(Coronation Mass). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]. C-Dur (C major). Stuttgart Urtext Edition. German title: Missa in C (Kronungsmesse). Latin Masses. Level 3. Complete orchestral parts. Language: Latin. Composed 1779. KV 317. Duration 25 minutes. Published by Carus Verlag

Revised Order of Mass 2010. Composed by Carroll Thomas Andrews. Arranged by Ronald Krisman. Ritual Prayer. Sacred. Octavo. 8 pages. Published by GIA Publications (GI.G-7998).

By Johann Sebastian Bach. Teaching Singer: Teresa Wakim. For Soprano voice. (Soprano 1). Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:01:36. Published by Rehearsal Arts, LLC.

By Johann Sebastian Bach. Teaching Singer: Jason McStoots. For Tenor voices. (Tenor 1 and 2). Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:09:44. Published by Rehearsal Arts, LLC.

By Johann Sebastian Bach. Teaching Singer: Don Wilkinson. For Bass voices. (Bass 1 and 2). Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:07:16. Published by Rehearsal Arts, LLC.

By Johann Sebastian Bach. Teaching Singer: Thea Lobo. For Alto voices. (Alto 1 and 2). Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 2:20:36. Published by Rehearsal Arts, LLC.

By Johann Sebastian Bach. Teaching Singer: Catherine Hedberg. For Soprano voice. (Soprano 2). Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. 2 Choral Practice CDs. Duration 1:58:16. Published by Rehearsal Arts, LLC.

Concert Band and Mixed Choir - Grade 3

SKU: BT.DHP-1145564-050

Composed by Jacob De Haan. Musica Sacra. Set of Parts. Composed 2014. De Haske Publications #DHP 1145564-050. Published by De Haske Publications (BT.DHP-1145564-050).

English-German-French- Dutch.

The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

Th e Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

SATB choir, cantor, priest, assembly, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, percussion 1, percussion 2, timpani, guitar, keyboard - Early intermediate

SKU: GI.G-7853

Revised Order of Mass 2010. Composed by Ronald Krisman. This edition: Choral edition. Mass. Mass. Sacred. Choir part. With guitar chord names. 48 pages. GIA Publications #7853. Published by GIA Publications (GI.G-7853).

UPC: 785147785309. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass

  Misa Una Santa Fe/One Holy Faith Mass offers a multitude of performance options, making this fully bilingual setting perfect for any parish. This comprehensive Mass contains every acclamation you'll need for the liturgical year plus additional verses for the Gospel Acclamations (including Lent), bilingual intercessions, the Preface dialogue, every form of the Memorial Acclamation, and a sung setting of the Our Father. And everything can be sung in Spanish, English, or any combination of the two. This setting works well with an ensemble of piano, guitars, and optional percussion, but also with organ. The use of brass quartet and timpani will enhance the Eucharistic Acclamations and add a festive dimension to this thoroughly appealing Mass setting.   This is the choral edition and as such contains only parts for the choir. No keyboard accompaniment is included in this edition. For the keyboard accompaniment see G-7853A. Brass Quartet, Timpani, Flute, Oboe and Percussion parts are optional. Horn in F can be substituted for Trombone I. Percussion part includes claves and bongos or congas.

SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, violin 1, violin 2, cello, guitar - Early intermediate

SKU: GI.G-10297

Composed by Peter M. Kolar. Mass. Sacred. Octavo. With guitar chord names. 64 pages. GIA Publications #10297. Published by GIA Publications (GI.G-10297).

UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición

A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice” is a term used to reference Christ with respect to his second coming, as found in the ancient “O” antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like” in nature—joyful and filled with hope.  ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodías para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodía de soprano, y las líneas de alto y tenor comparten esencialmente una sola armonía en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodía más completa. Los discante y divisi opcionales amplían aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antífonas O antiguas. Este título aparece en el Leccionario entre las opciones de Aleluya para el común de la Santísima Virgen María y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.

SKU: GI.G-CD-465

Composed by James Chepponis. Mass. Sacred. CD. GIA Publications #465. Published by GIA Publications (GI.G-CD-465).

After ten years of praying, writing, and revising, James Chepponis has emerged with a mass setting that is musically spectacular, liturgically complete, and totally accessible! Whether resources are abundant or limited, whether you prefer a traditional or a contemporary sound, all parishes will feel comfortable with this mass!Jubilation Mass can easily be sung in simple form with only melody and accompaniment of choice (piano, organ, guitar, or a combination), with select pieces requiring a cantor and singing presider. Also, this mass need not be sung in its entirety, individual pieces are self-contained and can be used by themselves. For a fuller sound, or perfect for a special occasion, scoring is available for optional SATB choir, two trumpets, two trombones, timpani, flute/oboe, and handbells. Most importantly, no matter what the style used, congregation parts are wonderfully melodic and very easily learned, making this the perfect mass to teach your parish and use over and over again. Jubilation Mass includes Introductory Rites with opening song Sing for Joy, greeting, Litany of Praise for God's Mercy/Kyrie, Gloria, and prayer tone, Liturgy of the Word with scripture affirmation, a responsorial psalm, gospel acclamations, profession of faith, and general intercessions, Liturgy of the Eucharist with complete eucharistic prayer and Communion Rite including communion song Bread of the World, and the Concluding Rite with greeting, blessing, dismissal and recessional song Thanks Be to God..

Choral, piano (SATB)

SKU: HL.48180032

SATB. Composed by Charles Francois Gounod. Leduc. Classical, Sacred. CD only. 80 pages. Alphonse Leduc #AL12250. Published by Alphonse Leduc (HL.48180032).

UPC: 888680830076. 7.25x10.75 inches.

French composer, Charles Gounod (1818-1893) was a prominent in his day, best remembered for his “Ave Maria” and his opera, Faust. 1854 saw the premiere of his Solemn Mass, also known as the St. Cecilia Mass. This work fully established Gounod as a noteworthy composer. Despite being a minor composer to us today, Gounod was famed in his day, so much so that at his funeral, Camille Saint-Saëns played the organ and Gabriel Fauré conducted. Gounod's Solemn Mass proves the composer's extraordinary talent and caught the attention of much of Paris when it was first performed. Famous recordings include that of the Chorus of Radio France with the New Philharmonia Orchestra. For all aspiring choirs, Gounod's St. Cecilia Mass is an imperative, sublime addition to the repertoire.

By Various. Edited by Hildebrandt, Herbert. This edition: paperbound. Sacred, Hymn settings, Mass Sections, Motets, Psalms, German; Choral Collections, SAM Choir; Occasions: Eucharist, Communion, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Advent, Special. Choral collection. 116 pages

Trumpet 1 in C, trumpet 1 in B-flat, trumpet 2 in C, trumpet 2 in B-flat, trombone 1, trombone 2, timpani, solo trumpet in B-flat, solo trumpet in C

SKU: GI.G-8764INST

Revised Order of Mass 2010. Composed by Norah Duncan, IV. This edition: Instrument edition. Mass. Sacred. Instrumental part(s). 4 pages. GIA Publications #8764INST. Published by GIA Publications (GI.G-8764INST).

This mass setting includes Duncan’s highly favored through-composed Gloria of the same name, and it does not disappoint. Beautiful in their simplicity, the congregational melodies of the Alleluia and eucharistic acclamations can be complemented by an optional soprano descant and B-flat or C trumpet part. The penitential act, Gloria, and Lamb of God also include SATB choral writing. Overall, this mass setting is bright, joyful, and uplifting. It will truly inspire your singing assembly. This item includes ONLY parts for Solo Trumpet in Bb and C. Parts for Brass Quartet and Timpani are available in edition G-8764BR.  These parts may not be used with the G-8764BR parts.

Composed by David Gleba. Text: Missale Romanum. A setting of the actual Communion Antiphon for Midnight Mass. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5007).

The Orchestra Musician's CD-ROM Library - Timpani/Percussion. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Timpani). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

The Orchestra Musician's CD-ROM Library - Oboe. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Oboe). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

The Orchestra Musician's CD-ROM Library - Cello. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Cello). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

The Orchestra Musician's CD-ROM Library - Viola. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Viola). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

The Orchestra Musician's CD-ROM Library - Violin. By Wolfgang Amadeus Mozart. (Violin). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

The Orchestra Musician's CD-ROM Library - Trumpet. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Trumpet). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

The Orchestra Musician's CD-ROM Library - Horn. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Horn). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

A Mass in Celebration of Mother Earth. Performed by Paul Winter. By Oscar Castro-Neves, Jim Scott, Paul Winter, Paul Halley, Kim Oler. (Sound Cues CD). Choral. CD only. Size 5x5 inches. Published by Hal Leonard.

Mixed Voices (MIXED VOICES)

SKU: HL.50511783

For mixed voices. Composed by Heinz Wunderlich. EMB. Choral Works. Book Only. Editio Musica Budapest #Z14509. Published by Editio Musica Budapest (HL.50511783).

ISBN 9790080145098. A/4 inches. English, German, Latin. Heinz Wunderlich.

The a capella mass by Heinz Wunderlich (b. 1919), a professor at the Hamburg College of Music, consists of the following movements: Kyrie (for 4-part choir), Gloria in excelsis Deo (for 4-part choir), Halleluja vor dem Evangelium (for 3-part male choir), Sanctus (for soloists and 3-part male choir), Maranatha nach dem Ende des Konsekrationsgebetes (for 3-part male choir), Agnus Dei (for 2-part female choir), Danksagung (for 3-part mixed choir).

By Various. Edited by Trubel, Gerhard. Hymn settings, Mass Sections, Psalms, German; Choral Collections, Mixed Choir, Music for Casuals; Occasions: Eucharist, Communion, Peace and Justice, Prayer, Wedding, Confirmation, Praise and thanks, Morning, Midday, Evening, Psalms, Baptism, Mourning, Death, Our Father; Use during church year: Advent

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

SATB Choir (SATB)

SKU: HL.50513381

Composed by E. Rubbra. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL0884. Published by Alfred Lengnick & Co (HL.50513381).

Composed by Johann Sebastian Bach (1685-1750). BWV 232. Accompaniment CD for tenor voice. CD Only- sheet music available separately (PE.P08736). Series: Choral Singing - The Easy Way to Learn. Text language Latin. Published by Music Partner.

The Orchestra Musician's CD-ROM Library, Volume 10. By Various. For Flute. The Orchestra Musician's CD-ROM Library. CD-ROM only. 8 pages. Published by Hal Leonard.

Composed by Franz Schubert (1797-1828). D 167. Accompaniment CD for tenor voice. CD Only- sheet music available separately (PE.P01049). G Major. Series: Choral Singing - The Easy Way to Learn. Text language Latin. Published by Music Partner.