Piano SKU: HU.HN601 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttr...(+)
Piano
SKU: HU.HN601
Composed by Wolfgang
Amadeus Mozart. Edited by
Ernst Herttrich. Piano
Solo, Piano and Keyboard,
Repertoire, Solos. Piano
Sonata G major K. 283
(189h). Classical.
Softcover Book. 19 pages.
G. Henle #HN601.
Published by G. Henle
(HU.HN601).
14 original pieces based on Latin-American styles Piano. Composed by Christo...(+)
14 original pieces based
on
Latin-American styles
Piano.
Composed by Christopher
Norton. BH Piano. Latin,
Classical, Brazilian.
Softcover with CD. 56
pages.
Boosey & Hawkes
#M060135385.
Published by Boosey &
Hawkes
Piano SKU: HL.14036601 Composed by Giles Swayne. Music Sales America. Cla...(+)
Piano
SKU:
HL.14036601
Composed
by Giles Swayne. Music
Sales America. Classical.
Book [Softcover]. 18
pages. Novello & Co Ltd.
#NOV100335. Published by
Novello & Co Ltd.
(HL.14036601).
8.25x11.75x0.116
inches.
Giles
Swayne's Zebra
Music comprises
twelve pieces written to
be suitable for the
junior contemporary Piano
student, offering new
music ideas to younger
players. As the title
suggests, the music is
written in 'layers' of
black and white keys: one
hand may be playing the
black keys while the
other hand plays the
white; or both may be on
white, or both on black -
only the final piece
mixes the colours. By
combining these simple
modes with exciting and
unusual rhythms, Swayne
produces a sense of
global style within
acessible pieces.
Composed by Erik Satie (1866-1925). Music Sales America. Classical. Book Only. 2...(+)
Composed by Erik Satie
(1866-1925). Music Sales
America. Classical. Book
Only. 20 pages. Novello
and Co Ltd.
#MUSNOV100216. Published
by Novello and Co Ltd.
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
By Jean Baptiste Loeillet. Arranged by David Marlatt. For Clarinet and Keyboard....(+)
By Jean Baptiste
Loeillet. Arranged by
David Marlatt. For
Clarinet and Keyboard.
Masterworks; Solo;
Woodwind - B-Flat
Clarinet Solo. Eighth
Note Publications.
Baroque. Part(s).
Duration 00:02:00.
Published by Eighth Note
Publications
By Jean Baptiste Loeillet. Arranged by David Marlatt. For Trumpet and Keyboard. ...(+)
By Jean Baptiste
Loeillet. Arranged by
David Marlatt. For
Trumpet and Keyboard.
Brass - B-Flat Cornet
(Trumpet) Solo;
Masterworks; Solo. Eighth
Note Publications.
Baroque. Part(s).
Duration 00:02:00.
Published by Eighth Note
Publications
By Jean-Baptiste Loeillet (1680 - 1730). Arranged by David Marlatt. For Trombone...(+)
By Jean-Baptiste Loeillet
(1680 - 1730). Arranged
by David Marlatt. For
Trombone and Keyboard.
Brass - Trombone Solo.
Baroque. Level:
Easy-Medium. Duration
00:02:00. Published by
Eighth Note Publications.
Hanon Power Workouts for Guitar arranged by Larry McCabe. For guitar. This editi...(+)
Hanon Power Workouts for
Guitar arranged by Larry
McCabe. For guitar. This
edition: Paperback.
Instructional. Exercises.
Book. Text Language:
English; Standard
notation and tablature.
32 pages. Published by
Santorella Publications
Piano - Intermediate SKU: MB.31086 Saddle-stitched. Gospel. Book. Mel Bay...(+)
Piano - Intermediate
SKU: MB.31086
Saddle-stitched. Gospel.
Book. Mel Bay
Publications, Inc #31086.
Published by Mel Bay
Publications, Inc
(MB.31086).
ISBN
9781513477763. 8.75X11.75
inches.
We all have
experienced devotion at
varying levels of
intensity within our
lives. Sometimes it is
temporary, but in other
cases it is lasting and
perhaps even
permanent.Devotion can be
directed toward an idea,
a purpose, plan, pet or
person, a concept, a
sport or hobby, a
philosophy, or a feeling
or relationship, but we
all have known it in some
measure.It can be so
pathetically shallow as
devotion to an object or
possession, but its
highest expression is
found in devotion to the
most noble of lasting and
eternal values and in
pursuit of knowing the
awesome Creator of the
universe- - - God
himself. Hopefully, these
piano pieces will inspire
a greater measure of
devotion from each of
us.
With Fingering Piano (Piano Solo) BWV 830 Piano Solo with fingering. Composed ...(+)
With Fingering Piano
(Piano
Solo)
BWV 830 Piano Solo with
fingering. Composed by
Johann
Sebastian Bach
(1685-1750).
Edited by Ulrich
Scheideler.
Henle Music Folios.
Classical.
Softcover. 31 pages. G.
Henle
#HN1656. Published by G.
Henle
Without Fingering Piano (Piano Solo) BWV 830 Piano solo without fingering. Com...(+)
Without Fingering Piano
(Piano
Solo)
BWV 830 Piano solo
without
fingering. Composed by
Johann
Sebastian Bach
(1685-1750).
Edited by Ulrich
Scheideler.
Henle Music Folios.
Classical.
Softcover. 31 pages. G.
Henle
#HN1696. Published by G.
Henle
13 Well-Known Original Pieces in Progressive Order. Composed by Felix Bartho...(+)
13 Well-Known Original
Pieces in Progressive
Order.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Sylvia Hewig-
Tröscher. At
the Piano.
Softcover. 54 pages. G.
Henle #HN1813. Published
by
G. Henle
Piano SKU: BT.EMBZ20083 Urtext (1932-1939). Composed by Bela Barto...(+)
Piano
SKU:
BT.EMBZ20083
Urtext
(1932-1939). Composed
by Bela Bartok. Arranged
by Yusuke Nakahara. EMB
Music of Bela Bartok.
Educational Tool. Book
Only. Composed 2021. 72
pages. Editio Musica
Budapest #EMBZ20083.
Published by Editio
Musica Budapest
(BT.EMBZ20083).
English-Hungarian.
Bartók's
Mikrokosmos has been one
of the milestones in
pedagogical piano
repertoire for 80 years -
and yet it is also far
more than a classical
piano primer. These 153
piano pieces, organized
in ascending order of
difficulty, engage not
only with technical
aspects of piano playing
but also with the
fundamentals of
composition - from
Imitation and Inversion,
Ostinato, and Free
Variations, concerning
compositional technique,
to mood pieces and pieces
with programmatic ideas
such as Notturno,
Boating, From the Diary
of a Fly, or the famous
Six Dances in Bulgarian
Rhythm. Mikrokosmos first
appeared in 1940 in six
volumes. Based on volume
40 of the Bartók
CompleteEdition published
in 2020(Z. 15040), the
present Urtext edition
offers the series
gathered in three
volumes. This edition
includes Bartók's
preface, exercises, and
notes written for the
first edition.
Furthermore, it also
features a preface and
comments by the editor,
which not only discuss
the genesis and the
compositional sources but
also provide performers,
teachers and pupils
alike, with authentic and
detailed information
about Bartók's
notation and the specific
performing problems of
Mikrokosmos.
Finer in Minor Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-9410 33 Original Pieces for Piano. Composed by Ma...(+)
Piano
SKU:
BR.EB-9410
33
Original Pieces for
Piano. Composed by
Martina Schneider. Solo
instruments; stapled.
Edition Breitkopf. The
editors of the Keyboard
Crocodile have delved
into music history's
treasure chest of piano
literature and come up
with some gems in the
minor mode that offer
major enjoyment.MP3
audiofiles, performed by
Aki Sakae, are to be
found on YouTube. Music
pedagogy. Score. 68
pages. Breitkopf and
Haertel #EB 9410.
Published by Breitkopf
and Haertel (BR.EB-9410).
ISBN 9790004188842. 9
x 12 inches.
The
new Finer in Minor With
beautiful, easy to
moderately difficult,
familiar and above all
not so familiar pieces,
our bestseller Finer in
Minor has now been a
companion for many
generations on their way
to the wonderful works of
major piano literature.
In the meantime, the
sister edition Greater in
Major (EB 8936) expands
the sound palette,
showing that playing the
piano in a major key is,
of course, just as
beautiful as playing in a
minor key! In the course
of preparing it, the
desire for freshness and
renewal of the
well-established
minor-key edition
developed. Editors and
publishing house finally
gave in and decided on a
revised and expanded new
edition. The outer
appearance has been
adapted to its major-key
twin, and inside the
edition, things look new
and different, too. New
composers and even more
pieces expand the range
of minor-key music to
include new worlds of
sound and feeling. Thus,
playing the piano is
simply great - with
Greater in Major and
Finer in Minor ! Voices
to the 1st edition: It is
a good collection of easy
pieces and well edited.
(Music Teacher) The
publisher began with a
novel idea and invested
their faith in its
success by producing a
bright, colorful album
that will easily catch
the eye of the potential
buyer. (Trevor Barnard,
Music Teacher)
The
editors of the Keyboard
Crocodile have delved
into music history's
treasure chest of piano
literature and come up
with some gems in the
minor mode that offer
major enjoyment.MP3
audiofiles, performed by
Aki Sakae, are to be
found in the download
section or on YouTube.
Here you can find the
sister edition Greater in
Major.
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano
SKU: CF.CM9608
Composed by Jamey Ray.
Fold. Performance. 12
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CM9608.
Published by Carl Fischer
Music (CF.CM9608).
ISBN 9781491154304.
UPC: 680160912803. 6.875
x 10.5 inches. Key: E
major. English. Alfred,
Lord Tennyson
(1809-1892).
The
beauty in Alfred, Lord
Tennysons poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 5764,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennysonas
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m.A 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word adeepa in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word adarka in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word aembark,a
which is to be an ascent
to Heaven. The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm. 57a64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word awhen.a Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.
~Jamey Ray. The beauty
in Alfred, Lord
Tennyson’s poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m.Â
19, providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word
“deep†in m.
27 gives another instance
of text painting.Take
advantage of the minor
second suspension on the
word “darkâ€
in m. 38 in order to
achieve a feeling of
suspense. The entrance at
m. 41 is full, and while
still minor, the text
gives us hope for a
change. The change comes
in m. 45 with the
staggered entrances
creating a sense of
building and ascent until
the climax of this moment
at m. 47 on the word
“embark,â€
which is to be an ascent
to Heaven.The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm.
57–64, the altos
trade the melody back and
forth with the sopranos.
Take note that the alto
melody should be brought
out, but the line does
not actually begin until
the word
“when.â€Lastly
, be intentional with
syllabic stress (no two
eighth notes or quarter
notes alike) and to give
direction to any note
longer than a quarter.I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.~Jamey
Ray.
15 Well-Known Original Pieces in Progressive Order. Composed by Johannes Bra...(+)
15 Well-Known Original
Pieces in Progressive
Order.
Composed by Johannes
Brahms
(1833-1897). Edited by
Sylvia
Hewig-Trösch
er. At
the Piano. Softcover. 56
pages. G. Henle #HN1814.
Published by G. Henle
15 Well-Known Original Pieces in Progressive Order. Composed by Wolfgang ...(+)
15 Well-Known Original
Pieces in Progressive
Order. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Sylvia
Hewig-Tr�¶scher. At
the Piano. Softcover. 64
pages. G. Henle #HN1812.
Published by G. Henle
(HL.51481812).
Without Fingering Piano (Piano Solo) BWV 829 Piano Solo without fingering. Com...(+)
Without Fingering Piano
(Piano
Solo)
BWV 829 Piano Solo
without
fingering. Composed by
Johann
Sebastian Bach
(1685-1750).
Edited by Ulrich
Scheideler.
Henle Music Folios.
Classical.
Softcover. 27 pages. G.
Henle
#HN1695. Published by G.
Henle