| Der Schulchor Vol. 5: Madrigals Schott
Choir (2-6 Voices) SKU: HL.49005639 Madrigale und Chansons. Edited...(+)
Choir (2-6 Voices)
SKU: HL.49005639
Madrigale und
Chansons. Edited by
Egon Kraus. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Choral
Score. 124 pages. Schott
Music #ED5405. Published
by Schott Music
(HL.49005639). ISBN
9783795715038. UPC:
073999803570.
7.5x10.75x0.391
inches. $25.99 - Voir plus => Acheter | | |
| Madrigal Pavane / Timburibá [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4287
Composed by Francisco
Braga. Arranged by
Luciano Lima. Score. Les
Productions d'OZ #DZ
4287. Published by Les
Productions d'OZ
(DZ.DZ-4287). ISBN
9782898522048. AntÃ
´nio Francisco Braga
(1868-1945) belongs to
the generation of
Brazilian composers of
the first republican
period, aesthetically
tied to romanticism,
alongside Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914), and Barrozo
Neto (1881-1941). Born in
Rio de Janeiro, on April
15th, 1868, he began his
musical studies at the
Asilo dos Meninos
Desvalidos, in 1876. In
1883, he enrolled at the
Imperial Conservatório
de Música where he
studied harmony and
counterpoint with Carlos
de Mesquita – a former
student of César Franck,
Durand, and Massenet –
and clarinet with
Antônio LuÃs de Moura.
Braga's first
compositions date from
this period: Sonho de
Dante (1885), Dolce far
niente (1886), the first
Valse Romantique for
piano (1886), among
others. In 1887, he
premiered his first
symphonic work,
Fantasia-Abertura. In
1890, being one of the
finalists in a
competition to choose the
new Brazilian national
anthem, Braga was awarded
a scholarship to study in
Europe, where he took
classes with Jules
Massenet at the Paris
Conservatory. During this
period, he wrote some of
his most important
symphonic works, Paysage,
Cauchemar, Episódio
Sinfônico, and Marabá
(which was performed by
Richard Strauss and the
Vienna Philharmonic in
1920, in Brazil). His
opera Jupyra is
considered one of the
greatest Brazilian
compositions of that
genre. Back in Brazil,
he was appointed
professor of
counterpoint, fugue, and
composition at the
Instituto Nacional de
Música, in 1902. There,
some of the finest
Brazilian composers
studied with him, like
Glauco Velásquez and
Lorenzo
Fernândez. Braga
wrote operas, symphonic
works, songs, sacred
music, two Masses, music
for piano, different
chamber formations, band,
and choir. He is the
author of many patriotic
hymns, the most popular
of which is Hino Ã
Bandeira (with lyrics by
Olavo Bilac). He explored
Brazilian nationalist
elements in some of his
works, as in Variações
sobre um Tema Brasileiro
and in the Trio for
violin, cello and piano,
whose third movement is
based on a lundu (a
musical genre and dance
of Afro-Brazilian
origin). In addition
to being a composer,
Braga was one of the most
active conductors of his
time, having been ahead
of three orchestras in
Rio de Janeiro: Instituto
Nacional de Música,
Sociedade de Concertos
Sinfônicos, and Theatro
Municipal. Braga
conducted the Brazilian
premiere of major
symphonic works such as
La Mer (Debussy), Pacific
231 (Honegger) besides
other numerous Brazilian
compositions. In 1938,
he retired from Instituto
Nacional de Música. He
passed away on March
14th, 1945, in Rio de
Janeiro. Unfortunately
, Francisco Braga never
wrote for the guitar.
However, over a century
ago his music had already
been incorporated to its
repertoire. According to
information found in
newspapers of the time,
Spanish guitarist
Josefina Robledo included
transcriptions of pieces
by Braga in her programs
when she performed in
Brazil: Gavota e Minuete
(from the melodrama
Contratador de
Diamantes), in 1919, in
São Paulo, and the
waltz-caprice Corrupio,
in 1921, in Rio de
Janeiro. The piano
score of Madrigal Pavane
was dedicated to Alexina
Leitão and published by
Casa Vieira Machado, in
1901. According to the
composer’s catalogue,
there are two other
versions of this piece:
strings orchestra (1901)
and quartet (which is
still in manuscript).
Dedicated to Braga’s
childhood friend José de
Souza Rocha, Timburibá
(the name of a Brazilian
tree) is a tango for
piano from 1886,
published by Narciso &
Arthur
Napoleão.
Antôni
o Francisco Braga
(1868-1945) appartient Ã
la génération des
compositeurs brésiliens
de la première période
républicaine,
esthétiquement liés au
romantisme, aux côtés
de Henrique Oswald
(1852-1931), Leopoldo
Miguez (1850-1902),
Glauco Velásquez
(1884-1914) , et Barrozo
Neto (1881-1941). Né Ã
Rio de Janeiro, le 15
avril 1868, il commence
ses études musicales Ã
l'Asilo dos Meninos
Desvalidos, en 1876. En
1883, il s'inscrit au
Imperial Conservatório
de Música où il étudie
l'harmonie et le
contrepoint avec Carlos
de Mesquita – ancien
élève de César Franck,
Durand et Massenet – et
clarinette avec Antônio
LuÃs de Moura. De cette
période datent les
premières compositions
de Braga : « Sonho de
Dante » (1885), « Dolce
far niente » (1886), la
première « Valse
Romantique » pour piano
(1886), entre
autres. En 1887, il
crée sa première œuvre
symphonique, «
Fantasia-Abertura ». En
1890, étant l'un des
finalistes d'un concours
pour choisir le nouvel
hymne national
brésilien, Braga obtient
une bourse pour étudier
en Europe, où il suit
les cours de Jules
Massenet au Conservatoire
de Paris. Durant cette
période, il écrit
certaines de ses Å“uvres
symphoniques les plus
importantes, « Paysage
», « Cauchemar », «
Episódio Sinfônico »
et « Marabá »
(interprétée par
Richard Strauss et la
Philharmonie de Vienne en
1920, au Brésil). Son
opéra « Jupyra » est
considéré comme l'une
des plus grandes
compositions
brésiliennes de ce
genre. De retour au
Brésil, il fut nommé
professeur de
contrepoint, de fugue et
de composition Ã
l'Instituto Nacional de
Música, en 1902. Là ,
certains des meilleurs
compositeurs brésiliens
étudièrent avec lui,
comme Glauco Velásquez
et Lorenzo
Fernândez. Braga a
écrit des opéras, des
Å“uvres symphoniques, des
chansons, de la musique
sacrée, deux messes, de
la musique pour piano,
différentes formations
de chambre, un orchestre
et une chorale. Il est
l'auteur de nombreux
hymnes patriotiques, dont
le plus populaire est «
Hino à Bandeira » (avec
des paroles d'Olavo
Bilac). Il a exploré des
éléments nationalistes
brésiliens dans
certaines de ses Å“uvres,
comme dans « Variações
sobre um Tema Brasileiro
» et dans le Trio pour
violon, violoncelle et
piano, dont le troisième
mouvement est basé sur
un « lundu » (un genre
musical et une danse
afro-américaine).
Origine
brésilienne). En plus
d'être compositeur,
Braga a été l'un des
chefs d'orchestre les
plus actifs de son
époque, ayant dirigé
trois orchestres à Rio
de Janeiro : « Instituto
Nacional de Música »,
« Sociedade de Concertos
Sinfônicos » et «
Theatro Municipal ».
Braga a dirigé la
première brésilienne
d'Å“uvres symphoniques
majeures telles que « La
Mer » (Debussy), «
Pacific 231 » (Honegger)
ainsi que de nombreuses
autres compositions
brésiliennes. En
1938, il prend sa
retraite de l'Instituto
Nacional de Música. Il
est décédé le 14 mars
1945 Ã Rio de
Janeiro. Malheureuseme
nt, Francisco Braga n’a
jamais écrit pour la
guitare. Cependant, il y
a plus d'un siècle, sa
musique était déjÃ
incorporée à son
répertoire. Selon des
informations trouvées
dans les journaux de
l'époque, la guitariste
espagnole Josefina
Robledo incluait des
transcriptions de pièces
de Braga dans ses
programmes lorsqu'elle se
produisait au Brésil :
« Gavota e Minuete »
(du mélodrame «
Contratador de Diamantes
»), en 1919, à São
Paulo, et la
valse-caprice « Corrupio
», en 1921, à Rio de
Janeiro. La partition
pour piano de « Madrigal
Pavane » a été
dédiée à Alexina
Leitão et publiée par
« Casa Vieira Machado
», en 1901. Selon le
catalogue du compositeur,
il existe deux autres
versions de cette pièce
: orchestre à cordes
(1901) et quatuor (qui
est encore manuscrit).
Dédié à José de Souza
Rocha, ami d'enfance de
Braga, « Timburibá »
(nom d'un arbre
brésilien) est un tango
pour piano de 1886,
publié par « Narciso &
Arthur Napoleão
». Envoyer des
commentaires Panneaux
latéraux HistoriqueEnregistrées. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Madrigalum Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-143-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-143-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
143-020. Published by
Anglo Music Press
(BT.AMP-143-020). 9x12
inches.
English-German. The
idea behind this work was
to create an opening
piece, something to start
a concert in an unusual
way. The title is a
portmanteau word derived
from madrigal. The work
indeed begins in
Renaissance mood however
gradually tries to shake
of its modal start and,
by contrasting different
instrumental families,the
work changes into modern
clothes.Why not add a
little Renaissance
splendor to any concert
with this unique new
work?
De titel
Madrigalum is
afgeleid van de term
madrigaal - en dit
openingswerk begint
inderdaad in een
renaissancistische sfeer,
aanvankelijk met
slagwerk. Een
fanfareachtig motief,
ingezet door een
solotrompet, is gebaseerd
ophet ritmische motief
dat de aanvang van veel
zestiende-eeuwse
madrigalen kenmerkt (een
lange toon en twee korte
tonen). Maar het werk
schudt zijn modale start
van zich af: met
contrasten tussen
verschillende
instrumentgroepen
veranderthet van richting
en hult zich in een
modern jasje. Een legato
gedeelte vestigt de
aandacht op de zachter
klinkende instrumenten in
afwisseling met het
madrigaalritme - tot een
complete omschakeling
naar een sneller coda
leidt,waarmee het werk
besluit.
Dem Titel
entsprechend, beginnt
dieses Eröffnungswerk
im Renaissance-Stil in
den Schlaginstrumenten
mit einer fanfareartigen
Figur in einer
Solotrompete. Dann
entwickelt sich die Musik
jedoch hin zu moderneren
Klängen. Dann wechselt
sich ein Legato mit dem
schnelleren
Madrigalrhythmus ab,
bevor das Stück noch
einmal die Richtung
ändert und in einer
schnellen Coda endet. Ein
ungewöhnlicher, viel
versprechender Auftakt
für Ihr Konzert!
Questo brano di
apertura è insolito e
originale. Il titolo è
un acronimo derivato dal
termine madrigale, una
forma musicale apparsa
nel XVI secolo.
Madrigalum apre al
suono delle percussioni,
in uno stile
rinascimentale. La tromba
espone un motivo di
fanfara ispirato da una
figura ritmica
caratteristica di
numerosi madrigali
dell’epoca. La
struttura abbandona
progressivamente la sua
forma modale per
sviluppare un dialogo
strumentale contrastante
e contrastato che d al
brano una forma più
moderna. Un passaggio
legato evidenzia gli
strumenti dalle sonorit
più calde e si alterna
con motivi ritmici del
madrigale, prima di
imporre un cambiamento
assoluto del carattere
cheaccompagna il brano ad
un finale eclatante. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Madrigalum Fanfare [Conducteur] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-143-120 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-143-120
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2006. Anglo
Music Press #AMP 143-120.
Published by Anglo Music
Press (BT.AMP-143-120).
9x12 inches.
English-German. The
idea behind this work was
to create an opening
piece, something to start
a concert in an unusual
way. The title is a
portmanteau word derived
from madrigal. The work
indeed begins in
Renaissance mood however
gradually tries to shake
of its modal start and,
by contrasting different
instrumental families,the
work changes into modern
clothes.Why not add a
little Renaissance
splendor to any concert
with this unique new
work?
Dem Titel
entsprechend, beginnt
dieses Eröffnungswerk
im Renaissance-Stil in
den Schlaginstrumenten
mit einer fanfareartigen
Figur in einer
Solotrompete. Dann
entwickelt sich die Musik
jedoch hin zu moderneren
Klängen. Dann wechselt
sich ein Legato mit dem
schnelleren
Madrigalrhythmus ab,
bevor das Stück noch
einmal die Richtung
ändert und in einer
schnellen Coda endet. Ein
ungewöhnlicher, viel
versprechender Auftakt
für Ihr Konzert!
Questo brano di
apertura è insolito e
originale. Il titolo è
un acronimo derivato dal
termine madrigale, una
forma musicale apparsa
nel XVI secolo.
Madrigalum apre al
suono delle percussioni,
in uno stile
rinascimentale. La tromba
espone un motivo di
fanfara ispirato da una
figura ritmica
caratteristica di
numerosi madrigali
dell’epoca. La
struttura abbandona
progressivamente la sua
forma modale per
sviluppare un dialogo
strumentale contrastante
e contrastato che d al
brano una forma più
moderna. Un passaggio
legato evidenzia gli
strumenti dalle sonorit
più calde e si alterna
con motivi ritmici del
madrigale, prima di
imporre un cambiamento
assoluto del carattere
cheaccompagna il brano ad
un finale eclatante. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Il Trionfo di Dori: The 29 Madrigals of the 1592 Collection [Partition] Gaudia Music and Arts Publications
(Volume 1). By Various. Edited by Harrison Powley. For 6 mixed voices. Madrigal....(+)
(Volume 1). By Various.
Edited by Harrison
Powley. For 6 mixed
voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
$22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Luca Marenzio: The Complete Six Voice Madrigals Volume 2 Gaudia Music and Arts Publications
Composed by Luca Marenzio (1553-1599). Edited by John Steele & Suzanne Court. Fo...(+)
Composed by Luca Marenzio
(1553-1599). Edited by
John Steele & Suzanne
Court. For 6 mixed
voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
$23.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A New Tune A Day for Clarinet Clarinette [Partition + CD] - Facile Boston Music
Book 2. By Ned Bennet. For Clarinet. A New Tune A Day. Instructional: Instructio...(+)
Book 2. By Ned Bennet.
For Clarinet. A New Tune
A Day. Instructional:
Instructional,
Instructional: Method.
Instructional book with
accompaniment/examples
cd. 48 pages. Published
by Boston Music Company.
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A New Tune A Day for Alto Saxophone Saxophone Alto [Partition + CD] Boston Music
(Book 2). By Ned Bennet. For Alto Saxophone. Songbooks and Methods. Tune a Day. ...(+)
(Book 2). By Ned Bennet.
For Alto Saxophone.
Songbooks and Methods.
Tune a Day.
Instructional:
Instructional,
Instructional: Method.
Instructional book with
accompaniment/examples
cd. Text language:
English. 48 pages.
Published by Boston Music
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A New Tune A Day for Flute Flûte traversière [Partition + CD] Boston Music
(Book 2). By Ned Bennet. For Flute. Songbooks and Methods. Tune a Day. Instructi...(+)
(Book 2). By Ned Bennet.
For Flute. Songbooks and
Methods. Tune a Day.
Instructional:
Instructional,
Instructional: Method.
Instructional book with
accompaniment/examples
cd. Text language:
English. 48 pages.
Published by Boston Music
(1)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Classical Piano Solos Collection Piano seul Willis Music
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P.
Low,
S. Schumann, C. Siagian.
Composed by Various.
Edited
by Charmaine Siagian.
Willis.
Classical, Recital,
Solos.
Softcover. Published by
Willis Music
$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Masterpieces for the Modern Pianist Piano seul - Facile Willis Music
A Unique Classical Collection of Favorites and Undiscovered Gems. Composed by ...(+)
A Unique Classical
Collection
of Favorites and
Undiscovered
Gems. Composed by
Various.
Edited by Charmaine
Siagian
and Sonya Schumann.
Willis.
Classical. Softcover. 272
pages. Published by
Willis
Music
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Selection of Italian Arias (High Voice) - Volume 2 Voix haute, Piano [Partition] ABRSM Publishing
(c.1600-c.1800) Edited by Damian Cranmer. Collection for high voice and piano ac...(+)
(c.1600-c.1800) Edited by
Damian Cranmer.
Collection for high voice
and piano accompaniment.
With introductory text,
vocal melody and
translations. 80 pages.
Published by ABRSM
(Associated Board of the
Royal Schools of Music).
$29.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Classical Piano Solos - Second Grade Piano seul Willis Music
(John Thompson's Modern Course Compiled and edited by Philip Low, Sonya Schumann...(+)
(John Thompson's Modern
Course Compiled and
edited by Philip Low,
Sonya Schumann &
Charmaine Siagian).
Composed by Various. For
Piano. Willis. Late
Elementary to Early
Inter. Softcover.
Published by Willis Music
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Celtic Fake Book
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 256 pages.
Published by Hal Leonard.
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| Next First 50 Classical Pieces You Should Play on Piano Piano Facile - Facile Hal Leonard
Composed by Various. Easy Piano Songbook. Classical. Softcover. 160 pages. Pu...(+)
Composed by Various. Easy
Piano Songbook.
Classical.
Softcover. 160 pages.
Published by Hal Leonard
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| Melodies Completes 3 Piano, Voix Hal Leonard
Piano; Voice SKU: HL.50498585 Voice and Piano. Composed by Gabriel...(+)
Piano; Voice SKU:
HL.50498585 Voice
and Piano. Composed
by Gabriel Faure. Vocal
Collection. Classical.
Softcover. 224 pages. Hal
Leonard #ZN713703.
Published by Hal Leonard
(HL.50498585). ISBN
9784117137033.
9.0x12.0x0.435
inches. Contents:
En prière •
Chanson de shylock
• Madrigal de
shylock •
Melisande's Song •
Sérénade du
Bourgeois Gentilhomme
• Dans la forêt
de septembre • La
fleur qui va sur l'eau
• Accompagnement
• Le plus doux
chemin • La Ramier
• Le don Silencieux
• Chanson •
Vocalise-Étude
• C'est la paix
• Poème d'un
jour (1. Rencontre, 2.
Toujours, 3. Adieu)
• Cinq Mélodies
de Venise (1. Mandoline,
2. En sourdine, 3. Green,
4. A Clymène, 5. C'est
l'etase) • Le
jardin clos (1.
Exaucement, 2. Quand tu
plonges tes yeux dans mes
yeux, 3. La messagère,
4. Je me poserai sur ton
coeur, 5. Dans la
Nymphée, 6. Dans la
pénombre, 7. Il m'est
cher, Amour, le bandeau,
8. Inscription sur le
sable) • Mirages
(1. Cygne sur l'eau, 2.
Reflets dans l'eau, 3.
Jardin nocturne, 4.
Danseuse) •
L'horizon chimérique (
1. La mer est infinie, 2.
Je me suis embarqué,
3. Diane Séléné,
4. Vaisseaux nous vous
aurons aimés). $32.95 - Voir plus => Acheter | | |
| Gabriel Faure: 50 Songs Voix moyenne, Piano Hal Leonard
The Vocal Library. Performed by Gabriel Faure. By Gabriel Faure. Arranged by Lau...(+)
The Vocal Library.
Performed by Gabriel
Faure. By Gabriel Faure.
Arranged by Laura Ward,
Richard Walters. (Medium
Voice). Vocal Collection.
Size 8.5x11 inches. 288
pages. Published by Hal
Leonard Corporation.
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| High Performance Flute Flûte à bec, Flute, Accordéon [Partition + CD] - Facile AMA Verlag
By Robert Winn. For Flute. Method. AMA Verlag. All Styles. Level: Beginning-Inte...(+)
By Robert Winn. For
Flute. Method. AMA
Verlag. All Styles.
Level:
Beginning-Intermediate.
Book/CD Set. Size 9x12.
144 pages. Published by
AMA Verlag. ISBN
3932587723.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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