Diatonic single-action accordion

SKU: M7.VHR-56-01

Composed by Moritz Peuschel. Sheet music. 6 pages. Holzschuh Musikverlag #VHR 56-01. Published by Holzschuh Musikverlag (M7.VHR-56-01).

ISBN 9790201325262.

Tenor voice 2

SKU: KU.DE-1153_T2

Composed by Iosif Ivanovici. Edited by Moritz Peuschel. Letter format (190 x 270). Folded. Part. 6 pages. Edition Kunzelmann #DE-1153_T2. Published by Edition Kunzelmann (KU.DE-1153_T2).

German.

Tenor voice 1

SKU: KU.DE-1153_T1

Composed by Iosif Ivanovici. Edited by Moritz Peuschel. Letter format (190 x 270). Folded. Part. 6 pages. Edition Kunzelmann #DE-1153_T1. Published by Edition Kunzelmann (KU.DE-1153_T1).

German.

Bass 1 voice

SKU: KU.DE-1153_B1

Composed by Iosif Ivanovici. Edited by Moritz Peuschel. Letter format (190 x 270). Folded. Part. 5 pages. Edition Kunzelmann #DE-1153_B1. Published by Edition Kunzelmann (KU.DE-1153_B1).

German.

Bass and Piano

SKU: HL.49008935

Composed by Moritz Peuschel. Arranged by Lothar Lechner. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. Op. 43. 8 pages. Schott Music #ED0 7088. Published by Schott Music (HL.49008935).

ISBN 9790001089692.

Male choir, piano - Level 4

SKU: KU.DE-1153

Composed by Iosif Ivanovici. Edited by Moritz Peuschel. Bach format (230 x 302). Staple Bound. Piano reduction. 15 pages. Edition Kunzelmann #DE-1153. Published by Edition Kunzelmann (KU.DE-1153).

German.

Bass 2 voice

SKU: KU.DE-1153_B2

Composed by Iosif Ivanovici. Edited by Moritz Peuschel. Letter format (190 x 270). Folded. Part. 5 pages. Edition Kunzelmann #DE-1153_B2. Published by Edition Kunzelmann (KU.DE-1153_B2).

German.

Organ

SKU: HL.48025154

Series VI, Volume 1. Composed by Norbert von Hannenheim. Edited by Moritz Ernst. BH Piano. Classical. Softcover. 48 pages. Bote & Bock #M202536483. Published by Bote & Bock (HL.48025154).

UPC: 196288096887.

As part of the Hannenheim Edition, the pianist Moritz Ernst also presents, in addition to the anthology of all the surviving piano sonatas of Arnold Schoenberg's master-class pupil, the edition of Hannenheim's two previously known organ works. The early Phantasieis imbued with a late Romantic harmony interspersed with chromaticisms, which reveal influences of Wagner and Strauss, but also of French organ romanticism. More typical of Hannenheim's personal style is the classical three-movement Sonata with its all-pervading serial technique; the last movement presents itself as an extensive passacaglia with 10 variations and is steeped in complex polyphony.