| Chicken Foot Transplant, score and parts Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Inspirational New Hymns for Choir and Home - Vol 1 Chorale SATB [Partition] - Intermédiaire Jackman Music Corporation
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker / Ruth S.
Kapp. For SATB Choir.
Level: Medium. Published
by Jackman Music
Corporation.
$6.98 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pioneer Hoedown - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS180
Composed by Matt Turner.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
16+16+4+10+10+10+4+16
pages. Duration 2
minutes, 47 seconds. Carl
Fischer Music #YAS180.
Published by Carl Fischer
Music (CF.YAS180).
ISBN 9781491151457.
UPC: 680160908950. 9 x 12
inches. Key: G
major. Matt Turner
creates a light feel with
catchy melodies in his
composition,?Pioneer
Hoedown.?This?spirited
piece conjures the images
and sounds of barn and
prairie dances of the
yesteryears. Perform
this piece with a great
deal of energy; keep it
light and joyful. The
first four measures set
the stage for the piece
with the passing of the
baton. Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67101 which
is in contrast to the
staccato nature of the
beginning section (mm.
166). Exaggerate the
crescendo in mm. 8391,
and bring out the call
and response in mm.
137144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the apassing of the
baton.a Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67a101
which is in contrast to
the staccato nature of the
beginning section (mm.
1a66). A Exaggerate the
crescendo in mm. 83a91,
and bring out the call
and response in mm.
137a144. A
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the apassing of the
baton.a Measure 2 should
be of equal weight to m.
1, and m. 3 should be of
equal weight to m. 2.
Keep the energy flowing!
Accentuate the legato
nature of mm. 67a101
which is in contrast to
the staccato nature of the
beginning section (mm.
1a66). A Exaggerate the
crescendo in mm. 83a91,
and bring out the call
and response in mm.
137a144. A
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the passing of the baton.
Measure 2 should be of
equal weight to m. 1, and
m. 3 should be of equal
weight to m. 2. Keep the
energy flowing!
Accentuate the legato
nature of mm. 67-101
which is in contrast to
the staccato nature of the
beginning section (mm.
1-66). Exaggerate the
crescendo in mm. 83-91,
and bring out the call
and response in mm.
137-144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the passing of the baton.
Measure 2 should be of
equal weight to m. 1, and
m. 3 should be of equal
weight to m. 2. Keep the
energy flowing!
Accentuate the legato
nature of mm. 67-101
which is in contrast to
the staccato nature of
the beginning section
(mm. 1-66). Exaggerate
the crescendo in mm.
83-91, and bring out the
call and response in mm.
137-144.
Enjoy!. Perform this
piece with a great deal
of energy; keep it light
and joyful. The first
four measures set the
stage for the piece with
the “passing of the
baton.†Measure 2
should be of equal weight
to m. 1, and m. 3 should
be of equal weight to m.
2. Keep the energy
flowing! Accentuate the
legato nature of mm.
67–101 which is in
contrast to the staccato
nature of the beginning
section (mm.
1–66).
 Exaggerate the
crescendo in mm.
83–91, and bring
out the call and response
in mm. 137–144.
 Enjoy!
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moonlight Odyssey - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS111
Composed by Matt Turner.
Concert String Orchestra
(CAS). Set of Score and
Parts. With Standard
notation.
16+16+4+10+10+10+4+16
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #CAS111.
Published by Carl Fischer
Music (CF.CAS111).
ISBN 9781491151303.
UPC: 680160908806. 9 x 12
inches. Key: G
minor. Composed by
Matt Turner, Moonlight
Odyssey for string
orchestra is a
hard-driving piece which
takes the listener on an
adventure full of
rhythmic twists and turns
as well as Middle
Eastern-flavored
melodies. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginningdont hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmerplay very
quietly but intensely.
Exaggerate and move
quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precisebe careful not
to rush! Cellists and
bassists should rock out
and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginningadonat hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmeraplay
very quietly but
intensely. Exaggerate and
move quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and preciseabe careful
not to rush! Cellists and
bassists should arock
outa and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginning--don't hurry
through the introduction.
The tremolos in mm. 3 and
7 should shimmer--play
very quietly but
intensely. Exaggerate and
move quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precise--be careful
not to rush! Cellists and
bassists should rock out
and emphasize the
accented notes in mm. 50
and 51 to set up the next
section. Exaggerate
dynamics
throughout. The piece
begins rubato with a
quiet drone. The soloist
should take time at the
beginning—donâ€
™t hurry through the
introduction. The
tremolos in mm. 3 and 7
should
shimmer—play very
quietly but intensely.
Exaggerate and move
quickly through the
crescendo in mm. 12 and
16. The ostinato section
beginning in m. 10 should
be staccato (as marked)
and precise—be
careful not to rush!
Cellists and bassists
should “rock
out†and emphasize
the accented notes in mm.
50 and 51 to set up the
next section. Exaggerate
dynamics throughout.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ultimate Worship Collection Piano, Voix et Guitare [Partition] - Facile Word Music
For Easy Guitar Tablature. Performed by Various. Piano/Vocal/Chords Songbook (Ar...(+)
For Easy Guitar
Tablature. Performed by
Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). With
notes and tablature. Size
9x12 inches. 240 pages.
Published by Word Music.
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lucky Seven - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS85
Composed by Matt Turner.
Concert String Orchestra.
Set of Score and Parts.
With Standard notation.
16+4+16+10+10+10+3+2+16
pages. Duration 3
minutes, 5 seconds. Carl
Fischer Music #CAS85.
Published by Carl Fischer
Music (CF.CAS85). ISBN
9780825899140. UPC:
798408099145. 9x12
inches. Key: D
major. The title
Lucky Seven is a play on
the fact that portions of
this piece are in 7/8
time grouped in 2+2+3. It
gives it a really fresh
groove as the piece
floats in and out of this
7/8 riff into regular 4/4
time. There is even a
nice solo section with a
sample solo if some of
your students want to
take a stab at
improvisation. Matt
Turner always provides
teachers with interesting
alternative music that
can teach students how to
groove and improvise.
This is an infectious
piece that students will
like to play. Lucky
Seven is in arch form
(ABCBA). The A-section
begins in and moves to a
pop-music feel in the B-
section (m. 21). An
Afro-Cuban tumba
bass-line figure is
introduced in the
C-section (m. 33). A
sample solo (m. 53) is
provided, but soloists
are encouraged to
improvise using an
A-Mixolydian mode (A, B,
C≥, D, E, F≥,
G, A). The improvisations
should be rhythmic. Feel
free to borrow ideas from
any of the composed
material to assist in
creating the
improvisations. Perform
with energy!
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zydeco Zephyr - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2.5
SKU: CF.YAS107
Composed by Matt Turner.
SWS FS. Young String
Orchestra. Set of Score
and Parts. With Standard
notation.
24+24+6+15+15+15+6+16
pages. Carl Fischer Music
#YAS107. Published by
Carl Fischer Music
(CF.YAS107). ISBN
9780825889202. UPC:
798408089207. 8.5 x 11
inches. Key: G
major. Matt
Turner's impressive list
of award-winning
compositions will just
keep growing as he adds
pieces like this to his
repertoire! Zydeco Zephyr
starts out with some
boogie-woogie and then
moves to a fiddling style
in the second half. Not
only can you hear the
train within the music,
but this work also
includes an opportunity
for a soloist to
improvise. An example
solo is provided, but
this is a great way to
get your kids to express
themselves
musically. Zydeco
Zephyr combines elements
of zydeco and bluegrass.
Zydeco is a combination
of many styles including
Cajun, blues, and rock,
and is known for its use
of accordion, fiddle, and
washboard. The first
section of Zydeco Zephyr
is influenced by doo-wop,
a style zydeco musician
Clifton Chenier used in
his songs. The cellos
introduce the second
section with a
“trainâ€
groove in m. 27. A solo
section offers students
the opportunity to
improvise using a D
mixolydian mode (D, E,
F≥, G, A, B, C, D),
and a sample solo is
provided. This piece uses
straighteighths (no
swing!) and should be
performed with a great
deal of energy. Who
knows, you may just make
people in the audience
get up and
dance!Suggested
listening: Clifton
Chenier, King of the
Bayous on Arhoolie
Records.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Seafaring Swashbuckler - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3.5
SKU: CF.CAS100
Composed by Matt Turner.
SWS FS. Carl Fischer
Concert String Orchestra
Series. Set of Score and
Parts. With Standard
notation.
16+16+10+10+4+4+10+16
pages. Duration 3
minutes, 12 seconds. Carl
Fischer Music #CAS100.
Published by Carl Fischer
Music (CF.CAS100).
ISBN 9781491146606.
UPC: 680160904105. 9 x 12
inches. Key: G
major. Spirited
dance figures, catchy
melodies in canon, and a
majestic chorale will
make you want to say,
Shiver me timbers! This
clever composition by
Matt Turner plays to the
students love of pirates
and sea shanties. This is
a great piece to solidify
student's understanding
of compound
meter. Perform this
piece with exuberance!
The first part of this
piece is composed of
various dance
figures—sometimes
in canon—and
dynamics should be
strictly followed to
ensure that the melody
can be heard . The
descant (violin I) in mm
. 25–36 should be
played quietly so that
the melody in the second
violin and viola parts
can be heard . Use much
of the bow—think
lush and full—in
the chorale section
beginning in m . 93 .
Articulations throughout
are particularly
important to create a
dance-like feel . Enjoy
as you set sail on your
voyage!
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bastien Piano For Adults - Book 2 (book Only)
Piano seul [Partition] - Facile Kjos Music Company
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano For Adults...(+)
By Lisa Bastien. Edited
by Lori Bastien, Jane
Bastien. (Bastien Piano
For Adults). Bastien
Piano. Method. Level:
Book A,1. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company.
(4)$15.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Future of the Wind Band Orchestre d'harmonie GIA Publications
SKU: GI.G-10580 Philosopher and Practitioner in Dialogue. Composed...(+)
SKU: GI.G-10580
Philosopher and
Practitioner in
Dialogue. Composed by
William Perrine. Music
Education. 430 pages. GIA
Publications #10580.
Published by GIA
Publications
(GI.G-10580). ISBN
9781622776375. Cont
ributors: Travis J. Cross
(University of
California–Los
Angeles) • David J.
Elliott (New York
University) •
Marissa Silverman
(Montclair State
University) • Jacob
Wallace (South Dakota
State University) •
Randall Everett Allsup
(Teachers College,
Columbia University)
• Cynthia Johnston
Turner (Wilfrid Laurier
University) •
Carolyn Barber
(University of
Nebraska-Lincoln) •
John Kratus (Independent
Scholar) • Vincent
C. Bates (Weber State
University) •
Thomas G. Warner, Jr.
(North Carolina
Agricultural and
Technical State
University) • Ben
Hawkins (Transylvania
University) •
Thomas A. Regelski (SUNY
Fredonia School of Music,
Helsinki University of
Finland) • Paul
Woodford (Western
University) •
Charles Peltz (New
England Conservatory of
Music) In the wind band
profession—as in
every great
discipline—it is
critical to take stock in
the big questions about
where we are heading, and
why, as we move through
the twenty-first century.
This thought-provoking
book contains seven
high-level exchanges
between a leading wind
band practitioner and a
music education
philosopher. Each section
of The Future of the Wind
Band grapples with the
most profound issues
facing the music
education profession and
the path of instrumental
music education in our
schools: Relevance: What
relevance, if any, does
the wind band have both
to today’s
students and to culture
more broadly in the
twenty-first century?
What relevance does the
band experience hold for
students’ everyday
life? Repertoire: What is
the relationship between
the repertoire performed
by wind ensembles and the
larger musical world?
Pedagogy: What
constitutes best practice
in terms of musical
pedagogy and rehearsal
technique within the
large-ensemble
experience? Creativity:
Can the wind band
function as a vehicle for
enhancing the individual
creativity of its
members? Economic
Justice: How do issues of
social class and the
distribution of wealth
relate to broader
questions of social
justice within the
context of instrumental
music education?
Professional Ethics: What
are the primary ethical
responsibilities of the
wind band conductor?
Democratic Citizenship:
What relationship, if
any, can be drawn between
membership in the wind
band and citizen
participation in
democracy? Such exchanges
can only strengthen our
profession and pay rich
dividends in our musical
and educational work with
the students we serve.
Editor of this book,
William (Bill) M. Perrine
is Associate Professor of
Music and Director of
Instrumental Activities
at Concordia University
in Ann Arbor, Michigan,
where he directs the wind
ensemble, marching band,
and community
orchestra. $42.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bastien Piano For Adults - Book 2 (book and Cd)
Piano seul [Partition + CD] - Facile Kjos Music Company
By Jane Bastien. Edited by Lisa Bastien, Lori Bastien. (Bastien Piano For Adults...(+)
By Jane Bastien. Edited
by Lisa Bastien, Lori
Bastien. (Bastien Piano
For Adults). Bastien
Piano. Method. Level:
Book B,2. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company.
(3)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Readings in African American Church Music and Worship - Volume 2 GIA Publications
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. Af...(+)
SKU: GI.G-8462
Composed by James
Abbington. Edited by
James Abbington. African
American Church Music
Series. Sacred. Book. 824
pages. GIA Publications
#8462. Published by GIA
Publications (GI.G-8462).
ISBN 9781622771004.
English. The volume
you are holding is a
vivid testimony …to
the value of examining
this variety and dynamism
from multiple,
overlapping points of
view …to the value
of both realist and
idealist voices …to
the value of articulating
wisdom. From the foreword
by John D. Witvliet,
Calvin Institute of
Christian Worship Since
the publication of the
first volume of Readings
in African American
Church Music and Worship,
public and academic
interest in the music and
worship in black churches
has significantly
increased. This second
volume makes available
the most recent
scholarship on
twenty-first-century
developments and trends,
through a representative
number of articles,
essays, and chapters
written by brilliant
musicians, authors, and
theologians of our time.
The list of contributors
includes some of the
finest emerging scholars,
whose voices we will be
hearing for years to
come, as well as
offerings from seasoned
authors, whose research
and writings are well
regarded by peers and the
worshiping community at
large. The significant
contributions—from
names new and
familiar—greatly
broaden the field of
study. The 43 chapters of
this volume are divided
into 7 categories:
Worship and Liturgical
Practices Perspectives on
Praise and Worship
Liturgical Theologies Hip
Hop and/in the Church
Proclamation of the Word
Perspectives on Women and
Gender Hymnody: Sound and
Sense Insightful,
thought-provoking,
challenging,
hopeful—this
volume will be a source
of knowledge, a stimulus
for discussion, and a
call to (re)consider the
many and varied
viewpoints of the African
American church.
Featuring the writings
of: James Abbington,
LaTrese Adkins, Sandra L.
Barnes, Tuere A. Bowles,
Ruthlyn Bradshaw, Michael
Joseph Brown, Melvin L.
Butler, James H. Cone,
David Douglas Daniels
III, Robert Darden, Leo
H. Davis Jr., Valerie
Bridgeman Davis, Michael
Fox, Kenyatta R. Gilbert,
Daniel White Hodge,
Birgitta J. Johnson,
Alisha Jones, Tammy L.
Kernodle, S T Kimbrough,
Jr., Cheryl A.
Kirk-Duggan, Cleophus J.
LaRue, Monica T. Leach,
Tamura Lomax, Pamela P.
Martin, Marvin A.
McMickle, Monica R.
Miller, Stephanie Y.
Mitchem, Thomasina
Neely-Chandler, Deborah
S. Pollard, Luke A.
Powery, Samuel D.
Proctor, Teresa L. Reed,
Braxton D. Shelley,
Martha Simmons, Josef
Sorett, Rodney A. Teal,
Frank Thomas, Kathleen S.
Turner, Kenneth C. Ulmer,
Gayle Wald, James Melvin
Washington, Ralph C.
Watkins, Lisa M. Weaver,
Melinda E. Weekes,
Christina Zanfagna James
Abbington is Associate
Professor of Church Music
and Worship, Candler
School of Theology, Emory
University, Atlanta,
Georgia. He also serves
as Executive Editor of
the African American
Church Music Series,
published by GIA
Publications, Inc. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Musik Zur Feiertext (voices Ad Lib Schott
Possible ensemble variations SKU: HL.49015184 Festliche Musik zu allen...(+)
Possible ensemble
variations SKU:
HL.49015184
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Book. Edition
Schott. Classical. Text
book/libretto. 27 pages.
Schott Music #ED 5600-01.
Published by Schott Music
(HL.49015184). ISBN
9783795730024.
German. Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellungvon
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation, Ko
mmunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden. h
Die Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammensetzung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und
Vereinsfeiern), sowie in
den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier -
2Violinen und Klavier -
Violine, Violoncello und
Klavier - Streichquartett
und Klavier -
Streichquartett -
Streichorchester mit
Kontrabass ad lib.-
Gesang und Streicher. Die
Klavierstimme kann ebenso
von der Orgel bzw. einem
Harmonium ausgefuhrt, die
Viola durch eine 3.
Violine ersetzt
werden. $4.99 - Voir plus => Acheter | | |
| Musik Zur Feier Pf/insts Score [Conducteur] Schott
Various options for instrumentation SKU: HL.49005794 Festliche Musik z...(+)
Various options for
instrumentation SKU:
HL.49005794
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Score. 80
pages. Schott Music #ED
5600. Published by Schott
Music (HL.49005794).
ISBN
9790001062534. Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15). $28.99 - Voir plus => Acheter | | |
| Musik Zur Feier Musik Z Feier (draths/boehme) Schott
Possible ensemble variations (V3) SKU: HL.49031950 Festliche Musik zu ...(+)
Possible ensemble
variations (V3) SKU:
HL.49031950
Festliche Musik zu
allen Gelegenheiten.
Composed by Musik. Edited
by Curt Boehme and Willi
Draths. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Individual part. 16
pages. Schott Music #ED
5600-13. Published by
Schott Music
(HL.49031950). ISBN
9790001062572. Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15). $9.99 - Voir plus => Acheter | | |
| Musik Zur Feier Cello Schott
Possible ensemble variations (VC/KB) SKU: HL.49005798 Festliche Musik ...(+)
Possible ensemble
variations (VC/KB)
SKU: HL.49005798
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 16 pages. Schott
Music #ED 5600-15.
Published by Schott Music
(HL.49005798). ISBN
9790001062596. Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15). $9.99 - Voir plus => Acheter | | |
| If It Ain't Baroque, Don't Fix It - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2.5
SKU: CF.YAS132
Composed by Matt Turner.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
8+8+2+5+5+5+1+3+8 pages.
Duration 3 minutes, 8
seconds. Carl Fischer
Music #YAS132. Published
by Carl Fischer Music
(CF.YAS132). ISBN
9780825894688. UPC:
798408094683. 9 x 12
inches. Key: G
minor. What would
happen if Bach had lived
in the time of rock and
roll? This piece might
have been the result!
There is plenty of
musical depth to this
piece and yet it is in
both a baroque and rock
style at the same time.
There is even an
opportunity for some
improvisation. This
hard driving rock piece
embraces sounds from the
Baroque era offering a
fusion that might be
defined as Bach Rock. The
piece begins with a
mini-cadenza lament for
solo violin. The soloist
may embellish the written
part with mordents,
trills, or other
ornaments. In m. 9, the
drums kick in with a
hard-rock groove.
Exaggerate the dynamic
markings throughout to
ensure that moving parts
will be heard.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Musik Zur Feier Violin 1 Schott
Possible ensemble variations (V1) SKU: HL.49005795 Festliche Musik zu ...(+)
Possible ensemble
variations (V1) SKU:
HL.49005795
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 5600-11.
Published by Schott Music
(HL.49005795). ISBN
9790001062558. Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15). $15.99 - Voir plus => Acheter | | |
| Musik Zur Feier Violin 2 Schott
Possible ensemble variations (V2) SKU: HL.49005796 Festliche Musik zu ...(+)
Possible ensemble
variations (V2) SKU:
HL.49005796
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 20 pages. Schott
Music #ED 5600-12.
Published by Schott Music
(HL.49005796). ISBN
9790001062565. Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15). $9.99 - Voir plus => Acheter | | |
| Musik Zur Feier Viola Schott
Possible ensemble variations (VA) SKU: HL.49005797 Festliche Musik zu ...(+)
Possible ensemble
variations (VA) SKU:
HL.49005797
Festliche Musik zu
allen Gelegenheiten.
Edited by Curt Boehme and
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 16 pages. Schott
Music #ED 5600-14.
Published by Schott Music
(HL.49005797). ISBN
9790001062589. Die
Besonderheit dieses
Bandes liegt in der
Auswahl und
Zusammenstellung von
Kompositionen fur
verschiedenartige Feiern
(Taufe, Konfirmation,
Kommunion, Hochzeit,
Trauer, Weihnachten,
Schul- und Vereinsfeiern)
sowie in den variablen
Besetzungsmoglichkeiten,
die im Satz
berucksichtigt wurden:
Klavier (oder Orgel bzw.
Harmonium) allein -
Gesang und Klavier - 2
Violinen, Violoncello und
Klavier - Violine und
Klavier - 2 Violinen und
Klavier - Violine,
Violoncello und Klavier -
Streichtrio: 2 Violinen
und Violoncello -
Streichquartett und
Klavier - Streichquartett
- Streichorchester mit
Kontrabass ad lib. -
Gesang und Streicher (ab
Trio). Die Klavierstimme
kann ebenso von der Orgel
bzw. einem Harmonium
ausgefuhrt, die Viola
durch eine 3. Violine
ersetzt werden.
Einzelstimmen sowie eine
vollstandige Textausgabe
zu diesem Band liegen vor
(ED 5600-10/15). $9.99 - Voir plus => Acheter | | |
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