| Swingin' at the Riverside Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band/Harmonie and Saxophone Solo - Grade 2 SKU: BT.CMP-0991-06-010(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 2
SKU:
BT.CMP-0991-06-010
Composed by Stephen
Bulla. Young Band. Set
(Score & Parts). Composed
2006. Curnow Music #CMP
0991-06-010. Published by
Curnow Music
(BT.CMP-0991-06-010).
9x12
inches. Feature
anywhere from one
Saxophone up to the
entire Sax section in
Stephen Bulla’s
jazzy new arrangement
titled Swingin’ at
the Riverside. The quick,
rhythmic swing-style
music is catchy to say
the least! It’s
the perfect opportunity
to “lighten
up†during the next
concert performance. In
addition, it’s a
good piece to program
just before or after that
large work that’s
taxing for the Brass
players. It’s lots
of fun for Brasses to
play but gives them
plenty of short rests
throughout so they can
refresh their chops.
Now’s the time to
let the Saxes
shine!Light-hearted
and fun!
Dit
is een lekker vlot en
swingend werk waarin een
hoofdrol is weggelegd
voor de saxofoon. De
interactie tussen het
orkest en de solist(en)
is leuk en boeiend voor
zowel de muzikanten als
het publiek. De titel
Swingin’at the
Riversideis
natuurlijk een zinspeling
op de alom bekende
spiritual Down by the
Riverside, die te
horen is terwijl de
muziek zich ontvouwt. Een
levendige aanvulling op
uw eerstvolgende
concertprogramma!
Rücken Sie einen
Saxophonisten oder auch
das ganze Register ins
Rampenlicht - mit Stephen
Bullas jazzigen Titel
Swingin’ at the
Riverside haben Sie
die Wahl! Die flotte,
swingende rhythmische
Musik ist absolut
eingängig, ein
strahlendes Highlight
für jedes
Konzertprogramm!
Idealerweise planen Sie
dieses Stück nach
einem für die
Blechbläser
anstrengenden
Programmpunkt ein, da sie
hier zwar auch jede Menge
Spaß, aber auch
genügend Pausen haben.
Nun sind die Saxophone
dran!
Cette
œuvre de Stephen
Bulla trouve ses origines
dans le swing et combine
avec originalité
l’un des plus
célèbres standards
du jazz
Nouvelle-Orléans,
Down by the
Riverside.
L’accompagnement
est brillant et les
solistes effervescents !
Questo brano di
Stephen Bulla nasce dallo
swing e combina con
originalit uno dei più
grandi successi del jazz
di New Orleans, Down
by the Riverside.
L’accompagnamento
è brillante ed i
solisti semplicemente
sfavillanti! $84.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Selections from Rolling Stone Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 1
Saxophone Tenor [Partition + CD] - Facile Alfred Publishing
For Tenor Sax. Instrumental Series. Rolling Stone Magazine's 500 Greatest Songs ...(+)
For Tenor Sax.
Instrumental Series.
Rolling Stone Magazine's
500 Greatest Songs of All
Time. Level: Level 2-3.
Book and CD. 20 pages.
Published by Alfred
Publishing.
(2)$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Songs of Praise (Solo-Duet-Trio with Optional Piano)
Instrumentation Flexible [Partition] - Facile Alfred Publishing
(Tenor Sax). Arranged by Michael Lawrence. For Tenor Sax. Mixed Instruments - Fl...(+)
(Tenor Sax). Arranged by
Michael Lawrence. For
Tenor Sax. Mixed
Instruments - Flexible
Instrumentation; Worship
Resources. Favorite Pop
Instrumental Series.
Contemporary;
Contemporary Christian;
Sacred. Grade 2.5; Grade
3. Book. 40 pages
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| It Takes Four to Tango Quatuor de Clarinettes: 4 clarinettes [Conducteur et Parties séparées] Theodore Presser Co.
For 3 B-Flat Clarinets and Bass Clarinet (Quartet or Ensemble). By Daniel Dorff....(+)
For 3 B-Flat Clarinets
and Bass Clarinet
(Quartet or Ensemble). By
Daniel Dorff. Wind
quartet. For Clarinet I,
Clarinet II, Clarinet
III, Bass Clarinet. Score
and parts. 4 pages.
Duration 2:30. Published
by Theodore Presser
Company.
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| tellement froid que [Conducteur] Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics,
Scene SKU:
CA.1631000
(georgiques I), fur
bass flute and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
(r)TELLEMENT FROID QUE-
(GEORGIQUES I). Full
score. Composed 1995-96.
66 pages. Duration 20
minutes. Carus Verlag #CV
16.310/00. Published by
Carus Verlag
(CA.1631000). ISBN
9790007242800. Language:
all
languages. 1989.
Stay in Aix-en-Provence,
France, doing a language
course. Reading,
discussing and analyzing
Les Georgiques; this
pursuit is going to be
the foundation of the
multiple intellectual and
literary levels of my
composing. 2. THE WOODEN
PLATFORM IS COVERED WITH
FINE WHITE SAND (OR
SALT), THE TWO SHELVES
WITH BLACK CLOTH ... At
the time I work on my
first serious piece,
still a far cry from the
under-standing of writing
music I have today. <<
tellement froid que >>
(georgiques I) for bass
flute, electronics and
scene (1995-96), sections
1-7. << comme si le froid
>> (georgiques II) for
baritone saxophone,
timpani and piano (1998),
sections 18-24. <<
n'etait le froid >>
(georgiques III) for
orchestra (2000-2002),
sections not yet decided.
3. THE INTERPRETER WILL
BE DRESSED IN BLACK AND
WHITE, MAINLY WHITE IF
BLUISH LIGHT IS AT HAND
... The enormously rich
vocabulary and the
accuracy of expression -
in temporal, spatial and
material terms - is
particularly impressive.
To comprehend all of it,
a reading on three
different levels is
called for: a first
reading of one passage,
then the acquisition of
unknown vocabulary;
thirdly a repeated -
knowing - reading, which
points out the utopia of
precise expression: The
text is treated in a
rather problematic (cold:
le froid?) manner: it's
not the semantic content
that is primarily
dominant, but rather the
outward appearance, the
mise en page and the
syntactic structure. 4.
THE INTERPRETER ENTERS
THE STAGE WITH ALL THE
FLUTES (S)HE WILL PLAY
DURING THE CONCERT AND
DEPOSITS THEM - EXCEPT
FOR THE BASS FLUTE - ON
SHELF B; IF (S)HE ONLY
PLAYS THIS PIECE, (S)HE
SHOULD PUT THE PROGRAMME
OF THE CONCERT THERE; IN
ANY CASE THE INSTRUCTIONS
IN BAR 195 MUST BE
FOLLOWED ... In concrete
terms the 10 centimetres
of a line in the minuit
edition correspond to 10
seconds of musical
structure (which is three
times as slow as the
average reading speed).
Only seven years later is
the term / expression
casse ferique changed
into casse ferrique, and
thus its secret is
revealed, which almost
becomes - due to its
unreadability - the key
to the planned musical
cycle. The text is
measured from section to
section (big format: each
section is marked with a
continuous, ,,cold chord
by the bass flute, played
on tape recorder), from
full stop to full stop
(new entry of keynote
material), from comma to
comma (tripling of
continuous resonances)
etc. 5. DURING THE
PERFORMANCE UP TO BAR
195, THE INTERPRETER WILL
TRY - IN A KIND OF
THEATRICAL ADAPTATION -
TO EXPRESS HIS/HER OWN
FEELING OF IRREPRESSIBLY
GROWING FRUSTRATION; FROM
BAR 195 ONWARDS (S)HE
WILL DEFINITELY HAVE PUT
UP WITH THE BASS FLUTE
... Brackets in the text
bring about a reduction
of sound (the
differentiating micro
tones are no longer
used), the syntactical
progression to
subordinate clauses of
the remotest degree has
its immediate effect on
dynamics (degree of
volume). Then: the
perception of a logical
and yet erratic syntax,
vastly progressive layers
of subordinate clauses
and brackets (lowering
tone of voice?), a
polyphony of ,,memoire,
which leads to a
maelstrom of attention, a
tonally centric /
concentrated (main
material?) and
progressive (subordinate
and brackets-material?)
reading, listening and
proceeding. The different
levels are constantly in
touch - transferring the
sensuous moment of scenes
of bodily encounter
(Tryptique) that are
evoked again and again -
in perpetual excitement
of text and imagination,
memory and remembering
sensitivity. 6. THE BODY
MOVEMENTS AND FIXATION
(FIGE) , BOTH CLEARLY
PERCEPTIBLE, WILL EVOKE
AND SUPPORT THE SAME
EMOTIONS ... The basic
moods of the text will be
reflected in the
relationship (which is
very important here) of
the interpreter to the
music; (s)he is somehow
at the mercy of given
(and not always
transparent) structures
on the one hand and the
complexity of musical
sensations on the other,
which has to be defeated
inspite of exhaustion.
It's not only here that
semantic agreement
(besides the
materialistic structure)
of music and text can be
felt: On top of that
there's the existential
helplessness in view of
the mercilessly flowing
polyphony of levels and
events -- as a mirror of
this there are the
remembered scenes of the
Flemish cold in the
second chapter (Les
Georgiques). The
interpreters are
confronted with unusual
directions which
correspond to the
adjectives in the
respective passages of
the text: anachronique,
engourdi, glace et acre,
monotone et desert etc.
The possibilities of
interpretation are
amplified, the ability to
perceive and personal
reaction is opened. The
impression of this
inexorability is
multiplied in the
extremest way by the fact
that the particular
layers can be found in
Simon's complete works.
It's a continuous work of
art in which each novel
turns into a chapter of a
complex, cyclic whole;
its title denoting only
one main strand, as it
were. A personal comment
is made also as regards
the clearly defined
stage; the mise en scene
points out the
extra-musical elements
and the correlation
between text, human being
and music. 7. THE
INTERPRETER IS ASKED TO
MOVE FREELY WITHIN A
DEFINED SPOT WITHOUT
LOOKING ARTIFICIAL;
SOUNDS CAUSED BY THE FEET
MOVING ON THE SAND ARE
WELCOME DURING THE WHOLE
PIECE ... And here the
idea of a cycle is born,
an attempt to transfer
these nuances of
memorized structures,
this clarity and
coldness, to transform
the text into musical
material. Walter
Feldmann. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Intermediate Music for Three, Christmas, Part 2 - Flute/Oboe/Violin [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Flute or Oboe or Violin
in C. Trios. Intermediate
Music for Three.
Christmas. Intermediate.
Partbook - Part 2.
Published by Last Resort
Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Music for Three, Christmas, Part 2 - Clarinet/Trumpet [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Clarinet or Trumpet in
Bb. Trios. Intermediate
Music for Three.
Christmas. Intermediate.
Partbook - Part 2.
Published by Last Resort
Music Publishing
$18.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing Ariel Vocal Score [Conducteur] Schott
Mezzo-soprano voice, 2 soprano voices and 5 players (t.sax.(bcl) - tpt. - pf. - ...(+)
Mezzo-soprano voice, 2
soprano voices and 5
players (t.sax.(bcl) -
tpt. - pf. - vn.(va) *
db) SKU:
HL.49003206 Composed
by Alexander Goehr. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Commissioned by the
Aldeburgh Festival with
financial assistance from
the Arts Council of Great
Britain. Classical.
Score. Composed
1989-1990. Op. 51. 160
pages. Duration 45'.
Schott Music #ED 12451.
Published by Schott Music
(HL.49003206). ISBN
9790220118609.
8.25x11.75x0.499 inches.
English. W.H.
Auden: Sing, Ariel, sing
* Spenser: He ceast * E.
Pound: Tell her that
sheds * Milton: Such a
sacred and home-felt
delight * Th. Campion:
Rose-cheeked Laura, come
* Milton: Such sober
certainty * Shakespeare:
O you are well-tun'd now!
* W.B. Yeats: Old lecher
with a love on every wind
* J. Hollander: Across
the street a tenor whine
* Collins: With woeful
measures wan Despair *
Th. Hardy: Thus I,
faltering forward * W.H.
Ausen: ... rebuke * C.
Raine: There is so much
to celebrate * Coleridge:
I see them all *
Hollander: ... my
unground grain * W.
Stevens: The time of year
has grown indifferent *
W.H. Auden: ... unanxious
one, sing * P. larkin: I
squeezed up the last
stair to the room in the
roof * Shakespeare: Thou
hast nor youth nor age *
W. Stevens: The palm at
the end of the mind * W.
Stevens: Without human
meaning * H. Vaughan:
All's in deep sleep and
night * W. Stevens: The
rock of autumn,
glittering * W.H. Auden:
... brillantly,
lightly. $68.00 - Voir plus => Acheter | | |
| Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5 SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71). ISBN
9781491143544. UPC:
680160901043. Key: G
minor. Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak . $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Passings Advance Music
Oboe, Soprano Saxophone, Viola & Cello SKU: AP.1-ADV6010 Three Movemen...(+)
Oboe, Soprano Saxophone,
Viola & Cello SKU:
AP.1-ADV6010 Three
Movements for Improvising
(for Oboe, Soprano
Saxophone, Viola, and
Cello). Composed by
David Liebman. Mixed
Instruments - Quartet;
Quartet; Solo Small
Ensembles. Advance Music.
Jazz. Score and Part(s).
Advance Music
#01-ADV6010. Published by
Advance Music
(AP.1-ADV6010). ISBN
9783892215301. UPC:
805095060102.
English. It is
natural as we age to
contemplate the finality
of passing on, if not
personally, then
certainly as an effect
from others around you
whom have left this
space. Having to endure
the passing of family and
friends is of course very
trying. This is
especially true when the
perception is that
someone passed before
their time though there
are those of us who
believe in fate implying
that the Force works in
its own mysterious way.
Composers often
commemorate passings with
music as a means to mourn
and as well to celebrate
the life of an individual
who meant something to
them. Such is the nature
of this piece. Movement
1---Past uses as source
material themes I wrote
for my mother Frances and
father Leo when they
passed; movement
2---Present centers
around a choral (Prayer
for Mike) I wrote for my
dear friend, saxophonist
Michael Brecker when he
passed a few years ago.
This same period also saw
the passing of other
friends and associates
whom I had known for
years, all way too
premature, beginning with
JF Jenny Clarke and Bob
Berg, Hans Gruber, Thomas
Stowsand, David Baker,
James Williams, Dennis
Irwin, John Stubblefield.
The final
movement---Future is a
requiem of sorts for all
of us still here. With
its improvisational
character, it is meant to
suggest the positive
implications of living
life to its fullest.
Titles: Past *
Present * Future. $40.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ragtimes and Habaneras Orchestre d'harmonie [Conducteur] Schott
Winds (Score) - difficult SKU: HL.49012041 For Wind Band - Score. ...(+)
Winds (Score) - difficult
SKU: HL.49012041
For Wind Band -
Score. Composed by
Hans Werner Henze.
Arranged by Marcel
Wengler. This edition:
Paperback/Soft Cover.
Sheet music. Schott
Harmonie Serie (Concert
Band). Classical. Score.
Composed 1982. 99 pages.
Duration 14'. Schott
Music #SHS1004. Published
by Schott Music
(HL.49012041). ISBN
9790001100731. UPC:
073999895995.
9.0x12.0x0.315
inches. This work
was originally written
for brass band (see
there). At the composer's
request, his former pupil
Marcel Wengler wrote an
arrangement for Symphonie
wind band, which is equal
to the original in
ever-yway. Here Henze and
Wengler have given wind
players a work which
successfully combines a
popular style and to some
extent extremely witty
elements with the
resources of new music.
It is excellent concert
music for advanced and
Professional
orchestras.Hans Werner
Henze belongs to a small
circle of internationally
known cornposers of
serious contemporary
music. In his operas,
symphonies, and music for
ensembles and chamber
music groups, as well as
in his contributions to
music for amateurs, there
are works with a
distinctive sense of
form, delicate tonality
and rhythmic variety
which nonetheless never
lose sight of that
dimension of
humanity.Marcel Wengler
(born 1946) is now a
freelance composer. He
lives in
Luxemburg.
Picc. *
1 * 2 (ad lib.) * Engl.
Hr. (ad lib.) * Es-Klar.
* 3 * Altklar. (ad lib.)
* Bassklar. (ad lib.) * 2
Altsax. * 2 Tenorsax. *
Baritonsax. (ad lib.) * 1
(ad lib.) - 4 * 2 Flhr. *
Tenorflhr. * 3 * 3 * 2
Bombardini * 2 * 2
Kb.-Tb. - P. S. (Glsp. *
Xyl. [oder 3 Tempelbl.] *
Trgl. * Beckenpaar * 3
Bong. * kl. Tr. * 3 Tomt.
* gr. Tr. * Woodbl.) (3
Spieler). $83.00 - Voir plus => Acheter | | |
| Ragtimes and Habaneras Orchestre d'harmonie Schott
Set of Parts Winds (Parts) - difficult SKU: HL.49012042 For Wind Band ...(+)
Set of Parts Winds
(Parts) - difficult
SKU: HL.49012042
For Wind Band - Set of
Parts. Composed by
Hans Werner Henze.
Arranged by Marcel
Wengler. This edition:
Folding. Sheet music.
Schott Harmonie Serie
(Concert Band).
Classical. Set of Parts.
Composed 1982. 708 pages.
Duration 14'. Schott
Music #SHS 1004-50.
Published by Schott Music
(HL.49012042). ISBN
9790001100748. UPC:
073999330540.
8.5x12.0x2.22
inches. This work
was originally written
for brass band (see
there). At the composer's
request, his former pupil
Marcel Wengler wrote an
arrangement for Symphonie
wind band, which is equal
to the original in
ever-yway. Here Henze and
Wengler have given wind
players a work which
successfully combines a
popular style and to some
extent extremely witty
elements with the
resources of new music.
It is excellent concert
music for advanced and
Professional
orchestras.Hans Werner
Henze belongs to a small
circle of internationally
known cornposers of
serious contemporary
music. In his operas,
symphonies, and music for
ensembles and chamber
music groups, as well as
in his contributions to
music for amateurs, there
are works with a
distinctive sense of
form, delicate tonality
and rhythmic variety
which nonetheless never
lose sight of that
dimension of
humanity.Marcel Wengler
(born 1946) is now a
freelance composer. He
lives in
Luxemburg.
Picc. *
1 * 2 (ad lib.) * Engl.
Hr. (ad lib.) * Es-Klar.
* 3 * Altklar. (ad lib.)
* Bassklar. (ad lib.) * 2
Altsax. * 2 Tenorsax. *
Baritonsax. (ad lib.) * 1
(ad lib.) - 4 * 2 Flhr. *
Tenorflhr. * 3 * 3 * 2
Bombardini * 2 * 2
Kb.-Tb. - P. S. (Glsp. *
Xyl. [oder 3 Tempelbl.] *
Trgl. * Beckenpaar * 3
Bong. * kl. Tr. * 3 Tomt.
* gr. Tr. * Woodbl.) (3
Spieler). $360.00 - Voir plus => Acheter | | |
| Christmas Prophecy Deutscher Verlag für Musik
Violin 2 SKU: BR.DV-9515A-16 The people that walked in darkness. C...(+)
Violin 2 SKU:
BR.DV-9515A-16 The
people that walked in
darkness. Composed by
Johann Georg Reichard.
Voice; stapled. Deutscher
Verlag. Baroque period.
Part. 4 pages. Deutscher
Verlag fur Musik #DV
9515a-16. Published by
Deutscher Verlag fur
Musik (BR.DV-9515A-16).
ISBN 9790200490619. 9
x 12 inches.
German. In the
latter half of the 18th
and in the 19th century
the Old Preface Testament
Christmas prophecy
(Isaiah 9, 1-6) formed
the basis for numerous
motetto- and cantata-like
compositions originating
from the Erzgebirge and
the Vogtland of Saxony.
From very early times,
this text was included in
Matins for Christmas day,
hut until the period
specified it was usually
intoned on a reciting
note. The present cantata
is one of the few
surviving testimonies to
musical activity in the
small Thuringian town of
Schleiz. The prophecy Das
Volk, so im Finstern
wandelt was written -
probably for performance
at court services - in
all likelihood by Johann
Georg Reichard, a
magistrate in the
Grafschaft (County) of
Reuss who later held
higher judicial
appointments. Reichard
was born at Oels
(Olefoica) in Silesia in
1710 and studied law at
Leipzig from 1732. He
then went to Schleiz and
rose from the position of
archivist to high legal
office, at the same time
succeeding Gottfried
Siegmund Liebich (d.
1736) as director of the
court chapel. He died in
Schleiz on 2 June 1782. A
few of his church
cantatas and other pieces
(serenades etc) written
for the court at Schleiz
once belonged to the
Fursten- and Landesschule
of St Augustine at Grimma
whose music holdings are
now preserved in Dresden.
Some of Reichard's
compositions are
autograph, some in copies
made by his son Heinrich
Gottfried Reichard
(1742-1801) who pursued
an active career at
Grimma both in music and
ancient philology, first
as cantor, finally as
co-rector. The 'Prophecy'
cantata survives
anonymously in a score
copied by Heinrich
Gottfried Reichard who
may well have sung it
himself when he was
fourteen, before bis
voice broke - as the date
Anno 17 56 suggests. He
probably prepared the
score in bis later years
from the original parts,
now no langer existent,
as he did in the case of
other works of his
father's. Whether he
revised the musical text,
and to what extent,
cannot now be
established. This short
and attractive work has
all the lightness and
exuberance of the rococo
as well as genuine
emotional depth. In
addition, it is easy to
perform and should prove
very popular.
Liturgically, it still
occupies a place in
Christmas matins or
vespers. Permission for
this publication was
kindly given by Dr.
Wolfgang Reich of the
Sachsische
Landesbibliothek Dresden,
Musikabteilung. Wolfram
Steude, Dresden, January
1972. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christmas Prophecy [Conducteur] Deutscher Verlag für Musik
Voice(s) with various inst. SKU: BR.DV-9515-01 The people that walked ...(+)
Voice(s) with various
inst. SKU:
BR.DV-9515-01 The
people that walked in
darkness. Composed by
Johann Georg Reichard.
Edited by Wolfram Steude.
Voice; stapled. Deutscher
Verlag. Baroque period.
Full Score. 24 pages.
Deutscher Verlag fur
Musik #DV 9515-01.
Published by Deutscher
Verlag fur Musik
(BR.DV-9515-01). ISBN
9790200490596. 9 x 12
inches. German /
English. In the
latter half of the 18th
and in the 19th century
the Old Preface Testament
Christmas prophecy
(Isaiah 9, 1-6) formed
the basis for numerous
motetto- and cantata-like
compositions originating
from the Erzgebirge and
the Vogtland of Saxony.
From very early times,
this text was included in
Matins for Christmas day,
hut until the period
specified it was usually
intoned on a reciting
note. The present cantata
is one of the few
surviving testimonies to
musical activity in the
small Thuringian town of
Schleiz. The prophecy Das
Volk, so im Finstern
wandelt was written -
probably for performance
at court services - in
all likelihood by Johann
Georg Reichard, a
magistrate in the
Grafschaft (County) of
Reuss who later held
higher judicial
appointments. Reichard
was born at Oels
(Olefoica) in Silesia in
1710 and studied law at
Leipzig from 1732. He
then went to Schleiz and
rose from the position of
archivist to high legal
office, at the same time
succeeding Gottfried
Siegmund Liebich (d.
1736) as director of the
court chapel. He died in
Schleiz on 2 June 1782. A
few of his church
cantatas and other pieces
(serenades etc) written
for the court at Schleiz
once belonged to the
Fursten- and Landesschule
of St Augustine at Grimma
whose music holdings are
now preserved in Dresden.
Some of Reichard's
compositions are
autograph, some in copies
made by his son Heinrich
Gottfried Reichard
(1742-1801) who pursued
an active career at
Grimma both in music and
ancient philology, first
as cantor, finally as
co-rector. The 'Prophecy'
cantata survives
anonymously in a score
copied by Heinrich
Gottfried Reichard who
may well have sung it
himself when he was
fourteen, before bis
voice broke - as the date
Anno 17 56 suggests. He
probably prepared the
score in bis later years
from the original parts,
now no langer existent,
as he did in the case of
other works of his
father's. Whether he
revised the musical text,
and to what extent,
cannot now be
established. This short
and attractive work has
all the lightness and
exuberance of the rococo
as well as genuine
emotional depth. In
addition, it is easy to
perform and should prove
very popular.
Liturgically, it still
occupies a place in
Christmas matins or
vespers. Permission for
this publication was
kindly given by Dr.
Wolfgang Reich of the
Sachsische
Landesbibliothek Dresden,
Musikabteilung. Wolfram
Steude, Dresden, January
1972. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Christmas Prophecy Deutscher Verlag für Musik
Violin 1 SKU: BR.DV-9515A-15 The people that walked in darkness. C...(+)
Violin 1 SKU:
BR.DV-9515A-15 The
people that walked in
darkness. Composed by
Johann Georg Reichard.
Voice; stapled. Deutscher
Verlag. Baroque period.
Part. 4 pages. Deutscher
Verlag fur Musik #DV
9515a-15. Published by
Deutscher Verlag fur
Musik (BR.DV-9515A-15).
ISBN 9790200490602. 9
x 12 inches.
German. In the
latter half of the 18th
and in the 19th century
the Old Preface Testament
Christmas prophecy
(Isaiah 9, 1-6) formed
the basis for numerous
motetto- and cantata-like
compositions originating
from the Erzgebirge and
the Vogtland of Saxony.
From very early times,
this text was included in
Matins for Christmas day,
hut until the period
specified it was usually
intoned on a reciting
note. The present cantata
is one of the few
surviving testimonies to
musical activity in the
small Thuringian town of
Schleiz. The prophecy Das
Volk, so im Finstern
wandelt was written -
probably for performance
at court services - in
all likelihood by Johann
Georg Reichard, a
magistrate in the
Grafschaft (County) of
Reuss who later held
higher judicial
appointments. Reichard
was born at Oels
(Olefoica) in Silesia in
1710 and studied law at
Leipzig from 1732. He
then went to Schleiz and
rose from the position of
archivist to high legal
office, at the same time
succeeding Gottfried
Siegmund Liebich (d.
1736) as director of the
court chapel. He died in
Schleiz on 2 June 1782. A
few of his church
cantatas and other pieces
(serenades etc) written
for the court at Schleiz
once belonged to the
Fursten- and Landesschule
of St Augustine at Grimma
whose music holdings are
now preserved in Dresden.
Some of Reichard's
compositions are
autograph, some in copies
made by his son Heinrich
Gottfried Reichard
(1742-1801) who pursued
an active career at
Grimma both in music and
ancient philology, first
as cantor, finally as
co-rector. The 'Prophecy'
cantata survives
anonymously in a score
copied by Heinrich
Gottfried Reichard who
may well have sung it
himself when he was
fourteen, before bis
voice broke - as the date
Anno 17 56 suggests. He
probably prepared the
score in bis later years
from the original parts,
now no langer existent,
as he did in the case of
other works of his
father's. Whether he
revised the musical text,
and to what extent,
cannot now be
established. This short
and attractive work has
all the lightness and
exuberance of the rococo
as well as genuine
emotional depth. In
addition, it is easy to
perform and should prove
very popular.
Liturgically, it still
occupies a place in
Christmas matins or
vespers. Permission for
this publication was
kindly given by Dr.
Wolfgang Reich of the
Sachsische
Landesbibliothek Dresden,
Musikabteilung. Wolfram
Steude, Dresden, January
1972. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120812 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Single Part,
violin 2. Composed 1713.
BWV 208. 8 pages.
Duration 38 minutes.
Carus Verlag #3120800.
Published by Carus Verlag
(CA.3120812). ISBN
9790007294496.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120813 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Single Part,
viola. Composed 1713. BWV
208. 8 pages. Duration 38
minutes. Carus Verlag
#3120800. Published by
Carus Verlag
(CA.3120813). ISBN
9790007294502.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120814 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Single Part,
bassoon/violoncello.
Composed 1713. BWV 208.
24 pages. Duration 38
minutes. Carus Verlag
#3120800. Published by
Carus Verlag
(CA.3120814). ISBN
9790007294519.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120811 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Single Part,
violin 1. Composed 1713.
BWV 208. 12 pages.
Duration 38 minutes.
Carus Verlag #3120800.
Published by Carus Verlag
(CA.3120811). ISBN
9790007294489.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight [Conducteur] - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120800 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Carus digital:
Extra digital products.
Full Score. Composed
1713. BWV 208. 80 pages.
Duration 38 minutes.
Published by Carus Verlag
(CA.3120800). ISBN
9790007244538.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120803 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Vocal score.
Composed 1713. BWV 208.
56 pages. Duration 38
minutes. Carus Verlag
#3120800. Published by
Carus Verlag
(CA.3120803). ISBN
9790007244545.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120809 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Set of
Orchestra Parts. Composed
1713. BWV 208. Duration
38 minutes. Carus Verlag
#3120800. Published by
Carus Verlag
(CA.3120809). ISBN
9790007294472.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120819 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Set of
Orchestra Parts. Composed
1713. BWV 208. Duration
38 minutes. Carus Verlag
#3120800. Published by
Carus Verlag
(CA.3120819). ISBN
9790007293130.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $142.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120805 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Choral Score.
Composed 1713. BWV 208. 8
pages. Duration 38
minutes. Carus Verlag
#3120800. Published by
Carus Verlag
(CA.3120805). ISBN
9790007244552.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The merry chase, the hunt is my delight - Intermédiaire Carus Verlag
Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, ...(+)
Soli SSTB, Chor SS(A)TB,
2 Blf, 2 Ob, Taille
(Sinfonia: 3 Ob), Fg, 2
Cor, 2 Vl, Va, Vne, Bc -
Level 3 SKU:
CA.3120848 Hunting
Cantata. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Single Part,
harpsichord. Composed
1713. BWV 208. 32 pages.
Duration 38 minutes.
Carus Verlag #3120800.
Published by Carus Verlag
(CA.3120848). ISBN
9790007244569.
German/English. Text:
Franck, Salomo. A
joyful dispute of the
gods is how Johann
Sebastian Bach's
librettist Salomon Franck
described the Birthday
Cantata for the court of
Saxony-Weissenfels, now
generally known as the
Hunting Cantata BWV 208.
The work was probably
first performed with the
composer present on 23
February 1713, Duke
Christian's 31st
birthday. On that
occasion the choir may
have numbered just four
soloists, but it can of
course be larger. Bach
also went on to perform
this colorful and varied
work, comprising 15 short
movements, several
times.
As the
cantata begins with a
recitative, there is an
opportunity to precede it
with an instrumental
movement. A suitable
piece is the opening
movement of the 1st
Brandenburg Concerto BWV
1046 with its hunting
horn sounds, which Bach
also used later in other
works such as the church
cantata BWV 52. The
edition includes this
movement from BWV 1046a
(the oldest version) as a
performance
suggestion. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Saxmania Pop Greats 2 Music Sales
| | |
| Festival March Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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