| Amazing Grace - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cello, Clarinet, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Keyboard, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, String
Bass, Suspended Cymbal,
Tam-tam, Timpani and
more. - Grade 2.5 SKU:
CF.XPS8 Composed by
Traditional. Arranged by
Sean O'Loughlin. Flexible
Band. Set of Score and
Parts. With Standard
notation.
8+4+2+4+2+3+3+1+2+2+2+2+3
+2+4+2+4+2+3+1+1+1+2+4+2+
16 pages. Duration 2
minutes, 52 seconds. Carl
Fischer Music #XPS8.
Published by Carl Fischer
Music (CF.XPS8). ISBN
9780825895982. UPC:
798408095987. 9 x 12
inches. Amazing
Grace may well be the
most popular hymn ever
written, though it has
never sounded better than
in this absolutely
gorgeous setting by Sean
O'Loughlin. Flowing lines
along with some
impressive harmonic
twists lift up this tune.
Musically sensitive and
simply beautiful, this
flexible edition will be
playable even by bands
with smaller numbers. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wedding and Love Fake Book - 6th Edition Instruments en Do Hal Leonard
Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. S...(+)
Over 500 Songs For All C
Instruments. By Various.
Fake Book. Love, Wedding.
Softcover. 456 pages.
Published by Hal Leonard
$35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Teach Yourself Guitar Tone and Effects Guitare [Livre + CD] Alfred Publishing
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to
Know About Guitars, Amps,
and Effects). By Tobias
Hurwitz, Ethan Fiks, and
Vivian Clement. For
Guitar. Book; CD; Guitar
Reference; Reference
Textbooks. 96 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymn for Africa Orchestre d'harmonie [Conducteur] - Facile G and M Brand Music Publishers
Concert band (Flute 1, Flute 2/Piccolo, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb C...(+)
Concert band (Flute 1,
Flute 2/Piccolo, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, Horn in F 1/2, Horn in
F 3/4, Trombone 1/2,
Trombone) - grade 3
SKU: CN.S11293
Composed by Peter
Meechan. Score only.
Duration 4:15. Published
by G & M Brand Music
Publishers (CN.S11293).
Inspired by the
release of Nelson Mandela
in the early 1990s, Hymn
for Africa pays tribute
to the sense of dignity
and peace that he brought
not only to South Africa,
but around the entire
globe. As the beautifully
lush chorale unfolds,
quietly undulating drums
murmur in the distance
and gradually build into
a rousing
climax.
Hymn for
Africa was written as
part of a project known
as Brass Band Aid. When I
was asked to compose a
piece with relevance to
Africa for the project, I
began to think of all the
things that I associate
with Africa. I have vivid
memories from my
childhood of the
hard-hitting news reports
from the famines of the
early/mid 1980's (and the
concerts that followed).
I also associate Africa
with amazing animal life
- the many species from
snakes to birds to lions,
with their many colours.
But more than these
associations, there is
one memory that stands
out amongst all others.
The release of Nelson
Mandela in the early
1990's had a profound
effect not only in South
Africa, but all over the
continent of Africa, as
well as the World as a
whole. The fact that one
man can achieve this with
peace and great dignity
will always be an
inspiration, not only to
me, but many, many
millions of humans around
the globe. Hymn for
Africa is inspired by
this sense of dignity and
peace. A simple eight bar
melody is the basis of
the composition. A drone
is then added, before a
chorale, and finally a
rousing climax when the
percussion and full band
enter. The piece
dedicated to Bob and
Briony Thompson in
admiration. $14.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Elegy for a Firefighter - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Piccolo, String Bass,
Trombone 1, Trombone 2,
Trombone 3, Trumpet 1 and
more. - Grade 4 SKU:
CF.SPS87 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+4+2+2+2+8+8+4+2+4+4+2+2
+2+2+3+3+3+4+4+4+4+3+3+3+
6+4+4+2+2+1+1+1+1+4+24
pages. Duration 6
minutes, 28 seconds. Carl
Fischer Music #SPS87.
Published by Carl Fischer
Music (CF.SPS87). ISBN
9781491156445. UPC:
680160914982. 9 x 12
inches. About the
Work In the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty. Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite stirring.
Performance Notes The
sustained slower tempo
may prove a challenge for
some groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
organ-like); be careful
to stagger breathe. The
tempo change at m. 55
should not be much of a
challenge, but many
groups may tend to slow
back down to the original
tempo by m. 59; the
timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. About
the WorkIn the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty.Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite
stirring.Performance
Notes The sustained
slower tempo may prove a
challenge for some
groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
“organ-likeâ€)
; be careful to stagger
breathe. The tempo change
at m. 55 should not be
much of a challenge, but
many groups may tend to
slow back down to the
original tempo by m. 59;
the timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. $100.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Elegy for a Firefighter [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Chimes, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Horn 1, Horn 2, Horn 3,
Horn 4, Mallet
Percussion, Oboe 1, Oboe
2, Percussion and more. -
Grade 4 SKU:
CF.SPS87F Composed by
Jeremy Martin. Sws. Sps.
Full score. 24 pages.
Duration 6 minutes, 28
seconds. Carl Fischer
Music #SPS87F. Published
by Carl Fischer Music
(CF.SPS87F). ISBN
9781491156452. UPC:
680160914999. 9 x 12
inches. About the
Work In the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty. Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite stirring.
Performance Notes The
sustained slower tempo
may prove a challenge for
some groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
organ-like); be careful
to stagger breathe. The
tempo change at m. 55
should not be much of a
challenge, but many
groups may tend to slow
back down to the original
tempo by m. 59; the
timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. About
the WorkIn the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty.Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite
stirring.Performance
Notes The sustained
slower tempo may prove a
challenge for some
groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
“organ-likeâ€)
; be careful to stagger
breathe. The tempo change
at m. 55 should not be
much of a challenge, but
many groups may tend to
slow back down to the
original tempo by m. 59;
the timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resilience - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piano,
Piccolo, Timpani and
more. - Grade 4 SKU:
CF.SPS93 For Those
Who Continue to Rise.
Composed by Travis
Weller. Set of Score and
Parts.
30+2+12+12+4+12+12+12+4+4
+4+4+4+4+6+6+6+8+9+9+6+9+
6+6+4+2+2+9+4+12+4 pages.
Duration 6 minutes, 10
seconds. Carl Fischer
Music #SPS93. Published
by Carl Fischer Music
(CF.SPS93). ISBN
9781491159774. UPC:
680160918362. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Resilience [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3 and more.
- Grade 4 SKU:
CF.SPS93F For
Those Who Continue to
Rise. Composed by
Travis Weller. Full
score. 30 pages. Carl
Fischer Music #SPS93F.
Published by Carl Fischer
Music (CF.SPS93F).
ISBN 9781491159781.
UPC:
680160918379. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Free Harmonizations...vol I Hinshaw Music Inc.
| | |
1 |