| Christus vincit [score] Chorale SATB SATB, Orgue [Conducteur] CanticaNOVA Publications
Composed by Kunc/Latona. Festive setting of a Latin text with Vatican melody. Ge...(+)
Composed by Kunc/Latona.
Festive setting of a
Latin text with Vatican
melody. General. Score.
Published by CanticaNOVA
Publications (C5.5292-S).
$8.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| New Rules Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
As Recorded by Dua Lipa. Composed by Ian Kirkpatrick, Emily Schwartz, and Caro...(+)
As Recorded by Dua Lipa.
Composed by Ian
Kirkpatrick,
Emily Schwartz, and
Caroline
Ailin. Arranged by Doug
Adams. Marching Band;
Performance Music
Ensemble;
Single Titles. Easy Pops
for
Marching Band. Pop.
Part(s);
Score. 122 pages. Alfred
Music #00-47034.
Published by
Alfred Music
$55.00 $52.25 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Rules Fanfare - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.47034S As Recorded by Dua Lipa. Co...(+)
Marching Band - Grade 2
SKU: AP.47034S
As Recorded by Dua
Lipa. Composed by
Caroline Ailin, Emily
Schwartz, and Ian
Kirkpatrick. Arranged by
Doug Adams. Marching
Band; Performance Music
Ensemble; Single Titles.
Easy Pops for Marching
Band. Pop. Score. 8
pages. Alfred Music
#00-47034S. Published by
Alfred Music (AP.47034S).
UPC: 038081541402.
English. With its
unique feel and driving
percussion, singer Dua
Lipa's anthem to girl
power is a natural for
marching band. The
powerful scoring by
writer Doug Adams will
make any band sound
great! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nigel Hess: Rats! The Musical (Libretto) 1-9 Copies - Facile Chester
Vocal and Piano (Libretto) - easy SKU: HL.14014858 Composed by Nigel Hess...(+)
Vocal and Piano
(Libretto) - easy SKU:
HL.14014858 Composed
by Nigel Hess. Music
Sales America. Musical
Education. Book
[Softcover]. Composed
1989. 20 pages. Chester
Music #CH57612. Published
by Chester Music
(HL.14014858). ISBN
9780711923621. UPC:
884088454548.
5.75x8.25x0.059 inches.
Lyrics by Jeremy
Browne. A fantastic
Cantata by Nigel Hess,
based on The Pied Piper
Of Hamelin by Robert
Browning, Rats! The
Musical is a new take on
the story with original,
memorable music and witty
lyrics. The rats who
plague Hamelin are
scurrilous punks but
fortunatly the Pied Piper
has the charisma of a
rock star! Ideal for both
Middle and Secondary
schools with a genuine
showbiz feel which has
guaranteed appeal for
audiences of all ages.
Including eight parts
plus chorus, the vocal
score contains a Piano
accompaniment with Flute
solo, drums ad lib and
optional Guitar. There
are 15 modern songs
including The Rat Race
Rules, A Capital Fellow
and Sing With the
World. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rats! The Musical Chester
Choral SKU: HL.14014856 Libretto. Composed by Nigel Hess. Music Sa...(+)
Choral SKU:
HL.14014856
Libretto. Composed
by Nigel Hess. Music
Sales America. Musicals.
Book [Softcover].
Composed 1989. 20 pages.
Chester Music #CH57620.
Published by Chester
Music (HL.14014856).
ISBN 9781847727657.
Lyrics by Jeremy
Browne. A fantastic
Cantata by Nigel Hess,
based on The Pied Piper
Of Hamelin by Robert
Browning, Rats! is a new
take on the story with
original, memorable music
and witty lyrics. The
rats who plague Hamelin
are scurrilous punks but
fortunatly the Pied Piper
has the charisma of a
rock star! Ideal for both
middle and secondary
schools with a genuine
showbiz feel which has
guaranteed appeal for
audiences of all ages.
Including eight parts
plus chorus, the vocal
score contains a Piano
accompaniment with Flute
solo, drums ad lib and
optional Guitar. There
are 15 modern songs
including The Rat Race
Rules, A Capital Fellow
and Sing With the
World. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Divertimento Di Danza Score - Intermédiaire/avancé Schott
String orchestra - intermediate to advanced SKU: HL.49002063 Composed by ...(+)
String orchestra -
intermediate to advanced
SKU: HL.49002063
Composed by Harald
Genzmer. This edition:
Saddle stitching. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Score.
Composed 1953. 22 pages.
Duration 14' 50''. Schott
Music #CON 62. Published
by Schott Music
(HL.49002063). ISBN
9790001022170. UPC:
884088097813.
9.0x12.0x0.098
inches. Harald
Genzmer's composition
Divertimento di danza for
string orchestra clearly
continues the baroque
form of the divertimento.
This light music * in the
truest sense of the word
* consisted of a sequence
of loose movements with
free forms and dance
movements alternat-ing in
varied succession. The
divertimento comprised
five to six movements.
Genzmer kept to all these
facts but he brought new
life into the old forms.
Though he did not compose
in the old style, he
respected certain rules
of the traditional form.
Ouverture * Allegro
(Fugato) * Adagio *
Presto (on an Old French
dance) * Finale (on an
English dance
movement). $28.99 - Voir plus => Acheter | | |
| 7th Street Beat - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, Voice - Grade 3.5 SKU...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2, Voice -
Grade 3.5 SKU:
CF.CAS123F Composed
by Lauren Bernofsky. Sws.
Carl Fischer Concert
String Orchestra Series.
Full score. 16 pages.
Duration 3:30. Carl
Fischer Music #CAS123F.
Published by Carl Fischer
Music (CF.CAS123F).
ISBN 9781491154762.
UPC: 680160913312. 9 x 12
inches. Key: D
minor. It was at a
flute convention, of all
places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn't believe
how easy, and effective,
it was! She figured, if a
random bunch of adult
flute players can do
this, it should be a
piece of cake for
students. Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set. The beatbox vocal
lines are optional - they
are reinforcements for
the beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49. Don't
tell the students any
rules about what notes to
play or not play - simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!. It was
at a flute convention, of
all places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn’t
believe how easy, and
effective, it was! She
figured, if a random
bunch of adult flute
players can do this, it
should be a piece of cake
for students.Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set.The beatbox vocal
lines are optional
– they are
reinforcements for the
beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49.
Don’t tell the
students any rules about
what notes to play or not
play – simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Boids again Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.EB-9383 Composed by Misato Mochizuki. ...(+)
String Quartet
(2vl,va,vc) SKU:
BR.EB-9383 Composed
by Misato Mochizuki.
Chamber music; stapled.
Edition Breitkopf. New
music (post-2000). Full
score. Composed
2019/2020. 12 pages.
Duration 7'. Breitkopf
and Haertel #EB 9383.
Published by Breitkopf
and Haertel (BR.EB-9383).
ISBN 9790004188538. 9
x 12 inches. Two
years ago in Rome, I
encountered a murmuration
of starlings and I was
amazed with its
overwhelming beauty,
changing shape as it
moved. Moving of a fish
school that you can watch
in an aquarium, has the
same beauty and the
energy. According to the
scientists, their fine
movement in a flock is
based on the following
three simple rules: -
steer to avoid crowding
local flockmates - steer
towards the average
heading of local
flockmates - steer to
move towards the average
position (center of mass)
of local flockmates The
word Boids refers to
bird-like objects
(bird-oids), representing
the beauty of their
movements in a flock
which is a result of
balancing out with each
other, following the
principle of least
effort. I wonder if these
rules can be applied to
the way a string quartet
is shaped. Boids again
has been written as a
sequel to the piece Boids
(2017), a 4 minute study
for string quartet in the
frame of the Kronos
Quartet's educational
project 50 for the
Future. (Misato
Mochizuki)
World
premiere: Osaka,
International Chamber
Music Competition,
February 12, 2021
Commissioned by Osaka
International Chamber
Music Competition and
Festa Commission. $28.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spielraume - Spielregeln Piano seul Breitkopf & Härtel
Piano SKU: BR.EB-8846 Easy Piano Pieces from 4 Centuries with Proposal...(+)
Piano SKU:
BR.EB-8846 Easy
Piano Pieces from 4
Centuries with Proposals
for Improvisation.
Composed by Sigrid
Naumann. Softbound.
Edition Breitkopf. Music
pedagogy. Score. 84
pages. Breitkopf and
Haertel #EB 8846.
Published by Breitkopf
and Haertel (BR.EB-8846).
ISBN 9790004184363. 9
x 12 inches. We
begin with an invitation
to discover a work:
Sigrid Naumann offers
improvisational
preliminary exercises
that pave the way to the
various pieces and are
helpful for learning it.
The stylistic palette is
extraordinarily varied
here. The pieces
encompass all epochs from
Baroque to classical
modernity (Bartok,
Kabalevsky, Kurtag, B.
Heller); in addition,
there are also
traditionals and pieces
from presentday piano
pedagogy. Afterwards we
distance ourselves again,
for the second invitation
goes out to the
thematically grouped
pieces that open up a
variety of possibilities
for free formative
shaping. The new
Spielregeln - Spielraume
have proven themselves in
practice and are supplied
with insightful
comments.
Explorin
g the Rules and the Rooms
of the Game Spielregeln -
Spielraume (Rules of the
Game - Rooms of the Game)
is a dual invitation for
free music-making at the
piano. $39.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Magnificat And Nunc Dimittis Orgue St Rose Music Publishing
SATB Choir and Organ SKU: BT.MUSSRO100172 Composed by Rachel Portman. Cla...(+)
SATB Choir and Organ
SKU:
BT.MUSSRO100172
Composed by Rachel
Portman. Classical.
Choral Score. 16 pages.
St. Rose Music
#MUSSRO100172. Published
by St. Rose Music
(BT.MUSSRO100172).
English. Rachel
Portman's Magnificat And
Nunc Dimittis for
SATB choir and Organ
accompaniment. Born in
west Sussex, England,
Rachel Portman began
composing at age 14 and
read music at Oxford
University. She gained
experience writing music
for drama in BBC and
Channel 4 films including
Mike Leigh's Four Days In
July and Jim Henson's
Storyteller series. Her
extensive film work
includes scores for Never
Let me Go, The Joy Luck
Club, Benny and June, and
the Manchurian Candidate.
She won an Academy award
for her score for Emma
and Academy nominations
for Chocolat and The
Cider House Rules. She
has written a musical of
Little House on the
Prairie as well as an
opera of Saint
Exupery'sThe Little
Prince for Houston Grand
Opera and The Water
Diviner, a dramatic
choral symphony
commissioned for the BBC
Proms concerts. She was
appointed Officer of the
Order of the British
Empire (OBE) in the 2010
New Year Honours. $6.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Magnificat and Nunc Dimittis Chorale SATB SATB, Orgue Chester
Choral; Organ Accompaniment (SATB AND ORGAN) SKU: HL.277960 SATB and O...(+)
Choral; Organ
Accompaniment (SATB AND
ORGAN) SKU:
HL.277960 SATB and
Organ. Composed by
Rachel Portman. Choral.
General Worship, Sacred.
Softcover. 16 pages.
Chester Music #SRO100172.
Published by Chester
Music (HL.277960).
6.5x9.75
inches. Rachel
Portman's Magnificat and
Nunc Dimittis for SATB
choir and organ
accompaniment. Born in
west Sussex, England,
Rachel Portman began
composing at age 14 and
studied music at Oxford
University. She gained
experience writing music
for drama in BBC and
Channel 4 films including
Mike Leigh's Four Days in
July and Jim Henson's
Storyteller series. Her
extensive film work
includes scores for Never
Let Me Go, The Joy Luck
Club, Benny and June, and
The Manchurian Candidate.
She won an Academy award
for her score for Emma
and Academy nominations
for Chocolat and The
Cider House Rules. She
has written a musical of
Little House on the
Prairie as well as an
opera of Saint Exupery's
The Little Prince for
Houston Grand Opera and
The Water Diviner, a
dramatic choral symphony
commissioned for the BBC
Proms concerts. She was
appointed Officer of the
Order of the British
Empire (OBE) in the 2010
New Year Honours. $4.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Getting To Know... Oklahoma CD Chorale Hal Leonard
(Perusal Pack (includes student script and listening CD)). Composed by Oscar Ham...(+)
(Perusal Pack (includes
student script and
listening CD)). Composed
by Oscar Hammerstein and
Richard Rodgers. For
Choral (AUDSAMPLER).
Recorded Promo -
Stockable. Published by
Hal Leonard
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Writer. Producer. Engineer. Livre - Pas de partitions [Partition] Berklee
A Handbook for Creating Contemporary Commercial Music. By Michael Farquharson. B...(+)
A Handbook for Creating
Contemporary Commercial
Music. By Michael
Farquharson. Berklee
Guide. Softcover. 304
pages. Published by
Berklee Press.
$27.50 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Suite No. 1 Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308). ISBN
9782898522253. Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
FRANCE
SCO BIRAGHI
Au
lendemain d'une récente
expérience au sein du
jury d'un concours de
guitare, j'ai constaté
avec grand plaisir que
Giorgio Mirto, avec qui
j'avais partagé le rôle
de juré, souhaitait
célébrer l'expérience
du concours - au cours de
laquelle nous avons
découvert que nous
avions eu un grand
affinité de pensée -
avec quelque chose qui
pourrait perdurer dans le
temps et ne pas
s'évaporer comme cela
arrive souvent lors de
rencontres courtes et
occasionnelles entre
musiciens. Il l'a fait en
véritable compositeur,
ce qu'il est, et m'a
dédié une Suite d'une
très belle facture à
laquelle je me suis
permis de collaborer au
moins formellement, en
suggérant des titres
pour les quatre
mouvements. C'est ainsi
qu'est née la Suite n.1,
une pièce qui ne
respecte pas strictement
les règles formelles de
l'époque baroque, mais
les réinterprète et les
réutilise dans une
nouvelle tonalité.
L'inspiration évidente
du baroque tardif de
l'œuvre m'a amené à
trouver des titres qui
invitaient l'interprète
à approfondir
l'inspiration esthétique
de l'œuvre. J'ai donc
suggéré à Giorgio de
titrer les quatre
mouvements avec quelque
chose qui reliait leur
contenu à quatre grands
du XVIIIe siècle.
Maîtres allemands. Le
prélude est ainsi devenu
d'Eisenach en raison de
son atmosphère parfois
improvisée à la Bach,
le deuxième mouvement,
vaguement toccata, parle
un langage d'orgue à la
manière de Buxtehude
(qui vivait à Lübeck),
le mouvement lent a un
Qualité haendélienne -
et Haendel est né à
Halle - et le dernier
mouvement, loin d'être
une véritable Chaconne,
a sans doute le goût de
cette dernière pour la
variation et l'ostinato,
traits typiques de
Telemann qui vivait à
Magdebourg. Les villes
qui apparaissent dans les
titres sont donc
indélébiles aux auteurs
cités. De plus, il ne
faut pas penser que le
style de l'œuvre soit en
aucune façon allemand,
étant donné que Giorgio
Mirto s'exprime dans un
langage très joyeux qui
synthétise la modalité
avec le minimalisme, le
tout assaisonné d'un
clin d'œil au rock
progressif Floyd de Pink.
ou un Mike Oldfield... Le
résultat de ce mélange
d'idées, d'inspirations
et de styles est un
ouvrage que
personnellement je ne me
lasse pas de lire et de
relire, pour la
fraîcheur qui s'en
dégage et pour le climat
expressif qui monte, se
nourrissant de plein
efficacité. On ne peut
finalement pas ignorer
que la note B, celle qui
marque de manière
mineure certaines des
œuvres les plus
expressives du
répertoire de guitare,
depuis l'étude de Sor
qui a fait tomber
amoureux de la guitare
des générations
d'étudiants, jusqu'à
celle de Frank Martin
Quatre Pièces via La
Catedral di Barrios, est
le point d'appui modal de
toute la Suite : il est
vrai que le Prélude
commence par un accord
clair en mi mineur et
s'attarde sur une fin
ouverte en la mineur,
mais il semble presque
que le mi initial sert de
une rampe de lancement
pour une suite de
l'œuvre dans laquelle la
dominante, c'est-à-dire
le B, est le véritable
Nord musical, l'étoile
polaire qui nous guide
dans les trois autres
mouvements jusqu'à la
fin de la Chaconne de
Magdebourg. Je souhaite
à Giorgio et à « notre
» Suite une grande
longévité et un destin
favorable dans le monde
complexe et complexe de
la composition
contemporaine pour
guitare. Et je le
remercie encore, flatté
de son très aimable
dévouement.
FRANC
ESCO BIRAGHI. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Symphonic Interludes Orchestre d'harmonie - Avancé Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.GOB-000915-140
Composed by Harrie
Janssen. Score Only.
Gobelin Music
Publications #GOB
000915-140. Published by
Gobelin Music
Publications
(BT.GOB-000915-140).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie,
gebaseerd op de taal van
de gewone man. Het was
een reactie op de aan
strenge regels gebonden
poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
$42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| San Francisco Swing Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-1216335-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3 SKU:
BT.DHP-1216335-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 18 pages.
De Haske Publications
#DHP 1216335-215.
Published by De Haske
Publications
(BT.DHP-1216335-215).
English-German-French-
Dutch. In the 1980s
and 1990s there was a new
surge of interest in the
old swing of the 30s and
40s. The epicentre of
this swing revival lay in
the American state of
California, Los Angeles
and San Francisco in
particular. Based on
therules of the old swing
in which each beat has a
ternary subdivision but
with more contemporary
sounds and harmonies,
Peter Kleine Schaars
composed this work San
Fransisco Swing.
Through the frequent use
of the rhythmiccells 22,
23 and 24 in all parts of
this composition, each
band, irrespective of its
experience with swing
music, will be able to
give a swinging
performance!
In
de jaren tachtig en
negentig van de vorige
eeuw ontstond er een
nieuwe golf van
belangstelling voor de
oude swing van de jaren
dertig en veertig. Het
epicentrum van deze
swingrevival lag in de
Amerikaanse staat
Californië, metname in
Los Angeles en San
Francisco. Gebaseerd op
de wetten van de oude
swing waarin elke beat
een ternaire
onderverdeling heeft maar
met meer hedendaagse
klanken en harmonieën,
componeerde Peter Kleine
Schaars deze
SanFransisco
Swing. Door middel
van het veelvuldig
gebruik van de ritmische
cellen 22, 23 en 24 in
alle stemmen van deze
compositie zal elk
orkest, ongeacht de
ervaring met swingmuziek,
in staat zijn een
swingende performanceneer
te zetten!
In den
1980er und 1990er Jahren
konnte man ein
gesteigertes Interesse am
alten Swing der 1930er
und 1940er Jahre
beobachten. Das Zentrum
dieser Entwicklung befand
sich insbesondere im
amerikanischen
Bundesstaat Kalifornien,
in LosAngeles und San
Francisco. Peter Kleine
Schaars komponierte das
Stück San Fransisco
Swing nach den Regeln
des alten Swings, bei dem
jeder Schlag eine
ternäre Unterteilung
hat, allerdings mit
modernen Klängen und
Harmonien.Durch die
häufige Verwendung der
Rhythmus-Einheiten 22 und
24 in allen Stimmen der
Komposition kann jedes
Orchester unabhängig
von seiner Erfahrung mit
Swingmusik eine
swingende“
Aufführung
präsentieren!
L
es années 1980-90 ont
connu un regain
d’intérêt
pour le swing des
années 1930-40.
L’épicentre de
cette renaissance se
trouvait dans
l’état
américain de
Californie, notamment Los
Angeles et San Francisco.
Peter Kleine Schaars
acomposé San
Fransisco Swing en
respectant les principes
du swing traditionnel
où chaque battement
est subdivisé en
ternaire mais en lui
apportant des sons et
harmonies plus
contemporains. Gr ce
l’emploi
généreux
descellules rythmiques 22
et 24 dans toutes les
parties de cette
composition, tous les
ensembles, quelle que
soit leur expérience
du swing, seront en
mesure de
l’interpréter
en swinguant ! $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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