| Simple Gifts: Four Shaker Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
$250.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jefferson Forest Sketches Orchestre d'harmonie - Facile Hal Leonard
Concert Band (Score & Parts) - Grade 2.5 SKU: HL.4003782 Composed by Mich...(+)
Concert Band (Score &
Parts) - Grade 2.5
SKU: HL.4003782
Composed by Michael Oare.
MusicWorks Grade 2.
Concert. Published by Hal
Leonard (HL.4003782).
UPC: 884088984427.
9x12
inches. Jefferso
n Forest Sketches is
a programmatic work
depicting the beauty and
grandeur of the Jefferson
National Forest along the
Appalachian Mountains.
From dawn breaking over
the mountains, to
breathtaking panoramas,
to a seemingly endless
expanse of wilderness,
composer Michael Oare
takes us through a
variety of scenes and
moods. The piece
concludes with a lively
tribute to the reels and
dance tunes common to the
area in the colonial
period. Duration:
3:15. $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| FrankTicheli : Rest Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By FrankTicheli. For concert band. Grade 4. Score. Duration 8 minutes. Published...(+)
By FrankTicheli. For
concert band. Grade 4.
Score. Duration 8
minutes. Published by
Manhattan Beach Music
$25.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rest for Strings Orchestre à Cordes [Conducteur] Manhattan Beach Music
Composed by Frank Ticheli. Score. Published by Manhattan Beach Music (MH.196332-...(+)
Composed by Frank
Ticheli. Score. Published
by Manhattan Beach Music
(MH.196332-SCORE).
$16.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rest Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. For concert band. Grade 4. Score and parts. Duration 8 minutes...(+)
By Frank Ticheli. For
concert band. Grade 4.
Score and parts. Duration
8 minutes. Published by
Manhattan Beach Music
(1)$175.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rest for Strings Orchestre à Cordes Manhattan Beach Music
| | |
| Great Smoky Mountains [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, Double
Bass, English Horn,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Percussion 1 and more.
SKU: PR.16500102F
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F). ISBN
9781491131749. UPC:
680160680276. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 6 [Conducteur] Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU:
PR.16500104F Three
Places in the East.
Composed by Dan Welcher.
Full score. Theodore
Presser Company
#165-00104F. Published by
Theodore Presser Company
(PR.16500104F). ISBN
9781491132159. UPC:
680160681082. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blue Mountain Miracle Orchestre d'harmonie [Conducteur et Parties séparées] Gobelin Music Publications
Concert Band/Harmonie - easy SKU: BT.GOB-001209-010 Composed by Marc Cunn...(+)
Concert Band/Harmonie -
easy SKU:
BT.GOB-001209-010
Composed by Marc
Cunningham. Challenger
Series. Set (Score &
Parts). Composed 2014. 16
pages. Gobelin Music
Publications #GOB
001209-010. Published by
Gobelin Music
Publications
(BT.GOB-001209-010).
English-German-French-
Dutch. The Blue
Mountains are a
breathtaking mountain and
forest landscape in the
New South Wales,
Australia. This work came
about above all inspired
by Weeping Rock, an
overhanging rock that
gets its name from the
waterfall that flows over
it.
The Blue
Mountains bevinden zich
in New South Wales in
Australië. Ze vormen een
adembenemend landschap
van wouden en
rotspartijen. Dit werk
verklankt vooral de
beroemde overhangende
rots Weeping Rock, die
met een onafgebroken
stroom water lijkt
tehuilen – vandaar
de naam.
Die Blue
Mountains sind eine
atemberaubende Wald- und
Berglandschaft im
australischen Bundesstaat
New South Wales. Dieses
Werk entstand vor allem
unter dem Eindruck eines
beruhmten uberhängenden
Felsen namens Weeping
Rock, der so von einem
Wasserfallumspult ist,
dass er zu weinen
scheint.
Les
Montagnes Bleues, en
Nouvelle-Galles du Sud
(Australie), forment une
chaîne montagneuse
parsemée de lacs et de
forêts. Cette pièce a
été inspirée, avant
tout, par Weeping Rock
(rocher pleureur), un
rocher en surplomb qui
tire son nom de lacascade
qui ruisselle dessus.
Le Blue Mountains
sono un paesaggio montano
e forestale mozzafiato
del New South Wales, in
Australia. Il compositore
si è lasciato ispirare
soprattutto alla Weeping
Rock, una roccia a
strapiombo che prende il
nome dalla cascata che vi
scorre sopra. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Go for Guitar Basic MDS (Music Distribution Services) (+)
-
Take Off
-
Take Two
-
The First Blues
-
Reggae Man
-
Waltz
-
Bamba Caramba
-
Spanish Guitar
-
Trance
-
Guitar Forever
-
Rockin' the Bridge
-
Police
-
Quarter Rest
-
Tangito
-
Aura Lee
-
Boogie Woogie
-
Upbeat
-
Cockles & Mussels
-
Bossa Nova Break
-
Cantiga
-
Rock & Rests
-
D-Tripper
-
Rocky Mountains
-
Basso Malaguena
-
Musette
-
Jamaican Sailor
-
Old MacDonald
-
Salsa Party
-
Minka
-
El Vito
-
Tom Dooley
-
Steelpan Calypso
-
Columbian Folkdance
-
Loch Lomond
-
Ukrainian Dance
-
Chinese Take Away
-
Shuffle & Swing
-
Shuffle Blues
-
Hit the Note
-
ST James Infirmary
-
Morning has Broken
-
Straight Eight Rock
-
The Minstrel's Song
-
Auld Lang Syne
-
Muss i denn
-
Scarborough Fair
-
El Noy de La Mare
-
Troika Chromatica
-
Passage to India
-
Hava Nagila
-
Shalom
-
Jingle Bells
-
Londonderry Air
-
Bill Bailey Won't You
Please Come Home
-
Fur Elise
(Beethoven)
-
Swinging Guitar
-
Feel Free
-
The Entertainer
-
Power Chord Rock
-
Oriental
-
Blues in A
-
Rock
-
Pop
-
A touch of Classic
-
Pop 2
-
West Coast
-
Joe & Jimmy
-
Ballade
-
Blues Rock
| | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Great Smoky Mountains Piano seul [Conducteur] - Intermédiaire Alfred Publishing
Piano - Intermediate SKU: AP.48700 Composed by Martha Mier. Piano Suite; ...(+)
Piano - Intermediate
SKU: AP.48700
Composed by Martha Mier.
Piano Suite; Piano
Supplemental; Solo; Solo
Small Ensembles. Recital
Suite Series. Form:
Suite. Recital. Score. 12
pages. Alfred Music
#00-48700. Published by
Alfred Music (AP.48700).
ISBN 9781470643935.
UPC: 038081559773.
English. The four
movements of Great Smoky
Mountains take the
listener on a visit to
scenic panoramas
throughout the national
park. The first movement,
Great Smoky Mountain
Splendor, captures the
vibrant colors of the
fall foliage with grand
gestures that span the
range of the keyboard. In
Towering Mount Mitchell,
the second movement, an
expressive legato
right-hand melody, with
interesting harmonic
support in the left hand,
captures the summit with
its forest and plants.
The third movement,
Ballad of Cades Cove, is
in the key of A minor
with melodic interest in
both hands and depicts
the historic buildings in
this green valley. A
left-hand ostinato figure
in the fourth movement,
The Potter's Wheel,
represents the turning of
the wheel when skilled
local craftsmen create
ceramic wares. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Smoky Mountain Sunday Piano, Voix Shawnee Press
Come back to a simpler time and place... a small church in the wildwood nestled ...(+)
Come back to a simpler
time and place... a small
church in the wildwood
nestled in the hills of
the Smoky Mountains.
Enjoy the homespun sounds
of fiddle, guitar, piano,
auto harp, dulcimer,
banjo and more with Smoky
Mountain Sunday. This
delightful collection of
all-time favorite
foot-stomping and
heartfelt gospel
favorites will transport
more...you to a place of
quiet rest and simple
faith.
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Smokey Mountain Christmas for Guitar Guitare notes et tablatures [Partition + CD] - Intermédiaire Mel Bay
By Steve Kaufman. For Guitar (Flatpicking). Solos. Christmas. Level: Intermediat...(+)
By Steve Kaufman. For
Guitar (Flatpicking).
Solos. Christmas. Level:
Intermediate. Book/CD
Set. Size 8.75x11.75. 116
pages. Published by Mel
Bay Publications, Inc.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mountain Majesty Piano seul [Conducteur] - Intermédiaire Kjos Music Company
Piano - late intermediate SKU: KJ.WP1218 Composed by Melody Bober. Piano/...(+)
Piano - late intermediate
SKU: KJ.WP1218
Composed by Melody Bober.
Piano/Repertoire. Center
Stage Solos. Score. Neil
A. Kjos Music Company
#WP1218. Published by
Neil A. Kjos Music
Company (KJ.WP1218).
UPC:
084027053836. This
grand piano solo was
commissioned by the
Wyoming Federation of
Music Clubs. It is
descriptive not only of
the Rocky Mountains, but
is also a tribute to
majestic mountains
everywhere. Opening with
a peaceful introduction
in 4/4 time, the sound
quickly becomes expansive
in its use of the a wide
keyboard range and the
melody played in octaves.
Quickly played
hand-over-hand arpeggios
follow perhaps suggesting
turbulent white-water
streams. A contrasting
Reflective middle section
in 6/8 time suggests rest
in the midst of the
beautiful scenery. The A
section returns before a
flashy, alternating-hands
chordal ending. A
dramatic conclusion to
any recital or
festival. $4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An Agape Holiday- CD Hope Publishing Company
Performance CD Keyboard artists Joel Raney and Jane Holstein have joined The Aga...(+)
Performance CD Keyboard
artists Joel Raney and
Jane Holstein have joined
The Agape Ringers to
create An Agape
Holiday.From the
energetic Go, Tell It on
the Mountain to the
tender Mary, Did You
Know?, this collection
features interesting
arrangements with varied
combinations of
handbells, handchimes,
piano and organ
$15.00 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Joy to the World! (Alternativstimme in Es) Piano seul Doblinger
Schon wieder eine Weihnachtssammlung? Im Gegensatz zu den zahlreichen bereits er...(+)
Schon wieder eine
Weihnachtssammlung? Im
Gegensatz zu den
zahlreichen bereits
erschienenen Ausgaben
unterscheidet sich die
hier vorliegende vor
allem dadurch, dass die
Melodien ein
unterhaltsames modernes
Kleid tragen. O
Tannenbaum / Stille Nacht
/ Es ist ein Ros'
entsprungen / Kling
Glockchen / Corramos,
corramos / Bajuschki Baju
/ The first Noel / Nu Ar
det Jul Igen / Go Tell it
on the Mountain / What
Child is this / God Rest
You Merry, Men / Il est
ne / Jingle Bells /
Adeste Fideles / Joy to
the World! / Silent Night
- Happy Night
$15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Vince Gill: Go Rest High On That Mountain
Piano, Voix et Guitare [Feuillet] - Intermédiaire Alfred Publishing
Performed by Vince Gill. Single for voice, piano and guitar chords. D Major. 4 p...(+)
Performed by Vince Gill.
Single for voice, piano
and guitar chords. D
Major. 4 pages. Published
by Alfred Publishing.
(15)$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Six Sacred Christmas Duets - Intermédiaire Kendor Music Inc.
Duet flute and clarinet with opt. piano accompaniment - Grade 4 SKU: KN.16521...(+)
Duet flute and clarinet
with opt. piano
accompaniment - Grade 4
SKU: KN.16521
Composed by arr. Young.
Arranged by Keith Young.
Duet. Kendor Ensemble
Series. Kendor Music Inc
#16521. Published by
Kendor Music Inc
(KN.16521). UPC:
822795165210. Writt
en to be enjoyed either
with or without the piano
accompaniment, these six
grade 4 duet settings
include ten of the most
popular carols in
traditional to modern
styles, along with a
couple swing
settings.
Contents
: Midwinter Lullaby
(In The Bleak Midwinter
and Away In A Manger);
Midnight Still (Still,
Still, Still and It Came
Upon A Midnight Clear);
Two French Carols (Sing
We Now Of Christmas with
He Is Born); What Child
Is This?; Proclaim The
Joy (Joy To The World and
Go, Tell It On The
Mountain); and God Rest
Ye Swingin'
Gentlemen. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Canadian Brass Christmas Quartets Hal Leonard
Brass Quartet (Score) SKU: HL.729767 Conductor's Score. By The Can...(+)
Brass Quartet (Score)
SKU: HL.729767
Conductor's Score.
By The Canadian Brass. By
Various. Brass Ensemble.
Christmas. Softcover. 32
pages. Published by Hal
Leonard (HL.729767).
ISBN 9781705175736.
UPC: 196288084556.
9.0x12.0x0.113
inches. This
collection features eight
arrangements in that
distinctive Canadian
Brass style for two
B-flat trumpets and two
trombones. Contents
include: Angels We Have
Heard on High •
Ding Dong! Merrily on
High • The First
Noel • Go, Tell it
on the Mountain •
God Rest Ye Merry,
Gentlemen • Hark!
The Herald Angels Sing
• In dulce jubilo
• Joy to the
World. $12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Joy to the World! (Alternativstimme in F) Piano seul Doblinger
Schon wieder eine Weihnachtssammlung? Im Gegensatz zu den zahlreichen bereits er...(+)
Schon wieder eine
Weihnachtssammlung? Im
Gegensatz zu den
zahlreichen bereits
erschienenen Ausgaben
unterscheidet sich die
hier vorliegende vor
allem dadurch, dass die
Melodien ein
unterhaltsames modernes
Kleid tragen. O
Tannenbaum / Stille Nacht
/ Es ist ein Ros'
entsprungen / Kling
Glockchen / Corramos,
corramos / Bajuschki Baju
/ The first Noel / Nu Ar
det Jul Igen / Go Tell it
on the Mountain / What
Child is this / God Rest
You Merry, Men / Il est
ne / Jingle Bells /
Adeste Fideles / Joy to
the World! / Silent Night
- Happy Night
$15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dirt Simple Mountain Dulcimer Dulcimer [Partition + Accès audio] - Intermédiaire Mel Bay
Composed by Madeline MacNeil. Saddle-stitched. Dirt Simple. Book and online audi...(+)
Composed by Madeline
MacNeil. Saddle-stitched.
Dirt Simple. Book and
online audio. Published
by Mel Bay Publications,
Inc (MB.30362M).
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Everest: The Forbidden Journey Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4108-01 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4108-01
Composed by Romeyn.
Concert Band. Symphony
Band. Audio recording
available separately
(items CL.WFR375 &
CL.WFR387). Extra full
score. Composed 2012.
Duration 5 minutes, 58
seconds. Opus III Wind
Orchestra Publications
#012-4108-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4108-01).
Mt Everest has
attracted the most
adventurous of mountain
climbers for decades,
with many meeting their
fate in the attempt to
scale the world's highest
mountain. The legend of
the Yeti has tales of the
wild, hairy creatures
serving as protectors of
Everest and it's
villages. The music
begins boldly, depicting
the majestic sight of
this magnificent mountain
as our journey begins.
The music develops as our
journey progresses,
telling an eventful and
tumultuous tale reaching
a stunning climax as the
apex of the mountain is
reached. From here, the
work subsides as the
breathtaking vistas
unfold in the beautiful,
lyric sounds before
building to a stunning
conclusion of majesty and
grandeur. A truly
outstanding work,
Everest: The Forbidden
Journey is destined to
become a classic for
concert and festival use.
Don't miss this epic
musical adventure! $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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