The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice

SKU: CF.CM9743IN

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN).

ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral SATB Choir, Bass Guitar, Percussion, Piano

SKU: CF.CM9743

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743).

ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the sevenÂ� �stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

(Children's Songs and Games from England). Arranged by Susan Brumfield. Book and CD pak. Expressive Art (Choral). Softcover with CD. 160 pages. Published by Hal Leonard

By John Rutter. For Longer Choral Work: Vocal Score Mixed Choir. Published by Oxford University Press.

Composed by Daniel Elder. For SATB choir divisi to SSAATTBB choir, piano reduction. Palm Sunday, Good Friday. Westminster Choir Series. Music Education. Difficult. Octavo. Text language: Latin. 24 pages. Published by GIA Publications

Cantor, Reader, assembly, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, violin 1, violin 2, viola, cello - Beginning

SKU: GI.G-5019A

According to Matthew, Mark, Luke and John with the Gospel for the Second Sunday of Easter. Composed by Rory Cooney. Arranged by Rory Cooney. Cantor/Cong. Tune Name: O Filii Et Filae. Sacred. 16 pages. GIA Publications #5019A. Published by GIA Publications (GI.G-5019A).

Spoken and sung settings of the Gospel Reading for Easter morning and the 2nd Sunday of Easter. A related setting of the Gospel Acclamation with instrumental and choral harmonies is available in G-5019/G-5019INST. Also available in F minor in G-5019AF.

Cantor, Reader, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, violin 1, violin 2, viola, cello - Beginning

SKU: GI.G-5019AF

According to Matthew, Mark, Luke and John with the Gospel for the Second Sunday of Easter. Composed by Rory Cooney. Arranged by Rory Cooney. This edition: F minor edition. Cantor/Cong. Tune Name: O Filii Et Filae. Sacred. With guitar chord names. 16 pages. GIA Publications #5019AF. Published by GIA Publications (GI.G-5019AF).

UPC: 785147501923.

A low key spoken and sung settings of the Gospel Reading for Easter morning and the 2nd Sunday of Easter. A related setting of the Gospel Acclamation with instrumental and choral harmonies is available in G-5019/G-5019INST.

(TTBB Choir)

SKU: HL.14065061

Choral. General Merchandise. Duration 240 seconds. Music Sales #JC50616. Published by Music Sales (HL.14065061).

(Highlights)

SKU: HL.14065837

Composed by Martin Shaw. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC72128. Published by Music Sales (HL.14065837).

Composed by Carl Tuttle. Arranged by Joel Raney. For SATB choir. Text: Mark 11: Matthew 21:1-11|Luke 19|John 12. Choral octavo. Published by Hope Publishing Company

Composed by Chris Rice. Arranged by Mark Hayes. For medium voice duet. Funeral and Memorial, General Worship, General. Vocal score. Published by Hope Publishing Company

Composed by Chris Rice. Arranged by Mark Hayes. For SAB choir. Funeral and Memorial, General Worship, Funeral. Octavo. Published by Hope Publishing Company

By Buddy Greene. Arranged by Jack Schrader. For Choir. (SAB or Three-Part). Gospel, Contemporary and Sacred. Print Music Single (SAB). Published by Hope Publishing Company.

Choral (Flute)

SKU: HP.C6211

Composed by Joel Raney. Piano with optional Flute (Included). Hymn Arrangements, Outreach, General Worship, Communion, Church, Justice & Peace, Lord's Supper, Mission, Peace. Octavo. 12 pages. Hope Publishing Company #C6211. Published by Hope Publishing Company (HP.C6211).

UPC: 763628162115. Fred Kaan & Joel Raney. Exodus 14:19-31, Psalms 34:14, Proverbs 15:1, Zechariah 8:19, Matthew 26:26, Mark 9:50, Mark 14:22, Luke 1:79, Luke 2:14, Luke 22:19, John 14:27, John 16:33, Romans 2:10, Romans 12:18, Romans 14:19, 1 Corinthians 7:15, 1 Corinthians 10:16, 1 Corinthians 1.

Original anthem The message of peace, unity, mercy, and love are perfectly captured in this text that calls each of us to put Christ into each other's hands. Original music sets these words in an emotionally packed anthem with piano and optional flute accompaniment. Ideal for communion services and any worship emphasizing care for each other.

By Victor C. Johnson. For SATB Choir and Piano. Cantata. Sacred. Choral score. Duration 30 minutes. Published by Lorenz Publishing Company

By Victor C. Johnson. For SATB choir. Cantata. Choral: Holy Week. Choral Score and CD. Duration 30 minutes. Published by Lorenz Publishing Company

By Victor C. Johnson. For SAB Choir and Piano. Cantata. Choral: Holy Week. Choral score. Duration 30 minutes. Published by Lorenz Publishing Company

By Fry, Steve; Threlfall, Jennette. Arranged by Lloyd Larson. For Voices (SATB). Children, Holy Week, Hymntune, Contemporary, Hymntune and Sacred. Choral octavo (SATB with optional Unison Choir). 8 pages

Composed by Michael John Trotta. Presbyterian Association of Musicians Series. Holy Week/Three Days, Lent, 21st Century. Choral score. Published by MorningStar Music Publishers (MN.70-390).

SATB choir with optional 8 handbell (included)

SKU: HP.C5997C

Composed by Wes Cameron. Piano with Optional 8 Handbells (included). Palm Sunday, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5997C. Published by Hope Publishing Company (HP.C5997C).

UPC: 763628959975. Wes Cameron. Luke 19:38 Matthew 21:9 Mark 11:9 Mark 11:10 John 12:12 John 12:13.

Original Anthem This energetic introit for Palm Sunday comes from Wes Cameron and begins with unison voices singing Hosanna to the Son of David! The melody then builds and is split into two parts, and then expands to SATB. The optional 8 handbells provide an added element of joyous praise to this festive worship opener proclaiming, Blessed is he who comes in the name of the Lord.

Composed by Wes Cameron. For SATB choir with optional 8 handbells (part included). Palm Sunday, Introits, Voices with Bells. Octavo. Published by Hope Publishing Company

By Gloria; William Gaither. Arranged by Jack Schrader. (SAB or Three-Part). Funeral and Sacred. Print Music Single (SAB). 8 pages. Published by Hope Publishing Company.

Arranged by John Wilson. For SATB choir. Sacred, Church, Worshipping, Mission, Outreach, General. Octavo. Published by Hope Publishing Company Octavo Sacred, Church, Worshipping, Mission, Outreach, General

SATB choir, assembly, keyboard accompaniment, C instrument - Beginning

SKU: GI.G-8598

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Eastertide, OT 28 A, Body and Blood of Christ, OT 22 C, Easter PM, Easter 3 A, Holy Thursday, Easter Vigil, OT 13 A. Celebration Series. Tune Name: Banquet, Ewing. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8598. Published by GIA Publications (GI.G-8598).

UPC: 785147859802. English. Text by Adam M. L. Tice. Scripture: Matthew 22:1–14, Mark 14:22–24, Luke 14:7–24, Luke 24:30–31, John 6:35, 1 Corinthians 11:23–26, Romans 6:8–13, Romans 12:1–2.

Patt erns, a new hymn tune by Sally Ann Morris, is the setting for an intriguing but simple text by Adam Tice that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. Coming Together for Wine and for Bread has a tune that sounds as though it has always been with us—but in actuality, it is from the creative mind of Sally Ann Morris. The coupling of a Morris tune with an Adam Tice text can prove to be very enriching to those who sing the new creation, as well as to those who hear it. This edition offers two such gems! EWING is yoked with an intriguing but simple text that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. C Instrument part is only for This Is My Body, Holy and Good.

By Baloche, Paul. Arranged by Jack Schrader. (SATB). Call To Worship, Devotion, Praise and Worship, Contemporary and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

By William H. Doane. Edited by Michael Perry. Arranged by Joel Raney and Arnold Sherman. Handbell choir. For 3-5 octave handbells w/optional 3 octave handchimes. Hymntune. Sacred. Grade 2 . 8 pages. Published by Hope Publishing Company