| Two Macedonian Folk Songs All Night I Am Awake Come, Sweetheart A Cappella Chorale SATB SATB Schirmer
By Macedonian Folksong. Arranged by A Srebotnjak. (SATB). Choral Collection. 12...(+)
By Macedonian Folksong.
Arranged by A Srebotnjak.
(SATB). Choral
Collection. 12 pages.
Published by G. Schirmer.
$1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tatkovina Chorale 3 parties SAB Shawnee Press
Arranged by Greg Jasperse. For SAB choir (SAB). Shawnee Press. Macedonian Folk S...(+)
Arranged by Greg
Jasperse. For SAB choir
(SAB). Shawnee Press.
Macedonian Folk Song.
Choral. 16 pages
$2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tatkovina Chorale SATB SATB, Cordes Shawnee Press
Arranged by Greg Jasperse. For SATB choir and violin. Macedonian Folk Song. Octa...(+)
Arranged by Greg
Jasperse. For SATB choir
and violin. Macedonian
Folk Song. Octavo.
Published by Shawnee
Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rabl In 80 Songs Around The World Pft Piano seul - Facile Schott
Piano (KL) - easy SKU: HL.49032875 Folk-Songs in Easy Arrangements for...(+)
Piano (KL) - easy SKU:
HL.49032875
Folk-Songs in Easy
Arrangements for
Piano. Composed by
Friedrich Rabl. Arranged
by Friedrich Rabl. This
edition: Saddle
stitching. Sheet music.
Edition Schott. 64 pages.
Schott Music #ED 8977.
Published by Schott Music
(HL.49032875). ISBN
9790001126106.
9.0x12.0x0.241 inches.
Eva Balthazar. This
collection is an
invitation to a musical
voyage of discovery
around the entire globe.
Starting with well-known
European folksongs, the
itinerary continues via
Scandinavia and the
Balkans to more exotic
destinations - with tunes
from the Congo, Mexico
and China among others -
and ends with American
Spirituals. Thanks to the
easy settings even
beginners get a good
impression of the
fascinating kaleidoscope
of folksongs of the world
and can absorb unfamiliar
styles in an easy-going
playful manner. $22.99 - Voir plus => Acheter | | |
| Yugoslavian Folk Dances Flûte à Bec Schott
Recorder SKU: HL.49002382 Performance Score. Arranged by W. Stanna...(+)
Recorder SKU:
HL.49002382
Performance Score.
Arranged by W. Stannard
Allen. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
24 pages. Schott Music
#ED10467. Published by
Schott Music
(HL.49002382). ISBN
9790220102660. UPC:
073999485042.
9.0x12.0x0.175
inches. 3 recorders
(SSA); percussion ad
lib. $16.95 - Voir plus => Acheter | | |
| One World, Many Voices Chorale Unison Heritage Music Press
(Folk Songs of Planet Earth). Composed by Konnie Saliba. For unison choir, Orff ...(+)
(Folk Songs of Planet
Earth). Composed by
Konnie Saliba. For unison
choir, Orff instruments,
Small percussion. Level
3-6. Published by
Heritage Music Press
$26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Folk Songs and Dances From The Balkans - Pan Flute Flûte de Pan [Partition + CD] - Facile Mel Bay
For Flute. Solos. Baltic. Beginning-Intermediate. Book/CD Set. 24 pages. Publis...(+)
For Flute. Solos.
Baltic.
Beginning-Intermediate.
Book/CD Set. 24 pages.
Published by Mel Bay
Publications, Inc
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Traditional Irish Tin Whistle Tutor Flûte irlandaise [Partition] Ossian Publications
By Geraldine Cotter (Arranger). For Pennywhistle. Irish, Traditional, Folk, Celt...(+)
By Geraldine Cotter
(Arranger). For
Pennywhistle. Irish,
Traditional, Folk,
Celtic. 104 pages.
Published by Ossian
Publications.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Irish Session Tunes: The Green Book Ossian Publications
By Geraldine Cotter (Editor). For Flute, Tin Whistle, or Bagpipe. Irish, Folk, C...(+)
By Geraldine Cotter
(Editor). For Flute, Tin
Whistle, or Bagpipe.
Irish, Folk, Celtic.
Sheet Music. 48 pages.
Published by Ossian
Publications.
(1)$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Guia Pratico, Book 2 Piano seul LudwigMasters Publications
Solo Piano SKU: AP.36-M203391 Composed by Heitor Villa Lobos. Method/Inst...(+)
Solo Piano SKU:
AP.36-M203391
Composed by Heitor Villa
Lobos.
Method/Instruction;
Piano, Solo,
Unaccompanied; Reference
Textbooks; Solo; Solo
Small Ensembles. Master
Piano Series. Book.
LudwigMasters
Publications #36-M203391.
Published by
LudwigMasters
Publications
(AP.36-M203391). ISBN
9798888522219. UPC:
676737510077.
English. In effort
to reform the music
educational system of
Brazil during his tenure
as Superindendência de
Educação Musical e
Artistica, Heitor
Villa-Lobos (1887-1959)
compiled folk songs from
various parts of the
country in a multi-album
series called Guia
prático. This
collection of piano
pieces is from that
collection. 1. Brinquedo
(Le Jouet), 2. Machadinha
(La Hachette), 3. Espanha
(L'Espagne), 4.
Samba-le-le, 5. Senhora
Dona Viúva (Madame
Veuve).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $3.95 - Voir plus => Acheter | | |
| ABC for Piano, Del 2 Piano seul Musikk-Husets Forlag
ABC for piano, del 2' er en pianobok for litt viderekomne. Den er forst og frems...(+)
ABC for piano, del 2' er
en pianobok for litt
viderekomne. Den er forst
og fremst mente for barn,
men kan ogsa brukes av
voksne som vil friske opp
pianokunnskapene sine,
laere noter pa egen hand,
eller hjelpe sine barn
som laerer a spille.
Boken inneholder et
utbrettsark med oversikt
over alle tangentene og
notene + litt
teori.
Boken
inneholder mange morsomme
oppgaver. Det er brukt
mangefolketoner, bade fra
Norge og andre europeiske
land, samt
populaerebarnesanger.
Innhold: Lille
bjork Kjerringa med
staven En
hostkveld Na skal vi
telle Humoreske - L.
Mozart mary had a
little lamb Tamburin
-J.
Rameau Vuggesang
Blinke, blinke stjerne
lill I min
hage Et stykke - J.
Arman Jeg gikk meg
over sjo og
land Preludium Do
vne Trulte Haren uti
gresset Kjaere gasen
min er stjalet Jeg
gikk en tur pa
stien Min nye
ball Etyde - L.
Shytte Marching Pigs
- Boris Berlin Vesle
Lise er sa liten - P.I.
Tschaikovsky Etyde Potet-sang Etyde -
C. Czerny Min hatt
den har tre
kanter Alle
fugler Gratulerer med
dagen Hurra for
deg! Ola
Diger Musette - L.
Mozart I Dovregubbens
hall E. Grieg Etyde -
C. Czerny Menuet -
W.A. Mozart En
spok O sole
mio! Per
Sjuspring Oh, when
the Saints go marching
in Pa var
bryllupsdag Etyde -
N. Paganini Gjok -
Couperin Jeg trenger
deg for
dansen Morgenstemning
- E. Grieg Du er den
eneste Skalaer,
arpeggio og
akkorder Schumanns
regler for
musikere Olga
Alexandra Holter er fodt
i Russland. Etter a
graduere fra Gnesyn's
Musikkakademi i Moskva,
en av de mest kjente
hoyskolene i Russland,
begynte hun a jobbe som
pianolaerer. Senere tok
hun mastergrad i
lingvistikk og
pedagogikk. Hun kom til
Norge i 1993. For a fa en
grundig forstaelse av det
norske musikk-pedagogiske
systemet gikk hun pa
Musikkhogskolen i Oslo,
hvor hun studerte hos den
kjente pianisten Liv
Glaser. I 1999 etablerte
Olga
Barnemusikkakademiet,
hvor hun i dag jobber som
pianolaerer og daglig
leder
$23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 |