Par TELEMANN GEORG PHILIPP. Also suitable for flute and violin/ Répertoire / Flûte à Bec Alto ou Flûte Traversière), Hautbois o

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical 'Annus qui' in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgicalattitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). / Messe / Répertoire / Solistes SS, Choeur SATB, 2 Violons, Violoncelle o

For Treble Recorder Or Flûte, Oboe Or Violin And Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / Flûte à Bec Alto ou Flûte Traversière), Hautbois o

Par STRADELLA ALESSANDRO / TARR. for trumpet, harpsichord and string orchestra/ Répertoire / Trompette Solo, Orchestre à Cordes et Clavier ou O

Tonalité : F-Dur - Hob. Xxii:1. Par HAYDN FRANZ JOSEF. Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical 'Annus qui' in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgicalattitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). / Messe / Répertoire / Solistes SS, Choeur SATB, 2 Violons, Violoncelle o

Par NILSSON BO. / Répertoire / Soprano, Alto, Choeur de Femmes, 4 Narrateurs et O

Christmas Oratorio. Par SCHUTZ HEINRICH. Probably first performed in 1660 this is the first German musical version of the Christmas Story, in which the words are narrated by the Evangelist as accompanied recitative and not set to music in the form of unaccompanied chorales. Set of parts: Flute (2), Bassoon (2), Trumpet (2), Trombone (2), Violin (2), Viola (2), Trombone, Violetta, 1. Viola, Violetta, 2. Viola, Violoncello, Viola da gamba, Double bass, Violoncello, Double bass. / Oratorio / Répertoire / Solistes (SAAATTTTBBB), Choeur Mixte (SSATTB) et O

Par CLERAMBAULT LOUIS-NICOLAS. / Répertoire / 2 Violons ou Flûtes Traversières ou Flûtes à Bec o

Magnificat. Aus: Des Königs Und Propheten Davids 119. Psalm In 11 Stücken (Op.Ultimum). Par SCHUTZ HEINRICH. Tonalité : a-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 494 / Hymnes et chorals / Répertoire / Choeur SATB/SATB, (8 Instruments, Contrebasse et O

Par BACH JOHANN LUDWIG / BACH JOHANN SEBASTIAN / BACH . Missa brevis, lateinisch - Langue : Latin / Messe / Répertoire / Solistes ou Choeur SATB, c.-f.-Choeur, 2 Violons o

Par BACH JOHANN LUDWIG / BACH JOHANN SEBASTIAN / BACH . Missa brevis, lateinisch - Langue : Latin / Messe / Répertoire / Solistes ou Choeur SATB, c.-f.-Choeur, 2 Violons o

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. O Saving Victim was completed on 16th March, 2003, and was premiered by the choir of St Mary's Church, Goochland, VA, directed by Hope Armstrong Erb. The solo lines in this piece should blend with the rest of the chorus as much as possible. In large choirs, the solo lines in bars 21-22 and 26-30 may be sung by a pair or small group of people to preserve balance. This does not apply to the unaccompanied solos in bar 30-35. Zachary Wadsworth's 'vivid, vital, and prisimatic' music has established him as one of the leading composers of his generation, especially among those writing vocal, choral and operatic works. As winner of the 2011 King James Bible Composition Award, Wadsworth's anthem Out of the South Cometh the Whirlwind was performed by the choir of Westminster Abbey in the presence of Queen Elizabeth II. Other recent honours include awards from the American Academy of Arts and Letters, ASCAP, and the American Composers Forum, and performances by the Washington National Opera Chorus, Boston Metro Opera, Long Leaf Opera, the Buffalo Philharmonic Orchestra, and the Atlanta Philharmonic Orchestra. Wadsworth's music is widely broadcast and distributed, with a recent commission from Choir and Organ magazine, and frequent airings on the BBC, NPR and CBC. / Choeur SATB

Par LOEILLET JEAN-BAPTISTE. Also suitable for flute and violin/ Répertoire / Flûte à Bec Alto ou Flûte Traversière), Hautbois o