Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Following on from Justin Sandercoe's hugely successful Justinguitar.com Beginner's Course and his songbooks for Guitar, this is Justin's first Ukulele Songbook, featuring 25 great Ukulele songs for players of all ages.Inside you will find 25 fantastic songs by artists like The Beatles, Daft Punk, John Legend, Bob Marley and so many more. Justin Sandercoe has expertly compiled some classic Ukulele songs, some contemporary pop songs and some vintage favourites into an easy-to-use and fun-to-play Ukulele Songbook that will bring out the best in your instrument.This Ukulele chord book begins at the very start, with beginner songs for Ukulele that only use the most basic chords. So if you've just started to get to grips with the instrument, you can start here and progress through every tune in the songbook. Songs like I'm Yours and Stand By Me will introduce the fun that can be had with the Uke, before you move onto the other sections and get more serious. Sandercoe goes on to introduce some classic Ukulele songs, some contemporary pop hits, and even some songs that sound like they shouldn't work on a Uke, but totally do! - such as Get Lucky by Daft Punk and Happy by Pharrell Williams.The Ukulele Songbook is written in the inimitable style of Justin Sandercoe, whose enjoyment of the Ukulele is evident in his enthusiasm for how fun and accessible it is. Every song in the songbook is arranged especially for the Ukulele, and comes accompanied by full lyrics, chord diagrams and strumming patterns to help you through anything tricky. It's more than a mere songbook, though, as Justin also gives you general performance tips within each song, helping you to perfect your playing and become a better Ukulele player overall.Whether you're just starting out or you need some fresh songs for your repertoire, the Justinguitar.com Ukulele Songbook will give you a number of tunes, and tell you exactly how to play them. You'll be in safe hands with Justin Sandercoe, who has worked with thousands of pupils and has even been dubbed one of the most influential Guitar teachers in history. Check out this book of Ukulele chords and get strumming and singing along to these favourite hits. / Ukulélé

The Piano Bench Of Easy Classical Music is a tremendous piano collection containing 400 pages of great music literature, specially selected and edited for the developing pianist who loves classical music. Here you will find the world's favorite preludes, minuets, sonata movements, nocturnes, waltzes, gavottes, mazurkas, romantic short pieces, impressionistic works, and light classics- as well as themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Piano

Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade composed the cantata ?The Crusaders? op. 50 for soloists, choir and orchestra (termed as ?Dramatic Poem? in the original print) in the summer of 1865; it was premiered on 24 April 1866. Together with the cantatas ?Kalanus? and ?Zion? written later, the work constitutes, in Gade?s understanding, a ?kind of trilogy? which centers on different manifestations of the ?longing for the true light?. The libretto of ?The Crusaders? by Carl Andersen is based on motives from Torquato Tasso?s ?Jerusalem Delivered? and spreads these over three sections which themselves are subdivided multiple times: I In the Desert ? II Armida - III Towards Jerusalem./ Répertoire / Chant et Orchestre

Gems from the classical literature written for the violin, together with effective arrangements of light popular compositions. Every piece in this exhaustive compilation has been edited and fingered, and includes piano accompaniment. / Violon Et Piano

Par PORTMAN RACHEL. This solo piano sheet music collection, curated by Rachel Portman herself, includes a specially written preface and exclusive artwork throughout. The book features all 13 tracks from her album ask the river, music inspired by many years of being immersed in nature. / Date parution : 2020-08-22/ Répertoire / Piano

The importance of the single in the career of The Smiths cannot be overstated. Morrissey and Marr both regarded the format as hugely significant, with each release sporting a traditional paper sleeve and poignant choice of cover star, from James Dean to Shelagh Delaney. They reflected the band's shared love of the great singles of the 50s and 60s, and many have since become collector's items. This selection of songs therefore shows The Smiths at their most amusing, absurd, doleful, wry and charming. Marr's arrangements, which struck a chord with guitarists and songwriters the world over, are faithfully transcribed here. They are all here, from the early sparkle of This Charming Man and Hand In Glove to the cutting Panic and longing Boy With The Thorn In His Side . Often regarded as the last great British singles band, this collection of 19 songs represents the very best of The Smiths. This book is specially bound to help the pages lay flat while you are playing. / Guitare Tablatures

Part of a new series of piano music books edited by British concert pianist Samantha Ward, and designed primarily to be played at home, simply for pleasure. Selected for their relaxing qualities, the pieces in this volume range from well-known classics to delightful lesser-known gems. Featuring arrangements of traditional pieces from around the world, the collection is of easy/intermediate level so a competent amateur pianist will have little difficulty in mastering the pieces. / Piano

The internationally successful guitarist and teacher Justin Sandercoe has become enormously popular for his numerous online publications and Guitar courses. His books have been highly-praised by the press and his fans due to his ability to appeal to beginners, amateurs and advanced musicians alike. This Ukulele Songbook contains 25 songs that are perfect for any aspiring Ukulele player.In his first Ukulele Songbook, Sandercoe has prepared 25 songs in his own inimitable tuition style. The songs all feature clear lyrics, chords and song parts, as well as many hints, tips and background information for a better understanding of each tune. / Ukulélé

Welsh Folk Tunes presents a collection of beautiful pieces for solo piano drawn from the rich tradition of Welsh folk music. Experienced author and arranger Barrie Carson-Turner provides notes on all of the pieces, explaining their background and history. The volume is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.Part of the best selling World Music series, which also includes music from England, Ireland, Scotland, Eastern Europe, America, Argentina, India, China and Korea. / Piano