(Clarinet in B-flat and Piano). By Felix Bartholdy Mendelssohn (1809-1847). Edit...(+)
(Clarinet in B-flat and
Piano). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Ernst Herttrich. Henle
Music Folios. Softcover.
G. Henle #HN1033.
Published by G. Henle
Composed by Felix Mendelssohn, edited by Yehudi Menuhin. For violin and piano ac...(+)
Composed by Felix
Mendelssohn, edited by
Yehudi Menuhin. For
violin and piano
accompaniment. Format:
set of performance parts
(includes separate
pull-out violin part).
With solo part, piano
accompaniment and
introductory text.
Romantic period. F Major.
Composed 1838. 9x12
inches. Published by C.F.
Peters.
Composed by Felix Mendelssohn Bartholdy (1809-1847), edited by Christoph Albrech...(+)
Composed by Felix
Mendelssohn Bartholdy
(1809-1847), edited by
Christoph Albrecht. Op.
65. For organ. Urtext.
Format: organ solo book.
With organ notation.
Romantic period. 86
pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
(Viola and Piano). By Felix Bartholdy Mendelssohn (1809- 1847). Edited by Ernst...(+)
(Viola and Piano). By
Felix
Bartholdy Mendelssohn
(1809-
1847). Edited by Ernst
Herttrich. Henle Music
Folios.
Softcover. G. Henle
Verlag
#HN1035. Published by G.
Henle
Verlag
For Violoncello and Piano. By Felix Mendelssohn. Edited by R. Elvers, E.-G. Hein...(+)
For Violoncello and
Piano. By Felix
Mendelssohn. Edited by R.
Elvers, E.-G. Heinemann.
Violoncello. Pages: Score
= IV and 50 * Vc Part =
17. Urtext edition-paper
bound. Published by G.
Henle.
For Violoncello and Piano. By Felix Mendelssohn. Edited by R. Elvers, E.-G. Hein...(+)
For Violoncello and
Piano. By Felix
Mendelssohn. Edited by R.
Elvers, E.-G. Heinemann.
Violoncello. Pages: Score
= V and 43 * Vc Part =
11. Urtext edition-paper
bound. Published by G.
Henle.
Composed by Felix Mendelssohn (1809-1847), edited by Ernst Cahnbley, Friedrich W...(+)
Composed by Felix
Mendelssohn (1809-1847),
edited by Ernst Cahnbley,
Friedrich Wilhelm
Gruetzmacher (1832-1903).
Instrumental solo book
for cello solo and piano
accompaniment. With solo
part, standard notation,
bowings, fingerings and
piano accompaniment. 121
pages. Published by C.F.
Peters.
With Comments in English. By Felix Mendelssohn. Edited by H. Meister. This editi...(+)
With Comments in English.
By Felix Mendelssohn.
Edited by H. Meister.
This edition: HN237.
Organ. Henle Music
Folios. Pages: V and 94.
Urtext edition-paper
bound. 96 pages.
Published by G. Henle.
By Felix Mendelssohn. Edited by Margery Halford. For Piano. Piano Collection. Ma...(+)
By Felix Mendelssohn.
Edited by Margery
Halford. For Piano. Piano
Collection. Masterwork.
Level: Intermediate /
Early Advanced (grade
4/5/6/6 ). Book. 64
pages. Published by
Alfred Publishing.
Cello and piano SKU: BR.EB-8298 Composed by Felix Bartholdy Mendelssohn. ...(+)
Cello and piano
SKU:
BR.EB-8298
Composed
by Felix Bartholdy
Mendelssohn. Solo
instruments; stapled.
Edition Breitkopf.
Violoncello part arranged
by Michael Denhoff.
Sonata; Romantic. Score.
52 pages. Breitkopf and
Haertel #EB 8298.
Published by Breitkopf
and Haertel (BR.EB-8298).
ISBN 9790004176139. 9
x 12 inches.
The
cello sonata stands
between a conservative
return to classical forms
and the full development
of Mendelssohnian
characteristics in the
late work, which
ultimately led to the
abandonment of the sonata
form. Violoncello part
arranged by Michael
Denhoff.
Organ SKU: UT.HS-335 Edited by Iain Quinn. Classical. Score. Ut Orpheus #...(+)
Organ
SKU:
UT.HS-335
Edited by
Iain Quinn. Classical.
Score. Ut Orpheus #HS
335. Published by Ut
Orpheus (UT.HS-335).
ISBN 9790215328532. 9
x 12
inches.
Walte
r Battison Haynes
(1859-1900): Sonata
in D minor Hugh
Blair (1864-1932):
Short Sonata in G
major
The
organ sonatas of Walter
Battison Haynes and Hugh
Blair demonstrate a
notable peak in the
development of the
English organ sonata as a
work that is musically
cohesive. As discussed in
The Genesis and
Development of an English
Organ Sonata (2017), the
portfolio approach
towards compositions
under one title, a
sonata, that included
sometimes significantly
contrasting movements of
varying technical
difficulty was common
during the second half of
the nineteenth century
not least as a published
example of the
compositional skill of
composers. Whereas these
two sonatas join the
tradition of works that
could be convincingly
played on both medium and
large instruments and
allow for creativity in
registration they are
also cohesive pieces that
could serve in a concert
programme. These works
join the legacy of
English organ sonatas
that had an important
pedagogical role jointly
inherited from
Mendelssohn’s very
practical and popular
approach to the
instrument and the
continued European legacy
of the lesson-sonata
tradition whereby in
learning a piece you also
learned the instrument
and vice versa. They are
both idiomatically
written and musically
rewarding pieces that are
imbued with the
undeniably English
harmonic language of the
era that was to remain
popular for several
decades to come.
Organ SKU: UT.HS-334 Edited by Iain Quinn. Classical. Score. Ut Orpheus #...(+)
Organ
SKU:
UT.HS-334
Edited by
Iain Quinn. Classical.
Score. Ut Orpheus #HS
334. Published by Ut
Orpheus (UT.HS-334).
ISBN 9790215328525. 9
x 12
inches.
Bertr
am Luard-Selby
(1853-1918): First
Sonata Charles
Harford Lloyd
(1849-1919): Sonata
in D minor
The
first sonata of Bertram
Luard-Selby and the
sonata of Charles Harford
Lloyd are examples of
works that demonstrate
the transitional nature
of the maturing English
organ sonata. The
portfolio approach
towards compositions
under one title, a
sonata, that included
sometimes significantly
contrasting movements was
common during the second
half of the nineteenth
century. It allowed
composers to demonstrate
their own compositional
skill as well as
highlight the tonal
capabilities of the
developing symphonic
organ in England. The
sonatas are playable on
both small and large
instruments and allow for
creativity in
registration. The
technical difficulty
varies between movements.
As discussed in The
Genesis and Development
of an English Organ
Sonata (2017), the
English sonatas had an
important pedagogical
role jointly inherited
from Mendelssohn’s very
practical and popular
approach to the
instrument and the
continued European legacy
of the lesson-sonata
tradition whereby in
learning a piece you also
learned the instrument
and vice versa.
Violin, piano SKU: BR.SON-454 Complete Works. Composed by Felix Ba...(+)
Violin, piano
SKU:
BR.SON-454
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Solo instruments; Linen.
Complete Works. Romantic
period. Complete Works.
Breitkopf and Haertel
#SON 454. Published by
Breitkopf and Haertel
(BR.SON-454).
ISBN
9790004803646. 9 x 12
inches.
The Violin
Concerto in E minor, op.
64, and the Sonata in F
minor, op. 4, are the
only works for solo
violin that Mendelssohn
had had printed during
his lifetime. However,
his complete oeuvre
includes other completed
or fragmentary
compositions, including
two further concertos and
several unfinished
sonatas and other
individual pieces. He
himself had an
extraordinary command of
the violin and entrusted
the instrument in several
other works, such as the
Octet op. 20 or the
concert aria Infelice! -
Ah, ritorno, eta
dell'oro, with special
tasks. Nevertheless, with
regard to details of
playing technique, he
usually sought advice
from solo violinist
friends, first from
Eduard Ritz, then, after
Ritz's early death, from
Ferdinand David. The
present volume contains
all of the completed and
fragmentary compositions
for violin and piano that
have survived - from the
early Prelude and Fugue
in D and G minor from
Zelter's practice book
(1820), which can be
assigned without doubt,
through to the Sonata in
F major (1838) in their
various versions.
Piano SKU: BR.EB-8993 Urtext. Composed by Joachim Raff. Edited by ...(+)
Piano
SKU:
BR.EB-8993
Urtext. Composed
by Joachim Raff. Edited
by Ulrich Mahlert. Solo
instruments; Softbound.
Edition Breitkopf.
Sonata; Romantic. Score.
112 pages. Breitkopf and
Haertel #EB 8993.
Published by Breitkopf
and Haertel (BR.EB-8993).
ISBN 9790004187227. 9
x 12 inches.
The
three piano sonatas by
Joachim Raff (1822-1882),
representing his three
main creative phases,
occupy a special position
among his more than 100
piano pieces. They
reflect a significant
compositional aspiration
whereas Raff otherwise
frequently leans towards
the salon-music genre in
his piano music. Raff
composed the early sonata
op. 14 in 1844 after his
first works were
positively evaluated and
Felix Mendelssohn
Bartholdy had encouraged
him to venture a career
as a composer. The
Fantasie-Sonate [Fantasy
Sonata] in d minor op.
168, Raff wrote in 1871
at the height of his fame
as one of Germany's then
most-played composers.
Its dedication to Camille
Saint-Saens shows his
opposition to the rampant
German disapproval of
France and its music
representatives in the
wake of the
Franco-Prussian war of
1870/71. The second
version of the sonata op.
14, composed in the fall
of 1881, had only the
opus number in common
with the earlier version.
In this late work Raff
had created an entirely
new sonata. ,,Beautifully
presented on cream paper,
with exceptional clarity
and generous spacing. The
Fantasie-Sonate in D
minor Op. 168, in
particular, is a
masterpiece which
manifests both
considerable power and
exquisite craftsmanship.
(www.pianodao.com).
Euphonium and Piano - advanced SKU: CY.CC2796 Composed by Felix Bartholdy...(+)
Euphonium and Piano -
advanced
SKU:
CY.CC2796
Composed by
Felix Bartholdy
Mendelssohn. Arranged by
Ralph Sauer. Romantic
German. Published by
Cherry Classics
(CY.CC2796).
Mendelssohn's
expressive Sonata No. 1
for Cello, Opus 45 was
composed in October
1838.
The Sonata
has three movements and
works beautifully for
Euphonium.
This
25-minute work for
advanced performers, all
in bass clef, is a
wonderful composition and
is a great test of
musicianship, stamina and
technique for both
performers.
Mend
elssohn's Sonata has been
brilliantly transcribed
by Ralph
Sauer.
Format:
Score & solo part are in
booklet format - 56 pages
total.
By Mendelssohn F. Edited by Kullak. For piano. Supplement:Op.6,Sonata(E) ; Op.15...(+)
By Mendelssohn F. Edited
by Kullak. For piano.
Supplement:Op.6,Sonata(E)
; Op.15.Fantaisie onLast
Rose(E); Op.104.3
Preludes(B|,b,D); Op.105
and 106.Sonatas(g,B|);
Op.117.Album Leaf(Song
Without Words,e);
Op.118.Capriccio(E);
Op.119,Perpetuum
Mobile(C); Praeludium et
Fuga(e); Gondellied(A); 2
Piano P. Published by
C.F. Peters.
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller
and Salome Reiser. Linen.
Complete Works. Romantic
period. Complete Works.
184 pages. Breitkopf and
Haertel #SON 433.
Published by Breitkopf
and Haertel (BR.SON-433).
ISBN 9790004802892. 10
x 12.5
inches.
Felix
Mendelssohn Bartholdy's
violin concerto op. 64
had - like many of his
other works - a lengthy
genesis: it is in the
summer of 1838 that
surviving documents first
mention the promise made
to his friend Ferdinand
David, concert master of
the Leipzig Gewandhaus,
to write, besides a
sonata, a grand solo
concerto for him.
Ultimately, work on this
opus continued - with
some longer interruptions
- until September 1844.
Even then, it owed its
preliminary completion in
no small measure to the
constant urging of the
prospective solo
violinist. But after the
,,official handing-over
of the parts to David and
a first joint rehearsal
of the concert in Leipzig
Mendelssohn continued
working on the score.
There subsequently began
an intensive
correspondence with David
between Leipzig and
Frankfurt am Main, where
Mendelssohn resided with
his family, in particular
concerning issues of the
principal part and the
reworking of the solo
cadence. In March 1845
the then current version
of the work was premiered
in a subscribers' concert
in Leipzig.This volume
deals with Mendelssohn's
first complete manuscript
of the score with the
corrections contained
therein, including all
surviving drafts and
sketches; also included
is the epistolary
evidence of the
correspondence with
Ferdinand David prior to
the premiere. The further
developments up to the
printing of the main
version of op. 64 by
Breitkopf & Hartel are
dealt with in Series II,
Vol. 7 of the
edition.
Composed by Jean-Baptiste
Quentin. Edited by Les
Etudiants du
C.E.F.E.D.E.M - Ile de
France. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5830).
ISBN
9790230658300. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Jean-Baptiste Quentin
is part of our French
classical music
collection. Edition
: Paris, l'Auteur,
Boivin, Leclerc, c. 1742.
Preface by the
students of the
CeFEdeM-Ile-de-France:
biographical elements -
hints about the score
(terminology, time
signatures,
ornamentation, phrasing,
continuo bass,
distribution). Three
separate instrumental
parts sonata IV is a
quartet (two instruments
for the continuo bass).
These remarkably
well written chamber
music pieces deserve to
be brought to light. The
quartet sonata for 2
violins, viola da gamba
and continuo bass is a
particularly fine work.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of a
copy in the National
Library of Berlin -
Preuffischer Kulturbesitz
Musikabteilung mit
Mendelssohn-Archiv
(Germany). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Flute, piano SKU: BR.EB-4757 Composed by Julius Rietz. Solo instruments; ...(+)
Flute, piano
SKU:
BR.EB-4757
Composed
by Julius Rietz. Solo
instruments; Softcover.
Edition Breitkopf.
Sonata; Romantic. Score.
48 pages. Breitkopf and
Haertel #EB 4757.
Published by Breitkopf
and Haertel (BR.EB-4757).
ISBN 9790004163146. 9
x 12 inches.
Julius
Rietz succeeded Felix
Mendelssohn Bartholdy as
conductor in Dusseldorf
in 1835, and was also
stylistically indebted to
Mendelssohn as a composer
as well. Rietz began
working in Leipzig in
1847, heading not only
the Singakademie there,
but also the Gewandhaus
concerts beginning in
1848. He also taught
composition at the
Leipzig Conservatory. In
1860 Rietz moved to
Dresden, where he was
active as court
Kapellmeister and later
also assumed the
directorship of the
Conservatory. One finds
works of all genres in
his oeuvre. The Sonata in
G minor op. 42 for flute
and piano was originally
published by Breitkopf
& Hartel in 1876.
Violin, piano SKU: BR.EB-9386 Urtext. Composed by Joachim Raff. So...(+)
Violin, piano
SKU:
BR.EB-9386
Urtext. Composed
by Joachim Raff. Solo
instruments. Edition
Breitkopf. Sonata;
Romantic. Sheet Music.
Duration 27'. Breitkopf
and Haertel #EB 9386.
Published by Breitkopf
and Haertel (BR.EB-9386).
ISBN 9790004188569. 0
x 0 inches.
The
Violin Sonata No. 1 in E
minor, op. 73, a Grand
Sonata for Violin and
Piano, occupies an
important position in
Joachim Raff's oeuvre: it
reflects numerous
artistic, aesthetic,
biographical, and
reception-historical
aspects characteristic of
Raff. The work was
composed in Weimar in
1854, when Raff was going
through a process of
artistic self-discovery.
He increasingly distanced
himself from his mentor
Franz Liszt and
intensively explored
Wagner as well as the
ideal of absolute music -
this is also reflected in
the music of the sonata.
While Raff described the
first two movements as
objectified, he perceived
the last two movements as
a piece of him, that is,
not free of extra-musical
influences.The 1st
movement, with its
expansive main theme, is
reminiscent of
Mendelssohn; the 2nd
movement reveals the
refinement of
classical-romantic work
with musical material.
The 3rd movement, with
its partly rhythmic,
virtuoso accompanying
figures and harmonically
advanced passages, allows
a deeply romantic, almost
tormented insight into a
soul life a la Sturm und
Drang. The partly
irascible last movement
revisits already familiar
themes and thus creates a
musical framework.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
First
Urtext Edition of the
Grand Sonata for Violin
and Piano.
Chamber Music Piano, Trumpet SKU: PR.114419070 Composed by Martin Amlin. ...(+)
Chamber Music Piano,
Trumpet
SKU:
PR.114419070
Composed
by Martin Amlin. With
Standard notation. 20+16
pages. Duration 9
minutes. Theodore Presser
Company #114-41907.
Published by Theodore
Presser Company
(PR.114419070).
ISBN
9781491113493. UPC:
680160671540. 9 x 12
inches.