited by leading violinist and Sauret specialist, Nazrin Rashidova, who has made the first complete recording of the Etudes Caprices, performing them on Sauret?s own Stradivarius. Using the original Simrock edition as a basis, this edition supplements Sauret?s original bowings and fingerings with Rashidova?s own suggestions. An extensive preface gives further insights into performance and contextualizes the life of the composer. / Date parution : 2022-11-29/ Répertoire / Violon
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Studio Ghibli in Classical Music Style (HISAISHI JOE)
30.10
Studio Ghibli in Classical Music Style (HISAISHI JOE)
Piano seul
[Partition]
Yamaha
From Baroque Era to 20th Century. Par HISAISHI JOE. Studio Ghibli meets Classica...
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From Baroque Era to 20th Century. Par HISAISHI JOE. Studio Ghibli meets Classical Music! Enjoy the Studio Ghibli music arranged in the style of major classical composers: Vivaldi, J.S. Bach, Mozart, Beethoven, Schubert, Chopin, R. Schumann, Liszt, Saint-Saëns, Debussy, Rachmaninoff, and Ravel. / Date parution : 2022-03-05/ Recueil / Piano
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Woodland Sketches, Sea Pieces, Fireside Tales
23.20
Woodland Sketches, Sea Pieces, Fireside Tales
Piano seul
[Partition]
Dover Publications
Edward MacDowell (1860-1908) was America's most prominent nineteenth-century com...
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Edward MacDowell (1860-1908) was America's most prominent nineteenth-century composer. Championed by Franz Liszt, he was one of the first U.S. composers to gain international recognition. A leading exponent of the Romantic tradition, he was a prolific composer for the Piano. This outstanding collection presents his best, most characteristic works, reprinted from original editions. They include: Woodland Sketches, Op. 51 Sea Pieces, Op. 55 Fireside Tales, Op. 61 New England Idyls, Op. 62 These beautiful and affecting compositions reflect not only MacDowell 's poetic Romanticism but also his virtuosic skills as a pianist, which won him an international reputation as a concert artist. Intermediate- and advanced-level pianists will appreciate the lyric intensity and ebullient spirit of these pieces. / Piano
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