By Michael Helman. For 3-6 Octave Handbells. Handbell Choir Music. Sacred. Published by Beckenhorst Press.

Organ (Organ)

SKU: HL.48184761

Composed by Dominiqu Charles Planche. Leduc. Softcover. 6 pages. Alphonse Leduc #AL27910. Published by Alphonse Leduc (HL.48184761).

UPC: 888680839222. 10.5x14.0x0.021 inches.

Planchet Meditation Religieuse Organ Book.

Hymns for Meditation. (6 Hymn Arrangements for the Late Intermediate Pianist - Suitable for Preludes and Offertories). For solo piano. Piano Collection; Piano Supplemental. Hymns. SMP Level 5 (Intermediate). Collection. Standard notation and fingerings (does not include words to the songs). 23 pages. Published by Alfred Music Publishing

Oboe

SKU: HL.48183137

Composed by Reinhard Lüttmann. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL25117. Published by Alphonse Leduc (HL.48183137).

UPC: 888680876036. 9.0x12.0x0.05 inches.

Fantaisie sur un Thème de Plain-Chant.

Composed by Larry Visser. Edited by Pearl Shangkuan. Calvin Institute. Sacred. Octavo. 20 pages. Published by GIA Publications (GI.G-8694).

By William Bay. For Guitar (All). Solos. Bill's Music Shelf. Contemporary. Intermediate. Book Online Audio. 24 pages. Published by Mel Bay Publications,

No. 4 - How God Answers the Soul. By Aaron Jay Kernis. (SATB DV A Cappella). Choral. Size 6.7x10.5 inches. 16 pages. Published by Associated Music Publishers, Inc.

Choral (SATB Choir)

SKU: HL.35023444

Composed by Noel Goemanne. Shawnee Press. General Worship. Octavo. 12 pages. Shawnee Press #A5781. Published by Shawnee Press (HL.35023444).

UPC: 747510019817. 6.75x10.5 inches.

No. 1 from Two Meditations. By Aaron Jay Kernis. (SATB). Choral. 16 pages. Published by Associated Music Publishers, Inc.

No. 3 - I Cannot Dance, O Lord. By Aaron Jay Kernis. (SATB DV A Cappella). Choral. Size 6.7x10.5 inches. 24 pages. Published by Associated Music Publishers, Inc.

By Leland B. Sateren, John R. Milton. (SATB). Walton Choral. Size 6.8x10.5 inches. Published by Walton Music.

Score

SKU: HL.48181307

Composed by Olivier Messiaen. Leduc. Classical. Softcover. 33 pages. Alphonse Leduc #AL20720. Published by Alphonse Leduc (HL.48181307).

UPC: 888680866853. 6.0x8.25x0.249 inches.

“This edition of The Ascension for Orchestra by Olivier Messiaen is the conductor?s edition. This religious work lasts approximately 27 minutes and is divided into four parts. I. Majesté du Christ demandant sa gloire à son père (Saint John?s Gospel) II. Alléluïas sereins d?une âme qui désire le ciel (Ascension Mass) III. Alléluïa sur la trompette, Alléluïa sur la cymbale (Psalm 46) IV. Prière du Christ montant vers son père (Saint John?s Gospel) This piece also exists for Solo Organ. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm, colour and ornithology' in 7 volumes.”.

Gavotte (Bach) Fantasy In A Flat,op76#1(alkan) Klavierstuck (C.p.e.bach) Etude For L.h. (Bartok) 9 Etudes For L.h. (Berens) Etude For L.h. (Berger) Etude Op.36 (Blumenfeld) Etude No. 3,op.273 (Bonimici) Etude In E Flat Minor,op.10#6 Etude For One Hand (Czerny) Capriccio In E Flat,op.26#2 Elegy (Godowsky) Meditation (Godowsky) Etude For L.h.(op.19) Greulich Four-voiced Fugue (Kalkbrenner) Exercise In Arpeggio (Kohler) Melody(weber's Freischutz)kohler Rhythmic Studies (Kohler) 3 Folk Songs For L.h. (Kohler) Hungary's God (Liszt) La Ricordanza (Marxsen) Etude,op.92,#4 (Moskowski) Scherzo (Reger) Humoreske (Reger) Romanze (Reger) Prelude And Fugue (Reger) see all... Finale (Son.for L.h.) Reinecke Moto Perpetuo (Saint-saens) Nocturne, Op.9,#2 (Scriabin) Prelude,op.9#1 (Scriabin) Exercises For L.h.(22,45)tappert Viennese Pranks (Zichy) Solfeggietto Piano Music for 1 Hand (Piano Solo). By Various. Edited by Raymond Lewenthal. Piano Collection. Difficult Class piece for the One Hand Piano Music for Specially Capable Junior Musician (SCJM) event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. SMP Level 8 (Early Advanced). 136 pages. G. Schirmer #ED2773. Published by G. Schirmer

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

By Felix Alexandre Guilmant. Edited by Wayne Leupold. For Organ. Organ - Method or Collection. Masterwork. Book. 140 pages. Published by Belwin Music .

Handbells 3-6 octave handbell choir - Level 4

SKU: HP.2436

Composed by Joel Raney. Arranged by Arnold B. Sherman and Joel Raney. Agape Bronze - L4-5. Hymntune, Lent, Sacred. Handbell score. 8 pages. Hope Publishing Company #2436. Published by Hope Publishing Company (HP.2436).

UPC: 763628124366. 2 Corinthians 5:20-21, 2 Corinthians 6:1-10, Ephesians 2:1-10.

Medley of hymn tunes Arnold Sherman sets the mood for the Lenten season with his adaptation of this Joel Raney composition which incorporates strains from O Sacred Head, Now Wounded, Were You There and Beneath the Cross of Jesus. The hymn tunes are beautifully woven together with an original, stirring melody for 3-6 octaves of handbells.

Piano

SKU: BT.ALHE09622

Composed by Jules Massenet. Opera or Operetta. Book Only. 6 pages. Heugel & Cie #ALHE09622. Published by Heugel & Cie (BT.ALHE09622).

French.

Massenet Jules Thais Meditation Piano Book.

Piano

SKU: HL.48187202

Composed by Jules Massenet. Leduc. Opera or Operetta. Softcover. 6 pages. Heugel and Cie #HE09622. Published by Heugel and Cie (HL.48187202).

UPC: 888680991685. 9.0x12.0x0.062 inches.

Massenet Jules Thais Meditation Piano Book.

Organ

SKU: VD.ED11313

Meditation fur Orgel. Composed by Walter Gleissner. Classical. Score. Composed 2010. 6 S. pages. Verlag Dohr #ED11313. Published by Verlag Dohr (VD.ED11313).

ISBN 9790202023136. 11.69 x 8.26 inches.

By Robert Schultz. For Piano. The Robert Schultz Piano Library. Composed in Schultz's attractive, contemporary style, these pianistic sketches include scenes, character portraits, and atmospheric settings ranging from the serenity of the opening Meditation to the excitement and drama of The Sorcerer. Level: Intermediate. Book. Published by The FJH Music Company Inc.

SKU: BR.MN-701

Composed by Herbert Wiedemann. Softbound. Musikverlag Nepomuk. Music pedagogy; Romantic. Book. Composed 1991. 116 pages. Breitkopf and Haertel #MN 701. Published by Breitkopf and Haertel (BR.MN-701).

ISBN 9783765198991. 6.5 x 9 inches. German.

Meditatives Klavierspiel wendet sich an alle, die Klavierspielen als eigenschopferisches und entspanntes Tun erfahren wollen. Es enthalt eine Reihe von Anregungen zum Spiel ohne Noten, zu elementarer Improvisation und zur Ostinato-Improvisation. Anhand einfacher Ubungen und gefuhrten In-Sich-Hineinhorchens lernt man spielerisch, die eigenen Klangvorstellungen aufs Instrument zu ubertragen und zu gestalten.

Score and Parts. By Gunther Schuller. Woodwind Ensemble. Published by G. Schirmer (Associated Music Publishers).

6 Romantic-Style Solos for Piano. Composed by Dennis Alexander. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Recital. 24 pages. Published by Alfred Music

Composed by Karen Lake Buckwalter. For 3-6 octave handbell choir. Handbell Choir Music. Handbell part. Published by Beckenhorst Press

Euphonium & piano - advanced

SKU: CY.CC2563

Composed by Cecile Chaminade. Arranged by Ralph Sauer. French Impressionist. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2563).

The Six Romances, Op. 76 for Euphonium and Piano were originally composed for solo Piano, each one being dedicated to a different gentleman.

The six movements are titled:

1. Souvenance

2. elevation

3. Idylle

4. eglogue

5. Meditation

6. Chanson Bretonne

The length of the entire six movement suite is about 16.5 minutes and playable by advanced performers.

The sound samples are excerpts from a masterclass at the 2012 Music Academy of the West with Steven Warren, Trombonist and Miles Fellenberg, Piano performing movements 1-3 and Trombonist Kelton Koch, Trombonist and Yu Ra Kim, Piano performing movements 4-6.

3-6 octave handbells - Grade 4

SKU: BP.HB543

Composed by Ron Mallory and Ron Mallory. Arranged by Ron Mallory. Handbell choir music. Handbell score. 11 pages. Beckenhorst Press #HB543. Published by Beckenhorst Press (BP.HB543).

UPC: 748769305430.

For 3 to 6 octave handbell choir and optional 2 octaves of handchimes. Rated level 4. Ron Mallory's original piece works well not just in concert, but also as a non-traditional choice for Easter Sunday service, or any other celebratory time during the church year. A driving, syncopated melody -- at first lightly accompanied, then propelled by malleted bells -- gives way to a gentler, reflective middle section with a melody on chimes. The initial idea returns at the end to bring the piece to a final, triumphant conclusion. A fun piece both to ring and hear!

By Cecile Chaminade (1857-1944). Arranged by Ralph Sauer. For tuba or bass trombone and piano. French Impressionist. Advanced. Solo part and piano accompaniment. Published by Cherry Classics

(Alto Saxophone Solo with Keyboard). By Walter Kaufmann. Arranged by Eugene Rousseau. LKM Music. 6 pages. Hal Leonard #X151002. Published by Hal Leonard