| Frederic Chopin: Piano sonatas op. 35 and op. 58 Piano seul [Conducteur d'étude / Miniature] G. Henle
In b Minor, Op. 58. By Frederic Chopin. Edited by E. Zimmermann. STUDY EDITION. ...(+)
In b Minor, Op. 58. By
Frederic Chopin. Edited
by E. Zimmermann. STUDY
EDITION. Pages: 82. Study
score-no details.
Published by G. Henle.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Trio No. 2 in C Minor, Op. 66 Violoncelle, Piano G. Henle
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble) SKU:
HL.51481532 Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN1532. Published by G.
Henle (HL.51481532).
UPC: 840126989298.
9.25x12.25x0.357
inches. After the
great success of his
first Piano Trio in d
minor op. 49, some five
years passed before
Mendelssohn set to work
on a new composition for
this formation. But then
the c-minor Trio came
into being in a
relatively short period
in March/April 1845 and
was published around a
year later. Much more
sombre in character than
the sibling work, this
second trio is also
considered much more
difficult in terms of
technique (above all in
the piano part). Thus, it
has always stood somewhat
in the shadow of the
earlier trio. However,
chamber music aficionados
generally regard it as
the more mature and
challenging work in terms
of compositional
technique. The trio,
taken from the volume
Mendelssohn • Piano
Trios HN 957, is now
available from Henle for
the first time also as a
practical single
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most
beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$36.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 24 Fugues for the Piano Piano seul Helbling Musikverlag
Piano SKU: BT.HBLW7962 Collection In All Major and Minor Keys. By ...(+)
Piano SKU:
BT.HBLW7962
Collection In All
Major and Minor Keys.
By Michael Aschauer. By
Anselm Huttenbrenner.
Book Only. 116 pages.
Helbling Musikverlag
#HBLW7962. Published by
Helbling Musikverlag
(BT.HBLW7962). ISBN
9783990355398. $46.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classic Melodies for Singers [Partition] Kevin Mayhew
Arranged by Noel Rawsthorne & Christopher Tambling. For Vocal. Solo song collect...(+)
Arranged by Noel
Rawsthorne & Christopher
Tambling. For Vocal. Solo
song collections. Sacred.
Book. Published by Kevin
Mayhew Publishers (U.K.
Import). Level:
Beginning-Intermediate.
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let's Enjoy Arranged Hanon Exercises! Vol.2 1 Piano, 4 mains [Conducteur] Yamaha
Piano Duet SKU: YM.GTP01100297 Accompaniment Audio Access Included...(+)
Piano Duet SKU:
YM.GTP01100297
Accompaniment Audio
Access Included.
Composed by Charles-Louis
Hanon. Arranged Hanon.
Arranged Classical Music,
Educational, Exercise,
Lesson. Score. Yamaha
Music Media #GTP01100297.
Published by Yamaha Music
Media (YM.GTP01100297).
ISBN 9784636102079.
8.5 x 12
inches. Here comes
a collection of sheet
music for playing Hanon
and Scales, the standard
finger exercises, in a
fun way! If you find the
Hanon and scales you use
in your daily practice
boring, this is the
perfect book for you. In
the Hanon arrangements,
the seconds are arranged
in various tunes such as
Tango, Rock, and Ragtime
styles. In the Scales
arrangements, one
arrangement is presented
in two different keys.
These are not only
exercises in fingerings,
but also exercises in
expression. Preliminary
exercises are also
provided for each
arrangement. Reference
performances and
second-only accompaniment
sound samples are
available for playing and
downloading, so you can
enjoy the book on your
own. Enjoy practicing
fingerings with your
teacher, students,
siblings, or friends! $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Every 100 Years - The Woody Guthrie Centennial Songbook Ligne De Mélodie, Paroles et Accords [Partition] TRO - The Richmond Organization
(100 Years - 100 Songs). By Woody Guthrie. For Melody/Lyrics/Chords. Richmond Mu...(+)
(100 Years - 100 Songs).
By Woody Guthrie. For
Melody/Lyrics/Chords.
Richmond Music .
Softcover. 128 pages.
Published by TRO - The
Richmond Organization
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The William Bay Collection - Plectrum Guitar Solo Anthology Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Fol...(+)
Guitar - Intermediate
SKU: MB.WBM58M
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M). ISBN
9781736363058. 8.75x11.75
inches. A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio. $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Zumsteeg: Ausgewahlte Lieder und Duette Carus Verlag
By Emilie Zumsteeg. Edited by Martina Rebmann. This edition: Paperbound. German ...(+)
By Emilie Zumsteeg.
Edited by Martina
Rebmann. This edition:
Paperbound. German title:
Ausgewahlte Lieder und
Duette. Secular Choral
Music. Collection. 88
pages. Published by Carus
Verlag collection
Secular Choral Music
$47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Building Right Hand Technique Guitare notes et tablatures [Partition] - Intermédiaire/avancé Mel Bay
by William Bay. For flatpick and plectrum guitar. All styles, notes and tab. Lev...(+)
by William Bay. For
flatpick and plectrum
guitar. All styles, notes
and tab. Level:
Intermediate-Advanced.
Book. Technique. Size
8.75x11.75. 132 pages.
Published by Mel Bay
Pub., Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Julius Weissenborn: Practical Method for the Bassoon Basson [Partition] Carl Fischer
Composed by Julius Weissenborn (1837-1888), edited by W. F. Ambrosio. Instructio...(+)
Composed by Julius
Weissenborn (1837-1888),
edited by W. F. Ambrosio.
Instructional book for
Bassoon. With fingering
chart. Fifty Advanced
Studies. 121 pages.
Published by Carl
Fischer.
(4)$31.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Keyboard Kids Flashcards - Vol. 3. [Flash Cartes ] Santorella Publications
Keyboard Kids Flashcards * Deck 3 composed by Tony Santorella. This edition: Pap...(+)
Keyboard Kids Flashcards
* Deck 3 composed by Tony
Santorella. This edition:
Paperback. Teaching Aid.
Keyboard Kids series.
Educational. Flashcards.
Text Language: English.
80 pages. Published by
Santorella Publications
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Brahms: Liebeslieder-Walzer [Conducteur] Carus Verlag
By Johannes Brahms. Edited by Musgrave, Michael. Secular Choral Music; Choral Co...(+)
By Johannes Brahms.
Edited by Musgrave,
Michael. Secular Choral
Music; Choral
Collections, Mixed Choir.
Score. 56 pages.
Published by Carus Verlag
(German import).
$26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Confitebor Tibi Carl Fischer
Choral Cello, Piano, Viola, Violin 1, Violin 2, SATB chorus SKU: CF.CM9655(+)
Choral Cello, Piano,
Viola, Violin 1, Violin
2, SATB chorus SKU:
CF.CM9655 Composed by
Johann Aiblinger. Edited
by Martin Banner. Fold.
Performance Score. 8
pages. Duration 1:45.
Carl Fischer Music
#CM9655. Published by
Carl Fischer Music
(CF.CM9655). ISBN
9781491157275. UPC:
680160915835. 6.875 x
10.5 inches. Key: A
minor. Latin, Latin.
Psalm
111. Confitebor
Tibi (Psalm 111) is the
second movement in a
collection entitled 14
Psalmi breves (14 Short
Psalms), by Johann
Aiblinger. Written for
SATB choir and piano, or
optional strings,
Banner's edition is
highly accessible for the
burgeoning mixed choir
interested in exploring
the classical style of
singing. Highly
recommend!. Johann
Caspar Aiblinger was born
in Wasserburg am Inn,
Germany in 1779. His
early musical training
was received at the
Benedictine Abbey in
Tegernsee. He spent most
of his adult life in
Munich, holding a variety
of posts, including
Kapellmeister at the
Italian Opera and the
court church in that
city, where he composed a
large number of Masses
and small scale church
works. Aiblinger passed
away in Munich in 1867.
CONFITEBOR TIBI (Psalm
111) is the second
movement in a collection
entitled 14 Psalmi breves
(14 Short Psalms),
written for SATB choir
and strings. This edition
is based upon a hand
copied score located in
the Sachsische
Landesbibliothek-Staats-u
nd
Universitatsbibliothek,
Mus.4528-D-2,1. The score
is laid out over four
pages, two systems per
page, eight staves per
system. The present
edition adheres closely
to the above mentioned
source, noting editorial
markings in parentheses.
Voice parts, where
notated in moveable
clefs, were rewritten in
treble clef; phrase
markings in the voice
parts were added where
two or more notes
occurred for a single
syllable of text; textual
underlay, given generally
only in the soprano and
tenor parts, was added to
the alto and bass parts.
Martin Banner. Johann
Caspar Aiblinger was born
in Wasserburg am Inn,
Germany in 1779. His
early musical training
was received at the
Benedictine Abbey in
Tegernsee. He spent most
of his adult life in
Munich, holding a variety
of posts, including
Kapellmeister at the
Italian Opera and the
court church in that
city, where he composed a
large number of Masses
and small scale church
works. Aiblinger passed
away in Munich in
1867.CONFITEBOR TIBI
(Psalm 111) is the second
movement in a collection
entitled “14 Psalmi
breves†(14 Short
Psalms), written for SATB
choir and strings. This
edition is based upon a
hand copied score located
in the Sächsische
Landesbibliothek-Staats-u
nd
Universitätsbibliothek
, Mus.4528-D-2,1. The
score is laid out over
four pages, two systems
per page, eight staves
per system.The present
edition adheres closely
to the above mentioned
source, noting editorial
markings in parentheses.
Voice parts, where
notated in moveable
clefs, were rewritten in
treble clef; phrase
markings in the voice
parts were added where
two or more notes
occurred for a single
syllable of text; textual
underlay, given generally
only in the soprano and
tenor parts, was added to
the alto and bass
parts.Martin Banner. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chips, and Salsa Too [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Claves, Congas, Dru...(+)
Band Bass Clarinet,
Bassoon, Cabasa, Clarinet
1, Clarinet 2, Claves,
Congas, Drum Set,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Güiro, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Percussion
3 and more. - Grade 2
SKU: CF.YPS222F
Composed by Ed Kiefer.
Sws. Yps. Full score. 20
pages. Duration 2
minutes, 34 seconds. Carl
Fischer Music #YPS222F.
Published by Carl Fischer
Music (CF.YPS222F).
ISBN 9781491156636.
UPC: 680160915170. 9 x 12
inches. Written in
an upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix. Latin
rhythms, featured
percussion, and lots of
nice melodies for the
winds makes this a piece
your students and
audiences will love! Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can't dance to it! The
syncopated rhythms are
infectious and you will
be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and don't
cover up the winds.
Remember, it's a dance.
Have fun!
Kiefer.ed@gmail.com
Facebook: The Music of Ed
Kiefer. Written in an
upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix.Latin rhythms,
featured percussion, and
lots of nice melodies for
the winds makes this a
piece your students and
audiences will love!Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can’t dance to it!
The syncopated rhythms
are infectious and you
will be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and
don’t cover up the
winds. Remember,
it’s a dance. Have
fun!Kiefer.ed@gmail.comFa
cebook: The Music of Ed
Kiefer. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143L
Composed by Stacy Garrop.
Spiral. Large Score. 68
pages. Duration 20
minutes. Theodore Presser
Company #116-42143L.
Published by Theodore
Presser Company
(PR.11642143L). UPC:
680160693320. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $71.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chips, and Salsa Too - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Claves, Congas, Dru...(+)
Band Bass Clarinet,
Bassoon, Cabasa, Clarinet
1, Clarinet 2, Claves,
Congas, Drum Set,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Güiro, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Percussion
3 and more. - Grade 2
SKU: CF.YPS222
Composed by Ed Kiefer.
Folio. Yps. Set of Score
and Parts.
8+8+2+8+8+4+2+6+4+2+2+4+4
+4+6+6+4+6+1+1+4+4+2+20
pages. Duration 2
minutes, 34 seconds. Carl
Fischer Music #YPS222.
Published by Carl Fischer
Music (CF.YPS222).
ISBN 9781491156629.
UPC: 680160915163. 9 x 12
inches. Written in
an upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix. Latin
rhythms, featured
percussion, and lots of
nice melodies for the
winds makes this a piece
your students and
audiences will love! Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can't dance to it! The
syncopated rhythms are
infectious and you will
be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and don't
cover up the winds.
Remember, it's a dance.
Have fun!
Kiefer.ed@gmail.com
Facebook: The Music of Ed
Kiefer. Written in an
upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix.Latin rhythms,
featured percussion, and
lots of nice melodies for
the winds makes this a
piece your students and
audiences will love!Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can’t dance to it!
The syncopated rhythms
are infectious and you
will be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and
don’t cover up the
winds. Remember,
it’s a dance. Have
fun!Kiefer.ed@gmail.comFa
cebook: The Music of Ed
Kiefer. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Berko's Journey [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143S
Composed by Stacy Garrop.
Sws. Score. 68 pages.
Duration 20 minutes.
Theodore Presser Company
#116-42143S. Published by
Theodore Presser Company
(PR.11642143S). UPC:
680160693313. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $40.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Complete Book of Harmony, Theory and Voicing for Guitar Guitare [Partition] - Intermédiaire/avancé Mel Bay
by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Adv...(+)
by Bret Willmott. For all
guitars. Complete. All
styles. Level:
Intermediate-Advanced.
Book. Theory and harmony.
Size 8.75x11.75. 248
pages. Published by Mel
Bay Pub., Inc.
$32.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz & Blues(250) All Time Hits Piano seul Music Sales
| | |
| Thunder! Chorale 2 parties 2 parties, Piano [Octavo] Alfred Publishing
By Sally K. Albrecht. Choir Secular. For Opt. Percussion (2-Part Choir). Choral ...(+)
By Sally K. Albrecht.
Choir Secular. For Opt.
Percussion (2-Part
Choir). Choral Octavo.
Choral Designs. 8 pages.
Published by Alfred Music
Publishing
$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Thunder! [Set de Parties séparées] Alfred Publishing
Choir Secular SoundPax SKU: AP.35583 Composed by Sally K. Albrecht. This ...(+)
Choir Secular SoundPax
SKU: AP.35583
Composed by Sally K.
Albrecht. This edition:
SoundPax. Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Part(s). 8
pages. Alfred Music
#00-35583. Published by
Alfred Music (AP.35583).
UPC: 038081397795.
English. Can you
hear it rumbling,
tumbling, grumbling all
over town? In a minor
key, but sure to be a
major hit! The
deep-sounding piano
accompaniment and
optional percussion add
even more stormy
drama! $20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song of Celebration Cloches Shawnee Press
Handbells SKU: HL.35021059 3-5 Octaves of Handbells Level 3. Compo...(+)
Handbells SKU:
HL.35021059 3-5
Octaves of Handbells
Level 3. Composed by
J. Westenkuehler. Shawnee
Press. 12 pages. Shawnee
Press #HP5355. Published
by Shawnee Press
(HL.35021059). UPC:
747510029045.
8.5x11.0x0.039
inches. 6/8
time,energy, and
major-minor melody are
all a part of this
original composition for
3, 4 or 5 octaves.
Cluster chords,
resembling bell tower
tolls introduce the work
and are used throughout.
After a happy, major key
section the parallel
minor key is invoked for
a passage of malleting
bells on tables. A
peaceful section ensues
before returning to Tempo
I. $4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Au bord de l'eau Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
SSATB Choir, Piano - Level 3 SKU: CA.925400 Composed by Gabriel Faure. Ar...(+)
SSATB Choir, Piano -
Level 3 SKU:
CA.925400 Composed by
Gabriel Faure. Arranged
by Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score. Op.
8,1. Duration 2 minutes.
Carus Verlag #CV
09.254/00. Published by
Carus Verlag (CA.925400).
ISBN M-007-24916-8.
Key: C sharp minor.
Language: French. Text:
Prudhomme,
Sully. In Au bord
de l'eau (By the water)
two lovers sit as in a
dream, removed from the
real world with all its
conflicts. They only take
themselves seriously, the
surrounding nature lies
as beneath a dream-like
veil: steadily like the
river flowing by, the
passing clouds, the
babbling brook, time also
passes. The poet Sully
Prudhomme, the first
Nobel prizewinner for
literature (1901), ends
the poem with the
assertion that only love
is immortal. With this
knowledge, Gabriel
Faure's setting turns
from a dreamy, deceptive
C sharp minor to a more
promising C sharp major.
These art songs were
originally composed not
for chamber choir, but
for solo voice and piano.
Denis Rouger has
carefully adapted them to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495). $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Universe Chorale SATB SATB A Cappella [Conducteur] - Facile Carus Verlag
SATB chorus a cappella - Grade 3 SKU: CA.927200 Composed by Karin Rehnqvi...(+)
SATB chorus a cappella -
Grade 3 SKU:
CA.927200 Composed by
Karin Rehnqvist. Carus
digital: Extra digital
products. Full Score.
Duration 2 minutes. Carus
Verlag #927200. Published
by Carus Verlag
(CA.927200). ISBN
9790007302030.
English. A short
and accessible work that
nevertheless captures an
entire cosmos of ideas
and elements of
contemporary vocal
music!The
internationally renowned
Swedish composer and
conductor Karin Rehnqvist
undertook some research
before beginning work on
her composition Universe.
Wanting to know how many
stars and galaxies are in
our universe, she came
across estimates by
renowned astronomers: 200
billion trillion stars
and 2 trillion galaxies.
Such dizzying numbers are
simply beyond our human
comprehension.
Universe begins with
a swelling opening chord,
which directs our gaze
into the sky. Then
Rehnqvist portrays this
dizzy sense of awe by
means of tumbling
glissandi, rhythmic
off-beats that disrupt
the meter, secondary
clusters stacked on top
of each other, and
babbling speech.
Eschewing major/minor
tonality, she instead
makes use of pentatonic
series and different
tonal centers. This work
is ideal for ambitious
amateur choirs, as the
pentatonic series are
easy to memorize while
the skillful voice
leading makes it easy to
correctly pitch the
clusters. A great piece
for anyone wanting an
accessible and realizable
introduction to
contemporary vocal music
and advanced performance
techniques!For
budding astronomers,
Karin Rehnqvist
recommends the following
website:https://theco
nversation.com/how-many-s
tars-are-there-in-space-1
65370 $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| De Profundis Chorale SATB SATB, Piano Carl Fischer
Choral SATB Voices with Piano and optional Strings SKU: CF.CM9504 Compose...(+)
Choral SATB Voices with
Piano and optional
Strings SKU:
CF.CM9504 Composed by
Johann Aiblinger. Edited
by Martin Banner. Fold.
Performance. With
Standard notation. 8
pages. Duration 1 minute,
49 seconds. Carl Fischer
Music #CM9504. Published
by Carl Fischer Music
(CF.CM9504). ISBN
9781491146088. UPC:
680160903580. 6.875 x
10.5 inches. Key: G
minor. Traditional
Latin. This modern
performance edition of
Aiblinger's De Profundis
is based on a hand copied
score found in Dresden,
Germany and adheres
closely to the original
source. Mixed ensembles
of all sizes will enjoy
singing this choral gem
with its colorful and
progressive harmonies
that bridge the Classical
and the Romantic
period. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Erebling Toccata And Fugue In D Minor Organ Orgue Music Sales
Organ SKU: HL.14009890 Composed by Johann Ernst Eberlin. Music Sales Amer...(+)
Organ SKU:
HL.14009890 Composed
by Johann Ernst Eberlin.
Music Sales America.
Classical. Book
[Softcover]. Music Sales
#NOV580350. Published by
Music Sales
(HL.14009890).
$15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto for Violoncello and Orchestra (2012) Violoncelle, Orchestre EMB (Editio Musica Budapest)
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra
SKU: BT.EMBZ14893
Composed by László
Dubrovay. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2016. 68
pages. Editio Musica
Budapest #EMBZ14893.
Published by Editio
Musica Budapest
(BT.EMBZ14893).
The concerto
was inspired by István
Várdai's play and is
dedicated to him. The
triple movement structure
and the character of the
movements follow the
patterns of classical
concertos, while the
thematic connections
spanning the movements
rather reflect the
structural principles of
Romantic symphonies. In
the first movement, which
resembles the form of a
sonata, the characters of
the themes are
spectacularly separated.
The motif of the main
theme, constructed with
glissandos, is
supplemented by a theme
the composer refers to as
a motif of fate, and the
two together form a
significant contrast with
the minor theme with its
lyrical tone and the
playful, ending
themeresembling a
children's song. The
contrasts between depth
and height, as well as
darkness and light, have
a significant role in all
three movements. The
music of the first
movement gradually rises
to increasingly bright
and higher regions, the
gloomy atmosphere of the
marginal parts in the
second movement is offset
by the tune's
transcendental light in
its central part, while
the rondo theme of the
third movement with its
6/8 metre dance-like
character is supplemented
with motifs of a
contrasting nature from
the earlier
movements. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Music Of Africa And The African Diaspora - Volume 5 Piano seul [Partition] - Avancé Oxford University Press
Edited by William H. Chapman Nyaho. Piano Music of the African Diaspora. Collect...(+)
Edited by William H.
Chapman Nyaho. Piano
Music of the African
Diaspora. Collection. 72
pages. Oxford University
Press #9780193870031.
Published by Oxford
University Press
$31.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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