| When You Prayed Beneath the Trees Chorale [Vocal Score] Hope Publishing Company
By Lloyd Larson. For medium voice solo. Key of D minor. Atonement, Blood, Cross ...(+)
By Lloyd Larson. For
medium voice solo. Key of
D minor. Atonement,
Blood, Cross of Christ,
Good Friday,
Gratefulness, Holy Week,
Lamb of God, Life of
Christ, Maundy Thursday,
Redemption, Sacrifice.
Vocal score. Published by
Hope Publishing Company
(HP.860
$7.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Gather 'Round the Christmas Tree Chorale 3 parties 3 parties Mixtes Shawnee Press
Choral (3-Part Mixed choir) SKU: HL.1123794 Composed by Greg Gilpin. Shaw...(+)
Choral (3-Part Mixed
choir) SKU:
HL.1123794 Composed
by Greg Gilpin. Shawnee
Press. Christmas,
Concert, Festival,
Holiday. Octavo. Duration
150 seconds. Published by
Shawnee Press
(HL.1123794). ISBN
9781705181973. UPC:
196288109884.
6.75x10.5x0.036
inches. Greg Gilpin
always brings us festive
originals for the
holidays and winter. This
new work takes us to the
sparkle and twinkle of
the Christmas tree! Using
both minor and major
modes, this choral asks
us to gather by the most
beautiful decoration in
the room and share the
holiday spirit together
as family and friends.
Check out the festive
track to create even more
excitement for your
holiday performance. $2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gather 'Round the Christmas Tree Chorale 2 parties Shawnee Press
Choral (2-Part) SKU: HL.1123795 Composed by Greg Gilpin. Shawnee Press. C...(+)
Choral (2-Part) SKU:
HL.1123795 Composed
by Greg Gilpin. Shawnee
Press. Christmas,
Concert, Festival,
Holiday. Octavo. 12
pages. Duration 150
seconds. Published by
Shawnee Press
(HL.1123795). ISBN
9781705181980. UPC:
196288109891.
6.75x10.5x0.029
inches. Greg Gilpin
always brings us festive
originals for the
holidays and winter. This
new work takes us to the
sparkle and twinkle of
the Christmas tree! Using
both minor and major
modes, this choral asks
us to gather by the most
beautiful decoration in
the room and share the
holiday spirit together
as family and friends.
Check out the festive
track to create even more
excitement for your
holiday performance. $2.20 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two Landscapes of Song for Treble Voices Carl Fischer
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool ...(+)
Choral SA choir, piano
SKU: CF.CM9576
1. Who Robbed the
Woods 2. Cool is the
Valley Now. Composed
by Paul David Thomas.
Sws. Performance Score.
16 pages. Carl Fischer
Music #CM9576. Published
by Carl Fischer Music
(CF.CM9576). ISBN
9781491153987. UPC:
680160912483. 6.875 x
10.5 inches. Key: G
minor. English. Emily
Dickinson (1830-1886) ,
Walt Whitman
(1819-1892). The
two pieces, Who Robbed
the Woods? and O Cool is
the Valley Now, combine
to create a set that both
explores the subtle
beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around us.
The first song combines a
short poem by Emily
Dickinson with a journal
entry excerpt by Walt
Whitman entitled The
Lesson of the Tree.
Only two stanzas in
length, Dickinsons poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees behalf, who
would do such a thing?
Whitman ponders a trees
silent majesty and power
and its ability to be yet
say nothing at all. The
musical setting begins
and ends in the mode of
G-Dorian while moving
briefly in the middle
section to Bb major. The
Dorian mode, similar to
the natural minor but
with a raised sixth scale
degree, possesses a
mysterious and whimsical
sound, fitting for a poem
that considers the
possibility of talking
trees. The accents and
syncopation of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 712. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 3953). O Cool
is the Valley Now also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this modes lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
910, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
aWho Robbed the Woods?a
and aO Cool is the Valley
Now,a combine to create a
set that both explores
the subtle beauty,
serenity, fragility, and
resiliency of nature and
examines our relationship
to the natural world
around us. The first song
combines a short poem by
Emily Dickinson with a
journal entry excerpt by
Walt Whitman entitled
The Lesson of the
Tree. Only two
stanzas in length,
Dickinsonas poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the treesa behalf, who
would do such a thing?
Whitman ponders a treeas
silent majesty and power
and its ability to be
ayet say nothing at all.a
The musical setting
begins and ends in the
mode of G-Dorian while
moving briefly in the
middle section to Bb
major. The Dorian mode,
similar to the natural
minor but with a raised
sixth scale degree,
possesses a mysterious
and whimsical sound,
fitting for a poem that
considers the possibility
of talking trees. The
accents and syncopation
of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7a12. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 39a53). O Cool
is the Valley NowA also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this modeas lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9a10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
aWho Robbed the Woods?a
and aO Cool is the Valley
Now,a combine to create a
set that both explores
the subtle beauty,
serenity, fragility, and
resiliency of nature and
examines our relationship
to the natural world
around us. The first song
combines a short poem by
Emily Dickinson with a
journal entry excerpt by
Walt Whitman entitled
The Lesson of the
Tree. Only two
stanzas in length,
Dickinsonas poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the treesa behalf, who
would do such a thing?
Whitman ponders a treeas
silent majesty and power
and its ability to be
ayet say nothing at all.a
The musical setting
begins and ends in the
mode of G-Dorian while
moving briefly in the
middle section to Bb
major. The Dorian mode,
similar to the natural
minor but with a raised
sixth scale degree,
possesses a mysterious
and whimsical sound,
fitting for a poem that
considers the possibility
of talking trees. The
accents and syncopation
of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7a12. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 39a53). O Cool
is the Valley NowA also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this modeas lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9a10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
Who Robbed the Woods? and
O Cool is the Valley Now,
combine to create a set
that both explores the
subtle beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around us.
The first song combines a
short poem by Emily
Dickinson with a journal
entry excerpt by Walt
Whitman entitled The
Lesson of the Tree.
Only two stanzas in
length, Dickinson's poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees' behalf, who
would do such a thing?
Whitman ponders a tree's
silent majesty and power
and its ability to be yet
say nothing at all. The
musical setting begins
and ends in the mode of
G-Dorian while moving
briefly in the middle
section to Bb major. The
Dorian mode, similar to
the natural minor but
with a raised sixth scale
degree, possesses a
mysterious and whimsical
sound, fitting for a poem
that considers the
possibility of talking
trees. The accents and
syncopation of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7-12. The beginning
a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm. 39-53). O Cool
is the Valley Now also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this mode's lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9-10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
Who Robbed the Woods? and
O Cool is the Valley Now,
combine to create a set
that both explores the
subtle beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around us.
The first song combines a
short poem by Emily
Dickinson with a journal
entry excerpt by Walt
Whitman entitled The
Lesson of the Tree. Only
two stanzas in length,
Dickinson's poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees' behalf, who
would do such a thing?
Whitman ponders a tree's
silent majesty and power
and its ability to be yet
say nothing at all. The
musical setting begins
and ends in the mode of
G-Dorian while moving
briefly in the middle
section to Bb major. The
Dorian mode, similar to
the natural minor but
with a raised sixth scale
degree, possesses a
mysterious and whimsical
sound, fitting for a poem
that considers the
possibility of talking
trees. The accents and
syncopation of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7-12. The beginning a
cappella section should
be hushed yet intense; a
richer, fuller sound may
be brought out in the
middle section where the
key shifts to Bb major
and the choir sings of
the many noble qualities
of trees (mm. 39-53). O
Cool is the Valley Now
also makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this mode's lack of a
leading tone gives the
melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9-10, imitating the
rolling hills and valleys
evoked in the text. The
phrases of the vocal
lines should also be
flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p.
14. The two pieces,
“Who Robbed the
Woods?†and
“O Cool is the
Valley Now,â€
combine to create a set
that both explores the
subtle beauty, serenity,
fragility, and resiliency
of nature and examines
our relationship to the
natural world around
us.The first song
combines a short poem by
Emily Dickinson with a
journal entry excerpt by
Walt Whitman entitled The
Lesson of the Tree. Only
two stanzas in length,
Dickinson’s poem
considers the ways in
which people use and
exploit trees for their
own purposes and asks, on
the trees’ behalf,
who would do such a
thing? Whitman ponders a
tree’s silent
majesty and power and its
ability to be “yet
say nothing at
all.â€The musical
setting begins and ends
in the mode of G-Dorian
while moving briefly in
the middle section to Bb
major. The Dorian mode,
similar to the natural
minor but with a raised
sixth scale degree,
possesses a mysterious
and whimsical sound,
fitting for a poem that
considers the possibility
of talking trees. The
accents and syncopation
of the piano
accompaniment should be
carefully observed, with
particular attention paid
to the syncopation found
in gestures occurring in
mm. 7–12. The
beginning a cappella
section should be hushed
yet intense; a richer,
fuller sound may be
brought out in the middle
section where the key
shifts to Bb major and
the choir sings of the
many noble qualities of
trees (mm.
39–53).O Cool is
the Valley Now also
makes use of a modal
scale. Set primarily in D
Mixolydian, similar to D
major but with a lowered
seventh scale degree,
this mode’s lack
of a leading tone gives
the melody a folk-tune
quality. The piano should
at all times remain
legato and flowing, its
ascending and descending
gestures, found in mm.
9–10, imitating
the rolling hills and
valleys evoked in the
text. The phrases of the
vocal lines should also
be flowing and carefully
shaped. Additional rubato
and dynamic subtleties
may be added to
accentuate any number of
the suspensions and
dissonances that occur,
especially on p. 14. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Streets Of Laredo CD Chorale Hal Leonard
Choral (ShowTrax CD) SKU: HL.269783 Composed by Traditional. Arranged by ...(+)
Choral (ShowTrax CD)
SKU: HL.269783
Composed by Traditional.
Arranged by Roger
Emerson. Choral
Exploration. American,
Country, Folk, Male
Voices. CD. Duration 165
seconds. Published by Hal
Leonard (HL.269783).
UPC: 888680739164.
5.0x5.0x0.15
inches. This novel
treatment of the classic
cowboy song is anything
but the original.
Completely reharmonized
with extended phrases and
a minor mode for the
third verse will make it
perfect for that concert
or festival while still
motivating with its
contemporary
harmonies. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Streets of Laredo Chorale 3 parties SSA Hal Leonard
Choral (SSA Choir) SKU: HL.269782 Arranged by Roger Emerson. Choral Explo...(+)
Choral (SSA Choir)
SKU: HL.269782
Arranged by Roger
Emerson. Choral
Exploration. Concert,
Festival, Folk. Octavo.
Duration 165 seconds.
Published by Hal Leonard
(HL.269782). UPC:
888680739157.
6.75x10.5x0.04
inches. This novel
treatment of the classic
“cowboy†song
is anything but the
original. Completely
reharmonized with
extended phrases and a
minor mode for the third
verse will make it
perfect for that concert
or festival while still
motivating with its
contemporary
harmonies. $2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Das Bach-Buch für Gitarre – Band 1: 42 Solostücke Guitare Sikorski
Guitar SKU: HL.50148750 Guitar Solo. Composed by Johann Sebastian ...(+)
Guitar SKU:
HL.50148750 Guitar
Solo. Composed by
Johann Sebastian Bach.
Edited by G. Schwarz.
Guitar Collection.
Baroque, Classical,
Collection. 32 pages.
Sikorski #SIK340.
Published by Sikorski
(HL.50148750). UPC:
073999779769.
9.25x12.25x0.123
inches. Contents:
Allegro Moderato •
Aria (Willst Du Dein Herz
Mir Schenken) •
Bourrée •
Chorale • Double
• Entree (Overture
in F) • Gavotte
• Gavotte •
Gigue • Giguetta
(Partita in C) •
Kleiner Kanon •
March in D Major •
Menuett • Moderato
• Polonaise in A
Minor • Prelude in
A Minor • Prelude
in C • Prelude in C
Minor • Sarabande
• Scherzo. $21.00 - Voir plus => Acheter | | |
| little tree Chorale SATB SATB A Cappella Schirmer
By Matthew Harris. (SATB A Cappella). Choral. Size 6.75x10.5 inches. 12 pages. ...(+)
By Matthew Harris. (SATB
A Cappella). Choral. Size
6.75x10.5 inches. 12
pages. Published by G.
Schirmer, Inc.
$1.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jesus Christ the Apple Tree Chorale Unison Unison/2-parties, Piano - Facile Augsburg Fortress
Unison/2 Part Choir, keyboard, opt C instrument - Easy SKU: AU.9781506479835<...(+)
Unison/2 Part Choir,
keyboard, opt C
instrument - Easy SKU:
AU.9781506479835
Composed by Timothy Shaw.
Augsburg Choral Library.
Christian, Sacred,
Christmas. Octavo.
Augsburg Fortress
#9781506479835. Published
by Augsburg Fortress
(AU.9781506479835).
ISBN 9781506479835. 7
x 10.25
inches. Beauty and
flexibility abound in
Timothy Shaw's strophic
setting of the beloved
Apple Tree Carol. Written
in a minor key with a
pensive mood, the unison
stanzas could be shared
by children, soloists, or
choir sections. Optional
vocal harmony and
instrumental obbligato
add further texture
options. While not
limited to the Christmas
season, this is a great
addition to your next
Lessons and Carols
service or to sing during
Christmas worship. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasia Misterioso - Handbell Score Cloches - Intermédiaire Choristers Guild
By Cathy Moklebust. For handbells (4-7 octaves), finger cymbal, tambourine, chim...(+)
By Cathy Moklebust. For
handbells (4-7 octaves),
finger cymbal,
tambourine, chime tree,
hand drum. Master Ringer
Series. Level 4. Handbell
score. Published by
Chorister's Guild
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Go for Guitar Vol.2 MDS (Music Distribution Services) (+)
-
Russian Dance
-
Troika
-
Katibim
-
Swedish Farewell Song
-
Viking Shanty
-
The Galway Piper
-
Oh Susanna
-
Hit the Bass
-
Lady Guitarra
-
The Streets Of Laredo
-
Tropical Strings
-
Skip to My Lou (Flies
in the Buttermilk)
-
Scottish Dance
-
Preview
-
There is a hole in my
Bucket
-
Major to Minor
-
A Major in Second
Position
-
Study in II
-
Run For Your Life
-
Simi Jardech
-
Can Can
(Offenbach)
-
Catch Question
-
A Little Rhapsody
-
Mayas Amigos
-
A Glorious Day
-
Danza Constanza
-
Buffalo Gals
-
Trentum
-
Ma Bella Bimba
-
Chansonette
-
Dark Eyes
-
Tarantella
-
Un Petit Peu
-
Go Down Moses
-
Midnight Moscow
-
Gay Gordon
-
Cap Criollo
(Calypso) Open D
-
Little Brown Jug
-
Glory Hallelujah
-
Mexican Hat Dance
-
Danza Oriental
-
Go for the Blues
-
Tapas por Guitarras
-
Balkan Dance
-
Er is een Kindeke
-
Es Nadal
-
Joy To The World
-
O Denneboom
-
Jingle Bells
-
Silent Night
-
Away in A Manager
-
Ding Dong Merrily On High
-
We Wish You a Merry
Christmas
-
Used Chords
| | |
| Scale for Sale Volume 1 MDS (Music Distribution Services) (+)
-
The Lochs of Scotland
-
Oh Sinner Man
-
Ballade
-
The Magnificent VII
-
Wayfarin Stranger
-
III for the Waltz
-
Minor Mood
-
5th Avenue
-
Scale for Sale
-
Let's Have a Chet
-
Head Banger
-
The Rag Pickers Song
-
Rumba
-
Calypso
-
English Air
-
An English Country Garden
-
Waltz
-
(B) E Sharp
-
Kayak
-
El Loco
-
Slow Down
-
Hasta la Pasta
-
Saltarello
-
The Streets Of Laredo
-
The Latin Waltz
-
A Desert Tune
-
Kaapren Varen (Dutch
Shanty)
-
Deck the Halls Make it
Reel Snappy (Irish
Reel)
| | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| Chopin Prelude in E Minor Ensemble de Percussions [Conducteur et Parties séparées] Row-Loff Publications
Arranged by David Steinquest. Concert Ensemble. For Bells, Xylo, Vibes, Marimba ...(+)
Arranged by David
Steinquest. Concert
Ensemble. For Bells,
Xylo, Vibes, Marimba (4
octave), Shaker, Sizzle
Cymbal, Suspended Cymbal,
Guiro, Bongos, Congas,
Triangle, Mark Tree,
Optional Bass Guitar.
Level: 1. Duration 2:45.
Published by Row-Loff
Publications.
$35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Haunted Tree Piano seul - Facile Willis Music
Early Intermediate Level. By William L. Gillock. Arranged by William L. Gillock....(+)
Early Intermediate Level.
By William L. Gillock.
Arranged by William L.
Gillock. Willis. Size
9x12 inches. 4 pages.
Published by Willis
Music.
$2.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Away in a Manger Chorale SATB SATB, Cloches [Octavo] Hope Publishing Company
Arranged by Susan Nelson. For SATB choir with optional handbell solo or bell tre...(+)
Arranged by Susan Nelson.
For SATB choir with
optional handbell solo or
bell tree (handbells
(opt. 4-in-hand): a5/f6,
b5/g6). The Susan T.
Nelson Choral Series.
Christmas, Sacred.
Octavo. 12 pages.
Published by Hope
Publishing Company
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Slavonic Dance No. 8 in G Minor Ensemble de Percussions [Conducteur et Parties séparées] Row-Loff Publications
By Antonin Dvorak (1841-1904). Arranged by John R. Hearnes. Concert Ensemble. Fo...(+)
By Antonin Dvorak
(1841-1904). Arranged by
John R. Hearnes. Concert
Ensemble. For percussion
ensemble (13 players:
Bells, Xylophone, (2)
Vibes, (2) Marimbas (1, 4
octave, 1, 4 1/2 octave),
(2) Timpani (26 , 29 ),
Chimes, Snare Drum, (2)
Tambourines, Claves, Bass
Drum, Crash Cymbals, Mark
Tree, Triangle, Wood
Block, Suspended Cymbal).
Florida State Solo and
Ensemble List. 5. Score
and parts. Duration 3:52.
Published by Row-Loff
Publications
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Tree Springs to Life Chorale 3 parties SAB - Intermédiaire MorningStar Music Publishers
SAB choir, keyboard - Intermediate SKU: MN.50-3404 Composed by Austin C. ...(+)
SAB choir, keyboard -
Intermediate SKU:
MN.50-3404 Composed
by Austin C. Lovelace.
Lent, 20th Century.
Octavo. MorningStar Music
Publishers #50-3404.
Published by MorningStar
Music Publishers
(MN.50-3404). UPC:
688670534041. Power
ful effective Fred Kaan
text. Appears in new
Methodist and
Presbyterian hymnals.
Early American folktune
REDEMPTION strong partner
with minor key. Lean
harmony, easy
singability. Youth and
adult choirs. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pirates of the Cherry Tree Chorale 2 parties Alfred Publishing
Choir Secular (2-Part choir) SKU: AP.48976 Composed by Penny Rodriguez. M...(+)
Choir Secular (2-Part
choir) SKU:
AP.48976 Composed by
Penny Rodriguez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48976. Published by
Alfred Music (AP.48976).
UPC: 038081563008.
English. Words by Nanci
Milam. It's a
creative day of play as
kids imagine themselves
pirates on a grand
outdoor adventure.
Contemporary poet Nanci
Milam pens a colorful
course and a compelling
cast of characters, with
a detailed account of
their quest. Composer
Penny Rodriguez adds a
jaunty compound meter,
cheerful minor key, and a
few sudden dynamic
changes to enhance the
drama and capture the
spirit. A perfect pairing
of music and lyrics, a
treasure for younger
singers! This title is
available in MakeMusic
Cloud. $2.05 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Bebop Book Hal Leonard
Bb Instruments SKU: HL.295068 Bb Edition. By Various. Fake Book. B...(+)
Bb Instruments SKU:
HL.295068 Bb
Edition. By Various.
Fake Book. Bebop, Jazz.
Softcover. 248 pages.
Published by Hal Leonard
(HL.295068). ISBN
9781540055200. UPC:
888680945091.
8.5x11.0x0.592
inches. Your new
official bebop bible!
Over 200 classics
arranged for Bb
instruments in Real Book
style. Titles include:
Anthropology * Au Privave
* Be-Bop * Boneology *
Boplicity (Be Bop Lives)
* Byrd Like * Cherokee
(Indian Love Song) *
Confirmation * Donna Lee
* Doxy * Epistrophy *
52nd Street Theme * Four
* Goin' to Minton's *
Good Bait * Groovin' High
* Hi-Fly * Hot House * In
Walked Bud * Jay Bird *
Lady Bird * Lennie's
Pennies * Moose the
Mooche * Move * Oblivion
* Oleo * Parisian
Thoroughfare * Rosetta *
Salt Peanuts * Solar *
Teaneck * Tin Tin Deo *
Tour De Force *
Tricrotism * Wail *
Woodyn' You * Yardbird
Suite * and more! Comb
bound. $34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 5 in D Minor, Op. 47 Orchestre d'harmonie Southern Music Ltd
Transcribed by R. Mark Rogers for Symphonic Wind Band. Composed by Dmitri ...(+)
Transcribed by R. Mark
Rogers
for Symphonic Wind Band.
Composed by Dmitri
Shostakovich (1906-1975).
Edited by Mark Rogers.
Southern Music. Concert.
Softcover. Southern Music
Company #S977CB.
Published by
Southern Music Company
$395.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Minor Blues For Piano (rue Du Sentier, 1778) Piano seul Schott
Piano (Piano) - difficult SKU: HL.49019225 (Rue du Sentier, 1778)....(+)
Piano (Piano) - difficult
SKU: HL.49019225
(Rue du Sentier,
1778). Composed by
Benjamin Schweitzer. This
edition: Saddle
stitching. Sheet music.
Piano. Softcover.
Composed 2005. 8 pages.
Duration 5'. Schott Music
#ED21337. Published by
Schott Music
(HL.49019225). ISBN
9790001187114. UPC:
884088916497.
9.0x12.0x0.058
inches. The title
may be read as an
indication of the key and
genre, on the one hand,
but also as an allusion
to a slightly depressive
mood, on the other hand.
Mozart's Piano Sonata in
A minor which may have
been created in the
Parisian street mentioned
in the subtitle virtually
serves as background for
this little, yet somewhat
tricky piano piece. There
are no direct quotations,
but the dissonant chord
from bar 2 of the sonata
in A minor hovers in the
background. Mosaic-like,
slightly dabbed sound
elements are regularly
interrupted by brief,
strong beats. Ambitious
performers who want to
explore new playing
techniques will enjoy
this piece as much as the
audience. $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Streets of Shilin Orchestre à Cordes [Conducteur] - Facile FJH
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6354S Score Only. C...(+)
Orchestra String
Orchestra - Grade 2
SKU: FJ.ST6354S
Score Only.
Composed by William
Owens. Series; String
Orchestra. FJH Developing
Strings. Multicultural.
Score. Duration 2:00. The
FJH Music Company Inc
#98-ST6354S. Published by
The FJH Music Company Inc
(FJ.ST6354S).
English. Experie
nce the energy and
excitement of the world
famous Taiwanese night
markets with this highly
spirited work! Largely in
minor mode, Streets of
Shilin covers a wide
scope of styles and will
be an instant favorite
with young musicians. The
optional percussion part
will lend a special
quality to your
performance. Authentic
sounding and very
accessible! $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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