Choral (Studiotrax CD)

SKU: HL.334951

Composed by Heather Sorenson. Shawnee Sacred. General Worship, Sacred. CD. Duration 310 seconds. Published by Shawnee Press (HL.334951).

UPC: 840126910728. 5.0x5.0x0.151 inches. Colossians 1:27, I Peter 5:10, Jeremiah 29:11.

Speaking timeless truths to troubled times, this new sacred song envelops the listener in the promise of security and hope. An impressive ballad-styled melody and accompaniment are only the beginning with this piece. Shimmering chords punctuate the solo writing and add a level of beauty rarely seen in this style. The challenge to embrace a hopeful world and work together to bring about the peaceable kingdom is a challenge that every church needs to hear. Ministry and artistry! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, perc 1-2, timp, pno, vn 1-2, va, vc, db) available as a digital download.

Composed by Michael Ching. One Act/Chamber Opera. 20th Century. Score. Published by E.C. Schirmer Publishing

Performed by Billy Joel. For voice, piano and guitar chords. Volume 2 Revised. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and contents by album. Soft rock and pop rock. 360 pages. 9x12 inches. Published by Hal Leonard.

(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwitz, Ethan Fiks, and Vivian Clement. For Guitar. Book; CD; Guitar Reference; Reference Textbooks. 96 pages. Published by Alfred Music Publishing

(TB)

SKU: HL.49021450

22 Szenen und ein Zwischengesang. Composed by Hiller. This edition: Saddle stitching. Book. Edition Schott. Text book/libretto. 52 pages. Schott Music #BN 3384. Published by Schott Music (HL.49021450).

ISBN 9783795733841. German.

Dieses Libretto lehnt sich engstmoglich an Theodor Storms Novelle vom Schimmelreiter an.Der originale Wortlaut des Stormschen Textes wurde weitestgehend, wo irgend moglich, beibehalten; auch altere, regional gebundene Ausdrucke sind unverandert ubernommen worden.Die eingearbeiteten Gedichte sind - mit einer Ausnahme - gleichfalls von Theodor Storm; lediglich Nebel, stiller Nebel (20. Szene: Der Tod der Trin Jans) stammt von Christian Morgenstern, wurde aber wegen der atmospharischen Stimmigkeit hier verwendet.Wenn die individuelle Zeichnung einzelner Charaktere (Ole Peters und Trin Jans) nicht ganz mit der von Theodor Storms vorgegebenen ubereinstimmt, sodeshalb, weil in diesem Zusammenhang eine scharfere Konturierung und Akzentuierung vonnoten war.Das Stuck gliedert sich folgendermassen:I. Teil: 1. Szene: Der Fluch - 13. Szene: Nachfolgefragen Zwischengesang: Sieben JahreII. Teil: 14. Szene: Plane - Letzte Szene: Das EndeEs ist fur pausenlose Auffuhrung konzepiert. Falls doch eine Pause gemacht werden sollte, so ist sie an das Ende des I. Teils und vor den Zwischengesang: Sieben Jahre zu legen.

Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash Cymbals, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Oboe 2, Percussion 1, Percussion 2, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more.

SKU: CF.SC88

Composed by William Grant Still. Full score. 32 pages. Duration 9 minutes, 20 seconds. Carl Fischer Music #SC88. Published by Carl Fischer Music (CF.SC88).

ISBN 9781491158845. UPC: 680160917563.

Willi am Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American† by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.

Composed by Nick Planas. For solo bass clarinet. Classical; 21st century. Score. Composed 2009. Duration 8 minutes. Published by Alea Publishing

Concert Band - Grade 5

SKU: HL.44007324

Grade 5 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2007. Duration 720 seconds. Anglo Music Press #AMP214. Published by Anglo Music Press (HL.44007324).

UPC: 884088245214. 9.0x12.0x1.232 inches. English(UK)/Deutsch/Franc ais/Nederlands.

Col orado Springs was commissioned by the United States Air Force Academy Band, Lieutenant Steve Grimo, Commmander/Conductor. Colorado Springs, home of the USAF Academy, is set in spectacular landscape towards the southern end of the Rocky Mountains and is a popular tourist resort for skiing and hiking. The Academy plays an important part in the life of the area and serves as a base for the USAFA Band, one of the professional bands forming part of the musical life of the U.S. Air Force. The suite is in three movements: 1. The Springs (fanfare) - “The Springs” is the local residents' name for the town, and this first movement starts with a stirring fanfare for brass and percussion, opening with bold unison horns. The rest of the brass join in and woodwind add decorative figures. After a short change of style, the opening material reappears to close the movement. 2. Seven Falls - Seven Falls is a spectacular waterfall near to the town which cascades 181 feet in seven distinct steps down a solid cliff of pikes peak granite. In this movement, high woodwinds describe the sparkling water as it descends to a popular lookout post near the bottom of the falls. 3. Pikes Peak - To the north-west of the town and reaching an altitude 14,110 feet, Pikes Peak is the farthest east of the big peaks in the Rocky Mountain chain, which contributed to its early fame among explorers and pioneers, and made it the symbol of the 1859 Gold Rush to Colorado with the slogan, “Pikes Peak or Bust.” It is the second-most visited mountain in the world behind Japan's Mount Fuji. This atmospheric movement describes the majesty of the mountain and is based around the fanfare from the first movement. Opening on a solitary bassoon, it is not long before the main theme appears under bubbling woodwinds. The music reaches a passionate climax at which point the opening fanfare reappears to bring the whole work to a close.

Concert Band - Grade 5

SKU: HL.44007325

Grade 5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2007. Duration 720 seconds. Anglo Music Press #AMP214. Published by Anglo Music Press (HL.44007325).

UPC: 884088245221. 9.0x12.0x0.173 inches. English-German-French-Dut ch.

Colorado Springs was commissioned by the United States Air Force Academy Band, Lieutenant Steve Grimo, Commmander/Conductor. Colorado Springs, home of the USAF Academy, is set in spectacular landscape towards the southern end of the Rocky Mountains and is a popular tourist resort for skiing and hiking. The Academy plays an important part in the life of the area and serves as a base for the USAFA Band, one of the professional bands forming part of the musical life of the U.S. Air Force. The suite is in three movements: 1. The Springs (fanfare) - The Springs is the local residents' name for the town, and this first movement starts with a stirring fanfare for brass and percussion, opening with bold unison horns. The rest of the brass join in and woodwind add decorative figures. After a short change of style, the opening material reappears to close the movement. 2. Seven Falls - Seven Falls is a spectacular waterfall near to the town which cascades 181 feet in seven distinct steps down a solid cliff of pikes peak granite. In this movement, high woodwinds describe the sparkling water as it descends to a popular lookout post near the bottom of the falls. 3. Pikes Peak - To the north-west of the town and reaching an altitude 14,110 feet, Pikes Peak is the farthest east of the big peaks in the Rocky Mountain chain, which contributed to its early fame among explorers and pioneers, and made it the symbol of the 1859 Gold Rush to Colorado with the slogan, Pikes Peak or Bust. It is the second-most visited mountain in the world behind Japan's Mount Fuji. This atmospheric movement describes the majesty of the mountain and is based around the fanfare from the first movement. Opening on a solitary bassoon, it is not long before the main theme appears under bubbling woodwinds. The music reaches a passionate climax at which point the opening fanfare reappears to bring the whole work to a close.

The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Chords. Music Sales America. Folk Rock. Softcover. 560 pages. Paul Simon Music #PS11594. Published by Paul Simon Music

Kontrabass

SKU: HG.GH-11747

Schule. Composed by Thomas Grossmann. Heft mit Klavierbeilage. Hug Musikverlage #GH 11747. Published by Hug Musikverlage (HG.GH-11747).

ISBN 9790202824320.

Note nformat, 84 Seiten, mit Klavierbeilage, illustriert Kontrabass ABC Das Kontrabass-ABC ist eine neue Kontrabassmethode in 3 Banden und einem Spielbuch. Es wurde sowohl fur Anfanger als auch fur Instrumenten-Wechsler konzipiert und ist keine ausschliessliche Kinder-Bass-Schule. Viele Stucke eigenen sich ebenfalls fur den Gruppenunterricht. Der zweite Band enthalt die Lektionen G bis M und umfasst 56 Uebungen, 10 Duette, 5 Solos sowie 8 Spielstucke mit Klavierbegleitung und behandelt folgende Themen: - Die weiteren Handlagen (III 1/2. bis VII. Lage) - Lagenwechselubungen, Tonleitern - Vibrato - Duette und Spielstucke mit Klavierbegleitung - Springbogen - Akkordbrechungen bis zur VII. Lage - Entwicklung der Fingersatze Der Band 2 von Das Kontrabass-ABC von Thomas Grossmann behandelt die Lagen III 1/2 bis VII. Wer sich bis zu dieser Phase mit dem Instrument auseinander gesetzt hat, wird seine grosse Freude daran haben, selbststandig seine Entwicklung fortzusetzen. Alles bisher Gelernte findet hier seinen logischen Fortgang. CDs zur Unterstutzung werden nicht mehr benotigt. Prof. Jorg Linowitzki, Professor fur Kontrabass an der Musikhochschule Lubeck (aus dem Begleitwort).

By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 576 pages. Published by Hal Leonard.

A Guide to the Jazz Pentatonic Scales. Jazz, Jazz Instruction. Softcover Book. 219 pages. Sher Music Company #9781883217846. Published by Sher Music Company

(Melody, Lyrics and Simplified Chords for 100 Songs in the Key of C). By Various. Fake Book. Softcover. 290 pages

By Various. Easy Piano Songbook (Easy arrangements for piano and voice). Softcover. 494 pages. Published by Hal Leonard.

Voice/SATB choir/orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, 3Tenor Voice Solo, BarSolo, 2 Bass Voice Solo, 4speaker, Mixed choir(SSAATTBB), Fl-picc, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 3trombone, Be, Tr, Tr-Gr, timpani, Str)

SKU: BA.BA05557

Teilbande a-c als Set. Composed by Franz Schubert. Edited by Christine Martin and Thomas A. Denny. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series II, Volume 8a-c. Parts a-c. Complete edition, Score. D 796. 292 pages. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA05557_00. Published by Baerenreiter Verlag (BA.BA05557).

ISBN 9790006497263. 33 x 26 cm inches. Language: German. Text: Josef Kupelwieser.

Compos ed in 1823 but not performed during his lifetime, Franz Schubert’s Fierabras is a “number opera” with spoken dialogue in the manner of opra comique. It is based on the medieval legends associated with Charlemagne, including that of Eginhard and Emma, and draws on the old French heroic epic (chanson de geste).

Emma, the daughter of Charlemagne secretly loves the knight Eginhard who is not befitting of her rank. The heathen Moorish prince Fierabras who, after being defeated by Charlemagne, falls into French captivity and converts to Christianity, is also in love with Emma. His sister Florinda on the other hand loves the Franconian knight Roland who is being held prisoner by the Moors and whom she helps to escape. After several military conflicts where Charlemagne’s army finally conquers the Moors, the lovers reunite. Only Fierabras who is reprieved, renounces his love and accepts the liaison between Emma and Eginhard.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Contemporary. Softcover. 96 pages. Published by Hal Leonard (HL.4004651).

(Trumpet and Piano). Composed by Johann Stamitz (1717-1757). Edited by Alan Boustead. For Trumpet, Piano Accompaniment. Music Sales America. Classical. Novello and Co Ltd. #NOV950520. Published by Novello and Co Ltd.

Piano - difficult

SKU: HL.49008101

Part I-VI. Composed by Moritz Eggert. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1993-1994. 84 pages. Duration 40'. Schott Music #ED8622. Published by Schott Music (HL.49008101).

ISBN 9790001115513. UPC: 884088019273. 9.0x12.0x0.395 inches.

'Hammerklav ier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The 'Hammer' of the title refers not to the action of the pianoforte nor to Beethoven's 'Hammerklaviersonate' but to the mental approach required of the performer who needs to be a true 'performance artist'. The composer has recorded the entire cycle for WERGO (WER 6611-2). Ins Freie * Uber die ersten vier Tone by Lulu * One-Man Band * Two Miniatures * Fallstudie * Variationen on Teba'Ini Leh by Oum Kalsoum.