| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Lin-Manuel Miranda Collection
Piano, Voix et Guitare Hal Leonard
Composed by Lin-Manuel Miranda (1980-). P/V/G Composer Collection. Broadway, D...(+)
Composed by Lin-Manuel
Miranda
(1980-). P/V/G Composer
Collection. Broadway,
Disney,
Movies. Softcover. 304
pages.
Duration 285 seconds.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hamilton Women Chorale 3 parties SSA Alfred Publishing
Satisfied * Burn * Helpless * The Schuyler Sisters, from the Broadway musical....(+)
Satisfied * Burn *
Helpless
* The Schuyler Sisters,
from
the Broadway musical.
Composed by Lin-Manuel
Miranda (1980-). Arranged
by
Lisa DeSpain. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Form: Medley.
Broadway; Secular. Choral
Octavo. 24 pages. Alfred
Music #00-48486.
Published
by Alfred Music
$2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resmiranda (Wonderful Thing) Chorale SATB Hinshaw Music Inc.
Composed by Mitchell Covington. Hinshaw Music. Christmas, Christmas Sacred, S...(+)
Composed by Mitchell
Covington. Hinshaw Music.
Christmas, Christmas
Sacred,
Sacred. Octavo. Hinshaw
Music
Inc. #HMC2622. Published
by
Hinshaw Music Inc.
$2.55 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two Oruguitas Chorale 3 parties SAB Hal Leonard
Choral (SAB Choir) From Encanto. Composed by Lin- Manuel Miranda (1980-). Arran...(+)
Choral (SAB Choir)
From Encanto. Composed by
Lin-
Manuel Miranda (1980-).
Arranged by Audrey
Snyder.
Disney Choral. Disney,
Ethnic
Reference, Latin
American,
Movies, Musicals, Pop,
Salsa,
Show Choir, Tango.
Octavo.
Published by Hal Leonard
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two Oruguitas (from Encanto) Orchestre à Cordes [Conducteur et Parties séparées] - Facile Hal Leonard
Composed by Lin-Manuel Miranda (1980-). Arranged by Robert Longfield. Easy Pop...(+)
Composed by Lin-Manuel
Miranda
(1980-). Arranged by
Robert
Longfield. Easy Pop
Specials
For Strings. Disney,
Movies.
Softcover. Duration 180
seconds. Published by Hal
Leonard
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two Oruguitas (from Encanto) Quatuor à cordes: 2 violons, alto, violoncelle - Facile Hal Leonard
For String Quartet - Easy Level. Composed by Lin-Manuel Miranda. Arranged by...(+)
For String Quartet - Easy
Level. Composed by
Lin-Manuel
Miranda. Arranged by
Robert
Longfield. Pops For
String
Quartet. Disney, Movies.
Duration 180 seconds.
Published by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two Oruguitas Chorale SATB Hal Leonard
Choral (SATB) From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged b...(+)
Choral (SATB)
From Encanto. Composed by
Lin-
Manuel Miranda (1980-).
Arranged by Audrey
Snyder.
Disney Choral. Disney,
Ethnic
Reference, Latin
American,
Movies, Musicals, Pop,
Salsa,
Show Choir, Tango.
Octavo.
Published by Hal Leonard
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two Oruguitas Chorale 2 parties Hal Leonard
Choral (2-Part) From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged...(+)
Choral (2-Part)
From Encanto. Composed by
Lin-
Manuel Miranda (1980-).
Arranged by Audrey
Snyder.
Disney Choral. Disney,
Ethnic
Reference, Latin
American,
Movies, Musicals, Pop,
Salsa,
Show Choir, Tango.
Octavo.
Published by Hal Leonard
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In The Heights Piano, Voix et Guitare Alfred Music - Digital Sheet Music
Music from the Original Motion Picture Soundtrack. Composed by Lin-Manuel Mir...(+)
Music from the Original
Motion Picture
Soundtrack.
Composed by Lin-Manuel
Miranda (1980-). This
edition:
Piano/Vocal/Guitar.
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Broadway;
Movie; Pop. Book. Alfred
Music #00-49405.
Published by
Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In the Heights (Choral Highlights) CD Chorale 2 parties, Piano [CD] Alfred Publishing
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. This edition:
SoundTrax CD. Choral
Octavo;
Performance Music
Ensemble;
Single Titles. Alfred Pop
Choral Series. Form:
Medley.
Broadway; Secular. CD.
Alfred
Music #00-48969.
Published by
Alfred Music
$39.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| In the Heights (Choral Highlights) Chorale 3 parties SAB Alfred Publishing
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. Choral Octavo.
Alfred Music #00-48967.
Published by Alfred Music
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In the Heights (Choral Highlights) Chorale 2 parties 2 parties, Piano Alfred Publishing
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. Choral Octavo.
Alfred Music #00-48968.
Published by Alfred Music
$2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In the Heights (Choral Highlights) Chorale SATB SATB, Piano Alfred Publishing
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. Choral Octavo.
Alfred Music #00-48966.
Published by Alfred Music
$2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Lin-Manuel Miranda Choral Medley Chorale 3 parties SSA Hal Leonard
Choral (SSA Choir) SKU: HL.1216161 Composed by Lin-Manuel Miranda. Arrang...(+)
Choral (SSA Choir)
SKU: HL.1216161
Composed by Lin-Manuel
Miranda. Arranged by Mark
A. Brymer. Disney Choral.
Broadway, Disney, Medley,
Movies, Musicals, Show
Choir. Octavo. Duration
470 seconds. Published by
Hal Leonard (HL.1216161).
UPC: 196288140160.
6.75x10.5x0.085
inches. Lin-Manuel
Miranda has slowly and
surely become a musical
theater icon of the
modern era. Like
Schwartz, Sondheim,
Loesser, and Rodgers and
Hammerstein, Miranda
writes songs that are
transcendent, singable,
joyous, and worth the
price of admission. This
medley from show choir
veteran Mark Brymer
includes some of the most
memorable highlights from
an illustrious career: In
the Heights, How Far I'll
Go (from Moana), One More
Song (from Vivo), We
Don't Talk about Bruno
(from Encanto) and My
Shot (from Hamilton). $3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Lin-Manuel Miranda Choral Medley Chorale SATB Hal Leonard
Choral (SATB) SKU: HL.1216159 Composed by Lin-Manuel Miranda. Arranged by...(+)
Choral (SATB) SKU:
HL.1216159 Composed
by Lin-Manuel Miranda.
Arranged by Mark A.
Brymer. Disney Choral.
Broadway, Disney, Medley,
Movies, Musicals, Show
Choir. Octavo. Duration
470 seconds. Published by
Hal Leonard (HL.1216159).
UPC: 196288140146.
6.75x10.5x0.086
inches. Lin-Manuel
Miranda has slowly and
surely become a musical
theater icon of the
modern era. Like
Schwartz, Sondheim,
Loesser, and Rodgers and
Hammerstein, Miranda
writes songs that are
transcendent, singable,
joyous, and worth the
price of admission. This
medley from show choir
veteran Mark Brymer
includes some of the most
memorable highlights from
an illustrious career: In
the Heights, How Far I'll
Go (from Moana), One More
Song (from Vivo), We
Don't Talk about Bruno
(from Encanto) and My
Shot (from Hamilton). $3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Lin-Manuel Miranda Choral Medley Chorale 3 parties SAB Hal Leonard
Choral (SAB Choir) SKU: HL.1216160 Composed by Lin-Manuel Miranda. Arrang...(+)
Choral (SAB Choir)
SKU: HL.1216160
Composed by Lin-Manuel
Miranda. Arranged by Mark
A. Brymer. Disney Choral.
Broadway, Disney, Medley,
Movies, Musicals, Show
Choir. Octavo. Duration
470 seconds. Published by
Hal Leonard (HL.1216160).
UPC: 196288140153.
6.75x10.5x0.085
inches. Lin-Manuel
Miranda has slowly and
surely become a musical
theater icon of the
modern era. Like
Schwartz, Sondheim,
Loesser, and Rodgers
& Hammerstein,
Miranda writes songs that
are transcendent,
singable, joyous, and
worth the price of
admission. This medley
from show choir veteran
Mark Brymer includes some
of the most memorable
highlights from an
illustrious career: In
the Heights, How Far I'll
Go (from Moana), One More
Song (from Vivo), We
Don't Talk about Bruno
(from Encanto) and My
Shot (from Hamilton). $3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Miranda (melodrama) Orchestre SATB, Orchestre Fennica Gehrman
Orchestra SKU: FG.55011-468-5 Composed by Armas Jarnefelt. Study score. F...(+)
Orchestra SKU:
FG.55011-468-5
Composed by Armas
Jarnefelt. Study score.
Fennica Gehrman
#55011-468-5. Published
by Fennica Gehrman
(FG.55011-468-5). ISBN
9790550114685. To
mark the 150th
anniversary of Armas
Jarnefelt, Fennica
Gehrman publishes his
hitherto unpublished
works. Jarnefelt's
first composition for
stage was music for Z.
Topelius's play Miranda
in 1900-1901. It is a
kind of melodrama with
recitation and choral
singing, not so much
incidental music.
Jarnefelt composed a
rather broad array of
numbers for Miranda,
seven movements in total.
Miranda is characterized
by a downwards moving
chromatic chord
progression. Listeners
especially liked the
Nymf- och trolldans
movement, its slowly and
elegantly swinging waltz,
and the Oriental colours
of one of the dance
movements. Orchestral
parts available for
hire. $29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hamilton Women CD Chorale Alfred Publishing
Choir Secular SKU: AP.48487 Satisfied * Burn * Helpless * The Schuyler...(+)
Choir Secular SKU:
AP.48487 Satisfied
* Burn * Helpless * The
Schuyler Sisters, from
the Broadway musical.
Composed by Lin-Manuel
Miranda. Arranged by Lisa
DeSpain. This edition:
SoundTrax CD. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. CD. Alfred Music
#00-48487. Published by
Alfred Music (AP.48487).
UPC: 038081553108.
English. This
fast-paced mini-medley
(only 4.5 minutes in
length) pays homage to
the strong female
characters in Lin-Maunuel
Miranda's Hamilton! The
powerful arrangement
includes a few
opportunities to showcase
outstanding soloists and
more than enough SSA
writing for all of your
singers to shine! $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Cover Is Not the Book Chorale 3 parties SSA Hal Leonard
From Mary Poppins Returns. By Emily Blunt and Lin-Manuel Miranda. By Marc Shai...(+)
From Mary Poppins
Returns. By
Emily Blunt and
Lin-Manuel
Miranda. By Marc Shaiman
and
Scott Wittman. Arranged
by
Mark A. Brymer. Disney
Choral. Movies, Show
Choir,
Musicals, Disney,
Vaudeville.
Octavo. Published by Hal
Leonard
$2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Cover Is Not the Book Chorale 3 parties SAB Hal Leonard
From Mary Poppins Returns. By Emily Blunt and Lin-Manuel Miranda. By Marc Shai...(+)
From Mary Poppins
Returns. By
Emily Blunt and
Lin-Manuel
Miranda. By Marc Shaiman
and
Scott Wittman. Arranged
by
Mark A. Brymer. Disney
Choral. Movies, Show
Choir,
Musicals, Disney,
Vaudeville.
Octavo. Published by Hal
Leonard
$2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Cover Is Not the Book Chorale SATB Hal Leonard
From Mary Poppins Returns. By Emily Blunt and Lin-Manuel Miranda. By Marc Shai...(+)
From Mary Poppins
Returns. By
Emily Blunt and
Lin-Manuel
Miranda. By Marc Shaiman
and
Scott Wittman. Arranged
by
Mark A. Brymer. Disney
Choral. Movies, Show
Choir,
Musicals, Disney,
Vaudeville.
Octavo. Published by Hal
Leonard
$2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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