Composed by Kevin Hildebrand. Octavo. Concordia Publishing House #984336. Published by Concordia Publishing House

Composed by Rose. Pentecost; General. Published by Concordia Publishing House (CR.97-6715U1).

By Hildebrand. For SATB choir, organ, and trumpet. Advent, Easter. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

(n/c congregational part permission with purchase). By J.W. Snyder. For SATB Choir (with optional congregation). Choir and Congregation Series. Sacred Anthem. Octavo. Published by Unity Music Press

Choral (SATB)

SKU: HL.1198012

Composed by Daniel KL. Chua. Jubal House. General Worship, Gospel, Sacred. Octavo. 16 pages. Duration 395 seconds. Jubal House Publications #JH-2180. Published by Jubal House Publications (HL.1198012).

UPC: 196288135470. 6.75x10.5x0.036 inches.

Inspired by a mission outreach project, “One: Let the People Sing!” tells of the unity of the Gospel, proclaimed to all people and places. The text possesses great theological depth, and is supported by a memorable melody and a rich accompaniment highlighting the use of percussion. Here is a piece that provides the perfect opportunity for a bold expression of faith.

Choral SATB choir with optional Bassoon, Clarinet, Flute, Oboe, Piano

SKU: HP.C6307

Composed by Ken Medema and Marty Haugen. Arranged by Lloyd Larson. Piano with optional Instrumental Parts (available separately). Hymn Arrangements, Commemoration, Dedication, Festival, General Worship, Children, Church, Cities, Discipleship, Faith & Faithfulness, Global, Kingdom, Love, Mission, Trust & Unity, Worship. Octavo. 16 pages. Hope Publishing Company #C6307. Published by Hope Publishing Company (HP.C6307).

UPC: 763628163075.

A medley of 'All Are Welcome' with 'Come Build A Church' Pairing Marty Haugen's hymn, All Are Welcome with Ken Medema's song, Come Build A Church, this choral setting is useful for building community in the house of the Lord. The instrumental parts add color and interest to this powerful reminder to build a house where love can dwell and all can safely live, a place where saints and children tell how hearts learn to forgive..

By Ben Allaway. For SATB Choir, percussion. Choral music. Choral octavo only. Instrumental accompaniment sold separately (SBMP 225.1). Published by Santa Barbara Music Publishing. (SBMP 225)
Level: Medium.

Piano (Unison) - early intermediate

SKU: CR.984280

Composed by David von Kampen. Choral. Sacred. Octavo. With music. Concordia Publishing House #984280. Published by Concordia Publishing House (CR.984280).

ISBN 9780758659057. 7 x 10.25 inches.

This short piece by David von Kampen is surprising, delightful, and appealing with its gentle use of unconventional harmonies. Though written for unison choir and piano, it can be sung by any type of ensemble or by a soloist. Useful at the beginning of any service, the piece features a final, hanging chord that naturally leads into the rest of the service.

Psalm 51:15; 70:1 (ESV)

O Lord, open my lips,
and my mouth will declare Your praise,
and my mouth will declare Your praise.
Make haste, O God, to deliver me;
make haste to help me, O Lord.
Glory be to the Father and to the Son
and to the Holy Spirit;
as it was in the beginning, is now,
and will be forever. Amen.

Scripture quotation from the ESV® Bible (The Holy Bible, English Standard Version®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. All rights reserved. Used by permission.

Piano (SATB) - early intermediate

SKU: CR.984283

Composed by David von Kampen. Choral. Sacred. Octavo. With music. Concordia Publishing House #984283. Published by Concordia Publishing House (CR.984283).

ISBN 9780758659088. 7 x 10.25 inches.

David von Kampen masterfully crafts the text of Revelation 21:4 - 5 into an inspiring and striking piece for SATB and piano. A variety of compositional techniques—includin g declamatory writing, polytextuality, and a skillful use of key—connect the biblical text and song powerfully. Smaller choirs can easily adapt this piece for two-part voicing by singing just soprano and tenor in the middle section. Use this piece for Easter Vigil, during the rest of the Easter Season, on All Saints' Day, and for funerals.

Revelation 21:4 - 5 (ESV)

He will wipe away ev'ry tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain anymore, for the former things have passed away.

And He who was seated on the throne said, 'Behold, I am making all things new.'

Alleluia, alleluia, alleluia.

Scripture quotation from the ESV® Bible (The Holy Bible, English Standard Version®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. All rights reserved. Used by permission.

By Valerie W Stephenson. For 3-6 octave handbells with optional 3 octave handchimes. Praise; Holy Communion; Missions. Level: III . Published by Concordia Publishing House.

By Jeffrey. For SATB choir, keyboard, and flute. Easter, General, Baptism, Missions, sacred. Level: Easy-Moderately Easy. Published by Concordia Publishing House.

By Gramann. For 3-6 octave handbells. Praise; Pentecost; Missions; Trinity. Level III. Published by Concordia Publishing House

Choral Piano, Tambourine, Voice 1, Voice 2, Voice 3

SKU: CF.CM9602

Composed by Brazilian Folk Song. Arranged by Eduardo Lakschevitz Elisa Dekaney. Fold. Performance Score. 12 pages. Duration 2 minutes, 28 seconds. Carl Fischer Music #CM9602. Published by Carl Fischer Music (CF.CM9602).

ISBN 9781491154243. UPC: 680160912742. 6.875 x 10.5 inches. Key: Gb major. Portuguese. Brazilian Folk Song.

According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the houses owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [? k? li'sensa olele e] E com licenca do dono da casa [? k? li'sensa du d?nu da kaza].
According to Ermelinda Paz , Marujo do RosA!rio (literally translated from the Portuguese as aSailor of the Rosarya) comes from the hydrographic region of the SAPSo Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called acheganASSa-de-marujoa (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics aA com licenASSa Aa, A'lelAa, A(c) com licenASSa do dono da casa, A' Aa com licenASSa Aaa means aplease excuse me, I have permission from the houseas owner to come in.a This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final ama or an.a Just nasalize them. IPA Transcription A com licenASSa olelAa Aa [E kE li'sensa oleale e] A com licenASSa do dono da casa [E kE li'sensa du adEnu da akaza].
According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza].
According to Ermelinda Paz, Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza].
According to Ermelinda Paz, Marujo do Rosário (literally translated from the Portuguese as “Sailor of the Rosary”) comes from the hydrographic region of the São Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called “chegança-de-mar ujo” (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics “É com licença ê, ôlelê, é com licença do dono da casa, ô ê com licença ê” means “please excuse me, I have permission from the house’s owner to come in.”This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final “m” or “n.” Just nasalize them.IPA TranscriptionÉ com licença olelê ê[ɛ kʌ li'sensa ole‘le e]É com licença do dono da casa[ɛ kʌ li'sensa du ‘dʌnu da ‘kaza].

Unison voices, organ or piano - Beginning

SKU: MN.50-3070

Composed by Hal H. Hopson. Building Dedication, Martin Luther King Day, 21st Century, Justice/Peace/Social Concerns, Missions/Outreach. Octavo. MorningStar Music Publishers #50-3070. Published by MorningStar Music Publishers (MN.50-3070).

UPC: 688670530708.

Dedic ated to all who work for Habitat for Humanity.

Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Published by Hal Leonard.

(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcover. 512 pages. Published by Hal Leonard

(C Edition). By Various. By Various. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(E-flat Edition). By Various. By Various. For Eb Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Paperback Songs (Melodies, lyrics, and chords in a convenient format). Size 4.12x6.75 inches. 256 pages. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Fake Book (Includes melody line and chords). Size 9x12 inches. 384 pages. Published by Hal Leonard.

Composed by Various. Easy Piano Songbook. TV. Softcover. Published by Hal Leonard

Eb Edition. By Various. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.