| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| RandB Fake Book - C Instruments - 2nd Edition
Fake Book [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
(9)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Bluegrass Book
Guitare [Fake Book] Hal Leonard
(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal L...(+)
(C Instruments). By
Various. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
(1)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet Collection Volume 4 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
String Quartet - Grade 3 SKU: MA.EMR-59177 Composed by Various. Score and...(+)
String Quartet - Grade 3
SKU: MA.EMR-59177
Composed by Various.
Score and parts. Duration
15'49. Editions Marc
Reift #EMR 59177.
Published by Editions
Marc Reift
(MA.EMR-59177).
1. A Scottish
Cradle Song / 2. Aviators
March / 3. Love is Here
To Stay / 4. Rondo Alla
Turca / 5. Sloop John
B. $20.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| A Gershwin Tribute to Love Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: 'S Wonderful / Love Is Here to Stay / They Can't Take ...(+)
(Featuring: 'S
Wonderful /
Love Is Here to Stay /
They
Can't Take That Away
from Me
/ Embraceable You).
Composed
by George and Ira
Gershwin.
Arranged by Brent
Heisinger.
Concert Band. Concert
Band;
Part(s); Score. Alfred
Concert Band. Form:
Medley.
Love; Masterwork
Arrangement; Standard.
Grade
4.5. 316 pages. Published
by
Alfred Music
$100.00 $95 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gershwin Piano Duets
1 Piano, 4 mains [Partition] - Intermédiaire Hal Leonard
Music by George Gershwin (1898-1937), arranged by Mischa Portoff. For piano due...(+)
Music by George Gershwin
(1898-1937), arranged by
Mischa Portoff. For piano
duet (four hands).
Format: piano duet
songbook. Standards and
20th century. 48 pages.
9x12 inches. Published by
Hal Leonard.
(11)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The 1950s Paroles Seulement [Partition] Hal Leonard
Paperback Lyrics. By Various. Paperback Lyrics. Softcover. Size 4.25x6.75 inches...(+)
Paperback Lyrics. By
Various. Paperback
Lyrics. Softcover. Size
4.25x6.75 inches. 256
pages. Published by Hal
Leonard.
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Drummer's Fake Book Batterie [Fake Book] Hal Leonard
Easy-to-Use Drum Charts with Kit Legends and Lyric Cues. Composed by Various. ...(+)
Easy-to-Use Drum Charts
with
Kit Legends and Lyric
Cues.
Composed by Various. Drum
Book. Pop. Softcover. 336
pages. Published by Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Bassist's Fake Book Basse electrique Hal Leonard
250 Songs. By Various. Bass. Blues, Pop, Rock. Softcover. 500 pages. Published...(+)
250 Songs. By Various.
Bass.
Blues, Pop, Rock.
Softcover.
500 pages. Published by
Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| VH1's 100 Greatest Love Songs Piano, Guitare (grilles d'accords) [Partition] - Facile Hal Leonard
By Various Artists. Easy Piano Songbook (Easy arrangements for piano and voice)...(+)
By Various Artists. Easy
Piano Songbook (Easy
arrangements for piano
and voice). Softcover.
480 pages. Published by
Hal Leonard.
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Gershwin Tribute to Love Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Concert Band - Grade 4.5 SKU: AP.41962S Featuring: 'S Wonderful / Love...(+)
Concert Band - Grade 4.5
SKU: AP.41962S
Featuring: 'S
Wonderful / Love Is Here
to Stay / They Can't Take
That Away from Me /
Embraceable You.
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Brent Heisinger. Concert
Band; Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Form: Medley. Broadway;
Great American Songbook;
Love; Masterwork
Arrangement; Standard.
Score. 36 pages. Alfred
Music #00-41962S.
Published by Alfred Music
(AP.41962S). UPC:
038081480350.
English. A medley
of four Gershwin
favorites: 'S Wonderful,
Love Is Here to Stay,
They Can't Take That Away
from Me, and Embraceable
You. Arranged by
award-winning composer
Brent Heisinger, the work
incorporates a
combination of fast and
slow, swing and straight
styles with richly varied
orchestration. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| George Gershwin: Love Is Here to Stay (Choral) Chorale SATB SATB, Piano Hal Leonard
By Ira Gershwin, George Gershwin. Arranged by Kirby Shaw. (SATB). Choral. Size ...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Kirby Shaw. (SATB).
Choral. Size 6.8x10.5
inches. 4 pages.
Published by Hal Leonard.
$2.65 $2.5175 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Love Is Here to Stay Chorale SSAA [Octavo] Hal Leonard
Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Kirby Shaw...(+)
Composed by George
Gershwin (1898-1937) and
Ira Gershwin. Arranged by
Kirby Shaw. Jazz Chorals.
Octavo. 4 pages.
Published by Hal Leonard
(HL.156870).
$1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dixit Dominus SSA Chorale 3 parties SSA Shawnee Press
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawne...(+)
Arranged by Russell L.
Robinson. For SSA Choir.
Sheet Music. Published by
Shawnee Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Got Gershwin! [Set de Parties séparées] Alfred Publishing
Choir Secular SKU: AP.47668 I Got Rhythm * 'S Wonderful * They Can't T...(+)
Choir Secular SKU:
AP.47668 I Got
Rhythm * 'S Wonderful *
They Can't Take That Away
from Me * I'll Build a
Stairway to Paradise *
Love Is Here to Stay *
Embraceable You *
Fascinating Rhythm.
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Adam Podd and Matt Podd.
This edition: SoundPax.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great American Songbook;
Secular. Part(s). 12
pages. Alfred Music
#00-47668. Published by
Alfred Music (AP.47668).
UPC: 038081543611.
English. This
seamless 4½-minute
tour through seven
timeless standards pays
tribute to the American
songwriting team of
George and Ira Gershwin.
Smart voice leading and
classic choral arranging
techniques remain
faithful to the cherished
melodies and
jazz-influenced
harmonies. Listen closely
for additional Gershwin
themes tucked into brief
interludes between the
enchanting songs. Live
clarinet, bass, and drums
(in the opt. SoundPax)
add an elegant touch in
concert.
About Alfred
Pop Choral
Series The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs. $20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Got Gershwin! CD Chorale Alfred Publishing
Choir Secular SKU: AP.47667 I Got Rhythm * 'S Wonderful * They Can't T...(+)
Choir Secular SKU:
AP.47667 I Got
Rhythm * 'S Wonderful *
They Can't Take That Away
from Me * I'll Build a
Stairway to Paradise *
Love Is Here to Stay *
Embraceable You *
Fascinating Rhythm.
Composed by George
Gershwin and Ira
Gershwin. Arranged by
Adam Podd and Matt Podd.
This edition: SoundTrax
CD. Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Great American Songbook;
Secular. CD. Alfred Music
#00-47667. Published by
Alfred Music (AP.47667).
UPC: 038081543604.
English. This
seamless 4½-minute
tour through seven
timeless standards pays
tribute to the American
songwriting team of
George and Ira Gershwin.
Smart voice leading and
classic choral arranging
techniques remain
faithful to the cherished
melodies and
jazz-influenced
harmonies. Listen closely
for additional Gershwin
themes tucked into brief
interludes between the
enchanting songs. Live
clarinet, bass, and drums
(in the opt. SoundPax)
add an elegant touch in
concert.
About Alfred
Pop Choral
Series The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs. $27.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The 1960s Paroles Seulement [Partition] Hal Leonard
Paperback Lyrics. By Various. Paperback Lyrics. Softcover. Size 4.25x6.75 inches...(+)
Paperback Lyrics. By
Various. Paperback
Lyrics. Softcover. Size
4.25x6.75 inches. 256
pages. Published by Hal
Leonard.
(1)$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chicago: The Chicago Fake Book Fake Book [Fake Book] - Intermédiaire Hal Leonard
(C Edition) Performed by Chicago. For C instrument. Format: fakebook. With leads...(+)
(C Edition) Performed by
Chicago. For C
instrument. Format:
fakebook. With leadsheet
notation (includes melody
line and chords) and
lyrics. Pop rock and soft
rock. Series: Hal Leonard
Fake Books. 232 pages.
9x12 inches. Published by
Hal Leonard.
(2)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lyric Library: Early Rock 'N' Roll Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Performed by Various. Lyric Library. Size 6x9 inc...(+)
Complete Lyrics for 200
Songs. Performed by
Various. Lyric Library.
Size 6x9 inches. 224
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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