Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-27. Published by
Breitkopf and Haertel
(BR.OB-5364-27).
ISBN
9790004337424. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Hans Christian
Schmidt. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Full score. 72
pages. Duration 12'.
Breitkopf and Haertel #PB
5364. Published by
Breitkopf and Haertel
(BR.PB-5364).
ISBN
9790004211458. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
12 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-15. Published by
Breitkopf and Haertel
(BR.OB-5364-15).
ISBN
9790004337387. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Part. 8 pages.
Duration 12'. Breitkopf
and Haertel #OB 5364-23.
Published by Breitkopf
and Haertel
(BR.OB-5364-23).
ISBN
9790004337417. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
12 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-16. Published by
Breitkopf and Haertel
(BR.OB-5364-16).
ISBN
9790004337394. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-19. Published by
Breitkopf and Haertel
(BR.OB-5364-19).
ISBN
9790004337400. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Set
of parts. 56 pages.
Duration 12'. Breitkopf
and Haertel #OB 5364-30.
Published by Breitkopf
and Haertel
(BR.OB-5364-30).
ISBN
9790004337431. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
By Felix Bartholdy Mendelssohn (1809-1847). For SSAA Choir (Vocal Score). Music ...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
For SSAA Choir (Vocal
Score). Music Sales
America. Romantic. 86
pages. Novello and Co
Ltd. #NOV954888.
Published by Novello and
Co Ltd.
Arranged by Mark L. Williams. For Organ. FJH Classical Organ Library. Contents: ...(+)
Arranged by Mark L.
Williams. For Organ. FJH
Classical Organ Library.
Contents: Arioso from
Contata No. 156 (Bach);
Air from Water Music
Suite (Handel); Andantino
from Rosamunde
(Schubert); Nocturne from
A Midsummer Night's Dream
(Mendelssohn); O Perfect
Love; Bist du bei Mir
(Bach); Canon in D
(Pachelbel); Largo from
Xerxes (Handel); Where'er
You Walk (Handel); A
Nuptual Blessing;
Pastoral Symphony from
Messiah (Handel); Jesu,
Joy of Man's Desiring
(Bach); He Shall Feed His
Flock From Messiah
(Handel); Bridal Chorus
from Lohengrin (Wagner);
Trumpet Voluntary;
Wedding March from A
Midsummer Night's Dream
(Mendelssohn); Trumpet
Tune; Allegro Maestoso
from Water Music Suite
(Handel); March from
Richard the First
(Handel); Rondeau from
Sinfonies de Fanfares
(Mouret); Prelude to Te
Deum
By William Shakespeare from A Midsummer Night's Dream, music by Ruth Morr...(+)
By William Shakespeare
from A Midsummer
Night's Dream, music
by Ruth Morris Gray.
Choir Secular. Women's
Choir. Choral Octavo.
Choral Designs. 12 pages.
Published by Alfred Music
Publishing
By William Shakespeare from A Midsummer Night's Dream, music by Ruth Morr...(+)
By William Shakespeare
from A Midsummer
Night's Dream, music
by Ruth Morris Gray.
Choir Secular. 3-Part
Mixed Choir (SAB). Choral
Octavo. Choral Designs.
12 pages. Published by
Alfred Music
Viola and Piano Piano Accompaniment; Viola - easy SKU: HL.49019126 Hoc...(+)
Viola and Piano Piano
Accompaniment; Viola -
easy
SKU:
HL.49019126
Hochzeitsmarsch.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Softcover. Op.
61/9. 12 pages. Schott
Music #ED09932. Published
by Schott Music
(HL.49019126).
ISBN
9790001180979. UPC:
841886018211.
9.0x12.0x0.058
inches.
A wedding
without a famous wedding
march - unimaginable!
Wagner's 'Bridal Chorus'
from 'Lohengrin' and
Mendelssohn's 'Wedding
March' from the
incidental music of 'A
Midsummer Night's Dream'
vie for the favour of
bridal couples and
wedding parties. If,
however, the music shall
be festive, Mendelssohn's
background music for the
wedding ceremony remains
first choice. In order
that the march cannot
only be performed with
the organ but also with a
melodic instrument with
piano (or organ)
accompaniment, the
present editions provide
easy-to-play
arrangements.
Piano Accompaniment; Violoncello - easy SKU: HL.49019127 Hochzeitsmars...(+)
Piano Accompaniment;
Violoncello - easy
SKU: HL.49019127
Hochzeitsmarsch.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Softcover. Op.
61/9. 12 pages. Schott
Music #ED09933. Published
by Schott Music
(HL.49019127).
ISBN
9790001187121. UPC:
841886018228.
9.0x12.0x0.06
inches.
A wedding
without a famous wedding
march - unimaginable!
Wagner's 'Bridal Chorus'
from 'Lohengrin' and
Mendelssohn's 'Wedding
March' from the
incidental music of 'A
Midsummer Night's Dream'
vie for the favour of
bridal couples and
wedding parties. If,
however, the music shall
be festive, Mendelssohn's
background music for the
wedding ceremony remains
first choice. In order
that the march cannot
only be performed with
the organ but also with a
melodic instrument with
piano (or organ)
accompaniment, the
present editions provide
easy-to-play
arrangements.
Alto Saxophone and Piano Alto Saxophone; Piano Accompaniment (Score and Solo Par...(+)
Alto Saxophone and Piano
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part) - easy
SKU:
HL.49044175
Arranged for Alto
Saxophone and Piano.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Woodwind.
Classical. Softcover. Op.
61/9. 16 pages. Schott
Music #ED09937. Published
by Schott Music
(HL.49044175).
ISBN
9790001181013. UPC:
841886018266.
9.0x12.0x0.045
inches.
A wedding
without a famous wedding
march - unimaginable!
Wagner's 'Bridal Chorus'
from 'Lohengrin' and
Mendelssohn's 'Wedding
March' from the
incidental music of 'A
Midsummer Night's Dream'
vie for the favour of
bridal couples and
wedding parties. If,
however, the music shall
be festive, Mendelssohn's
background music for the
wedding ceremony remains
first choice. In order
that the march cannot
only be performed with
the organ but also with a
melodic instrument with
piano (or organ)
accompaniment, the
present editions provide
easy-to-play
arrangements.
SA, 2 Recorders SKU: SU.80300157 For SA, 2 Recorders. Composed by ...(+)
SA, 2 Recorders
SKU:
SU.80300157
For
SA, 2 Recorders.
Composed by Alice Parker.
Miscellaneous, Recorder.
Accompanied by recorders.
Choral Octavo. Treble
Clef Music Press
#80300157. Published by
Treble Clef Music Press
(SU.80300157).
1. Lullaby for
Titania (You spotted
snakes); 2. Oberon's
Blessing (Now until the
break of day). These
deceptively simple pieces
are perfect for use as
teaching pieces, and as
incidental music for a
production of A Midsummer
Night's Dream,
Shakespeare's comedy of
the fairies' enchantment
of two pairs of noble
lovers and of Bottom the
weaver. As teaching
pieces, their pentatonic
melodies, limited range,
and use of repetition and
canon make them ideally
suited to Kodaly
techniques. Their
rhythmic clarity makes
them a good vehicle for
simple choreography, and
the recorder parts can be
played by onstage
musicians. SA, mezzo
solo, and two recorders;
10 pages; duration: 2:00
min. each; range: e' to e
(chorus); c' to c (solo);
difficulty: easy. SA, 2
recorders Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
A Dance of Clowns Orchestre [Conducteur et Parties séparées] - Intermédiaire Belwin
From A Midsummer Night's Dream. Composed by Felix Bartholdy Mendel...(+)
From A Midsummer
Night's Dream.
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Arranged by
Jerry Brubaker. Full
Orchestra; Masterworks;
Part(s); Score;
SmartMusic. Belwin
Concert Full Orchestra.
Form: Transcription.
Masterwork Arrangement;
Romantic. 106 pages.
Published by Belwin Music
(AP.41234).
By David Amram. For high voice, piano. 1.Who Is Sylvia?(fromTwo Gentlemen of Ver...(+)
By David Amram. For high
voice, piano. 1.Who Is
Sylvia?(fromTwo Gentlemen
of Verona); 2.Take,Oh
Take Those Lips
Away(fromMeasure for
Measure); 3.Lullaby(The
Spotted Snake)(fromA
Midsummer Night's Dream);
4.Ophelia's
Song(fromHamlet)(unaccomp
anied voice)(Eng).
Published by C.F. Peters.
(CME Opera Workshop). By Benjamin Britten (1913-1976). Arranged by Lee Kesselman...(+)
(CME Opera Workshop). By
Benjamin Britten
(1913-1976). Arranged by
Lee Kesselman. Treble
Voices. Opera Workshop.
32 pages. Boosey and
Hawkes #M051480579.
Published by Boosey and
Hawkes
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Maurice Hinson and Allison...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Maurice Hinson
and Allison Nelson. For
Piano. Book; Duet or Duo;
Masterworks; Piano Duet
(1 Piano, 4 Hands).
Alfred Masterwork
Edition. Masterwork;
Romantic. Advanced. 40
pages. Published by
Alfred Mus
Piano SKU: BT.BWHBRM7813 Arranged by Hans Gunter Heumann. Piano Gefäll...(+)
Piano
SKU:
BT.BWHBRM7813
Arranged by Hans Gunter
Heumann. Piano Gefällt
Mir! Classical. CD Only.
Composed 2016. Bosworth &
Co. #BWHBRM7813.
Published by Bosworth &
Co. (BT.BWHBRM7813).
German.
The
accompanying CD for
Hans-Günter Heumann 's
Piano Gefällt Mir!
Classics , featuring
demonstrations of all the
tracks in the book, this
is a wonderful way to
improve your playing and
easily learn the
pieces.
(Musical Adaptation of the William Shakespeare Play). Composed by Audrey Snyder ...(+)
(Musical Adaptation of
the William Shakespeare
Play). Composed by Audrey
Snyder and John Jacobson.
For Choral (PREV CD).
Expressive Art (Choral).
CD only. Published by Hal
Leonard
(Musical Adaptation of the William Shakespeare Play). By Audrey Snyder and John ...(+)
(Musical Adaptation of
the William Shakespeare
Play). By Audrey Snyder
and John Jacobson. For
Choral
(Performance/Accompanimen
t CD). Expressive Art
(Choral). CD only.
Published by Hal Leonard
(Musical Adaptation of the William Shakespeare Play). By Audrey Snyder and John ...(+)
(Musical Adaptation of
the William Shakespeare
Play). By Audrey Snyder
and John Jacobson. For
Choral (Performance Kit
with CD). Expressive Art
(Choral). Published by
Hal Leonard
(Musical Adaptation of the William Shakespeare Play). By Audrey Snyder and John ...(+)
(Musical Adaptation of
the William Shakespeare
Play). By Audrey Snyder
and John Jacobson. For
Choral (CHORAL).
Expressive Art (Choral).
104 pages. Published by
Hal Leonard
(Musical Adaptation of the William Shakespeare Play). By Audrey Snyder and John ...(+)
(Musical Adaptation of
the William Shakespeare
Play). By Audrey Snyder
and John Jacobson.
LIBRETTO VOCAL 5PAK.
Expressive Art (Choral).
Published by Hal Leonard
