| March: Grandioso Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.012-3105-75 Composed by Seitz. Arranged by Glover. Concer...(+)
Grade 3 SKU:
CL.012-3105-75
Composed by Seitz.
Arranged by Glover.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR325 & CL.WFR316).
Oversized, spiral-bound
score. Composed 2001.
Duration 2 minutes, 48
seconds. Opus III Wind
Orchestra Publications
#012-3105-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3105-75).
One of the most
distinctive marches ever
written, this stately
standard is a perfect
concert or festival
selection. Glover's
outstanding arrangement
is not simplified or
abridged in any way, but
does offer insightful
articulations, clear
dynamics and large
readable parts for the
modern concert band
instrumentation. The
nature of the opening
strains makes this a
wonderful vehicle for
teaching everyone in the
band chromatic scales.
Tremendous! Grade 3
1/2. About
Heritage of the
March Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Liberty Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1064075-020 Composed by John Blanken. ...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1064075-020
Composed by John Blanken.
Brilliant Marches. March.
Set (Score & Parts).
Composed 2009. De Haske
Publications #DHP
1064075-020. Published by
De Haske Publications
(BT.DHP-1064075-020).
9x12 inches.
English-German-French-Dut
ch. Liberty
is gecomponeerd in een
traditionele marsvorm.
Het eerste deel bevat
naast een beweeglijk
thema een aansprekende
bassolo. Na de bassolo
komt het eerste thema
weer naar voren en wordt,
na een krachtige
afsluiting, hettrio
ingeleid. Een lange,
lyrische melodie in de
tenorgroep laat
vervolgens het publiek
even achteroverleunen en
genieten. Ze wordt echter
bruusk onderbroken door
een wilde
fortissimopassage,
gekenmerkt door een lange
toonladderdie door het
hele orkest heen loopt.
Deze mondt uit in een
welluidend Grandioso met
een herhaling van de
lyrische melodie,
omspeeld in de discant,
waarmee Liberty
besluit.
Libert
y ist ein
kontrastreicher
Konzertmarsch in
traditioneller Form. Der
erste Teil enthält
neben einem lebhaften
Thema ein anspruchsvolles
Bassolo. Das ausgedehnte
lyrische Trio enthält
fast komplett neues
thematisches Material und
bildet so einen
interessanten Gegensatz
zum ersten Teil. Ein
weiterer Kontrast
entsteht durch eine
abrupt einsetzende, wilde
Fortissimo-Passage, die
durch das ganze Orchester
gereicht wird, bevor ein
reizvolles Grandioso den
Marsch
beendet.
Libert
y est une marche
contrastante de forme
traditionnelle. La
première partie
développe un thème
pétillant qui se fond
dans un solo de basse
solidement charpenté.
Le trio, plus lyrique,
expose quelques nouvelles
idées formant un
contraste marqué avec
le passage
d’ouverture. La
musique s’enflamme
pour un énoncé en
fortissimo qui
chemine travers
l’ensemble de
l’orchestre puis
cède sa place un
thème
Grandioso, dernier
épisode de
l’œuvre. $125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Liberty Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1064075-120 Composed by John Blanken. ...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1064075-120
Composed by John Blanken.
Brilliant Marches. March.
Score Only. Composed
2009. 24 pages. De Haske
Publications #DHP
1064075-120. Published by
De Haske Publications
(BT.DHP-1064075-120).
9x12 inches.
English-German-French-Dut
ch. Liberty
is gecomponeerd in een
traditionele marsvorm.
Het eerste deel bevat
naast een beweeglijk
thema een aansprekende
bassolo. Na de bassolo
komt het eerste thema
weer naar voren en wordt,
na een krachtige
afsluiting, hettrio
ingeleid. Een lange,
lyrische melodie in de
tenorgroep laat
vervolgens het publiek
even achteroverleunen en
genieten. Ze wordt echter
bruusk onderbroken door
een wilde
fortissimopassage,
gekenmerkt door een lange
toonladderdie door het
hele orkest heen loopt.
Deze mondt uit in een
welluidend Grandioso met
een herhaling van de
lyrische melodie,
omspeeld in de discant,
waarmee Liberty
besluit.
Libert
y ist ein
kontrastreicher
Konzertmarsch in
traditioneller Form. Der
erste Teil enthält
neben einem lebhaften
Thema ein anspruchsvolles
Bassolo. Das ausgedehnte
lyrische Trio enthält
fast komplett neues
thematisches Material und
bildet so einen
interessanten Gegensatz
zum ersten Teil. Ein
weiterer Kontrast
entsteht durch eine
abrupt einsetzende, wilde
Fortissimo-Passage, die
durch das ganze
Blasorchester gereicht
wird, bevor ein
reizvolles Grandioso den
Marsch
beendet.
Libert
y est une marche
contrastante de forme
traditionnelle. La
première partie
développe un thème
pétillant qui se fond
dans un solo de basse
solidement charpenté.
Le trio, plus lyrique,
expose quelques nouvelles
idées formant un
contraste marqué avec
le passage
d’ouverture. La
musique s’enflamme
pour un énoncé en
fortissimo qui
chemine travers
l’ensemble de
l’orchestre puis
cède sa place un
thème
Grandioso, dernier
épisode de
l’œuvre. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| March: Grandioso Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Roland Seitz. Arranged by Andrew Glover. March. Concert Band. Heritage of the...(+)
By Roland Seitz. Arranged
by Andrew Glover. March.
Concert Band. Heritage of
the March. Grade 3.5.
Score and set of parts.
Composed 2001. Duration
0:02:48
$68.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| March Grandioso Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Wingert-Jones Publications
By Roland Seitz. Arranged by Robert E. Foster. For concert band. Achievement Plu...(+)
By Roland Seitz. Arranged
by Robert E. Foster. For
concert band. Achievement
Plus Series. Concert
March. Grade 3. Score and
set of parts. Duration
1:27. Published by
Wingert-Jones
Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Golden Age of the March Vol. 3 [Livre + CD] C.L. Barnhouse
| | |
| Soundpower's Greatest Hits - Bill Moffit - C Treble Fanfare Hal Leonard
| | |
| Soundpower's Greatest Hits - Bill Moffit - Conductor Fanfare Hal Leonard
Sound Power (Marching Band). Size 9x12 inches. 160 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 9x12 inches.
160 pages. Published by
Hal Leonard.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mercury Fanfare - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0910271-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0910271-020
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910271-020. Published by
De Haske Publications
(BT.DHP-0910271-020).
Mercury is a
concert march composed in
a typically British
idiom. In 1990, Jan Van
der Roost wrote this
piece on the occasion of
the 15-year anniversary
of his own band: Brass
Band Midden Brabant. Like
many British marches, the
main theme is written in
a minor key. Powerful and
virtuoso themes
characterize the first
part of this march, while
the trio melody is much
more melodical, offering
the tenor register to
display its lyrical
skills. Follows a dynamic
passage for trombones and
trumpets/cornets, leading
to a grandioso version of
the main trio melody and
thus concluding this
march in a magnificent
way. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Belwin Very Beginning Band Kit #7 Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(A Complete Concert Including: With Honor and Praise / Sea Chanty / The Carnival...(+)
(A Complete Concert
Including: With Honor and
Praise / Sea Chanty / The
Carnival of Venice /
Grandioso March). By Jack
Bullock. Concert Band.
Concert Band; Part(s);
Score. Belwin Very
Beginning Band. Grade .5.
264 pages. Published by
Belwin Music
$60.00 $57 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Belwin Very Beginning Band Kit #7 Orchestre d'harmonie [Conducteur] Alfred Publishing
(A Complete Concert Including: With Honor and Praise / Sea Chanty / The Carnival...(+)
(A Complete Concert
Including: With Honor and
Praise / Sea Chanty / The
Carnival of Venice /
Grandioso March). By Jack
Bullock. Concert Band.
Concert Band; Score.
Belwin Very Beginning
Band. Grade .5. 24 pages.
Published by Alfred Music
Publishing
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Sunrise Impression Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0960766-020 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0960766-020
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960766-020. Published by
De Haske Publications
(BT.DHP-0960766-020).
9x12 inches. Dit
suggestieve concertwerk
uit 1996 begint met een
dromerige inleiding die
gevolgd wordt door het
eerste thema. De muzikale
spanning wordt
geleidelijk verhoogd
waarna in het Grandioso
een nieuw krachtig thema
wordt ge ntroduceerd.De
altijd aanwezige twee
thema's worden daarna
verder ontwikkeld om
uiteindelijk na een
climax het werk af te
sluiten.
AA
Sunrise Impression
débute avec une
impression de lever de
soleil, une rêverie au
cours de laquelle est
dévoilé le premier
thème principal. La
tension musicale augmente
progressivement dans le
Grandioso où
l’on peut entendre
le second thème
exprimé avec
puissance. Les
développements qui
succèdent au
Grandioso
n’altèrent en
rien la présence
appuyée des deux
thèmes principaux qui,
le finale approchant,
gagnent en puissance gr
ce l’introduction
de nouveaux motifs
rythmiques. $155.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Sunrise Impression Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0960766-120 Composed by Jan de Haan. C...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0960766-120
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
1996. De Haske
Publications #DHP
0960766-120. Published by
De Haske Publications
(BT.DHP-0960766-120).
Dit suggestieve
concertwerk uit 1996
begint met een dromerige
inleiding die gevolgd
wordt door het eerste
thema. De muzikale
spanning wordt
geleidelijk verhoogd
waarna in het Grandioso
een nieuw krachtig thema
wordt ge ntroduceerd.De
altijd aanwezige twee
thema's worden daarna
verder ontwikkeld om
uiteindelijk na een
climax het werk af te
sluiten.
A
Sunrise Impression
débute avec une
impression de lever de
soleil, une rêverie au
cours de laquelle est
dévoilé le premier
thème principal. La
tension musicale augmente
progressivement dans le
Grandioso où
l’on peut entendre
le second thème
exprimé avec
puissance. Les
développements qui
succèdent au
Grandioso
n’altèrent en
rien la présence
appuyée des deux
thèmes principaux qui,
le finale approchant,
gagnent en puissance gr
ce l’introduction
de nouveaux motifs
rythmiques. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Future of Tomorrow - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Cornet,
Cornet 2, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute,
Glockenspiel, Horn 1,
Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS245
Composed by Benjamin Yeo.
Folio. Cps. Set of Score
and Parts.
8+2+8+8+2+4+4+4+4+2+4+4+4
+4+6+6+4+4+8+2+2+1+4+1+2+
24 pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CPS245.
Published by Carl Fischer
Music (CF.CPS245).
ISBN 9781491158128.
UPC: 680160916726. 9 x 12
inches. ABOUT THE
MUSIC Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this anew ideaa needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE MUSIC
Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this 'new idea' needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE
MUSICFuture of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang.Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this
work.EDUCATIONAL
NOTESKey: Eb
MajorSECTIONBARSEVENT /
SCORING /
SUGGESTIONSIntroduction1-
4Opens in Eb major with
dotted rhythm motif.1st
Strain5-20Take note of
melodic phrasing above
the (light) oom-pah
ostinato;melody repeats
at m. 13 with the
addition of countermelody
in the inner lines;
although written at mf
dynamic, this ‘new
idea’ needs to be
heard clearly for
contrast with the
previous statement.2nd
Strain21-36C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29.Trio37-56Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.Break
Strain57-62Excerpt from
Rasa Sayang with some
play in tonality and
instrumental dialogue;
quasi grandioso-style
before the final
strain.Final
Strain63-82Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79.NOTE TO THE
CONDUCTORThis march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece.This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets.I wish you the best
in the performance of
this work.- Benjamin
Yeo. $85.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Future of Tomorrow - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Cornet,
Cornet 2, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute,
Glockenspiel, Horn 1,
Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS245F
Composed by Benjamin Yeo.
Sws. Cps. Full score. 24
pages. Carl Fischer Music
#CPS245F. Published by
Carl Fischer Music
(CF.CPS245F). ISBN
9781491158135. UPC:
680160916733. 9 x 12
inches. ABOUT THE
MUSIC Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this anew ideaa needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE MUSIC
Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this 'new idea' needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE
MUSICFuture of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang.Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this
work.EDUCATIONAL
NOTESKey: Eb
MajorSECTIONBARSEVENT /
SCORING /
SUGGESTIONSIntroduction1-
4Opens in Eb major with
dotted rhythm motif.1st
Strain5-20Take note of
melodic phrasing above
the (light) oom-pah
ostinato;melody repeats
at m. 13 with the
addition of countermelody
in the inner lines;
although written at mf
dynamic, this ‘new
idea’ needs to be
heard clearly for
contrast with the
previous statement.2nd
Strain21-36C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29.Trio37-56Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.Break
Strain57-62Excerpt from
Rasa Sayang with some
play in tonality and
instrumental dialogue;
quasi grandioso-style
before the final
strain.Final
Strain63-82Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79.NOTE TO THE
CONDUCTORThis march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece.This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets.I wish you the best
in the performance of
this work.- Benjamin
Yeo. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Liberty Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064075-010 Composed by John ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1064075-010
Composed by John Blanken.
Brilliant Marches. March.
Set (Score & Parts).
Composed 2009. De Haske
Publications #DHP
1064075-010. Published by
De Haske Publications
(BT.DHP-1064075-010).
9x12 inches.
English-German-French-Dut
ch. John Blanken
composed his traditional
style concert march
Liberty was composed in
2004. The first
performance took place
during a concert in which
the theme was the
struggle for independence
and during the concert
the audience sang the
song of independence from
large banners situated on
both sides of the both.
This grandiose yet
lyrical march will open
your concert in a truly
liberating manner.
Liberty is
gecomponeerd in een
traditionele marsvorm.
Het eerste deel bevat
naast een beweeglijk
thema een aansprekende
bassolo. Na de bassolo
komt het eerste thema
weer naar voren en wordt,
na een krachtige
afsluiting, hettrio
ingeleid. Een lange,
lyrische melodie in de
tenorgroep laat
vervolgens het publiek
even achteroverleunen en
genieten. Ze wordt echter
bruusk onderbroken door
een wilde
fortissimopassage,
gekenmerkt door een lange
toonladderdie door het
hele orkest heen loopt.
Deze mondt uit in een
welluidend Grandioso met
een herhaling van de
lyrische melodie,
omspeeld in de discant,
waarmee Liberty
besluit.
Libert
y ist ein
kontrastreicher
Konzertmarsch in
traditioneller Form. Der
erste Teil enthält
neben einem lebhaften
Thema ein anspruchsvolles
Bassolo. Das ausgedehnte
lyrische Trio enthält
fast komplett neues
thematisches Material und
bildet so einen
interessanten Gegensatz
zum ersten Teil. Ein
weiterer Kontrast
entsteht durch eine
abrupt einsetzende, wilde
Fortissimo-Passage, die
durch das ganze
Blasorchester gereicht
wird, bevor ein
reizvolles Grandioso den
Marsch
beendet.
Libert
y est une marche
contrastante de forme
traditionnelle. La
première partie
développe un thème
pétillant qui se fond
dans un solo de basse
solidement charpenté.
Le trio, plus lyrique,
expose quelques nouvelles
idées formant un
contraste marqué avec
le passage
d’ouverture. La
musique s’enflamme
pour un énoncé en
fortissimo qui
chemine travers
l’ensemble de
l’orchestre puis
cède sa place un
thème
Grandioso, dernier
épisode de
l’œuvre. $125.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Liberty Ensemble de cuivres - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1064075-030 Composed by John Blanken. Br...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1064075-030
Composed by John Blanken.
Brilliant Marches. March.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064075-030. Published by
De Haske Publications
(BT.DHP-1064075-030).
9x12 inches.
English-German-Dutch.
The traditional
concert march
Liberty, was
composed in 2004 for the
brass band Euphonia from
Wolvega, the Netherlands.
Your band will feel truly
liberated with this
lively composition.
Liberty is
gecomponeerd in een
traditionele marsvorm.
Het eerste deel bevat
naast een beweeglijk
thema een aansprekende
bassolo. Na de bassolo
komt het eerste thema
weer naar voren en wordt,
na een krachtige
afsluiting, hettrio
ingeleid. Een lange,
lyrische melodie in de
tenorgroep laat
vervolgens het publiek
even achteroverleunen en
genieten. Ze wordt echter
bruusk onderbroken door
een wilde
fortissimopassage,
gekenmerkt door een lange
toonladderdie door het
hele orkest heen loopt.
Deze mondt uit in een
welluidend Grandioso met
een herhaling van de
lyrische melodie,
omspeeld in de discant,
waarmee Liberty
besluit.
In
Liberty wird ein
lebhaftes Thema im ersten
Teil von einem
anspruchsvollen Solo
für den Bass und die
gesamte Brass Band
abgelöst. Nach dem
Trio mit einer
ausgesprochen lyrischen
Melodie und heftigen
Fortissimo-Passagen
beendet ein reizvolles
Grandioso dieses
Stück, das in
traditioneller Marschform
geschrieben, aber alles
andere als gewöhnlich
ist.
Liberty
est une marche
contrastante de forme
traditionnelle. La
première partie
développe un thème
pétillant qui se fond
dans un solo de basse
solidement charpenté.
Le trio, plus lyrique,
expose quelques nouvelles
idées formant un
contraste marqué avec
le passage
d’ouverture. La
musique s’enflamme
pour un énoncé en
fortissimo qui
chemine travers
l’ensemble de
l’orchestre puis
cède sa place un
thème
Grandioso, dernier
épisode de
l’œuvre. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Liberty Ensemble de cuivres - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1064075-130 Composed by John Blanken. Br...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1064075-130
Composed by John Blanken.
Brilliant Marches. March.
Score Only. Composed
2006. De Haske
Publications #DHP
1064075-130. Published by
De Haske Publications
(BT.DHP-1064075-130).
9x12 inches.
English-German-Dutch.
The traditional
concert march
Liberty, was
composed in 2004 for the
brass band Euphonia from
Wolvega, the Netherlands.
Your band will feel truly
liberated with this
lively composition.
Liberty is
gecomponeerd in een
traditionele marsvorm.
Het eerste deel bevat
naast een beweeglijk
thema een aansprekende
bassolo. Na de bassolo
komt het eerste thema
weer naar voren en wordt,
na een krachtige
afsluiting, hettrio
ingeleid. Een lange,
lyrische melodie in de
tenorgroep laat
vervolgens het publiek
even achteroverleunen en
genieten. Ze wordt echter
bruusk onderbroken door
een wilde
fortissimopassage,
gekenmerkt door een lange
toonladderdie door het
hele orkest heen loopt.
Deze mondt uit in een
welluidend Grandioso met
een herhaling van de
lyrische melodie,
omspeeld in de discant,
waarmee Liberty
besluit.
In
Liberty wird ein
lebhaftes Thema im ersten
Teil von einem
anspruchsvollen Solo
für den Bass und die
gesamte Brass Band
abgelöst. Nach dem
Trio mit einer
ausgesprochen lyrischen
Melodie und heftigen
Fortissimo-Passagen
beendet ein reizvolles
Grandioso dieses
Stück, das in
traditioneller Marschform
geschrieben, aber alles
andere als gewöhnlich
ist.
Liberty
est une marche
contrastante de forme
traditionnelle. La
première partie
développe un thème
pétillant qui se fond
dans un solo de basse
solidement charpenté.
Le trio, plus lyrique,
expose quelques nouvelles
idées formant un
contraste marqué avec
le passage
d’ouverture. La
musique s’enflamme
pour un énoncé en
fortissimo qui
chemine travers
l’ensemble de
l’orchestre puis
cède sa place un
thème
Grandioso, dernier
épisode de
l’œuvre. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Liberty Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064075-140 Composed by John ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1064075-140
Composed by John Blanken.
Brilliant Marches. March.
Score Only. Composed
2009. 24 pages. De Haske
Publications #DHP
1064075-140. Published by
De Haske Publications
(BT.DHP-1064075-140).
9x12 inches.
English-German-French-Dut
ch. Liberty
is gecomponeerd in een
traditionele marsvorm.
Het eerste deel bevat
naast een beweeglijk
thema een aansprekende
bassolo. Na de bassolo
komt het eerste thema
weer naar voren en wordt,
na een krachtige
afsluiting, hettrio
ingeleid. Een lange,
lyrische melodie in de
tenorgroep laat
vervolgens het publiek
even achteroverleunen en
genieten. Ze wordt echter
bruusk onderbroken door
een wilde
fortissimopassage,
gekenmerkt door een lange
toonladderdie door het
hele orkest heen loopt.
Deze mondt uit in een
welluidend Grandioso met
een herhaling van de
lyrische melodie,
omspeeld in de discant,
waarmee Liberty
besluit.
Libert
y ist ein
kontrastreicher
Konzertmarsch in
traditioneller Form. Der
erste Teil enthält
neben einem lebhaften
Thema ein anspruchsvolles
Bassolo. Das ausgedehnte
lyrische Trio enthält
fast komplett neues
thematisches Material und
bildet so einen
interessanten Gegensatz
zum ersten Teil. Ein
weiterer Kontrast
entsteht durch eine
abrupt einsetzende, wilde
Fortissimo-Passage, die
durch das ganze
Blasorchester gereicht
wird, bevor ein
reizvolles Grandioso den
Marsch
beendet.
Libert
y est une marche
contrastante de forme
traditionnelle. La
première partie
développe un thème
pétillant qui se fond
dans un solo de basse
solidement charpenté.
Le trio, plus lyrique,
expose quelques nouvelles
idées formant un
contraste marqué avec
le passage
d’ouverture. La
musique s’enflamme
pour un énoncé en
fortissimo qui
chemine travers
l’ensemble de
l’orchestre puis
cède sa place un
thème
Grandioso, dernier
épisode de
l’œuvre. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Soundpower's Greatest Hits - Bill Moffit - Drums Partie séparée Hal Leonard
Sound Power (Marching Band). Size 5.3x7 inches. 32 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 5.3x7 inches.
32 pages. Published by
Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Soundpower's Greatest Hits - Bill Moffit - 1st Bb Cornet Partie séparée Hal Leonard
Sound Power (Marching Band). Size 5.3x7 inches. 32 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 5.3x7 inches.
32 pages. Published by
Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Soundpower's Greatest Hits - Bill Moffit - 1st Bb Clarinet Partie séparée Hal Leonard
Sound Power (Marching Band). Size 6.8x5.2 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 6.8x5.2
inches. 32 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Soundpower's Greatest Hits - Bill Moffit - Baritone B.C. Partie séparée Hal Leonard
Sound Power (Marching Band). Size 5.3x6.7 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 5.3x6.7
inches. 32 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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