Grade 1

SKU: CL.015-2459-01

Composed by Shaffer. Young Concert Band. Extra full score. Composed 1992. C.L. Barnhouse #015-2459-01. Published by C.L. Barnhouse (CL.015-2459-01).

A wonderful ‘first piece’ for your youngest of bands. Mirror Lake Legend is full of that David Shaffer magic that is hard to duplicate!

Grade 1

SKU: CL.015-2459-00

Composed by Shaffer. Young Concert Band. Norman Lee Series. Score and set of parts. Composed 1992. C.L. Barnhouse #015-2459-00. Published by C.L. Barnhouse (CL.015-2459-00).

A wonderful ‘first piece’ for your youngest of bands. Mirror Lake Legend is full of that David Shaffer magic that is hard to duplicate!

By Justin Timberlake. Arranged by Mac Huff. For Choral (SATB). Pop Choral Series. 16 pages. Published by Hal Leonard

By Justin Timberlake. Arranged by Mac Huff. Pop Choral Series. Pop, Romantic, Show Choir. Octavo. 16 pages. Published by Hal Leonard

By Justin Timberlake. Arranged by Mac Huff. For Choral (SAB). Pop Choral Series. 16 pages. Published by Hal Leonard

By Justin Timberlake. Arranged by Mac Huff. For Choral (ShowTrax CD). Pop Choral Series. CD only. Published by Hal Leonard

By Justin Timberlake. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Softcover. 112 pages. Published by Hal Leonard

By Janet Vogt. For piano. Educational piano collection. Published by Heritage Music Press. (70/1498H)
Level: Moderately easy.

SKU: SU.23145106

Composed by Bruce Wolosoff. Vocal/Choral, Opera. Chamber Opera. Piano Vocal Score. Subito Music Corporation #23145106. Published by Subito Music Corporation (SU.23145106).

Libretto: Michael Hall (UK) Duration: 95' Composed: Completed 2007 Bruce Wolosoff Music CAST: Queen Elizabeth I of England (mezzo); Dr. John Dee, notable scholar and polymath (baritone); Madimi, a spirit conjured up in Dee's black mirror (soprano). SYNOPSIS: The opera, in 6 scenes, alternates between Queen Elizabeth's private study and the 'skrying' room in John Dee's house in Mortlake where he would invoke the spirits to appear in his black mirror. The three strong, archetypal roles are very evenly balanced and reveal the tensions and interplay between Dee, who is genuinely seeking the secrets of the universe, the Queen, who is obsessed with money, power and control, and Madimi, who promises to be the most forthcoming of the 70 odd spirits Dee contacted in his black mirror.

Arranged by Denes Agay. 80 pages. Published by Yorktown Press. Thirty-seven best loved themes from famous ballets and ballet scenes from operas. Includes The Sleeping Beauty Waltz, Saber Dance, and Dance Of The Little Swans.

Cello - Intermediate-Advanced

SKU: HL.14017469

Composed by Kaija Saariaho. Music Sales America. Post-1900. Sheet Music, Score. With Text language: English. Chester Music #CH61806. Published by Chester Music (HL.14017469).

UPC: 884088812041. 8.5x11.0x0.419 inches.

Composer's Note When I considered the ensemble of eight cellos, I first thought of matt and dark textures. I also wanted to go back to some ideas on symmetry. While I was pondering all that, I saw snow flakes falling from the dark sky of the Finnish autumn. Focusing on the snow, the idea of writing variations on it and its various forms became clearer in my mind.Nuages de neige is a uniform and linear texture in which I realise my first impressions of that ensemble. The two Etoiles de neige are based on the idea of symmetry and repetition: the first one develops up to a certain point where it doubles back as in a mirror image, the second one consists of eight sections in which the harmonic structure is repeated, as well as a linear gesture that becomes ever more present. Aguilles de glace focuses on different pizzicati and superimposed ostinati. With Fleurs de neige I sought to recall the texture of those harmonic trills at the end of the first section, although more airy and diversified here. Kaija Saariaho.

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.114419980

Composed by Stacy Garrop. Sws. Set of Score and Parts. 32+16+16+16+16+16 pages. Duration 16 minutes. Theodore Presser Company #114-41998. Published by Theodore Presser Company (PR.114419980).

UPC: 680160681723. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

Concert Band - Grade 2.5

SKU: AP.49110

Composed by Jeremy Bell. Concert Band; MakeMusic Cloud; Performance Music Ensemble. Young Symphonic. Form: Chorale. Folk. Score and Part(s). 144 pages. Duration 3:30. Alfred Music #00-49110. Published by Alfred Music (AP.49110).

ISBN 9781470646301. UPC: 038081564661. English.

Where the Heavens Meet Earth is a beautiful, lyrical work for young band. Featuring flowing melodic lines and a beautiful four-note motive that transfers throughout the ensemble, the piece is a perfect mid-program work to feature the colors of the different instrumental sections, permitting opportunities to teach about blend and balance within the group. This original Jeremy Bell piece was inspired by the picturesque salt flats in Bolivia called Salar de Uyuni. Located in the Southwest near the Andes, the flats were formed by the transformations of several prehistoric lakes. With variations in elevation that average around a meter, the extreme flatness following a rain turns the 80-mile landscape into the world's largest mirror, reflecting the sky above. (3:30).

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.11441998S

Composed by Stacy Garrop. Sws. Full score. 32 pages. Duration 16 minutes. Theodore Presser Company #114-41998S. Published by Theodore Presser Company (PR.11441998S).

UPC: 680160681730. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

Concert Band - Grade 2.5

SKU: AP.49110S

Composed by Jeremy Bell. Concert Band; Performance Music Ensemble. Young Symphonic. Form: Chorale. Folk. Score. 20 pages. Duration 3:30. Alfred Music #00-49110S. Published by Alfred Music (AP.49110S).

ISBN 9781470646318. UPC: 038081564678. English.

Where the Heavens Meet Earth is a beautiful, lyrical work for young band. Featuring flowing melodic lines and a beautiful four-note motive that transfers throughout the ensemble, the piece is a perfect mid-program work to feature the colors of the different instrumental sections, permitting opportunities to teach about blend and balance within the group. This original Jeremy Bell piece was inspired by the picturesque salt flats in Bolivia called Salar de Uyuni. Located in the Southwest near the Andes, the flats were formed by the transformations of several prehistoric lakes. With variations in elevation that average around a meter, the extreme flatness following a rain turns the 80-mile landscape into the world's largest mirror, reflecting the sky above. (3:30).

(13 Pop, Rock, Country, TV, and Movie Chartbusters (Easy Piano)). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Megahits. Pop. Easy Piano. 80 pages. Published by Alfred Music