| 9 Carols Schott
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| Travelin' Fingers, Book 2 Piano seul [Partition] - Débutant Alfred Publishing
By Margaret Goldston. For Piano. Piano Collection. Level: Late Elementary / Inte...(+)
By Margaret Goldston. For
Piano. Piano Collection.
Level: Late Elementary /
Intermediate. Book. 24
pages. Published by
Alfred Publishing.
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hey! Baby! (from Dirty Dancing) Fanfare [Conducteur] - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.40209S Composed by Bruce Channel and Marg...(+)
Marching Band - Grade 2
SKU: AP.40209S
Composed by Bruce Channel
and Margaret Cobb.
Arranged by Michael Story
and Mike Story. Marching
Band; Performance Music
Ensemble; Single Titles.
Big and Easy. Movie;
Pop/Rock. Score. 12
pages. Duration 1:35.
Alfred Music #00-40209S.
Published by Alfred Music
(AP.40209S). ISBN
9781470665531. UPC:
038081451466.
English. One of the
most popular stands tunes
ever is now in a very
playable arrangement that
any size band can handle.
Mike Story has crafted an
easy but effective chart
that will be ready after
only a few rehearsals.
The crowd will be singing
along with this one!
(1:35). $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hey! Baby! (from Dirty Dancing) Fanfare - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.40209 Composed by Bruce Channel and Marga...(+)
Marching Band - Grade 2
SKU: AP.40209
Composed by Bruce Channel
and Margaret Cobb.
Arranged by Michael Story
and Mike Story. Marching
Band; Performance Music
Ensemble; Single Titles.
Big and Easy. Movie;
Pop/Rock. Score and
Part(s). 114 pages.
Duration 1:35. Alfred
Music #00-40209.
Published by Alfred Music
(AP.40209). ISBN
9781470665524. UPC:
038081451459.
English. One of the
most popular stands tunes
ever is now in a very
playable arrangement that
any size band can handle.
Mike Story has crafted an
easy but effective chart
that will be ready after
only a few rehearsals.
The crowd will be singing
along with this one!
(1:35). $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Romances, Book 3 Piano seul [Partition] Alfred Publishing
By Margaret Goldston. For Piano. Piano Collection. Level: Late Intermediate (gra...(+)
By Margaret Goldston. For
Piano. Piano Collection.
Level: Late Intermediate
(grade 6). Book. 16
pages. Published by
Alfred Publishing.
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Canadian Fiddle Music Volume 1 Violon [Partition] Mel Bay
compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-In...(+)
compiled by Dr. Ed
Whitcomb. For Fiddle.
songbook. Canadian.
Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
224 pages. Published by
Mel Bay Publications,
Inc.
(1)$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata for Flutes [Conducteur et Parties séparées] Forton Music
Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced SKU: FT.FM532 Compos...(+)
Picc. 5 Fl. Afl. Bfl.
(Cbfl) -
Intermediate-Advanced
SKU: FT.FM532
Composed by Tony
Bridgewater. Flute
Ensemble. Score and
Parts. Forton Music
#FM532. Published by
Forton Music (FT.FM532).
ISBN
9790570484317. Tony
Bridgewater's 'Sonata for
Flutes' was written in
2014-2015 for the UK
based National Flute
Orchestra, founded by
Margaret Lowe in 2008,
and was performed in
Birmingham, England,
conducted by the
composer. It is in three
movements. The first is
based around lively,
dancing 7/8 rhythms, with
playful changes in metre,
and ideas thrown between
the instruments in a busy
texture. There is a slow,
reflective middle
section, much more
serious in tone,
featuring various flute
solos. This gradually
returns to the opening
ideas of the movement in
an abbreviated reprise,
before the music ends,
fading away into the
distance, on the dancing
rhythm of the opening.
The second movement is
slow, and suggests a
misty dawn landscape with
its spare, calm texture.
This is followed by a
series of lonely solo
flute melodies which
gradually combine and
build up into a rich,
imitative texture.
Tension and dissonance
builds, but at the climax
a solemn, low melody on
bass and alto flute
returns the music to a
reprise of the first
section, which ends very
quietly and mysteriously.
The rousing final
movement returns to the
joyful dancing rhythms of
the first, now based
around 10/8 time. It is a
rondo, with many playful
variations of the
returning theme shared
between all of the flutes
at each appearance, while
contrasting episodes are
a little more relaxed and
lyrical. A final coda
briefly reprises motifs
from earlier in the
piece, before building to
an exciting
conclusion. $48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dances and Songs to Play and Sing for Hammered Dulcimer Dulcimer - Intermédiaire Mel Bay
Composed by Peggy Carter. Squareback saddle stitch, Scottish. Celtic / Irish...(+)
Composed by Peggy Carter.
Squareback saddle stitch,
Scottish. Celtic / Irish.
Book. Mel Bay
Publications,
Inc #30807. Published by
Mel
Bay Publications, Inc
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Charango Capriccioso Peermusic Classical
Score and Parts SKU: HL.322832 For 2 Violins, Viola, 2 Cellos, & 1 Pia...(+)
Score and Parts SKU:
HL.322832 For 2
Violins, Viola, 2 Cellos,
& 1 Piano/4 Hands Score
and Parts. Composed
by Miguel Del Aguila.
Peermusic Classical.
Classical. Softcover. 28
pages. Duration 840
seconds. Peermusic
Classical #70272-794.
Published by Peermusic
Classical (HL.322832).
ISBN 9781540070012.
UPC: 888680976644.
8.5x11.0x0.203
inches. Program
Notes: Charango
Capriccioso for piano and
string quartet was
written in 2016. It is
based on a previous
version of the work which
was commissioned by the
Austin Chamber Music
Center, where it was
premiered on July 11,
2006 by Cuarteto
Latinoamericano, Felicity
Coltman, Heather Coltman
and Margaret Coltman. The
previous version is
scored for piano 4-hands,
string quartet and a
second cello. As with
many of my works,
Charango Capriccioso
reflects on South America
and its history. The work
opens with a mysterious
theme, which - in an
enigmatic tongue - seems
to invite us to a remote
place high in the Andes.
The piano and later the
solo viola take us to a
quiet beautiful landscape
where soon the solo viola
meditates about the sad
events that took place
there starting with the
Spanish conquest. A
charango (suggested by
the piano) introduces an
Andean-inspired upbeat
theme which gains
momentum after dancing
through shifting rhythms
and colorful
orchestrations. At this
point, the engimatic
theme returns with a new,
almost disturbing
character. Before the
dance flies out of
control, the solo cello
reappears with the
meditative theme as
distant bells (played by
the piano) restore the
peace. Miguel del
Aguila. $32.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Venezuelan Treasures for the Piano, Vol. 3 Piano seul Clifton Edition
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8 SKU:
ST.C463 Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463). ISBN
9790570814633. This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Aliseo
was originally written
for the film â??Aire
libreâ? (1995), by
Luis Armando Roche. It
contains elements of
diverse types of
Venezuelan joropo. In the
film, the character of
Aliseo Carvallo is played
by the composer himself
who performs this piece
on a harpsichord to
welcome scientists
Alexander von Humboldt
and Aimé Bonpland one
day at the turn of the
1800â??s, as a sample of
the new music from the
South American land. It
presents the refinement
of the late European
classical era in fusion
with Venezuelan folk
music. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Old Macdonald's Recorder Book Flûte à Bec Boosey and Hawkes
Accompaniment CD. By Peter Wastall. (Recorder). Boosey and Hawkes Chamber Music...(+)
Accompaniment CD. By
Peter Wastall.
(Recorder). Boosey and
Hawkes Chamber Music. CD
only. Published by Boosey
& Hawkes.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Old Macdonald's Recorder Book Flûte à Bec, Piano Boosey and Hawkes
Piano Accompaniment. By Peter Wastall. (Piano). Boosey and Hawkes Chamber Music...(+)
Piano Accompaniment. By
Peter Wastall. (Piano).
Boosey and Hawkes Chamber
Music. Size 9x12 inches.
50 pages. Published by
Boosey and Hawkes.
$20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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