(A Hymn Concertato). By Mary Mcdonald. For SATB choir, organ and piano, congregation, descant (with optional handbells (3-5 octaves), 2 trumpets, 2 trombones). Sacred Anthem, Ascension, Christ the King, General. Octavo. Published by Lorenz Publishing Company

Composed by Felix Alexandre Guilmant (1837-1911). Edited by Olivier Lachurie. Trombone Solo and Piano Accompaniment. For Trombone solo and Piano. The Must-Haves for Trombone. Classical, Educational. Grade 5. Score and set of parts. 11 pages (score); 3 pages (parts). Published by FLEX Editions

Composed by Mack Wilberg (1955-). For SATB choir and piano, 4-hands (3 flutes (3rd doubles piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (suspended cymbal, sleigh bells, xylophone, glockenspiel) harp, piano, organ (opt.), strings). Mixed Voices. Christmas Carols. Level B (easy). Octavo. 20 pages. Duration 3'. Published by Oxford University Press

Viola, piano

SKU: FG.55011-906-2

Composed by Harri Wessman. Classical, contemporary. Score and part. Fennica Gehrman #55011-906-2. Published by Fennica Gehrman (FG.55011-906-2).

ISBN 9790550119062.

Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.

Duration: c. 11'

Movements:
1. Summer theme
2. What is this?
3. Pizzicato
4. Con sordino
5. Stile concitato ostinato
6. Tango
7. Finale

Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.

His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).

Composed by David Meece. Arranged by Lloyd Larson. Ring and Sing Series / Vocal Solo Sheet Music Series. Christmas, Sacred, Contemporary. Octavo. 12 pages. Published by Hope Publishing Company (HP.C6044).

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 3

SKU: FL.FX074328

Composed by Jean-Michel Maury. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074328. Published by FLEX Editions (FL.FX074328).

A catchy piece that can be played for an exam (from 5 years of practice), audition or concert. With an accompaniment by percussions (optional) for the Latin touch! ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3; Duration: 3 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jean-Michel MAURY.

By Meece, David. Arranged by Lloyd Larson. For Handbells. Ring and Sing, Contemporary and Sacred. Print Music Single (3-5 oct. L3-). 8 pages. Published by Hope Publishing Company.
Level: L3-.

Composed by Anna Laura Page. For SATB choir, piano, organ (with optional handbells (3-5 octaves), 2 trumpets, 2 trombones). Sacred Anthem, All Saints' Day, Christ the King, General. Octavo. Published by Lorenz Publishing Company

By George Gershwin (1898-1937). Arranged by Bill Potts. Jazz Ensemble / Jazz Band. Bill Potts Series. Grade 3/4. Score and set of parts. Published by Sierra Music

(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concert Band (Full Score). Michael Daugherty Music. Grade 5-6. Softcover. Published by Hal Leonard

Tuba or Bass Trombone and Piano - Advanced

SKU: CY.CC3072

Composed by P. I. Tchaikovsky. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3072. Published by Cherry Classics (CY.CC3072).

ISBN 9790530110492. 8.5 x 11 in inches.

Ralph Sauer has beautifully arranged four movements from Tchaikovsky's Four Pieces Opus. 40 for Tuba or Bass Trombone and Piano: 1. Chanson Triste 2. Valse 3. Reverie interrompue 4. Danse russe These four movements, totaling fourteen minutes offer the artist a great deal of musical contrasts, ranging from lyrical, dramatic, dance-like, etc. An excellent collection of the Russian master's music for advanced performers of the Tuba or Bass Trombone.

(Studiotrax CD)

SKU: HL.35028944

Composed by Joseph M. Martin. Arranged by Brad Nix and Joseph M. Martin. Shawnee Sacred. Baccalaureate, General Worship, Graduation, Lent, Ordination, Youth Choir. CD only. Published by Shawnee Press (HL.35028944).

UPC: 884088900106. 4.75x4.75 inches. Arr. Joseph M. Martin /Brad Nix.

Uses: General, Lent, Ordination, Baccalaureate, Graduation, Youth Choir

Scripture : Proverbs 3:5-6

Inspired by a beloved Scripture passage, this powerful admonition in song provides musical beauty and spiritual depth. A sweeping theme takes this Biblical mandate and gives it artful wings while a lushly produced orchestration and StudioTrax CD provide several options for performance. Unison singing mixes with expressive four-part writing, adding depth and power. Available separately: SATB, StudioTrax CD (Accomp., SplitTrax, Perf.), Orchestration (Score & Parts for Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1-3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion, Harp, Piano, Violin 1 & 2, Viola, Cello, Double Bass). Duration: ca. 3:41.

Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5

SKU: BA.BA10303-01

Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01).

ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann.

The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.

I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.

You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...

No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.

On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:

Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.

As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.

It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.

When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.

In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by David Meece. Arranged by Lloyd Larson. For medium voice. Voice solo. Published by Hope Publishing Company

For Concert Band. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Softcover. Published by Hal Leonard (HL.4004650).

Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.EB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 32091. Published by Breitkopf and Haertel (BR.EB-32091).

ISBN 9790004186695. 7.5 x 10.5 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Concert band - Grade 4

SKU: MH.1-59913-064-5

Composed by William Ryden. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music (MH.1-59913-064-5).

ISBN 9781599130644.

I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.

4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/bass voice solo/SATB choir/piccolo/3 flutes/2 oboes/english horn/2 clarinets/bass clarinet/2 bassoons/contrabassoon/4 horns/3 trumpets/4 trombones/tuba/timpani/tr iangle/bass dru (solo voices, SATB Choir, Fl-picc, 3Fl, 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, 4Hn, 3Trp, 4trombone, Tb, timpani, Tri, Tr-Gr, Tam, Be, Xyl, Gl, harp, Org, piano, 2 Violin, Viola, Cello, Double Bass, (2 Va-dam), Kindertrompete, Tr-Kl) - Level 4

SKU: BA.BA09562-01

Three novel-like scenes. Composed by Leos Janacek. Edited by Jirí Zahrádka. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA09562_01. Published by Baerenreiter Verlag (BA.BA09562-01).

ISBN 9790260107380. 34 x 27.5 cm inches. Text Language: Czech, English, German. Preface: Zahrádka, Jirí. Text: Bartošová, Fedora.

Janacek's operaOsudis an extraordinary example of the creative boldness of the composer and presents demanding dramaturgical challenges.
This new critical edition is based on a thorough comparison of all surviving sources. The principle source is a copyist's copy of authorised by Janacek in which all revisions are marked. Further sources include a manuscript copy of the vocal score together with the orchestral parts and various copies of the libretto. The score of this new edition will be published as part of theComplete Critical Edition of the Works of Leos Janacek.

* First critical edition of this opera
* Foreword on the genesis of the work and its reception by Jiri Zahradka (Cz/Eng/Ger)
* New idiomatic piano reduction by Rasmus Baumann
* Singable German translation

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Full orchestra (Fl-Picc , 3 Fl-A , 3 Ob , EnglHn , 3 clarinet , 2 bassoon , 4 Hn-Co , 3 Trp , 3 trombone , Tb , timpani , Schlgw , Piano , 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA10572-01

Composed by Bohuslav Martinu. Edited by Sharon Andrea Choa. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition II/1/4. Complete edition, Score. No. 4. Duration 31 minutes, 30 seconds. Baerenreiter Verlag #BA10572_01. Published by Baerenreiter Verlag (BA.BA10572-01).

ISBN 9790260107649. 33.5 x 26.5 cm inches. Text Language: Czech/English. Preface: Sharon Andrea Choa.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB choir; clarinet; flute; trombone; trumpet

SKU: HP.C5771C

Arranged by Jay Althouse. Piano with Optional B-Flat Instrument, Clarinet, Flute, Trombone, Trumpet. Christmas, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5771C. Published by Hope Publishing Company (HP.C5771C).

UPC: 763628957711. Luke 2:10-14, 2 Corinthians 5:19, Revelation 15:4, Hebrews 1:6, Matthew 1:21-23, John 1:1 1 John 1:14, Philippians 2:7, Isaiah 9:6, Malachi 4:2, 1 Peter 1:3.

Medley of two familiar Christmas carols This exuberant medley of two cherished Christmas carols comes from Jay Althouse's Joy to the World: A Celebration of Carols, our top-selling Christmas musical in 2011. The effective use of rhythmic energy makes this a captivating setting for worship or concert! The Instrumental packet contains a Conductor's Score and parts for: Flute, B-flat Clarinet, 2 Trumpets, Trombone, Electric Bass and Snare Drum.

By Charles Mingus. Arranged by Boris Koslov. Charles Mingus Big Band Jazz. Published by Hal Leonard.

Composed by Howard J. Buss (1951-). For clarinet, trombone, and piano. A picturesque work in 3 movements: The March of Progress, Pastorale, and The Eternal Sea. A curious musical blend of the old and the new, much like modern Florida itself.. 20th Century. Grade 5. Score and parts. Composed 1987. Duration 16'40 . Published by Brixton Publications