By Misuzu McManus. For SSAA Choir, piano, flute or oboe, bell. Choral. Easy. Choral octavo

(For Orchestra). By Bernard Rogers. Orchestra. For Piccolo, Flute (Bass in C), Flute (Alto in G), Oboe, English Horn, Clarinet (in A), Clarinet (in Bb), Bass Clarinet (in Bb), Bassoon, Contra Bassoon, Horn, Trumpet, Tenor, Tuba, Harp, Piano, Celesta, Mezzo-Soprano, Timpani, Percussion, Snare Drum, Tenor D. This edition: study score. Classical. Full Score - Study. Standard notation. Composed 1933. 65 pages

By Misuzu McManus. For SATB choir, piano (with optional flute (oboe), orchestra bells). Concert. Medium. Octavo. Published by Santa Barbara Music Publishing

(Japanese Folk Song). By Anonymous. Arranged by Nancy Fairchild. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet (in Bb), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Baritone (Treble Clef in Bb), Tuba, Percussion, Percussion, Percussion, Percussion. This edition: Beginning band. Carl Fischer Beginning Band Series. Classical. Grade 1. Score and Set of Parts. Standard notation. 12 pages. Duration 3 minutes, 10 seconds. Published by Carl Fischer

(For 5 Japanese Drums and Orchestra). By Lowell Liebermann. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, Contrabassoon, 4 French Horns, 3 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani, 4 Percussion, 5 Daiko Soloists, Strings. World Premiere: Members of the Kodo Ensemble, the Kalamazoo Symphony, Yoshimi Takeda, conductor. Contemporary. Full score (study). Standard notation. Opus 52. Duration 15 minutes. Published by Theodore Presser Company

Chamber Music Piano, soprano Saxophone

SKU: PR.114419290

Composed by Chen Yi. Edited by Chen Yi. Arranged by Wong Tak Chiu. Sws. Score and parts. 44 pages. Duration 20 minutes. Theodore Presser Company #114-41929. Published by Theodore Presser Company (PR.114419290).

ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches.

Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018.