SKU: HL.49044706

Weltbezuge in Neuer Musik. Edited by Joern Peter Hiekel. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical Reference, German Edition. Softcover. 218 pages. Schott Music #ED 22346. Published by Schott Music (HL.49044706).

ISBN 9783795708900. 6.5x9.5 inches. German.

Inwieweit ist die oft zu horende These berechtigt, der zufolge sich die zeitgenossische Musik der letzten Jahre in vollig neuartiger Weise auf die Gegenwart bezieht und sich in ihr eine konzeptionelle Wende vollzieht? Die 68. Fruhjahrstagung des Instituts fur Neue Musik und Musikerziehung in Darmstadt vom 23. bis 26. April 2014 diskutierte grundsatzliche Erfahrungen und Auffassungen zu dem, was Aspekte wie etwa Engagement, Alltaglichkeit oder Wirklichkeitsbezug in Musik uberhaupt heissen konnen.Sie portratierte die Komponisten Helmut Lachenmann und Manos Tsangaris. Und sie brachte KomponistInnen der mittleren und jungeren Generation ins Gesprach, die mit bestechender Energie und einer neuen Vielfalt an digitalen Moglichkeiten auf einen Paradigmenwechsel zielen: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schuttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jorn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rudiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Morchen.

Piano, Violin, Violoncello

SKU: FG.55011-526-2

Composed by Kai Nieminen. Score and parts. Fennica Gehrman #55011-526-2. Published by Fennica Gehrman (FG.55011-526-2).

ISBN 9790550115262.

The poetry of Emily Dickinson has been one of the sources of inspiration for Kai Nieminen (1953-). Piano trio Reflecting Landscapes was inspired by Dickinson's poem A bird came down a walk, a same poem that also gave name to a piece for viola and piano by Toru Takemitsu. Takemitsu being one composer that Nieminen helds in high esteem. Especially calm, meditative athmosphere at the beginning of the piano trio has much that reminds listener from Nieminen's Japanese collegue. The tolling chruch bell -like motives reminds the composer from the death of his father, that occurred at the time of the composition of the piece. Later in the piece, bird song -like motives emerge, like birds in the calm summer night somewhere in the north. The piece was commissioned by Trio la Rue and they gave the first performance at Saaksmaki Soi -festival 6th July 2011.
The poetry of Emily Dickinson has been one of the sources of inspiration for Kai Nieminen (1953-). Piano trio Reflecting Landscapes was inspired by Dickinson's poem A bird came down a walk, a same poem that also gave name to a piece for viola and piano by Toru Takemitsu. Takemitsu being one composer that Nieminen helds in high esteem. Especially calm, meditative athmosphere at the beginning of the piano trio has much that reminds listener from Nieminen's Japanese collegue. The tolling chruch bell -like motives reminds the composer from the death of his father, that occurred at the time of the composition of the piece. Later in the piece, bird song -like motives emerge, like birds in the calm summer night somewhere in the north. The piece was commissioned by Trio la Rue and they gave the first performance at Saaksmaki Soi -festival 6th July 2011.

Guitar

SKU: FG.55011-324-4

Composed by Kai Nieminen. Fennica Gehrman #55011-324-4. Published by Fennica Gehrman (FG.55011-324-4).

ISBN 9790550113244.

Quad ri Morandi (2014) ties together two essential themes of Kai Niminen's (b. 1953) compositional style: guitar and a subject inspired by Italy. The strong presence of the guitar in his works is natural since he is in an actively performing guitarist himself, and guitar works indeed play a significant role in his oeuvre. Moreover, he has written plenty of orchestral music; for instance two symphonies, numerous concertos, and chamber music. In the field of Finnish music he is a composer who can be characterized as free from any specific school or style. In his musical language, free tonal in essence, one can detect traces of Impressionism, Neoromanticism and even Expressionism at times, but he is also willing to employ more recent 20th-century stylistic devices. Nieminen has mentioned that he finds himself very similar to Japanese Toru Takemitsu both musically and in thought.

Mediterannean culture and Italy especially have been close to Nieminen's heart ever since he first visited the country and appeared in the jury of the international Fernando Sor guitar competition in 1981. He has composed a great number of works which refer to Italian landscapes or artists. The work Quadri Morandi (Morandi's pictures) is written in four movements. It has at its centre the painter Giorgio Morandi (1890-1964), who is known as a master of still lifes and landscapes painted in a plain manner and is subdued colours. Their atmosphere typically reflects a calm spirit. This is the third guitar work that nieminen has written for Kleemola.

It is easy to find a counterpart for the encaptivating realm of Morandi's art in Nieminen's clear and pure expression. The titles and expression markings also include several references to Morandi. For example, in the opening movement Prelude the words la Natura morta (still life) appear as an additional note on the chord sequence following the freely flowing opening section. At the end of the movement one can hear rhythmic motif coloured with flageolets that repeats the syllables of the painter's name: Gior-gio Moran-di. A similar motif can be heard at the end of the second movement Quasi cadenza. The tranquilly breathing third movement Paesaggio (landscape) creates an illusion of landscape by imitating the echo of monastery bells (come campane del monastero) and at the same time refers to il monaco (the monk), the name by which Morandi was often called. The final movement Ritratto (Portrait) is the most extensive of all the movements and can be seen, with its recurring motifs, as a reflection of the stable yet subtly varying elements of Morandi's art. The work ends with the rhythmic motif that once more echoes Morandi's name, like signature.

Flute, piano

SKU: FG.55011-613-9

Composed by Kai Nieminen. Fennica Gehrman #55011-613-9. Published by Fennica Gehrman (FG.55011-613-9).

ISBN 9790550116139.

The music of Finnish composer Kai Nieminen (b. 1953) does not conform to any isms. He remarks: I feel like I am a painter in music, who having seen or experienced something attempts to give that something a shape in music. The flute concerto Palomar was written for Patrick Gallois and premiered 2001 in Milan, Italy. The idea for his Flute Concerto came to Nieminen at the Villa Lante in Rome when he was kept awake by persistent birdsong in the heat of the night. The title alludes to the last novel, Palomar, by Italo Calvino. Though Nieminen finds inspiration in literature, the visual arts and nature, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire his listeners' imagination and to make them savour musical visions with a mind as open as that of Calvino's Mr Palomar examining the little wonders of the world around him. The orchestral score is available for sale (ISMN 9790550096370) and the performance material for hire from Fennica Gehrman.

Guitar

SKU: FG.55011-071-7

Hommage to Paul Klee. Composed by Kai Nieminen. Fennica Gehrman #55011-071-7. Published by Fennica Gehrman (FG.55011-071-7).

ISBN 9790550110717.

Comp leted in Karstula, Finland during late July 2010, this carefully structured, but also free-ranging work is drawn from ideas for a much earlier work in four movements, Fantasy dating from the 1980s.
Kai Nieminen has been for a long time an admirer of the work of artist Paul Klee (1879-1940), and the solo presented in its final form here is influenced by the painting Dances caused by Fear or as it is often refered to Dancing from Fear painted towards the end of Klee's life in Bern, 1938.
Having left Germany for Switzerland in December 1933, Klee's later works were often full of signs and lines, very often represented in black, depicting human figures or various objects against a variety of coloured backgrounds, in the case of this painting of a brownish hue. This development in his painting style and technique is felt by some to be an effect perhaps of his long-term illness, systemic sclerosis, but in the case of Dances caused by Fear there is suggested an atmosphere of panic and terror, an attempt to escape from horrors to come (World War II), represented in the violent movement of the arms and legs of the figures, and the dark, indeed brooding nature of the colours.
In Kai Nieminen's guitar work Images of Fear, there is only a very brief passage of calm at the very beginning, after which come three main connected sections in which a wide range of musically unsettling ideas emerge one by one, making use of the tritone, minor seconds, glissandos, tamboura, campanella, etc. The third and final section incorporates the grouping of 5 sixteenth-notes, to give an uneasy feeling to the music, with a short haunting and pleading five-note phrase (Cantando) heard immediately following this passage, before the work ends with further glissandos, and distant and diminishing harmonics.
As with Kai Nieminen's other guitar works, the use of 'orchestral colour' is vital to the performance, and passages suggestive of for example brass, strings, woodwind, etc., should be taken into account and played with suitably considered contrast of tone.

John Mills.

Guitar

SKU: FG.55011-322-0

Composed by Kai Nieminen. Fennica Gehrman #55011-322-0. Published by Fennica Gehrman (FG.55011-322-0).

ISBN 9790550113220.

Shad es around Stonehenge is an ambitious solo guitar work by Kai Nieminen in four movements that illustrates his poetic vision of the instrument. Through his writing, the guitar is an extremely versatile instrument, rich in colour shades, able to imitate the sounds of nature, all with a rich palette of dynamics.
The sonata-fantasia is inspired by the composer's night visit to this prehistoric monument of Stonehenge, UK.
Shades around Stonehenge is an ambitious solo guitar work by Kai Nieminen in four movements that illustrates his poetic vision of the instrument. Through his writing, the guitar is an extremely versatile instrument, rich in colour shades, able to imitate the sounds of nature, all with a rich palette of dynamics.
The sonata-fantasia is inspired by the composer's night visit to this prehistoric monument of Stonehenge, UK.
Shades around Stonehenge is an ambitious solo guitar work by Kai Nieminen in four movements that illustrates his poetic vision of the instrument. Through his writing, the guitar is an extremely versatile instrument, rich in colour shades, able to imitate the sounds of nature, all with a rich palette of dynamics.
The sonata-fantasia is inspired by the composer's night visit to this prehistoric monument of Stonehenge, UK.

Guitar

SKU: FG.55011-320-6

Composed by Kai Nieminen. Fennica Gehrman #55011-320-6. Published by Fennica Gehrman (FG.55011-320-6).

ISBN 9790550113206.

Guit ar sonata A Walk to the Mysterious Woods (2012-13) is so far the most extensive of the works Kai Nieminen has written for his own instrument, the guitar. The sonata features virtuosic and delicate timbre which is typical of Nieminen's musical idiom and which requires both technical and poetic skill of the performer. The music invokes a fairytale-like scene of nature with its references to Finnish mythology.

Kai Nieminen's guitar sonata is in four movements which follow each other attacca. The form of the work resembles the traditional sonata form: exposition (A Walk with Birdsong) - development (Along the Brook and Song(s) from the Arctic) - recapitulation (Return). The dark chords of the beginning, the pressing silence and the icy-sounding harmony created by the E flat bass line evoke an image of a winter forest. As if following birdsong, the music carries the listener through various landscapes and moods. Birdsong takes the listener to a brook, which then carries the traveller to the ancient Sami joik, a traditional form of chant, and allows him or her to bask in the serenity of natural beauty in a moment where the past and present meet.

Piano, Violin, Violoncello

SKU: FG.55011-525-5

Composed by Kai Nieminen. Score and parts. Fennica Gehrman #55011-525-5. Published by Fennica Gehrman (FG.55011-525-5).

ISBN 9790550115255.

Kai Nieminen (1953-) has always sought inspiration for his compositions from natural phenomena, literature, and pictoral art. The memory of the ruthless winter of composer's childhood in the Finnish Lapland and Winterwinde, a painting by Paul Klee (1879-1940), are ingredients that gave inspiration to the piano trio In der Winterzeit... (in memoriam Paul Klee). The work was composed in 2004 as a version for oboe, violoncello, and piano, and it was premiered same year in Weimar. However, the composer was never satisfied with this combination of instruments. Years later Nieminen at the request from Trio la Rue substitued oboe with violin for a better balance. Trio la Rue premiered the revised version in April 2012. They are also dedicatees of this version.

String quartet

SKU: FG.55011-485-2

Composed by Kai Nieminen. Score and parts. Fennica Gehrman #55011-485-2. Published by Fennica Gehrman (FG.55011-485-2).

ISBN 9790550114852.

Ment al pictures inspired by the surrounding and the poet Emily Dickinson's verses are often tinged with Nieminen's works. Nieminen describes his second quartet, as follows: The quartet was created out of the need to describe childhood memories and in distinction to polar nights. The conception of time is present in both of them. Mental pictures turning to the past and the stillness of polar nights in the darkness of which time goes and the amount of light increases without noticing it..

Guitar

SKU: FG.55011-718-1

Composed by Kai Nieminen. Score. Fennica Gehrman #55011-718-1. Published by Fennica Gehrman (FG.55011-718-1).

ISBN 9790550117181.

Kai Nieminen's Le Tombeau d'Albert Roussel (2020) for guitar utilises themes and harmonies from Roussel's ballet-pantomime Le Festin de l'Araignee (The Spider's Feast) op.17 written in 1912. Roussel's work depicts insect life in a garden alluding to human behaviour in a similar way to George Orwell's novel, Animal Farm. Nieminen's Le Tombeau d'Albert Roussel integrates themes from Roussel's Le Festin de l'Araignee with original material which together create a satisfying whole full of imagery, contrasts and colour.

Guitar

SKU: FG.55009-365-2

Composed by Kai Nieminen. Published by Fennica Gehrman (FG.55009-365-2).

ISBN 979-0-55009-365-2.

Nieminen has an intense awareness of colours, and the possibilities of expressing these on the classical guitar, an instrument on which he is himself a fine performer. This piece is Nieminen's touching tribute to Segovia. It is mostly in quiet and thoughtful mood. Segovia's charming Estudio sin luz is quoted briefly towards the end of the work.

String quartet

SKU: FG.55011-484-5

Composed by Kai Nieminen. Score and parts. Fennica Gehrman #55011-484-5. Published by Fennica Gehrman (FG.55011-484-5).

ISBN 9790550114845.

In January 1999, Nieminen worked with his oboe piece Elegy for Agatha. The work kept running through his mind. Its musically intimate and intriguing setting seemed to include sufficient elements for explicating a bigger whole. The poem by Hannele Huovi was the inspiration of the sequel: Kuulen virtaavaa valoa ja se on pimeys (I can here streaming light and it is darkness).
In his work, Nieminen also looks back on his days in military service. The mental pictures created decades ago on guard during winter frost amid silence combined with Huovi's poem took a musical shape. I Hear Streaming Light (1999) for the String Quartet was created out of these ideas, which together with Elegy for Agatha constitute a whole called I Can Hear Northern Lights. All musical material and melodic themes of the string quartet piece originate from Elegy for Agatha but they do not appear in their original forms.

Guitar

SKU: FG.55011-321-3

Composed by Kai Nieminen. Fennica Gehrman #55011-321-3. Published by Fennica Gehrman (FG.55011-321-3).

ISBN 9790550113213.

Kai Nieminen's Northern Spells for solo guitar is a unique combination of Northern mystique, nature and age-old rituals. The mood of the opening Invocation and Spell is shrouded in mystery dotted with moments of brightness, and chant-like rhythmic passages. As its name suggests, the second movement, Atmosfera, is atmospheric and airy, reiterating a melody that creates an image of something ancient and distant. The recurring pentatonic figures in the closing Charm conjure forth a rhythmic and at times even lithe conclusion.

Strong contrasts are one of the hallmarks of Nieminen's music, and this work is no exception. The guitarist must have a consummate ability to extract specific tones and effects from his or her instrument in order to bring out the required nuances and sometimes even ritualistic moods. One special feature of the work is the damped sound made in the bass by gently pressing the string with the left-hand finger near the nut. This produces a muffled, mystic, drum-like sound that has to be rounded, altogether resonant and ear-catching. Throughout all the movements and moods of this work, the player has to choose the timbres very carefully. The performance must be as imposing and multidimensional as the arctic nature that allows Northern spells to reawaken in the present-day world.

Guitar

SKU: FG.55009-368-3

Composed by Kai Nieminen. Published by Fennica Gehrman (FG.55009-368-3).

ISBN 979-0-55009-368-3.

Nieminen has an intense awareness of colours, and the possibilities of expressing these on the classical guitar, an instrument on which he is himself a fine performer. This piece captures impressionistic qualities of the Scandinavian summer and the midnight sun. A CD of this and other guitar works by Nieminen has been issued by Pilfink Records (John Mills, guitar).

SKU: BR.SON-172

Composed by Heinrich Schutz. Edited by Philipp Spitta. Linen. Complete Works.

Supplements from Arnold Schering and Heinrich Spitta Reprint of the Edition 1885ff., 18 Vol., summarized in 13 Vol. - Clothbound

Renaissance/early Baroque; Baroque. Complete Works. 232 pages. Breitkopf and Haertel #SON 172. Published by Breitkopf and Haertel (BR.SON-172).

ISBN 9790004800683. 9 x 12 inches.

Hrsg. von Ph. Spitta, Supplemente von A. Schering und H. Spitta. Reprint der Ausgabe 1885ff. 18 Bde., zusammengefasst in 13 Bd. - Ganzleinen
CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717

Piano Trio

SKU: BR.KM-2232

Composed by Nicolaus A. Huber. Chamber music; Softcover. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Leipzig, January 14, 1987

Music post-1945; New music (post-2000). Performance score. Composed 1986. 32 pages. Duration 16'. Breitkopf and Haertel #KM 2232. Published by Breitkopf and Haertel (BR.KM-2232).

ISBN 9790004501368. 9 x 12 inches.

Beleuchtung durch zwei verschiedene Lichtquellen: Storung der Farbstimmung des Auges. Dammerung:Besondere Helligkeit durch spezifische Streuung des Sonnenlichts nach Sonnenuntergang oder vor Sonnenaufgang.In ,,Zwielicht von Eichendorff/Schumann: gerinnt das Dammerig-Unentschiedene zu menschlichen Beziehungssituationen, die in sich die Drohung zur katastrophalen Wende tragen: ,,Hast ein Reh du lieb vor andern, lass es nicht alleine grasen, ,,hast du einen Freund hienieden, trau ihm nicht zu dieser Stunde; und dementsprechend die Warnung: ,,Hute dich, sei wach und munter!,,Hute dich: mit dieser Schlusswarnung als dreisilbiger musikalischer Deklamationsgestalt beginnt mein Stuck. Es entstand in einer Lebenssituation, in der das Lied fur mich eine wertvolle Hilfe war, vor allem auch in elementaren Einzelheiten, die in meine Komposition einflossen: die zarten, schwebenden Moglichkeiten der grossen Sexte, vagierende Ostinatofragmente als melodie fixe, Spaltungen aus einer Einheit heraus als Frequenzstreuung nach unten und oben, Dauernstreuung nach links und rechts als ratselhafte Spiegelungen oder Unscharfen von Klang- und Intervallkonturen und nicht zuletzt Schumanns Gliederung des Warnrufes: 8 Silben in 3 und 5, diese wieder in 1 und 2 beziehungsweise 2 und 3.(Nicolaus A. Huber, 1986 )CDs:Christian Hommel, Young-Chang Cho, Catherine VickersCD col legno AU 31821Matthias Arter (oboe), Tobias Moster (violoncello), Ingrid Karlen (piano) CD Musiques Suisses, MGB CTS-M 102Bibliography:Nonnenman n, K. Rainer: Das verratselte Ratsel. Zur Schumann-Rezeption in ,,Demijour (1985/86), in: Nonnenmann, ,,Arbeit am Mythos. Studien zur Musik von Nicolaus A. Huber, Saarbrucken: Pfau 2002, pp. 17-47.Schick, Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, here p. 101f.

World premiere: Leipzig, January 14, 1987.

Wind band, percussion (Flute, Alto flute, Oboe, English Horn, Clarinet B-flat, Bass Clarinet B-flat, Bassoon, Horn 1-2 in F, Trumpet 1-2 in C, Trombone and Percussion (Vibraphone, Tubular Bells, Crotales))

SKU: FG.55011-482-1

Score & parts. Composed by Kai Nieminen. Classical. Score and parts. Fennica Gehrman #55011-482-1. Published by Fennica Gehrman (FG.55011-482-1).

Kai Nieminen's Time Around Autumn explores the mental images of the ensemble's 12 musicians, about the autumn, melancholy and freedom; as a counterpoint to the freedom an exact rhythmic pulse emerges finally lulling to sleep.

SKU: BR.SON-180

Composed by Heinrich Schutz. Edited by Philipp Spitta. Linen. Complete Works.

Supplements from Arnold Schering and Heinrich Spitta Reprint of the Edition 1885ff., 18 Vol., summarized in 13 Vol. - Clothbound

Renaissance/early Baroque; Baroque. Complete Works. 172 pages. Breitkopf and Haertel #SON 180. Published by Breitkopf and Haertel (BR.SON-180).

ISBN 9790004800768. 9 x 12 inches.

Hrsg. von Ph. Spitta, Supplemente von A. Schering und H. Spitta. Reprint der Ausgabe 1885ff. 18 Bde., zusammengefasst in 13 Bd. - Ganzleinen
CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717

Orchestra

SKU: FG.55011-132-5

Composed by Kai Nieminen. Score. Published by Fennica Gehrman (FG.55011-132-5).

ISBN 979-0-55011-132-5.

Nieminen's first work for orchestra, Vicoli in ombra, looks ahead to the world of his flute concerto Palomar. The orchestral writing is again limpid and airy and the music exudes a sense of serenity, calm and enjoyment of the mood of the moment.

Guitar

SKU: FG.55011-593-4

Composed by Kai Nieminen. Fennica Gehrman #55011-593-4. Published by Fennica Gehrman (FG.55011-593-4).

ISBN 9790550115934.

Kai Nieminen's Fragmental Reflections (2018) draws on the melancholy mood of the Finnish folk song Tein mina pillin pajupuusta (I made a willow whistle) familiar to most Finns. The emotional scale of this 10-minute guitar fantasy ranges from a nostalgic striving for beauty to discordantly disruptive moments.

SKU: BR.SON-171

Composed by Heinrich Schutz. Edited by Philipp Spitta. Linen. Complete Works.

Supplements from Arnold Schering and Heinrich Spitta Reprint of the Edition 1885ff., 18 Vol., summarized in 13 Vol. - Clothbound

Renaissance/early Baroque; Baroque. Complete Works. 224 pages. Breitkopf and Haertel #SON 171. Published by Breitkopf and Haertel (BR.SON-171).

ISBN 9790004800676. 9 x 12 inches.

Hrsg. von Ph. Spitta, Supplemente von A. Schering und H. Spitta. Reprint der Ausgabe 1885ff. 18 Bde., zusammengefasst in 13 Bd. - Ganzleinen
CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717

Horn, piano

SKU: FG.55011-428-9

Composed by Kai Nieminen. Part. Fennica Gehrman #55011-428-9. Published by Fennica Gehrman (FG.55011-428-9).

ISBN 9790550114289.

Kai Nieminen's music has been described as often constructed according to a narrative logic, as fantasy journeys in imaginary or dream-like worlds. Most of his works have an extra-musical stimulus, alluded to in their titles. They are not, however, really programmatic music, being constructed according to their own musical laws. The titles do nevertheless reflect the original stimuls and provide something of a guideline to the listening experience. The initial inspiration may be in literature or art, or equally well in an urban streetscape or nature.
In Ancient Songs (Dreaming of the Queen of Sheba) the second movement is dedicated to the 16th-century Spanish composer Luis de Narvaez.

SKU: BR.SON-179

Composed by Heinrich Schutz. Edited by A. Schering and H. Spitta. Linen. Complete Works.

Supplements from Arnold Schering and Heinrich Spitta Reprint of the Edition 1885ff., 18 Vol., summarized in 13 Vol. - Clothbound

Renaissance/early Baroque; Baroque. Complete Works. 274 pages. Breitkopf and Haertel #SON 179. Published by Breitkopf and Haertel (BR.SON-179).

ISBN 9790004800751. 9 x 12 inches.

Hrsg. von Ph. Spitta, Supplemente von A. Schering und H. Spitta. Reprint der Ausgabe 1885ff. 18 Bde., zusammengefasst in 13 Bd. - Ganzleinen
CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717


Bibliographie :

Nonnenmann Rainer: ,,Des Wider-Spannstigen Fugung. Zur Musik von Cornelius Schwehr Saarbrucken: Pfau 2005 (= fragmen Heft 46)

CD Coviello COV 60717