| Orgelsinfonie No. 16 'Martin Luther' Orgue - Avancé Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU:
HL.49045437 For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437). ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches. On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'. $28.99 - Voir plus => Acheter | | |
| Geschichte der musikalischen Bildung Schott
SKU: HL.49033226 Eine Kultur-, Sozial- und Ideengeschichte in 40 Stati...(+)
SKU: HL.49033226
Eine Kultur-, Sozial-
und Ideengeschichte in 40
Stationen (German
Text). Composed by
Karl Heinrich Ehrenforth.
This edition:
Hardback/Hard Cover.
Book. Edition Schott. Das
Buch stellt die
Geschichte der
musikalischen Bildung
umfassend, anschaulich
und aus verschiedenen
Perspektiven dar - unter
Einbeziehung von Politik,
Philosophie, Theologie,
Sozialwissenschaft und
Padagogik.Ausgezeichnet
mit dem Deutschen
Musikeditions. Classical.
554 pages. Schott Music
#ED 9665. Published by
Schott Music
(HL.49033226). ISBN
9783795705022. UPC:
884088072094.
7.0x9.75x1.26 inches.
German. Zum ersten
Mal wird hier gewagt,
eine Geschichte der
musikalischen Bildung in
einen Zeitrahmen von mehr
als 3.000 Jahren zu
stellen. Damit verbindet
sich der Anspruch, ein
Bild zu zeichnen, das
nicht erst - wie bisher
ublich - um 800 oder gar
erst um 1.800 beginnt.
Denn die
Grundentscheidungen uber
den Bildungsrang der
Musik im europaischen
Abendland sind da langst
gefallen: in den antiken
Hochkulturen und im
Christentum.Musik ist
mehr als Musik - und
Bildung ist mehr als
Padagogik, denn Musik ist
ein unubertroffener
Spiegel der Welt.
Musikalische Weltbilder
haben ganze Nationen,
Geschichtsepochen und
Kulturkreise bis in ihre
politische Gestalt hinein
gepragt: Musik hat
gebildet im
ursprunglichen Sinn des
Wortes. Die Geschichte
der musikalischen Bildung
gibt Antworten auf Fragen
wie:- Welche Rolle
spielen Musik und Bildung
in verschiedenen
Epochen?- Welche Funktion
hat musikalische Bildung
fur den Staat und fur die
Entwicklung der
Personlichkeit?- Wie
geben ein Schamane in
Sibirien, ein Ritter aus
dem hohen Adel und ein
lutherischer Lehrerkantor
musikalisches Wissen
(vermutlich) weiter?- Wie
funktionieren
musikbildende
Institutionen wie die
Schola Cantorum, die
Meistersingerschulen oder
das Thomaskantorat unter
J.S. Bach?- Was denken
Augustinus, Luther,
Comenius, Rousseau,
Goethe, Frobel und Adorno
uber musikalische Bildung
und Praxis?Der Leser wird
zu 40 Stationen unserer
Kultur- und
Bildungsgeschichte
gefuhrt - von der Antike
bis zur
Gegenwart.Ausgezeichnet
mit dem Deutschen
Musikeditionspreis
2006. $81.00 - Voir plus => Acheter | | |
| Luther Lieder in settings by J. S. Bach for mixed choir SATB Carus Verlag
SKU: CA.402305 Composed by Johann Sebastian Bach. Hymns by Martin Luther:...(+)
SKU: CA.402305
Composed by Johann
Sebastian Bach. Hymns by
Martin Luther: Ausgaben
mit mehreren
Luther-Liedern; Choral
collections.
Luther-Lieder (Ab 20 Ex).
Collection. 36 pages.
Carus Verlag #CV
04.023/05. Published by
Carus Verlag (CA.402305).
ISBN
9790007167851. Scor
e available separately -
see item CA.402300. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasie on EIN' FESTE BURG for Brass Quartet Quatuor de Cuivres GIA Publications
By Martin Luther (1483-1546). Arranged by Charles Evans. For brass quartet - 2 t...(+)
By Martin Luther
(1483-1546). Arranged by
Charles Evans. For brass
quartet - 2 trumpets (Bb
or C) and 2 trombones (or
horn in F for trombone
1). Reformation Sunday.
Sacred, Chamber Music.
Medum. 8 pages. Published
by GIA Publications
$19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| From heav'n on high Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
(Christmas cantata). Composed by Felix Mendelssohn Bartholdy / Martin Luther. Ed...(+)
(Christmas cantata).
Composed by Felix
Mendelssohn Bartholdy /
Martin Luther. Edited by
Karen Lehmann. For SBar
vocal soli, SSATB choir,
2 flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins, 2
violas, 2 cellos,
contrabass. Stuttgart
Urtext Edition. German
title: Vom Himmel hoch,
da komm ich her.
Cantatas, Christmas.
Level 3. Complete
orchestral parts.
Language: German/English.
Composed 1831. Duration
16 minutes. Published by
Carus Verlag
$174.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A mighty fortress is our God (Ein feste Burg ist unser Gott) Soli, choeur mixte et accompagnement Carus Verlag
Reformationskantate. Composed by Stephan Langenberg. This edition: Paper...(+)
Reformationskantate. Composed by Stephan
Langenberg. This edition:
Paperbound. Hymns by
Martin Luther: Ein feste
Burg ist unser Gott;
Choir and Brass,
Contemporary choral
music.
Reformationskantate.
Sacred vocal music,
Cantatas, Reformation
day. Reduction for organ.
Duration 25 minutes.
Carus Verlag #CV
10.801/03. Published by
Carus Verlag
(CA.1080103).
0.5
$11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sermon from the Mountain (Martin Luther King, Jr.) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Schirmer
By Alice Parker. For SATB soli, SATB choir, orchestra or organ, guitar, percussi...(+)
By Alice Parker. For SATB
soli, SATB choir,
orchestra or organ,
guitar, percussion (Mixed
Voices). General.
Various. Choral. 132
pages. Published by E.C.
Schirmer Publishing
$5.55 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Luther Lieder in settings by J. S. Bach for mixed choir SATB Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edi...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. This
edition: paperback. Hymns
by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern; Choral
collections. Sacred vocal
music, Hymn settings;
Whole church year / Omni
tempore. Collection. 40
pages. Carus Verlag #CV
04.023/00. Published by
Carus Verlag (CA.402300).
$23.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A mighty fortress is our God (Ein feste Burg ist unser Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes/2 oboe d'amore,
oboe d'caccia, [3
trumpets, timpani], 2
violins, viola, basso
continuo - Grade 3
SKU: CA.3108013
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013). ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck. Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106212 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 2. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/12. Published by
Carus Verlag
(CA.3106212). ISBN
9790007043629. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Chorale SATB [Conducteur et Parties séparées] - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, [4
trombones], violin solo,
2 violins, viola, basso
continuo - Grade 3
SKU: CA.3100209
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 2x 31.002/21 2
oboes, 1x 31.002/31
trumpet, 1x 31.002/32
trombone 1, 1x 31.002/33
trombone 2, 1x 31.002/34
trombone 3, 1x 31.002/35
trombone 4. Hymns by
Martin Luther: Ach Gott,
vom Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein 7.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. 20 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/09. Published by
Carus Verlag
(CA.3100209). ISBN
9790007041335. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106207 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Study score.
Composed 1724. BWV 62. 56
pages. Duration 23
minutes. Carus Verlag #CV
31.062/07. Published by
Carus Verlag
(CA.3106207). ISBN
9790007043599. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christ lay in death's cold prison (Christ lag in Todesbanden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire/avancé Carus Verlag
Orchestra SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 viola...(+)
Orchestra SATB vocal
soli, SATB choir, [3
trombones, cornet], 2
violins, 2 violas, basso
continuo - Level 4
SKU: CA.3100407
Easter Sunday.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: Paperbound.
Hymns by Martin Luther:
Christ lag in Todes
Banden. German title:
Christ lag in Todes
Banden. Sacred vocal
music, Cantatas, Easter
and Eastertide. Study
score. Composed circa
1707/08 (before 1714).
BWV 4. Duration 22
minutes. Carus Verlag #CV
31.004/07. Published by
Carus Verlag
(CA.3100407). ISBN
9790007041519. Key: E
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. The
cantata Christ lag in
Todesbanden is among
Bach's earliest preserved
vocal compositions. The
text is based Martin
Luther's Easter chorale
of the same name. Score
available separately -
see item CA.3100400. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Chorale SATB - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, [4
trombones], violin solo,
2 violins, viola, basso
continuo - Grade 3
SKU: CA.3100213
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/13. Published by
Carus Verlag
(CA.3100213). ISBN
9790007041366. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Chorale SATB - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, [4
trombones], violin solo,
2 violins, viola, basso
continuo - Grade 3
SKU: CA.3100205
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/05. Published by
Carus Verlag
(CA.3100205). ISBN
9790007041311. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score available
separately - see item
CA.3100200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Chorale SATB - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, [4
trombones], violin solo,
2 violins, viola, basso
continuo - Grade 3
SKU: CA.3100214
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/14. Published by
Carus Verlag
(CA.3100214). ISBN
9790007041373. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106249 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Organ. Composed 1724. BWV
62. 20 pages. Duration 23
minutes. Carus Verlag #CV
31.062/49. Published by
Carus Verlag
(CA.3106249). ISBN
9790007043650. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Chorale SATB [Conducteur et Parties séparées] - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, [4
trombones], violin solo,
2 violins, viola, basso
continuo - Grade 3
SKU: CA.3100219
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. Duration 20
minutes. Carus Verlag #CV
31.002/19. Published by
Carus Verlag
(CA.3100219). ISBN
9790007135904. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200. $114.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106209 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.062/21 oboe 1, 1x
31.062/22 oboe 2, 1x
31.062/31 horn 1, 1x
31.062/32 horn 2.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Set of
Orchestra Parts. Composed
1724. BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/09. Published by
Carus Verlag
(CA.3106209). ISBN
9790007043605. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and parts
available separately -
see item CA.3106200. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Chorale SATB [Conducteur] - Intermédiaire Carus Verlag
SATB choir, basso continuo - Level 3 SKU: CA.154300 Aus: Aus tiefer No...(+)
SATB choir, basso
continuo - Level 3
SKU: CA.154300
Aus: Aus tiefer Not
schrei ich zu dir.
Composed by Johann
Sebastian Bach and Martin
Luther. Edited by Hermann
Stern. Arranged by Paul
Horn. Hymns by Martin
Luther: Aus tiefer Not
schrei ich zu dir. German
title: Aus tiefer Not
schrei ich zu dir. Sacred
vocal music, Hymn
settings, End of the
church year, Psalms,
Mourning, death. Full
score. BWV 38,1. 12
pages. Duration 5
minutes. Carus Verlag #CV
01.543/00. Published by
Carus Verlag (CA.154300).
ISBN 9790007004828.
Key: E minor. Language:
German. Text: Luther,
Martin. Text: Martin
Luther. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christ lay in death's cold prison (Christ lag in Todesbanden) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso c...(+)
SATB vocal soli, SATB
choir, [3 trombones,
cornet], 2 violins, 2
violas, basso continuo -
Level 4 SKU:
CA.3100409 Easter
Sunday. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 1x 31.004/31
cornett, 1x 31.004/32
trumpet 1, 1x 31.004/33
trumpet 1, 1x 31.004/34
trombone 1, 1x 31.004/35
trombone 2, 1x 31.004/36
trombone 3. Hymns by
Martin Luther: Christ lag
in Todes Banden. German
title: Christ lag in
Todes Banden 6. Sacred
vocal music, Cantatas,
Easter and Eastertide.
Set of Orchestra Parts.
Composed circa 1707/08
(before 1714). BWV 4. 24
pages. Duration 22
minutes. Carus Verlag #CV
31.004/09. Published by
Carus Verlag
(CA.3100409). ISBN
9790007041526. Key: E
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. The
cantata Christ lag in
Todesbanden is among
Bach's earliest preserved
vocal compositions. The
text is based Martin
Luther's Easter chorale
of the same name. Score
and parts available
separately - see item
CA.3100400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106214 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Cello/Double Bass.
Composed 1724. BWV 62. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.062/14. Published by
Carus Verlag
(CA.3106214). ISBN
9790007043643. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106211 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 1. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/11. Published by
Carus Verlag
(CA.3106211). ISBN
9790007043612. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Chorale SATB - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, [4
trombones], violin solo,
2 violins, viola, basso
continuo - Grade 3
SKU: CA.3100212
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Violin 2. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/12. Published by
Carus Verlag
(CA.3100212). ISBN
9790007041359. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106205 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Choral Score.
Composed 1724. BWV 62. 4
pages. Duration 23
minutes. Carus Verlag #CV
31.062/05. Published by
Carus Verlag
(CA.3106205). ISBN
9790007043582. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score available
separately - see item
CA.3106200. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Now come, the nation's Saviour (Nun komm, der Heiden Heiland) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso ...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [horn], 2 violins,
viola, basso continuo -
Grade 3 SKU:
CA.3106213 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Viola. Composed 1724. BWV
62. 12 pages. Duration 23
minutes. Carus Verlag #CV
31.062/13. Published by
Carus Verlag
(CA.3106213). ISBN
9790007043636. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther. Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Chorale SATB - Facile Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli,
SATB choir, 2 oboes, [4
trombones], violin solo,
2 violins, viola, basso
continuo - Grade 3
SKU: CA.3100211
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Single Part,
Violin solo + Vio.
Composed 1724. BWV 2. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.002/11. Published by
Carus Verlag
(CA.3100211). ISBN
9790007041342. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther. Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [4 trombones], 2
violins, viola, basso
continuo - Grade 3
SKU: CA.3103805
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 38. 12
pages. Duration 21
minutes. Carus Verlag #CV
31.038/05. Published by
Carus Verlag
(CA.3103805). ISBN
9790007042769. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther. The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola,...(+)
Orchestra SATB vocal
soli, SATB choir, 2
oboes, [4 trombones], 2
violins, viola, basso
continuo - Grade 3
SKU: CA.3103803
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Vocal score.
Composed 1724. BWV 38. 40
pages. Duration 21
minutes. Carus Verlag #CV
31.038/03. Published by
Carus Verlag
(CA.3103803). ISBN
9790007042752. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther. The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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