By Terry Gibbs on More Vibes on Velvet. Edited by Dylan Canterbury, Rob DuBoff, and Rob DuBoff. Arranged by Manny Albam. For Jazz Saxophone Ensemble with Featured Soloist and Rhythm Section. Ballad. Medium. Full score and parts. Published by Jazz Lines Publications

Percussion Mallet Percussion - 4-6

SKU: KN.13912

Composed by Murray Houllif. Percussion. Kendor Solo Series. Kendor Music Inc #13912. Published by Kendor Music Inc (KN.13912).

UPC: 822795139129.

These 9 grade 4-6 editions are culled from Peter Illych Tschaikowsky's symphonic and piano repertoire. All are playable on a low A marimba, and 5 are also playable on vibes.

Contents:Italian Song; March Of The Wooden Soldiers; The New Doll; 1812 Overture; Dance Of The Cygnets; Scene From Swan Lake; Dance Of The Sugar Plum Fairy; Dance Of The Mirlitons; March From Symphony Pathetique.

Marching percussion ensemble (Snare, Tenor Drums, Cymbals, Bass Drums, Bells, Xylophone, (2) Marimbas, Vibes, (5) Timpani, Timbales, (2) Suspended Cymbals, (2) Splash Cymbals, Woodblock, Cowbell, Agogo Bells, Shakere, Shaker, Bongos) - Grade 6

SKU: RF.0313-WTCD

Composed by Brian S. Mason. Marching Series. Score and digital audio. Duration 1:47. Row-Loff Publications #0313-WTCD. Published by Row-Loff Publications (RF.0313-WTCD).

15 Selections from the Essential Elements for Jazz Ensemble Series - C TREBLE/VIBES. By Michael Sweeney, Mike Steinel. Essential Elements Jazz Ensemb. 32 pages. Published by Hal Leonard.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 2.5

SKU: CF.YPS252

Composed by Travis Weller. Yps. Set of Score and Parts. 16+4+8+8+4+4+6+4+4+4+8+8+ 6+6+6+4+6+4+2+4+2+4+24 pages. Duration 2 minutes, 18 seconds. Carl Fischer Music #YPS252. Published by Carl Fischer Music (CF.YPS252).

ISBN 9781491161357. UPC: 680160919949.

A new day. A new event. A new opportunity. We look forward to these things and the potential they hold. We live our lives looking forward, but we understand them looking backward (a thought of Danish philosopher Soren Kierkegaard). We do not always know what the future may hold, but we must remember: first, there are no guarantees beyond the time and opportunity we are given to do good. Second, change around us is inevitable. Finally, and the most important aspect, we have choices. This lesson is fixed to the composer's office door: Today is the greatest day of your life, if you want it to be. Why not look forward to the Promise on the Horizon and the possibilities for greatness that lie within it? The opening motif of this concert fanfare is purposely inquisitive as the piece seeks to establish its first steps. The subtle shift at measure 37 and again at measure 69 are reminders of the challenges that await us during the journey. Here again it is a matter of choice - do we choose to let circumstances define us, or do we define the circumstances? The section at 93 is a resounding answer that we will move barriers, overcome obstacles and keep our vision looking forward. The piece builds toward an exciting conclusion from measure 127 onward. The piece reinforces several basic rhythmic patterns in 6/8 time. As a number of these rhythms are repeated, it provides an easy opportunity for the entire ensemble to grow more comfortable performing in this meter. While it is a fanfare-type piece, remind young musicians to play with lightness and precision, rather than intensity in volume. Maintaining this style of articulation and accuracy helps the rhythms in 6/8 time maintain their buoyancy. It is vital that each musician listens for the melody and balances their part, especially in moments where the melody is passed between sections. If vibes are not available, a second bell set can be employed in its place. It is hoped that this piece is an uplifting way to open your next concert, and a meaningful opportunity for you to discuss the power of making positive choices with your students in the ensemble (as a reminder, regular practicing of their instrument is a positive choice). Wishing you and your ensemble well as you look to the Promise on the Horizon.
A new day. A new event. A new opportunity. We look forward to these things and the potential they hold. We live our lives looking forward, but we understand them looking backward (a thought of Danish philosopher Soren Kierkegaard). We do not always know what the future may hold, but we must remember: first,  there are no guarantees beyond the time and opportunity we are given to do good. Second, change around us is inevitable. Finally, and the most important aspect, we have choices. This  lesson is fixed to the composer's office door: “Today is the greatest day of your life, if you want it to be.” Why not look forward to the Promise on the Horizon and the possibilities for greatness that lie within it?The opening motif of this concert fanfare is purposely inquisitive as the piece seeks to establish its first steps. The subtle shift at measure 37 and again at measure 69 are reminders of the challenges that await us during the journey. Here again it is a matter of choice – do we choose to let circumstances define us, or do we define the circumstances? The section at 93 is a resounding answer that we will move barriers, overcome obstacles and keep our vision looking forward. The piece builds toward an exciting conclusion from measure 127 onward. The piece reinforces several basic rhythmic patterns in 6/8 time. As a number of these rhythms are repeated, it provides an easy opportunity for the entire ensemble to grow more comfortable performing in this meter. While it is a fanfare-type piece, remind young musicians to play with lightness and precision, rather than intensity in volume. Maintaining this style of articulation and accuracy helps the rhythms in 6/8 time maintain their buoyancy. It is vital that each musician listens for the melody and balances their part, especially in moments where the melody is passed between sections. If vibes are not available, a second bell set can be employed in its place. It is hoped that this piece is an uplifting way to open your next concert, and a meaningful opportunity for you to discuss the power of making positive choices with your students in the ensemble (as a reminder, regular practicing of their instrument is a positive choice). Wishing you and your ensemble well as you look to the Promise on the Horizon. .

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 2.5

SKU: CF.YPS252F

Composed by Travis Weller. Yps. Full score. 24 pages. Duration 2 minutes, 18 seconds. Carl Fischer Music #YPS252F. Published by Carl Fischer Music (CF.YPS252F).

ISBN 9781491161913. UPC: 680160920594.

A new day. A new event. A new opportunity. We look forward to these things and the potential they hold. We live our lives looking forward, but we understand them looking backward (a thought of Danish philosopher Soren Kierkegaard). We do not always know what the future may hold, but we must remember: first, there are no guarantees beyond the time and opportunity we are given to do good. Second, change around us is inevitable. Finally, and the most important aspect, we have choices. This lesson is fixed to the composer's office door: Today is the greatest day of your life, if you want it to be. Why not look forward to the Promise on the Horizon and the possibilities for greatness that lie within it? The opening motif of this concert fanfare is purposely inquisitive as the piece seeks to establish its first steps. The subtle shift at measure 37 and again at measure 69 are reminders of the challenges that await us during the journey. Here again it is a matter of choice - do we choose to let circumstances define us, or do we define the circumstances? The section at 93 is a resounding answer that we will move barriers, overcome obstacles and keep our vision looking forward. The piece builds toward an exciting conclusion from measure 127 onward. The piece reinforces several basic rhythmic patterns in 6/8 time. As a number of these rhythms are repeated, it provides an easy opportunity for the entire ensemble to grow more comfortable performing in this meter. While it is a fanfare-type piece, remind young musicians to play with lightness and precision, rather than intensity in volume. Maintaining this style of articulation and accuracy helps the rhythms in 6/8 time maintain their buoyancy. It is vital that each musician listens for the melody and balances their part, especially in moments where the melody is passed between sections. If vibes are not available, a second bell set can be employed in its place. It is hoped that this piece is an uplifting way to open your next concert, and a meaningful opportunity for you to discuss the power of making positive choices with your students in the ensemble (as a reminder, regular practicing of their instrument is a positive choice). Wishing you and your ensemble well as you look to the Promise on the Horizon.
A new day. A new event. A new opportunity. We look forward to these things and the potential they hold. We live our lives looking forward, but we understand them looking backward (a thought of Danish philosopher Soren Kierkegaard). We do not always know what the future may hold, but we must remember: first,  there are no guarantees beyond the time and opportunity we are given to do good. Second, change around us is inevitable. Finally, and the most important aspect, we have choices. This  lesson is fixed to the composer's office door: “Today is the greatest day of your life, if you want it to be.” Why not look forward to the Promise on the Horizon and the possibilities for greatness that lie within it?The opening motif of this concert fanfare is purposely inquisitive as the piece seeks to establish its first steps. The subtle shift at measure 37 and again at measure 69 are reminders of the challenges that await us during the journey. Here again it is a matter of choice – do we choose to let circumstances define us, or do we define the circumstances? The section at 93 is a resounding answer that we will move barriers, overcome obstacles and keep our vision looking forward. The piece builds toward an exciting conclusion from measure 127 onward. The piece reinforces several basic rhythmic patterns in 6/8 time. As a number of these rhythms are repeated, it provides an easy opportunity for the entire ensemble to grow more comfortable performing in this meter. While it is a fanfare-type piece, remind young musicians to play with lightness and precision, rather than intensity in volume. Maintaining this style of articulation and accuracy helps the rhythms in 6/8 time maintain their buoyancy. It is vital that each musician listens for the melody and balances their part, especially in moments where the melody is passed between sections. If vibes are not available, a second bell set can be employed in its place. It is hoped that this piece is an uplifting way to open your next concert, and a meaningful opportunity for you to discuss the power of making positive choices with your students in the ensemble (as a reminder, regular practicing of their instrument is a positive choice). Wishing you and your ensemble well as you look to the Promise on the Horizon. .

SKU: HL.1418387

AlphaTheta. DJ Gear. Duration 195 seconds. Hal Leonard #WAVE-EIGHT. Published by Hal Leonard (HL.1418387).

UPC: 841300102410. 16.0x26.5x17.0 inches.

Faster and easier Cable-free DJing without sound delays is now possible with the WAVE-EIGHT thanks to SonicLink. This new ultra-low-latency technology wirelessly transmits audio much faster than a Bluetooth connection so only a fraction of a second passes between pressing play on the decks and hearing the track through the speakers, which lets you mix without missing a beat. Take the included transmitter out of its storage compartment on the WAVE-EIGHT and connect it to your DJ gear, and you can instantly create a wireless connection, enabling you to throw a DJ party anywhere you want. And if you combine the WAVE-EIGHT with the new OMNIS-DUO portable all-in-one DJ system, which features battery power, you can play cable-free for total freedom. Professional sound with effortless setup With a highly efficient Class D amplifier, a newly designed 8-inch driver, and a Vortex Bass Accelerator which delivers clear and powerful bass, the WAVE-EIGHT will bring the vibes and the punch to your party's sound, even in outdoor settings. To cover larger events and spaces, you can easily add more units to your setup with the SonicLink connection: e.g., using 2 speakers in stereo for an expansive experience, or with a third added as a dedicated subwoofer for a club-like heavy bass sound. There are even several modes you can change between with a single switch to create the type of sound you need, including Mono, Stereo, and Subwoofer mode. Battery power and waterproof design for outdoor events A full battery charge gives you 8 hours of music on the WAVE-EIGHT so you can keep the tunes going throughout the evening and night. The unit is also waterproof, with an IPX4 rating, so it's ideal for using outdoors. And, if you need to charge your phone or another device, you can plug it into the USB Type-C port. Find party venues wherever you go The extendable handle, casters, and additional grab handles make it easy to carry the WAVE-EIGHT to any location on your own. There's a pole socket built-in, too, so you can mount the speaker on a stand for extra height, making it ideal for use in a variety of locations.

Choir Sacred with Opt. Saxophone & Vibes

SKU: AP.45363

Composed by English Carol. Arranged by Andy Beck. This edition: SoundTrax CD. CD. Alfred Choral Designs. Christmas; Jazz; Sacred. CD. Alfred Music #00-45363. Published by Alfred Music (AP.45363).

UPC: 038081511030. English. English Carol.

A Christmas classic is given a cool treatment in this new arrangement by Andy Beck. Featuring a lilting jazz waltz accompaniment and sweet choral harmonies, this is a great way to perk up your holiday program! Optional parts for saxophone and vibes are available online.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Sacred with Opt. Saxophone and Vibes (2-Part choir)

SKU: AP.45362

Composed by English Carol. Arranged by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Jazz; Sacred. Choral Octavo. 12 pages. Alfred Music #00-45362. Published by Alfred Music (AP.45362).

UPC: 038081511023. English. English Carol.

A Christmas classic is given a cool treatment in this new arrangement by Andy Beck. Featuring a lilting jazz waltz accompaniment and sweet choral harmonies, this is a great way to perk up your holiday program! Optional parts for saxophone and vibes are available online.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Concert Band Grade 4 Score and Parts. Composed by Otto M. Schwarz. Symphonic Dimensions. Concert Band. Softcover. Duration 580 seconds. Hal Leonard #SDP1452202. Published by Hal Leonard

Jazz Ensemble standard jazz ensemble - Grade 2

SKU: KN.60410

Composed by Kris Berg. Jazz Gateway. New Orleans 2nd Line Beat. Kendor Music Inc #60410. Published by Kendor Music Inc (KN.60410).

UPC: 822795604108.

We welcome Kris Berg to the Kendor family of writers with this fun and energetic chart written in a New Orleans 2nd line groove over a C7 blues. After the band trades licks with the drummer, the chart roars to a big ending, thunderous applause, and your audience marchin' down the aisles! The written or ad lib solo section can be played by anyone. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 4:00.

Arranged by Andy Beck. Choral Octavo. Alfred Choral Designs. Christmas; Jazz; Sacred; Winter. 12 pages. Published by Alfred Music (AP.45361).

String Orchestra - late intermediate

SKU: XC.MSO2102

Composed by Bruce W. Tippette. Excelcia Music Publishing String Orchestra. Concert and Contest. Concert & Contest. Score and set of parts. Excelcia Music Publishing #MSO2102. Published by Excelcia Music Publishing (XC.MSO2102).

UPC: 812598037715. 9 x 12 inches.

Composer Bruce W. Tippette gives us movie cinema vibes in this dark and brooding new work for string orchestra. Big, dramatic sections are positioned between fresh rhythmic passages. This one is a fun ride that your musicians will want to play and perform over and over.

Jazz Ensemble standard jazz ensemble with opt. vibes - Grade 5

SKU: KN.62585

Composed by Bob Washut. Jazz Summit. Even Eighths. Score and set of parts. Duration 7 minutes, 25 seconds. Kendor Music Inc #62585. Published by Kendor Music Inc (KN.62585).

UPC: 822795625851.

Every well-paced concert needs a chart like this. Veteran jazz educator Bob Washut brings us this even-8ths feel original composed for the State University of New York at Oswego Jazz Ensemble. It requires a mature approach from all members of the band as they transition through various dynamic levels. Solo space is given to guitar and tenor sax. Duration 7:25.

Jazz Ensemble - Grade 2

SKU: KN.60410S

Composed by Kris Berg. Jazz Gateway. Kendor Music Inc #60410S. Published by Kendor Music Inc (KN.60410S).

UPC: 822795604108.

We welcome Kris Berg to the Kendor family of writers with this fun and energetic chart written in a New Orleans 2nd line groove over a C7 blues. After the band trades licks with the drummer, the chart roars to a big ending, thunderous applause, and your audience marchin' down the aisles! The written or ad lib solo section can be played by anyone. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 4:00.

Arranged by Andy Beck. Choral Octavo. Alfred Choral Designs. Christmas; Jazz; Sacred; Winter. 12 pages. Published by Alfred Music (AP.45360).

Jazz Ensemble standard jazz ensemble with opt. vibes - Grade 5

SKU: KN.62585S

Composed by Bob Washut. Jazz Summit. Kendor Music Inc #62585S. Published by Kendor Music Inc (KN.62585S).

UPC: 822795625851.

Every well-paced concert needs a chart like this. Veteran jazz educator Bob Washut brings us this even-8ths feel original composed for the State University of New York at Oswego Jazz Ensemble. It requires a mature approach from all members of the band as they transition through various dynamic levels. Solo space is given to guitar and tenor sax. Duration 7:25.

Jazz Ensemble - Grade 1.5

SKU: AP.48214S

Composed by Charlton Underwood. Arranged by Zachary Smith. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Funk; Jazz. Score. 24 pages. Duration 4:10. Alfred Music #00-48214S. Published by Alfred Music (AP.48214S).

UPC: 038081556994. English.

Oh yeah, you are in New Orleans! French Quarter Funk arranged by Zachary Smith is very hip, funky, and simple to rehearse and perform. Played around 168 BPM, written solos are provided for alto 1, trumpet 1, and the trumpet 1 range is written to F top line. Optional flute and vibes parts too. This is the coolest and funkiest easy chart you'll find anywhere! (4:10) This title available in MakeMusic Cloud.

String Orchestra - late intermediate

SKU: XC.MSO2102FS

Composed by Bruce W. Tippette. Excelcia Music Publishing String Orchestra. Concert and Contest. Concert & Contest. Score. Excelcia Music Publishing #MSO2102FS. Published by Excelcia Music Publishing (XC.MSO2102FS).

UPC: 812598037418. 9 x 12 inches.

Composer Bruce W. Tippette gives us movie cinema vibes in this dark and brooding new work for string orchestra. Big, dramatic sections are positioned between fresh rhythmic passages. This one is a fun ride that your musicians will want to play and perform over and over.

Composed by Heather Sorenson. Brookfield Christmas Choral. Christmas, Christmas Sacred. Octavo. 12 pages. Published by Brookfield Press

Choral (TTBB Choir)

SKU: HL.402731

Composed by Heather Sorenson. Brookfield Christmas Choral. Christmas, Christmas Sacred, Christmas/Advent Sacred. Octavo. 12 pages. Duration 235 seconds. Published by Brookfield Press (HL.402731).

UPC: 196288057727. 6.75x10.5x0.029 inches. Luke 1:35, Matthew 2, Psalm 46:10.

Inspired by the classic carol Silent Night, this newly composed sacred nocturne moves beyond its source material and delivers an exquisite portrait of Christmas grace. A memorable melody propels the piece forward with gentle phrasing while a flowing piano part offers colorful support. The development section offers contrast as the angelic chorus breaks forth with luminous praise. An optional chamber orchestration beautifully wraps this message of hope in a sonic blanket. Very special! Score and Parts (fl, ob, cl, bn, hn, vibes, aux perc, pno, hp, vn 1-2, va, vc, db) available as a digital download.

Choral (ChoirTrax CD)

SKU: HL.337283

Composed by Heather Sorenson. Brookfield Christmas Choral. Christmas, General Worship, Sacred. CD. Duration 235 seconds. Published by Brookfield Press (HL.337283).

UPC: 840126911343. 5.0x5.0x0.15 inches. Joseph Mohr/Heather Sorenson. Luke 1:35, Matthew 2, Psalm 46:10.

Inspired by the classic carol Silent Night, this newly composed sacred nocturne moves beyond its source material and delivers an exquisite portrait of Christmas grace. A memorable melody propels the piece forward with gentle phrasing while a flowing piano part offers colorful support. The development section offers contrast as the angelic chorus breaks forth with luminous praise. An optional chamber orchestration beautifully wraps this message of hope in a sonic blanket. Very special! Score and Parts (fl, ob, cl, bn, hn, vibes, aux perc, pno, hp, vn 1-2, va, vc, db) available as a digital download.