(Original Soundtrack Collection) Composed by Nino Rota (1911-1979). Collection and performance CD for solo piano. 64 pages. Published by Ricordi.

Over 50 Pop Music Favorites (Piano/Vocal/Guitar). Composed by various artists and composers. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Greatest Hits. Pop; Pop/Rock; Rock. 248 pages. Published by Alfred Music

Guitar

SKU: HL.14044613

Composed by Nino Ricardo. CARISCH - MUSIC SALES. General Merchandise. Play Music France #MF2177. Published by Play Music France (HL.14044613).

French.

Manuel Serrapi Sanchez <> (1904 - 1972) a ete jusque dans les annees 1960 l'une des references majeures des jeunes guitaristes flamencos, et notamment de Manolo Sanlucar et de Paco de Lucia. L'etude de ses oeuvres est donc indispensable a qui veut comprendre le langage musical de la guitare flamenca contemporaine. Il appartient par son style a <> (predominance des techniques de main droite typiquement flamencas avec rasgueados, jeu en attaque butee du pouce, alternance pouce/index ; strict respect du compas ; gout prononce pour les formes <> du genre Alegrias, Bulerias, Siguiriyas et Soleares), mais se distingue surtout par son inepuisable creativite melodique et par le dynamisme de ses interpretations. Le recueil presente dix compositions emblematiques du genie de Nino Ricardo, en transcription integrale. Le CD regroupe les enregistrements originaux, depuis son premier 78 tour (<> - 1943), jusqu'a son ultime seance soliste (<> - 1965).

By Nino Mazzoni. For Flute and Harp. Score and Parts. Published by Ut Orpheus. (MAG 66)

(Guitar TAB). For Guitar. Book; Guitar Mixed Folio; Guitar TAB. The New Guitar TAB Big Book. Adult Contemporary; Folk; Pop; Pop/Rock; Rock. 264 pages. Published by Alfred Music

61 Golden Oldies. Composed by various artists and composers. This edition: Guitar TAB Edition. Book; Guitar Mixed Folio; Guitar TAB. The Guitar Collection. Rock. 216 pages. Published by Alfred Music

(75 Hits from the Golden Era of Top 40 (Guitar TAB)). For Guitar. Book; Guitar Mixed Folio; Guitar TAB. The Guitar Collection. Pop; Pop/Rock; Rock. 256 pages. Published by Alfred Music

For Violoncello. Includes an expansive, newly engraved and annotated 'urtext' music book printed on high-quality ivory paper with performance suggestions; and two compact discs featuring a reference recording of the complete sonata with 'cellist and pianist; then given again with accompaniment alone minus you, the soloist; and a special -20% slow-tempo version of the accompaniment to help you get up to speed as you learn the piece. Published by Music Minus One.

For Piano. Includes an expansive, newly engraved 96-page music book with solo part and orchestral reduction, printed on high-quality ivory paper; and two compact discs containing the complete performance of the concerto in digital stereo; a digital stereo version of the orchestral accompaniment, minus the soloist; plus a special -25% slow-tempo version of the accompaniment for practice purposes. Published by Music Minus One.

Guitar ensemble - Intermediate

SKU: DZ.DZ-4281

Composed by Francesco Di Giandomenico. Score and parts. Les Productions d'OZ #DZ 4281. Published by Les Productions d'OZ (DZ.DZ-4281).

ISBN 9782898521980.

Musi c For a While is a collection of three short sketches. The music interweaves elements of East European folklore, North American minimalism, European polyphony and traditional Italian music.

The first sketch is a very rhythmical, lively and powerful dance based on a fragment from Bela Bartok’s collection For Children.

The second sketch is like a canon, a tribute to Pachelbel, but interestingly the development of the piece is influenced by contemporary minimalism. The music, based on a cell of 4 bars with a typical tonal progression that is constantly variated, is simple, beautiful and bright.

The last sketch is an homage to Federico Fellini’s universe. With a typical Italian dance rhythm (including references to Nino Rota’s music), this piece evokes the crazy, funny and melancholic w

Music For a While est une collection de trois courts croquis. La musique entrelace des éléments du folklore d'Europe de l'Est, du minimalisme nord-américain, de la polyphonie européenne et de la musique traditionnelle italienne.

Le premier «sketch» est une danse très rythmique, animée et puissante, basée sur un fragment de la collection For Children de Béla Bartók.

Le deuxième «sketch» est comme un canon, un hommage à Pachelbel, mais de manière intéressante, le développement de la pièce est influencé par le minimalisme contemporain. La musique, basée sur une cellule de 4 mesures avec une progression tonale typique constamment variée, est simple, belle et lumineuse.

Le dernier «sketch» est un hommage à l'univers de Federico Fellini. Avec un rythme de danse italienne typique (incluant des références à la musique de Nino Rota), cette pièce évoque le monde fou, drôle et mélancolique du cirque.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139S

Composed by Lowell Liebermann. Full score. Duration 15 minutes. Theodore Presser Company #116-41139S. Published by Theodore Presser Company (PR.11641139S).

UPC: 680160682119.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139L

Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L).

UPC: 680160682126.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Saxophone choir - 1 sopranino, 2 sop, 3 alto, 3 ten, 2 baritone, 1 bass. (1 sopranino saxophone, 2 soprano saxophone, 3 alto saxophone, 3 tenor saxophone, 2 baritone saxophones, 1 bass saxophone) - Intermediate-Advanced

SKU: FT.FM013

Composed by Felix Bartholdy Mendelssohn. Arranged by Robert Rainford. Score and parts. Forton Music #FM013. Published by Forton Music (FT.FM013).

ISBN 9790708085126.

Saxo phone Choir/Ensemble - 12 part. Sopranino, 2 Soprano, 3 Alto, 3 Tenor, 2 Baritone, 1 Bass. A true sax choir arrangement of a Mendelssohn fugue. All parts participate equally, and involve some very tricky semiquaver dovetailing (the tempo is Allegro Vivace). This builds from a small start to an enormous finish, and is an extended piece of music. Very rewarding for all parts, currently in the repertoire of The National Saxophone Choir Of Great Britain. Grade 7-8 standard.

Saxophone Ensemble (sopranino, 2 sopranos, 2 altos, 2 tenors, tenor/baritone, baritone, bass) - Intermediate

SKU: FT.FM270

Composed by Keiron Anderson. Score and Parts. Forton Music #FM270. Published by Forton Music (FT.FM270).

ISBN 9790570481699.

Saxo phone Choir/Ensemble - Sopranino, 2 sopranos, 2 Altos, 2 Tenors, Tenor/Baritone, Baritone, Bass. With a bright swing tempo, this piece swaggers along with style. The opening and closing sections almost have a big band feel to them, while the central section is slow and bluesy. At about 5 minutes long, a great concert item for intermediate ensembles.

Sax Choir (sopranino, 2 soprano, 2 alto, 2 tenor, 2 baritone, bass) - Advanced

SKU: FT.FM210

Composed by Keiron Anderson. Score and parts. Forton Music #FM210. Published by Forton Music (FT.FM210).

ISBN 9790570481095.

Saxo phone Choir/Ensemble - 10 part - Sopranino, 2 Soprano, 2 Alto, 2 Tenor, 2 Baritone, Bass. Harlequin dances is a stunning original composition showcasing a variety of dance styles. The piece starts with a mambo-like section, then moves into a more romantic ballad-type movement. This then winds up into a Viennese waltz which uses cheeky glissandi, then onto a very clever tempo shift and back to a recap of the mambo music which races along to a thrilling climax.

Violoncello, piano

SKU: FG.55011-903-1

Composed by Victoria Yagling. Arranged by Yuriy Leonovich. Classical, contemporary. Score and part. Fennica Gehrman #55011-903-1. Published by Fennica Gehrman (FG.55011-903-1).

ISBN 9790550119031.

Vict oria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.

This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).

Vi ctoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.

Yagli ng won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.

Yagl ing left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich.

Piano (4 hands) (Piano For 2 Players) - easy to intermediate

SKU: HL.49043954

Original works from the Classical to the Modern era. Edited by Monika Twelsiek. This edition: Saddle stitching. Sheet music. Piano Duet. Leichte vierhandige originale Klavierwerke, einige in der Bearbeitung bedeutender Zeitgenossen. Die fruhesten Werke stammen aus dem 18. Jahrhundert, die jungsten aus unserer Zeit. Softcover. 86 pages. Schott Music #ED21684. Published by Schott Music (HL.49043954).

ISBN 9783795748265. UPC: 841886021105. 9.25x12.0x0.386 inches.

This 'treasure chest' contains - in chronological order - easy original piano pieces by classical composers, some of them arranged as duets by well-known contemporaries. The earliest pieces are from the 18th Century, stylistically they range from Classical to Romantic, through to Jazz, Rock and Pop. The collection also features an improvisatory piece with partly graphic notation. All of the pieces are approachable and even the sometimes more demanding Secondo parts are well within the range of piano students and amateur players.

Violin

SKU: FG.55011-598-9

Violin tutor. Classical, pedagogical. Book. Fennica Gehrman #55011-598-9. Published by Fennica Gehrman (FG.55011-598-9).

ISBN 9790550115989.

The volume G of the popular Colourstrings violin tutors by Géza Szilvay studies every position of the violin in a separate volume: G1 the second position, G2 the third position, G3 the fourth position, G4 the fifth position and the last one, G5, the high positions (sixth and seventh). These books form an all-embracing, rich collection of shifting exercises, position playing studies, excerpts from the literature, chamber music (mainly duos), and performing pieces, piano accompaniment offered as a separate publication (Books G1, G2 & G2 supplement 9790550116467; Books G3 & G4 9790550116931 and Book G5 9790550116948).

Th e extensive Book G5 - Sixth and Seventh Position (9790550116948) follows the key principles of Colourstrings methodology - the use of natural harmonics and constant developing of inner hearing for instance - but it can be fully utilized also without any previous use or knowledge about the Colourstrings method. The innovative and unique visual presentation of the “house of the positions and preparatory exercises for the challenging passages help the young and older students to fully understand, why and where the different positions are needed. The performance pieces with piano accompaniment in the Book G5 (alphabetical order):
Bériot, Charles de: Air varié
Bohm, Carl: Introduction and Polonaise
Brahms, Johannes: Hungarian Dance No. 5
Dancla, Charles: Second Solo
Drdla, Frantisek: Souvenir
Glazunov, Alexander: Spanish Serenade
Kodály, Zoltán: Kallo Double Dances I-III
Kuula, Toivo: Chanson sans paroles
Mozart, Wolfgang Amadeus: Minuet
Pergolesi, Giovanni Battista: Siciliana
Pugnani-Krei sler: Tempo di Minuetto
Rachmaninov, Sergei: Vocalise
Sibelius, Jean: Romance
Sonninen, Ahti: Karelian Dance
Wieniawski, Henryk: Mazurka
Žilinskis, Arvīds Mazurka

Duos for two violins in the Book G5:
B. Campagnoli: Duo (Andantino)
F. J . Mazas: Duos in six positions (Moderato)

Excerpt s from the violin literature: Prokofieff - Bartók - Tartini - Rachmaninoff - Bériot - Pugnani - Rode - Weiner - Schubert - Dancla - Rieding

More about the Colourstrings method: https://www.fennicagehrma n.fi/sheet-music/colourst rings/.

(50 Famous Pieces). By Various. Edited by Hans Gunter Heumann. For Piano. Piano Collection. Softcover. 124 pages. Schott Music #ED9060. Published by Schott Music

Violin, piano

SKU: FG.55011-694-8

Classical, pedagogical. Book. Fennica Gehrman #55011-694-8. Published by Fennica Gehrman (FG.55011-694-8).

ISBN 9790550116948.

The volume G of the Colourstrings Violin ACB tutors by Géza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Colourstrings Violin ABC: Piano accompaniments for the book G5 (ISMN 9790550116948) includes the piano accompaniments of the performing pieces included in Colourstrings Violin ABC: Book G5 – Sixth and Seventh Positions.

Click “sample to have a look inside and “table of contents to see the complete list of the pieces included.

More about the Colourstrings method: https://www.fennicagehrma n.fi/sheet-music/colourst rings/ Contents in alphabetical order:
Bériot, Charles de: Air varié
Bohm, Carl: Introduction and Polonaise
Brahms, Johannes: Hungarian Dance No. 5
Dancla, Charles: Second Solo
Drdla, Frantisek: Souvenir
Glazunov, Alexander: Spanish Serenade
Kodály, Zoltán: Kallo Double Dances I-III
Kuula, Toivo: Chanson sans paroles
Mozart, Wolfgang Amadeus: Minuet
Pergolesi, Giovanni Battista: Siciliana
Pugnani-Kreisler: Tempo di Minuetto
Rachmaninov, Sergei: Vocalise
Sibelius, Jean: Romance
Sonninen, Ahti: Karelian Dance
Wieniawski, Henryk: Mazurka
Žilinskis, Arvīds Mazurka.

SKU: HL.49044826

Edited by Heinz von Loesch and Linde Grossmann. This edition: Hardback/Hard Cover. Book. Edition Schott. German Edition. Hardcover. 278 pages. Schott Music #ED 22461. Published by Schott Music (HL.49044826).

ISBN 9783795709419. 7.0x9.75 inches. German.

Aus Russland bzw. der Sowjetunion kommen seit dem ausgehenden 19. Jahrhundert nicht nur bedeutende ausubende Musiker in grosser Zahl, die Russische Schule der musikalischen Interpretation ist uberdies die einzige nationale Schule, deren Existenz auch fur das 20. Jahrhundert nie bestritten wurde. Was macht die Russische Schule aus, wodurch sind ihre Spezifika bedingt? Wie wirkten sich Eiserner Vorhang und Perestroika, wie sowjetische und transatlantische Ideologien auf Russische Schule und ihre Wahrnehmung im Westen aus? Der Aufsatzband versammelt die erweiterten Vortrage des gleichnamigen Symposiums in Zusammenarbeit mit dem Moskauer Tschaikowsky-Konservatori um vom Mai 2014. Unter den Autoren ist eine Reihe namhafter russischer Fachgelehrter, von denen hier zum ersten Mal Texte in deutscher Sprache zuganglich werden.