Par BRYANT ANN. This book is ideal for primary teachers with little or no experience of teaching music. It will also offer fresh ideas and inspiration to the most experienced music specialists. Teaching Key Stage 1 contains an entire scheme of work for pupils in Year 1 and Year 2, with a CD of performance and accompaniment tracks and photocopiable resources. The scheme has been devised by Ann Bryant to offer guidance for those with no formal musical training and build the confidence of all primary level teachers. The lesson plans are completely flexible and can accommodate mixed age and mixed ability groups, making them perfect for schools with more than one intake. Any teacher will benefit from Ann?s broad experience and imaginative ideas and children will have fun singing the fun, original songs that have been incorporated into this structured and accessible set of lesson plans. Following Ann Bryant?s training at the Royal College of music and her postgraduate course in Dalcroze Eurythmics, she has taught music movement and Drama to young people both here in the U.K and in Europe. For the last fifteen years Ann has specialised in Foundation and Key Stage 1, developing a unique and dynamic style of teaching. Author of the award-winning Teaching Key Stage 1 Music (best New Music Product - Music Industry Associations Awards 2002), she has also established a highly successful career as a children?s author. / Methods and Tutors / Solfège/Formation Musicale / Tout Instrument

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

The Piano Bench Of Easy Classical Music is a tremendous piano collection containing 400 pages of great music literature, specially selected and edited for the developing pianist who loves classical music. Here you will find the world's favorite preludes, minuets, sonata movements, nocturnes, waltzes, gavottes, mazurkas, romantic short pieces, impressionistic works, and light classics- as well as themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Piano

Par PERRIN ROLAND. Imagine turning on the radio, hearing a good song and being able to write the whole thing down ? tune, chords, bassline and drums. That is what you will learn with this course. Real Ear Training is the ultimate book for learning to hear, write down and understand melodies, chords, basslines, rhythms and drum kit grooves. No instrument is required and only basic music notation knowledge is needed. With step-by-step instructions, packed with exercises and accompanied by online audio, this unmissable book is suitable for all levels. Real Ear Training is ideal for rock and pop musicians and teachers, for teaching yourself, and for improving GCSE, A Level, college and university dictation skills. ?This is the book I?ve been looking for all my life ? it contains the secret to having a good ear!? Ed Balls, economist and pianist  ?Help is finally here for today?s music students! This course brilliantly develops the essential ability to hear and transcribe music.? Darius Brubeck, jazz pianist and composer Roland Perrin has gained a reputation both as a jazz and world music composer/pianist and is a sought-after music educator. He is a senior lecturer at the cutting-edge London College of Creative Media where he has taught many students now working in the music industry. / Methods and Tutors / Solfège/Formation Musicale / Ecoute

Par PROSSER STEVE. Steve Prosser?s Intervallic Ear Training for Musicians is the product of 35 years studying and teaching interval awareness in music. The text provides a step-by-step method for assimilation of, as well as graded exercises for, each interval. Each Chapter concludes with Mastery Exercises and Etudes. After adequate study of the text, the student will be able to hear, recognize, read and write music through the use of musical intervals. This skill is particularly helpful in dealing with music that is extremely chromatic, tonally ambiguous or rapidly modulating. / Méthode / Méthode / Tout Instrument

A Year-By-Year Series For Teachers In Primary Schools. Par TAYLOR DOROTHY / BROCKIS JO. l'âge de 6-7: dans ce troisième livre de la série, le programme pour l'année 2 développe davantage d'expériences d'apprentissage soutenue et stimulante. Attentifs à la National Curriculum, le contenu est organisé à travers les éléments musicaux : sound, silence, dynamique, rythme, pitch, timbre, texture et structure./ Méthode / Formation Musicale

Par SUCCARI DIA. Exercices De Lecture Pour La Formation Musicale - Vol. 4 is the fourth book of a theory method in six volumes by Dia Succari. Written for upper beginners, it features 26 exercises focusing on reading notes on staves. Each exercise can be read from left to right and from right to left. The keys that feature in the book are G and F keys, with introduction to the C key. Dia Succari is a Syrian musician who studied music at the Paris Conservatoire, among musicians such as Henri Challan, Jeanine Rueff and Marcel Bitsch. Olivier Messiaen was one of his composition professors and he also learnt to conduct anOrchestra./ Solfège/Formation Musicale / Pédagogie Musicale

Now, Training the Ear Volume 2 heralds new directions for the ardent aural explorer. 'Training the Ear, Volume 2' is targeted towards the specific aural needs of the student of intermediate level harmony with his/her advanced development mind. It is intended to provide a practical aural and theoretical foundation that enables the improviser to process more complex levels of music easily and confidently, and thereby to contribute to raising the standard of music pedagogy. (From the introduction by Armen Donelian)

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

Nobody wants to be a donkey is a lively nativity musical by Lin Marsh which tells the traditional Christmas story with plenty of humour and engaging songs that children will love singing. The poor old donkey hates having to wear those ears that the others laugh at, but everyone gradually realises that the donkey may be one of the most important characters in the story. With 36 speaking parts this nativity is suitable for a whole primary school production, or for Key Stage 2. The songs are in a fun, modern style and there?s even one for the staff to sing! Exciting performance and backing tracks are available to download to help schools without a pianist. / Schools, Vocal Music / Répertoire / Voix Hautes et Piano